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to return substantially to an illusion of the visible world, despite the fact that Frater’s ideas are leagues away from naturalism. Distances shrink very rapidly in time. This is a huge exhibition, and the best of it is very attractive, especially the large airy landscapes and the nudes. One of the most striking qualities of the painting is its spaciousness, largely effected by sure handling of light and sun-washed color. Massively and simply composed, many of the paintings have an apparent breadth much greater than their real size.
342:, and the Impressionists he was not at all interested in. Really I think it was through my arguing and discussing with Max that was the beginning of what they called modern art here. Max was so dogmatic...and his conception of tone was just black and white really, and this idea of tone as colour, later in the early twenties, when I became aware of Cézanne, tone became not just light and shade, but tone values had colour values as well, so that was the great discovery, really, that I personally made...
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464:, but, given his ambivalence about conservative art, was to switch allegiance to the supporters modernism. In accordance with government war directives, the Yencken firm closed down his department in 1940 and Frater retired from stained-glass designing and, subsisting on his teaching, devoted himself to landscapes. He regarded a "certain strangeness", in his art in response to the Australian landscape as an essential attribute of great art. He exhibited at the
253:
402:...dogged and tenacious, strong in pride of race, reliant and confident in self, a hard man to talk down and a hard man to shake in his beliefs, which change and mature slowly. A dogmatic man, if you like, but a purposeful one and, like Cézanne whom he acclaims, a rugged type with a scorn of frills and unmasculine prettiness—all of which may be discovered in his work.
244:. They had six children; a stillborn female (1915); Arthur, a manufacturer (1916–1998); John, a carpenter/builder (1920–2004); Barbara Dare, an actor and office worker (1924–2000); and twins, musician William (Bill) (1931–2009) and scientist Robin (1931–2014). Like other red-headed Scots, Frater was nicknamed 'Jock' by friends in his adopted country.
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William Frater is an earlier pioneer, of modern rather than contemporary art. Cezanne still stalks through his painting as he did through most of Frater’s and Bell’s contemporaries. It is interesting to see how well this can stand up to very changed sensibilities. To go, say, from Olsen to Frater is
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confesses that when he "heard about people like George Bell and Jock Frater and
Cezanne...I had this sudden extreme and rapid expansion of consciousness and vision around the middle to late thirties. It probably corresponded with a growth period for me. I had a sudden enormous expansion of horizons
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Frater was not well known outside
Victoria and his support and application of modernist principles in his art met often with uninterest or derision from Australia's mid-century conservative audiences. During the painter's period of adherence to tonalism, the reviewer of a 1919 Athenaeum showing of
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The New 9 x 5 Impressionist
Exhibition, Rosalind Humphries Galleries, Oct. 1st To Oct 24th 1971. Essay by Rosalind Humphries, 45 major artists listed. 1971, 8pp, cover is reproduction of 1889 9 x 5 catalogue cover printed on balsa wood (?). Inside back cover has announcement for
491:. He exhibited at Australian Galleries, Melbourne in 1958 and the Victorian Artists' Society in 1963, from which date he became president of the Society until 1972, exhibiting annually with them. Its main exhibition space was named Frater Gallery. In 1967, in the midst of the
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Haldane
Scholarship for drawing in 1906 and studied in the craft and stained glass workshops. However his uncle, fearing a penniless future for his nephew, prevented his entry into the final year to take painting, and Frater left the school 1909, migrating on the liner
180:, Frater and his three siblings were brought up by his paternal grandmother Ann and uncle Andrew who lived in neighbouring houses at West Ochiltree Farm. Frater gained his Merit Certificate at Bridgend School, Auldhill Road, West Lothian in 1903, and attended
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Between 1915 and 1920 Frater simplified his composition and design, based on his stained glass experience. For a time in his earlier painting interest in the classical seventeenth century painters interacted with his adoption of the analytical tonalism of
419:(née Hallenstein in Germany) to advise her on stained-glass windows, and painted her portrait. With his help and encouragement she decided to become an artist, producing her first works early in 1937, from which Basil Burdett (1897–1942) selected her
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had been living, and with her painted and decorated it distinctively, naming it "The Pink Hotel". Over the next decade Frater and she lived and painted there together after his separation from
Winifred. The artists' colony included Plante, Hallen,
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from the late 1920s, and the
Contemporary Group of Melbourne in the 1930s. In a lecture he publicly challenged the anti-modernist stance that National Gallery School director Bernard Hall had expressed in his previous lecture.
