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311:, which soon became known as the "Pit" series. In 1980, he executed about 50 small-format etchings which he called the "Domestic Scenes". These two extraordinary groups of prints served to establish Kentridge's artistic identity, an identity he has continued to develop in various media. Despite his ongoing exploration of non-traditional media, the foundation of his art has always been drawing and printmaking.
115:, especially noted for a sequence of hand-drawn animated films he produced during the 1990s. The latter are constructed by filming a drawing, making erasures and changes, and filming it again. He continues this process meticulously, giving each change to the drawing a quarter of a second to two seconds' screen time. A single drawing will be altered and filmed this way until the end of a scene. These
459:"In the same way that there is a human act of dismembering the past there is a natural process in the terrain through erosion, growth, dilapidation that also seeks to blot out events. In South Africa this process has other dimensions. The very term 'new South Africa' has within it the idea of a painting over the old, the natural process of dismembering, the naturalization of things new."
288:, written along the side of the print, is suggestive of the narrative and is oxymoronic. A casspir full of love is much like a bomb that bursts with happiness – it is an intangible improbability. The purpose of a machine such as this is to instil "peace" by force, but Kentridge noted that it was used as a tool to keep lower-class natives from taking colonial power and money.
714:(2013), referring in title to the allusional device using pictures to represent words or parts of words, is a series of bronze sculptures that form two distinct images when turned to a certain angle; when paired in correspondence, for example, a final image – a nude – is created from two original forms – a stamp and a telephone.
487:, erasing certain areas of it, re-drawing them and thus creating the next frame. He is able in this way to create as many frames as he wants based on the original key frame simply by erasing small sections. Traces of what has been erased are still visible to the viewer; as the films unfold, a sense of fading
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in 2012, consider the work in the studio and the studio as a place of making meaning developed. A series of large drawings of trees in Indian ink on found encyclopedia pages, torn up and reassembled, analyzes the form of different trees indigenous to southern Africa. Drawn across multiple pages from
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Kentridge's protean artistic investigation continues in his series of tapestries begun in 2001. The tapestries stem from a series of drawings in which he conjured shadowy figures from ripped construction paper; he made a collage of these with the web-like background of nineteenth-century atlas maps.
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either; he presents instead a city in which the duality of man is exposed. In a series of nine short films, he introduces two characters – Soho
Eckstein and Felix Teitlebaum. These characters depict an emotional and political struggle that ultimately reflects the lives of many South Africans in the
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For the series, he used a technique that would become a feature of his work – successive charcoal drawings, always on the same sheet of paper, contrary to the traditional animation technique in which each movement is drawn on a separate sheet. In this way, Kentridge's videos and films came to keep
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of a given work. One must use one's gut reactions as well as one's interpretive skills to find meaning in
Kentridge's work, much of which reveals very little content. Due to the sparse, rough and expressive qualities of Kentridge's handwriting, the viewer sees a sombre picture upon first glance, an
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The political content and unique techniques of
Kentridge's work have propelled him into the realm of South Africa's top artists. Working with what is in essence a very restrictive media, using only charcoal and a touch of blue or red pastel, he has created animations of astounding depth. A theme
198:, but said later: "I was fortunate to discover at a theatre school that I was so bad at being an actor I was reduced to an artist, and I made my peace with it." Between 1975 and 1991, he was acting and directing with Johannesburg's Junction Avenue Theatre Company. In the 1980s, he worked on
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Kentridge has created art work as part of design of theatrical productions, both plays and operas. He has served as art director and overall director of numerous productions, collaborating with other artists, puppeteers and others in creating productions that combine drawings and multi-media
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as being about getting the hand to lead the brain, rather than letting the brain lead the hand. "It has to be a mark of something out there in the world. It doesn't have to be an accurate drawing, but it has to stand for an observation, not something that is abstract, like an emotion."
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Kentridge has been commissioned to create stage design and act as a theatre director in opera. His political perspective is expressed in his opera directions, which involves different layers: stage direction, animation movies, and influences of the puppet world. He has staged
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running through all of his work is his peculiar way of representing his birthplace. While he does not portray it as the militant or oppressive place that it was for black people, he does not emphasise the picturesque state of living that white people enjoyed during
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To adapt these figures as tapestry, Kentridge worked in close collaboration with the
Johannesburg-based Stephens Tapestry Studio, mapping cartoons from enlarged photographs of the drawings and hand-picking dyes to colour the locally spun mohair (goat hair).