337:
Anyhow, I arrived back here...some months before the 1914 war broke out. Max
Meldrum had come back here meanwhile, he had been abroad many years in France, and we had terrific arguments. Max would have nothing later than
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modernist colour over the next decade, during which he led and taught a group of
Australian modernists, assisting in the modern art school established by George Bell and Frater's lifelong friend
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of Art was rejected by
Bernard Hall (1859–1935), and instead he found employment as overseer of stained-glass design at Brooks, Robinson & Co. Ltd on a five-year contract. He enrolled in the
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Frater's work was flown to Papua New Guinea for an exhibition in 1973 that was intended to reveal the influence of the country's indigenous art on modernist painters. In a 1979 interview with
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in the new year, was more favourably disposed toward Frater's entry in
Adelaide's John Martin's department store Christmas show, praising his "two fine landscapes of rolling pinks and reds."
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exhibition of the Victorian Branch of the Contemporary Art Society at Melbourne's Argus Gallery, traveling to Adelaide under the aegis of the South Australian Campaign for Peace in Vietnam.
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In July 1913 he returned to Melbourne and in 1915 married tailor Winifred (Winnie) Dow (1888–1974), who had modelled for him before his return to Scotland, and they took up residence in
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in West Lothian in Scotland. His father was forester William Frater (1863–1893) and mother Sarah Boyd (née Manson) a farm servant (1857–1900). After his father died from
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Stuartholme-Behan Collection of Australian Art; MacAulay, Bettina, (curator.); Macaulay, Desmond, (curator.); University of Queensland Art Museum, (publisher) (2010),
427:, a portrait of Bryans dating from that year. She, using her inheritance, purchased Ambrose Hallen's former hotel-cum-studio at 899 Heidelberg Road, Darebin in which
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of 29 May 1957 briefly reviewed the Victorian Artists’ Society’s autumn show incorporating the E. T. Cato £100 art prize and was dismissive of "William Frater’s
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However, by 1963 Frater's modernism, by comparison with the emerging painterly abstractionists, was assessed by critic Bill Hannan as beginning to be outmoded:
527:, a simple and somewhat unsubstantial view of gumtrees which possibly owes something to Cezanne," which "cantered home in the oils division.". By contrast,
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The New 9 x 5 Impressionist Exhibition, Rosalind Humphries Galleries, Oct. 1st To Oct 24th 1971. Essay by Rosalind Humphries, 45 major artists listed. 1971
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in 1966 and a final exhibition in July 1973. His work is represented there, and in galleries and private collections throughout Australia as well as the
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the Twenty Melbourne Painters group picked out Frater as "a gloomy enemy of light and gaiety who reports the weather with a stain on its character."
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Murray, Daena; Museum and Art Gallery of the Northern Territory., (issuing body.); Museums and Art Galleries of the Northern Territory (2006),
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whose 'Stanhope' in Eltham they frequented. Bryans sold the Darebin property in 1948, moving to Harkaway, near Berwick, then overseas in 1953.
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Retrospective – National Gallery of Victoria. Essay by Brian Finnemore. 67 works listed, National Gallery of Victoria, 1966, stapled pb, 12pp.
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Frater resumed his earlier position with Brooks, Robinson, then was employed by E. L. Yencken & Co. Pty Ltd to design the west window of
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The record price for a Frater work at auction is US$ 7,662 for a portrait of Diana Lang, sold at Deutscher & Hackett, Sydney in 2010
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in May 1912 after only five months, and completed his training at Glasgow in the senior painting classes at the School of Art under
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1309:, National Centre of Biography, Australian National University, published first in hardcopy 1981, accessed online 17 December 2019
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Christesen, C. B. (1970). The Gallery on Eastern Hill: The Victorian Artists Society Centenary. publ. Victorian Artists' Society.
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Bryans, Lina (1986). The Pink Hotel. -Interview with artist Lina Bryans by Valerie Albiston-. In This Australia. 5 (4), 32-37.
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McGuire, M. A. (1986). ‘Life and your Imagining’ The Art of Clarice Beckett. Australian Journal of Art, 5(1), 90-103.
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2912:"Mendelssohn, Joanna. The Australian collection of the A.N.G . Quadrant, Vol. 22, No. 6, June 1978". pp. 30–33.
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Heritage : the national women's art book, 500 works by 500 Australian women artists from colonial times to 1955
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Heritage : the national women's art book, 500 works by 500 Australian women artists from colonial times to 1955
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Hughes, B. E. (2019). New Light on the Light of the World. Australasian Journal of Victorian Studies, 22(2), 96-116.