525:. Kentridge states that, although his work does not focus on apartheid in a direct and overt manner, but on the contemporary state of Johannesburg, his drawings and films are certainly influenced by the brutalised society that resulted from the regime.
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Kentridge's artworks are among the most sought-after and expensive works in South Africa: "a major charcoal drawing by world-renowned South
African artist William Kentridge could set you back some £250,000". Kentridge is represented by
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is perhaps his most severe comment on the state of South Africa during apartheid. The languid diners sit at ease while the surrounding area is ravaged, torn and burned, a contrast that is reflected in his style and choice of colours.
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or the passing of time and the traces it leaves behind are portrayed. Kentridge's technique grapples with what is not said, what remains suppressed or forgotten but can easily be felt.
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McCulloch, Samantha; Williams-Wynn, Christopher (2015). "Conflicts between context and content in
William Kentridge: Five Themes : a case study of the Melbourne exhibition".
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The South
African record for Kentridge is R6.6 million ($ 320,000), set at Aspire Art Auctions in Johannesburg in 2018. One of his bronze pieces reached $ 1.5 million at
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536:, uncompleted movements and uncertain endings, all of which seem like insignificant subtleties but can be attributed to most of the calamity presented in his work. In a
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Artlook South Africa Authors Corinne Louw, Alexandra J. Dodd, Gahlberg Gallery; Publisher Gahlberg Gallery, McAninch Arts Center, College of DuPage, 2001
1453:("That Which is Not Drawn") (9 October 2020 — 21 February 2021). Large retrospective including drawings, large-format tapestries, the audiovisual installation
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system. He was educated at King Edward VII School in
Houghton, Johannesburg. He showed great artistic promise from an early age, and began taking classes with
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In the nine films that follow Soho
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Kentridge believed that being ethnically Jewish gave him a unique position as a third-party observer in South Africa. His parents were
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In 1988, Kentridge co-founded Free Film-makers Co-Operative in Johannesburg. In 1999, he was appointed a film-maker by Stereoscope.
483:, whose seamlessness de-emphasizes the fact that it is actually a succession of hand-drawn images. This he implements by drawing a
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Cole, William. "Privileged Access, Judiciously Shared. Matthew Kentridge, The Soho Chronicles: 10 Films by William Kentridge."
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Coumans, Sandra. "Geschichte und Identität. Black Box / Chambre noire von William Kentridge", Regiospectra Verlag Berlin, 2012.
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at age eight. In 2016, he became perhaps the first artist to have a catalogue raisonné devoted exclusively to his juvenilia.
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invited to deliver the distinguished Charles Eliot Norton lectures in early 2012. That same year, he was elected to the
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books, each drawing is put together as a puzzle – the single pages first painted, then the whole pieced together.
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Between 1989 and 2003, Kentridge made a series of nine short films, which he eventually gathered under the title
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273:, appears to be nothing more than heads in boxes to the average American viewer, but South Africans know that a
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3114:, Interview with William Kentridge, by Flavia Foradini, The Art Newspaper, online edition, 13 Dec 2013
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that have transpired over the years in South Africa have often become fodder for Kentridge's pieces.
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themes from a personal and, at times, autobiographical point of view, since the author includes his
366:"My drawings don't start with a 'beautiful mark'," writes Kentridge, thinking about the activity of
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impression that is perpetuated as the image illustrates a vulnerable and uncomfortable situation.
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McCulloch, Samantha; Williams-Wynn, Christopher (2015). "Conflicts between context and content in
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In 1986, he began a group of charcoal and pastel drawings based, very tenuously, on Watteau's
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567:"Purely in the context of my own work," he wrote in a published playscript of his celebrated
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1476:"That Which We Do Not Remember", part of Kaunas European capital of culture 2022 program.
1461:. CCCB’s exhibit has been the first place in Europe to premiere Kentridge’s latest film,
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By the mid-1970s, Kentridge was making prints and drawings. In 1979, he created 20 to 30
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William Kentridge Joins Hauser & Wirth, Departing Longtime Dealer Marian Goodman
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William Kentridge Joins Hauser & Wirth, Departing Longtime Dealer Marian Goodman
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William Kentridge Joins Hauser & Wirth, Departing Longtime Dealer Marian Goodman
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2076:"William Kentridge: Breathe, Dissolve, Return – September 11 – October 16, 2010"
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In November 2015 his "provocative and visually stunning new staging" of Berg's
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1992 Woyzeck on the Highveld awards for production, set design & direction
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2853:"South Africa's Art Scene Is Poised for a Breakthrough – At Home and Abroad"
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the traces of the previous drawings. His animations deal with political and
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2054:"Notations/William Kentridge: Tapestries December 12, 2007 – April 6, 2008"
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William Kentridge: The Refusal of Time at The Metropolitan Museum of Art
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The Juvenilia of William Kentridge: An Unauthorized Catalogue Raisonné
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Kentridge's works are included in the following permanent collections:
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2503:"Modern art stuns in Bruges: Smoke, Ashes, Fable by William Kentridge"
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2301:"SA hasn't got it in the Cannes: Entertainment: South Africa: News24"
2244:"William Kentridge unveils 550-metre frieze along Rome's River Tiber"
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As for more direct political issues, Kentridge says his art presents
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from the Johannesburg Art Foundation. In the early 1980s, he studied
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2004:"William Kentridge – May 6 – June 18, 2011 – Marian Goodman Gallery"
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How We Make Sense of the World. An interview with William Kentridge
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Edmunds, Paul. "William Kentridge's SANG Retrospective", Artthrob:
2627:"William Kentridge Gives Major Collection to George Eastman Museum"
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2555:""That Which We Do Not Remember" Exhibition by William Kentridge"
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Print from portfolio 'Ubu Tells the Truth' by William Kentridge,
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Gattinara, Federico Castelli; McGivern, Hannah (22 April 2016).
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for which he made the stage and set design for the performance.
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William Kentridge believes South Africa let Nelson Mandela down
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is a vehicle used to put down riots, a kind of a crowd-control
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from the article and its talk page, especially if potentially
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Cole, William. "On Some Early Prints by William Kentridge",
1515:(London). An edition of the five-channel video installation
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In 1996–1997, he produced a portfolio of eight prints titled
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2167:"Olivier Awards 2023 – winners are announced | WhatsOnStage"
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2831:"Kentridge artwork sells for R6.6m at Johannesburg auction"
1977:"Exploring Apartheid and Animation at Museum of Modern Art"
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Laurence Olivier Award for Outstanding Achievement in Opera
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William Kentridge Commits Murder Most Excellent at the Met
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Kentridge's Five Themes exhibit was included in the 2009
1438:: "More Sweetly Play the Dance" (Opened 4 November 2018)
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L'École Internationale de Théâtre Jacques Lecoq alumni
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Kentridge Studio - Official site for William Kentridge
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2696:"Columbia's 2022 Honorary Degree Recipients Announced"
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1367:: William Kentridge – The Nose (4 June to 6 September)
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In 1989, he began the first of those animated movies,
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Fellows of the American Academy of Arts and Sciences
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1850:"15 Minutes With Visionary Artist William Kentridge"
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heritage, he is the son of the South African lawyer
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Sistema de Orquesta Juvenil e Infantil de Venezuela
2582:"William Kentridge review – the sound and the fury"
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1986 Market Theatre Award for New Vision exhibition
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726:'s legendary founding in 753BC, Kentridge unveiled
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2192:"Comune di Napoli – Municipalità 2 – Notte d'Arte"
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1740:2021 Honorary Doctor of Vrije Universiteit Brussel
3067:. Cape Town: University of Cape Town Press, 2007.
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1457:and the full series of 11 short animation films,
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1897:: CS1 maint: bot: original URL status unknown (
1879:. Archived from the original on 23 December 2004
1789:(since 2024). From 1999 to 2024, he worked with
111:artist best known for his prints, drawings, and
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2115:"Lulu – February 2015 – The Metropolitan Opera"
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467:but in all his animated works, the concepts of
188:L'École Internationale de Théâtre Jacques Lecoq
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1171:2009 The Norton Museum of Art, West Palm Beach
37:William Kentridge at an exhibition opening at
3595:Members of the American Philosophical Society
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3021:: a case study of the Melbourne exhibition".
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2698:. Columbia University in the City of New York
2117:. metopera.org. February 2015. Archived from
1003:2000 Artlook South Africa, Gahlberg Gallery,
218:, well-known for their defence of victims of
1743:2022 Honorary Doctor of Humane Letters from
1706:2004 Honorary Doctor of Literature from the
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1443:Centre de Cultura Contemporània de Barcelona
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2900:Cameron, Dan; Christov-Bakargiev, Carolyn;
2652:"Bastille Day celebrations in South Africa"
1356:: If We Ever Get To Heaven (till 31 August)
777:Johannesburg, 2nd Greatest City After Paris
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385:Johannesburg, 2nd Greatest City After Paris
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2999:Kentridge, William. "Director's Note". In
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1580:about living persons that is unsourced or
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2851:Jason Edward Kaufman (19 February 2013).
2607:"The sun never sets on William Kentridge"
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1651:Learn how and when to remove this message
1432:Centro de las Artes de San Agustín (CaSa)
1190:Hiroshima City Museum of Contemporary Art
938:Kentridge's films were shown at the 2004
2142:"Wozzeck – August 2017 – New York Times"
1061:Museo de Arte Contemporáneo de Monterrey
746:Kentridge is married to Anne Stanwix, a
691:In 2009, Kentridge, in partnership with
649:. On 8 August 2017, William Kentridge's
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3590:20th-century South African male artists
3585:21st-century South African male artists
3432:Princess of Asturias Award for the Arts
2719:"William Kentridge – The 2009 TIME 100"
2559:M. K. Čiurlionis National Museum Of Art
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1827:"William Kentridge | Who's Who SA"
1764:In 2012, Kentridge was in residence at
1674:1986 AA vita Award at Cassirer fine Art
1668:1982 Red Ribbon Award for Short Fiction
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3540:Kyoto laureates in Arts and Philosophy
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3013:: University of Cape Town Press, 2007.
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1282:Australian Centre for the Moving Image
1262:Garage Center for Contemporary Culture
663:and received enthusiastic reactions.
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577:In 2001, Creative Time aired his film
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3177:Prince of Asturias Award for the Arts
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2953:. Sitges: Cole & Contreras, 2016.
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670:for the production of 'Sybil' at the
3164:Prince or Princess of Asturias Award
3083:William Kentridge at Goodman Gallery
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2580:Searle, Adrian (20 September 2022).
1946:, 1996–97, accession TCM.1998.16.1–8
1942:Honolulu Museum of Art, wall label,
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1470:M. K. Čiurlionis National Art Museum
1167:National Museum of Modern Art, Kyoto
977:Barcelona Museum of Contemporary Art
2605:Charlotte Burns (10 October 2014),
2449:. Pinacoteca.org.br. Archived from
2447:"Pinacoteca do Estado de Sуo Paulo"
2219:. Mariangoodman.com. Archived from
2006:. Mariangoodman.com. Archived from
1975:Smith, Roberta (25 February 2010).
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1505:Museum of Contemporary Art, Chicago
1338:2014 Fortune: Banco de la República
1085:2007 University of Brighton Gallery
1067:Museum of Contemporary Art, Chicago
911:Kentridge and Dumas in Conversation
810:Sobriety, Obesity & Growing Old
397:Sobriety, Obesity & Growing Old
337:Truth and Reconciliation Commission
335:. These prints also relate to the
194:. He originally hoped to become an
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3570:South African contemporary artists
1736:Commandeur des Arts et des Lettres
1529:San Francisco Museum of Modern Art
1145:San Francisco Museum of Modern Art
1139:Chicago Museum of Contemporary Art
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3024:Museum Management and Curatorship
2928:Palais de Beaux-Arts de Bruxelles
2829:Ernest Mabuza (29 October 2018).
2770:"Women24 - Your voice, every day"
2625:Barone, Joshua (8 October 2015).
2365:Museum Management and Curatorship
2331:"William Kentridge Seeing Double"
2140:Woolfe, Zachary (9 August 2017).
1330:Pinacoteca do Estado de São Paulo
1197:Colorado Springs Fine Arts Center
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3099:Interview with William Kentridge
2961:Contemporary Art in South Africa
2939:vol. XXVI no. 3 (2009), 268–273.
2654:. French Embassy in South Africa
2421:"A Universal Archive exhibition"
2347:"William Kentridge: Five Themes"
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666:In 2023, Kentridge received the
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2486:"William Kentridge: Tapestries"
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1300:2012 Instituto Moreira Salles,
1151:Modern Art Museum of Fort Worth
1128:William Kentridge Seeing Double
1039:2005 Musée d'art Contemporain,
168:University of the Witwatersrand
82:and Johannesburg Art Foundation
80:University of the Witwatersrand
3284:Francisco Javier Sáenz de Oiza
3127:culturebase: William Kentridge
3019:William Kentridge: Five Themes
2877:Sarah Douglas (7 March 2024),
2809:Sarah Douglas (7 March 2024),
2790:Sarah Douglas (7 March 2024),
1936:
1927:
1918:
1905:
1869:
1860:
1841:
1819:
1810:
1770:American Philosophical Society
1523:, was jointly acquired by the
1490:
1382:Louisiana Museum of Modern Art
1370:2015 Royal Academy Summer show
1350:EYE Film Institute Netherlands
1225:William Kentridge: Five Themes
945:
1:
3037:10.1080/09647775.2015.1060866
2946:vol. 74, no. 4 (winter 2015).
2926:. Societé des Expositions du
2894:
2377:10.1080/09647775.2015.1060866
1911:Cameron, Christov-Bakargiev,
1775:
1343:William Kentridge: Tapestries
832:History of the Main Complaint
677:
597:Il ritorno d'Ulisse in patria
405:History of the Main Complaint
239:form often alludes to content
3065:Ubu and the Truth Commission
3002:Ubu and the Truth Commission
2473:"Willam Kentridge — Fortuna"
1558:biography of a living person
758:and the lawyer and activist
722:In 2016, the anniversary of
686:
570:Ubu and the Truth Commission
7:
2920:Christov-Bakargiev, Carolyn
2717:Reed, Lou (30 April 2009).
1585:must be removed immediately
1501:Kalamazoo Institute of Arts
1455:More Sweetly Play the Dance
1389:Museum der Moderne Salzburg
451:In an introductory note to
10:
3616:
3600:Columbia University people
2975:Kasfir, Sidney Littlefield
2058:Philadelphia Museum of Art
1525:Metropolitan Museum of Art
1107:Philadelphia Museum of Art
929:Notes Toward a Model Opera
387:. The series runs through
381:9 Drawings for Projection.
271:Metropolitan Museum of Art
107:(born 28 April 1955) is a
3437:
3426:
3182:
3171:
1961:29 September 2017 at the
1924:Christov-Bakargiev, 1998.
1816:Greg Kucera Gallery 2007.
1538:
1519:(2012), which debuted at
741:
717:
94:
86:
75:
50:
30:
23:
2981:Contemporary African Art
2271:"William Kentridge News"
2078:. Marian Goodman Gallery
1803:
1785:, Lia Rumma Gallery and
1183:Jewish Museum (New York)
765:
626:Telegrams from the Nose,
588:
517:disfiguring surrounding
233:Kentridge has practiced
3550:South African animators
3248:Victoria de los Ángeles
3110:21 October 2017 at the
2985:. Thames & Hudson.
1459:Drawings for Projection
1451:El que no està dibuixat
1403:Old St. John's Hospital
922:Drawings for Projection
897:Drawings for Projection
868:Drawings for Projection
857:Drawings for Projection
853:Weighing... and Wanting
836:Drawings for Projection
825:Drawings for Projection
814:Drawings for Projection
803:Drawings for Projection
792:Drawings for Projection
781:Drawings for Projection
702:In 2012 his sculpture,
624:on a short show called
507:individualistic beliefs
316:Embarkation for Cythera
209:
2721:. TIME. Archived from
2676:(in English and Dutch)
2060:. 2007. Archived from
1956:Marian Goodman Gallery
1791:Marian Goodman Gallery
1692:Carnegie International
1683:1994 Loerie Award memo
1572:Please help by adding
1497:Honolulu Museum of Art
1020:2003 Goodman Gallery,
989:Carnegie International
704:Il cavaliere di Toledo
643:English National Opera
575:
461:
435:in many of his works.
349:Honolulu Museum of Art
304:
302:Honolulu Museum of Art
131:Kentridge was born in
3296:Fernando Fernán Gómez
2966:Greg Kucera Gallery.
2780:on 27 September 2007.
1718:University of Chicago
1533:George Eastman Museum
1481:Royal Academy, London
1426:O Sentimental Machine
1026:2003 Spacex Gallery,
565:
457:
455:, Kentridge writes,
299:
286:Casspirs Full of Love
267:Casspirs Full of Love
127:Early life and career
3443:Francis Ford Coppola
3332:Krzysztof Penderecki
3218:Luis García Berlanga
3212:Antonio López García
3095:by William Kentridge
3057:Taylor & Francis
2749:search.amphilsoc.org
2745:"APS Member History"
2223:on 29 September 2017
2171:www.whatsonstage.com
1854:Los Angeles Magazine
1578:Contentious material
1527:in New York and the
1511:(New York), and the
1509:Museum of Modern Art
1413:: Smoke, Ashes Fable
1176:Museum of Modern Art
1080:Museum of Modern Art
940:Cannes Film Festival
728:Triumphs and Laments
647:Dutch National Opera
498:. Conflicts between
481:cel-shaded animation
409:Weighing and Wanting
16:South African artist
2968:"William Kentridge"
2674:"William Kentridge"
2121:on 23 February 2015
2104:, 11 November 2015.
2064:on 20 October 2007.
1944:Ubu Tells the Truth
1745:Columbia University
1714:Jesse L Rosenberger
1698:Goslarer Kaiserring
1600:"William Kentridge"
1517:The Refusal of Time
1375:Whitechapel Gallery
1272:Museum of Fine Arts
1209:. The Louvre show,
1034:Metropolitan Museum
995:Bienal de la Habana
904:Journey to the Moon
843:Ubu Tells the Truth
659:) premiered at the
637:, premiered at the
356:Six Drawing Lessons
323:Ubu Tells the Truth
292:Prints and drawings
45:, Australia in 2012
3545:South African Jews
3505:Joan Manuel Serrat
3320:Santiago Calatrava
3290:Alicia de Larrocha
3256:Montserrat Caballé
3206:Orfeón Donostiarra
2311:on 1 October 2007.
2275:The New York Times
2194:. Comune.napoli.it
2146:The New York Times
1982:The New York Times
1800:New York in 2013.
1787:Hauser & Wirth
1766:Harvard University
1556:This section of a
1345:, Kewening Galerie
1227:, Albertina Museum
1117:Biennale of Sydney
1090:Bienal do Mercosul
1056:Museum der Moderne
970:The Drawing Center
964:São Paulo Biennial
706:, was unveiled in
639:Metropolitan Opera
360:Harvard University
351:, is illustrated.
305:
269:, viewable at the
3517:
3516:
3513:
3512:
3455:William Kentridge
3422:
3421:
3326:Barbara Hendricks
3314:Sebastião Salgado
3188:Jesús López Cobos
3162:Laureates of the
3122:Louisiana Channel
2992:978-0-500-20328-6
2924:William Kentridge
2906:William Kentridge
2612:The Art Newspaper
2509:. 26 October 2017
2249:The Art Newspaper
2102:New York Observer
2010:on 15 August 2018
1829:. Whoswhosa.co.za
1752:
1751:
1661:
1660:
1653:
1635:
1561:needs additional
1484:William Kentridge
1157:Henry Art Gallery
1134:Gallery, New York
1005:College of DuPage
936:
935:
887:Automatic Writing
875:Shadow Procession
760:Felicia Kentridge
752:Lithuanian-Jewish
661:Salzburg Festival
579:Shadow Procession
551:'s painting of a
547:(1985), based on
545:The Boating Party
511:social revolution
475:comprise a major
343:after the end of
202:and series as an
105:William Kentridge
102:
101:
25:William Kentridge
3607:
3483:Marina Abramović
3428:
3427:
3356:Maya Plisetskaya
3308:Vittorio Gassman
3224:Eduardo Chillida
3173:
3172:
3156:
3149:
3142:
3133:
3132:
3101:, by Lilian Tone
3060:
2996:
2984:
2949:Cole, William.
2888:
2875:
2869:
2868:
2866:
2864:
2855:. Archived from
2848:
2842:
2841:
2839:
2837:
2826:
2820:
2807:
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2788:
2782:
2781:
2776:. Archived from
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2561:. 2 January 2022
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2427:on 21 April 2013
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1593:
1574:reliable sources
1551:
1550:
1543:
1361:Haus Konstruktiv
1211:Carnets d'Egypte
1100:Williams College
770:
756:Sydney Kentridge
672:Barbican Theatre
263:social injustice
200:television films
156:Bachelor of Arts
137:Sydney Kentridge
64:
60:
58:
35:
21:
20:
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3509:
3473:Ennio Morricone
3461:Martin Scorsese
3433:
3418:
3366:Pedro Almodóvar
3302:Joaquín Rodrigo
3272:Plácido Domingo
3252:Teresa Berganza
3200:Eusebio Sempere
3178:
3167:
3160:
3112:Wayback Machine
3074:
2993:
2936:Print Quarterly
2897:
2892:
2891:
2876:
2872:
2862:
2860:
2859:on 7 April 2013
2849:
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2808:
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2789:
2785:
2774:www.women24.com
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2453:on 3 April 2014
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2044:
2040:Kentridge 2007.
2039:
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2023:
2013:
2011:
2002:
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1987:
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1963:Wayback Machine
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1783:Goodman Gallery
1778:
1730:Dan David Prize
1716:Medal from the
1657:
1646:
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1637:
1594:
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1571:
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1548:
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1493:
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1318:mac, Birmingham
983:Venice Biennial
948:
768:
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689:
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622:François Sarhan
607:Die Zauberflöte
591:
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164:African Studies
129:
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56:
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26:
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3555:Jewish artists
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3408:Michael Haneke
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3344:Miquel Barceló
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3236:Oscar Niemeyer
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3072:External links
3070:
3069:
3068:
3063:Taylor, Jane.
3061:
3031:(4): 283–295.
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2535:. 1 March 2018
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2371:(4): 283–295.
2355:
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2305:www.news24.com
2292:
2281:on 30 May 2015
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2096:James Jorden,
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1641:September 2017
1582:poorly sourced
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821:Felix in Exile
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748:rheumatologist
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465:Felix In Exile
453:Felix In Exile
415:(1999), up to
401:Felix in Exile
376:
375:Animated films
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327:Alfred Jarry's
293:
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228:Käthe Kollwitz
224:Francisco Goya
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141:Felicia Geffen
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123:combinations.
113:animated films
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2914:Phaidon Press
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2725:on 3 May 2009
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1964:
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1933:Edmunds 2003.
1930:
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1877:"Lip Service"
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1597:
1596:Find sources:
1590:
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1073:Smith College
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61:28 April 1955
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3402:Rafael Moneo
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3166:for the Arts
3064:
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3028:
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3000:
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2857:the original
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2778:the original
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2690:
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2656:. Retrieved
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2630:
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2591:29 September
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2586:The Guardian
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2575:
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2532:
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2507:Expatica.com
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1970:
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1567:verification
1560:
1521:documenta 13
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1450:
1425:
1342:
1322:2013 MAXXI,
1224:
1210:
1203:Jeu de Paume
1127:
1111:Philadelphia
1094:Porto Alegre
1047:Johannesburg
1022:Johannesburg
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693:Gerhard Marx
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618:Shostakovich
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583:Times Square
578:
576:
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553:similar name
544:
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463:Not only in
462:
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260:
242:
232:
213:
204:art director
154:He earned a
153:
133:Johannesburg
130:
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90:Anne Stanwix
68:Johannesburg
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3530:1955 births
3493:María Pagés
3467:Peter Brook
3414:Frank Gehry
3360:Tamara Rojo
3338:Woody Allen
3009:, viii-xv.
3007:Jane Taylor
2944:Art Journal
2902:Coetzee, JM
2836:24 February
2533:Liebieghaus
2125:23 February
2029:Kasfir 2000
1965:, New York.
1724:Kyoto Prize
1513:Tate Modern
1491:Collections
1418:Liebieghaus
1396:Performa 17
1192:, Hiroshima
1123:, Australia
1049:Art Gallery
946:Exhibitions
918:Other Faces
864:Stereoscope
698:Fire Walker
557:aristocracy
538:mixed-media
421:Other Faces
419:(2003) and
413:Stereoscope
368:printmaking
325:, based on
284:The title,
261:Aspects of
247:composition
170:and then a
135:in 1955 to
3524:Categories
2963:65 (2003).
2895:References
2401:. Volte.in
1866:Cole 2016.
1776:Art market
1611:newspapers
1441:2020–2021
1398:, New York
1185:, New York
1178:, New York
1082:, New York
1075:Art Museum
1036:, New York
972:, New York
893:Tide Table
678:Tapestries
674:, London.
657:Alban Berg
602:Monteverdi
523:landscapes
515:poetically
417:Tide Table
329:1896 play
243:vice versa
158:degree in
117:palimpsest
57:1955-04-28
3372:Bob Dylan
3120:Video by
3053:142528621
3045:0964-7775
3011:Cape Town
2636:3 January
2565:5 October
2539:5 October
2513:5 October
2490:MutualArt
2385:142528621
2351:MutualArt
2335:MutualArt
2151:11 August
1848:Amadour.
1798:Sotheby's
1563:citations
1463:City Deep
1447:Barcelona
1422:Frankfurt
1384:, Denmark
1354:Amsterdam
1334:São Paulo
1286:Melbourne
1236:Jerusalem
1181:2010 The
1165:2009 The
1017:, Germany
1011:Documenta
954:Documenta
687:Sculpture
543:entitled
530:ambiguity
519:buildings
504:bourgeois
485:key frame
446:democracy
441:apartheid
345:apartheid
309:monotypes
255:narrative
220:apartheid
176:Fine Arts
145:apartheid
76:Education
43:Melbourne
3108:Archived
3093:Artworks
2977:(2000).
2910:New York
2754:19 March
2680:18 March
2631:ArtsBeat
2285:8 August
1959:Archived
1893:cite web
1589:libelous
1445:(CCCB),
1430:2018/19
1401:2017/18
1297:, Kassel
1276:Budapest
1054:Salzburg
1041:Montreal
841:1996–97
788:Monument
645:and the
613:The Nose
541:triptych
500:anarchic
423:, 2011.
407:(1996),
403:(1994),
399:(1991),
395:(1991),
391:(1990),
389:Monument
160:Politics
149:charcoal
95:Children
3246:1991:
2970:. 2007.
2930:, 1998.
2916:, 1999.
2884:ARTnews
2863:2 March
2816:ARTnews
2797:ARTnews
2729:1 March
2658:15 July
2457:1 March
2431:1 March
2405:1 March
2399:"Volte"
2227:1 March
2198:1 March
2176:2 April
2082:1 March
2014:1 March
1915:, 1999.
1913:Coetzee
1883:14 July
1833:1 March
1625:scholar
1220:, Paris
1161:Seattle
652:Wozzeck
496:society
332:Ubu Roi
275:casspir
216:lawyers
186:at the
184:theatre
172:diploma
166:at the
3503:2024:
3497:2023:
3487:2022:
3481:2021:
3471:2020:
3465:2019:
3459:2018:
3453:2017:
3447:2016:
3441:2015:
3412:2014:
3406:2013:
3400:2012:
3394:2011:
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3376:2008:
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3234:1989:
3228:1988:
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3192:1982:
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2702:28 May
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1988:16 May
1627:
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1499:, the
1474:Kaunas
1436:Oaxaca
1411:Bruges
1365:Zürich
1312:Mumbai
1266:Moscow
1256:Oaxaca
1218:Louvre
1207:Louvre
1121:Sydney
1028:Exeter
1015:Kassel
999:Havana
958:Kassel
742:Family
718:Murals
708:Naples
549:Renoir
489:memory
473:change
429:social
87:Spouse
3049:S2CID
3005:, by
2381:S2CID
2255:1 May
1804:Notes
1734:2013
1728:2012
1722:2010
1712:2006
1696:2003
1686:1999
1632:JSTOR
1618:books
1479:2022
1468:2022
1416:2018
1394:2017
1387:2017
1380:2017
1373:2016
1359:2015
1348:2015
1341:2015
1328:2013
1316:2013
1306:2013
1293:2012
1280:2012
1270:2011
1260:2011
1250:2011
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1230:2011
1223:2010
1216:2010
1201:2010
1195:2010
1188:2010
1174:2010
1155:2009
1149:2009
1143:2009
1137:2009
1126:2008
1115:2008
1105:2008
1098:2008
1088:2007
1078:2007
1071:2007
1065:2006
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952:1997
927:2015
916:2011
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885:2003
879:2001
873:1999
862:1999
851:1998
830:1996
819:1994
808:1991
797:1991
786:1990
775:1989
766:Films
732:Tiber
712:Rebus
589:Opera
477:theme
448:era.
251:media
237:art:
196:actor
192:Paris
3491:and
3475:and
3358:and
3270:and
3041:ISSN
2987:ISBN
2865:2013
2838:2021
2756:2021
2731:2014
2704:2022
2682:2023
2660:2013
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2593:2022
2567:2022
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2178:2023
2153:2017
2127:2015
2084:2014
2016:2014
1990:2016
1899:link
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1757:Time
1604:news
1565:for
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634:Lulu
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98:3
55:(
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