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Victoria College (Melbourne, Vic.) (1988), A selection from the Victoria college art collection, Victoria College
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Thompson, John; Counihan, Noel, 1913–1986; Australian Broadcasting Commission; Thompson, John, 1907–1968 (1962),
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Australian art and artists to 1950 : a bibliography based on the holdings of the State Library of Victoria
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Hassall, Douglas. William Frater: A Scottish-Australian Colourist . Quadrant, Vol. 54, No. 3, Mar 2010: 91-95.
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Frater won the Dunlop art competition in 1950 and the Eltham Art Award in 1964. In 1974 Frater was appointed
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Freedom from prejudice: an introduction to the Australian Collection in the National Gallery of Victoria
1858:. Fitzroy, Vic.; Carlton, Vic.: Aus Art Editions; in association with the Miegunyah Press. p. 441.
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Australian Galleries catalogue (joint show William Frater with Vaughan Murray Griffin), 1955 (photocopy)
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1957: Victorian Artists’ Society's autumn show incorporating the E. T. Cato £100 art prize won by Frater
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Hassall, Douglas (1 March 2010), "William Frater: a Scottish-Australian colourist.(Critical essay)",
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1160:, Niagara Gallery catalogue, 48 exhibits, Illustrated in colour, June, 1991, pb, price list inserted
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life class but his behaviour had him ejected. Affronted, he impulsively returned to Britain on the
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Kerr, Joan, 1938–2004; National Women's Art Exhibition (Australia); Kerr, Joan, 1938–2004 (1995),
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Kerr, Joan, 1938–2004; National Women's Art Exhibition (Australia); Kerr, Joan, 1938–2004 (1995),
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Wesley Evangelical Methodist Church, St Stephen's Angligan Heritage Church, Wynyard, Tasmania and
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for the 'Herald Exhibition of Outstanding Pictures of 1937.' One of Frater's best known works is
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Dober, Mark (22 December 2001), "A Melbourne modernist.('William Frater: A Life with Colour')",
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333:(1919). In a 1961 interview with Hazel de Berg, Frater recorded his interactions with Meldrum:
312:, also a stained-glass designer, and they continued to paint and exhibit in their spare time.
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ST STEPHEN'S ANGLIGAN HERITAGE CHURCH, WYNYARD, TASMANIA: 8 DODGIN STREET, WYNYARD, TAS 7324
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A skilled hand and cultivated mind: a guide to the architecture and art of RMIT University
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63:
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State Library of Victoria; Hanks, Elizabeth, 1937-; Library Council of Victoria (1982),
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Edquist, Harriet; Grierson, Elizabeth; Royal Melbourne Institute of Technology (2012).
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A. V. Cook, '100 years of Australian art', The Age (Melbourne) Sat 16 Oct 1954 Page 53
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472:, Sydney, in 1946, expanding his subject matter with visits sponsored by the airline
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for fifteen years, encouraging his painting ambitions, and made a lifelong friend in
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Perry, Peter; McKay, Kirsten; Castlemaine Art Gallery and Historical Museum (2011).
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Australian Academy of Art First Exhibition, April 8th-29th, Sydney : Catalogue
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Dutton, Geoffrey; Horton, Warren, 1938–2003; National Library of Australia (1992),
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1955: William Frater with Vaughan Murray Griffin, Australian Galleries (joint show)
359:. They made trips to the countryside outside Melbourne on weekends to paint in the
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1989: Spring exhibitions, October 9–16 and 17–24 September, Jim Alexander Gallery
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in September 1910, a year after his younger brother Tom, who had continued on to
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and other artists, and attracted a group of writers associated with the journal
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Bill Hannan, ‘Rich and Warm’, The bulletin.Vol. 85 No. 4366 (19 Oct 1963, p.40
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The Triad: A Journal Devoted to Literacy, Pictorial, Musical and Dramatic Art
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1991:, Art and Australia; Roseville East, N.S.W.: distributed by Craftsman House,
1949:, Art and Australia; Roseville East, N.S.W.: distributed by Craftsman House,
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Frater, William; Ashkanasy, Mark; Bartels, Heike; Niagara Galleries (1991),
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William Frater : [exhibition held] August 11-September 18, 1966
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William Frater interviewed by Hazel de Berg in the Hazel de Berg collection.
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William Frater : [exhibition held] August 11-September 18, 1966
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1954/5: Portrait exhibition, National Gallery of Victoria, December–February
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National Gallery of Victoria; Finemore, Brian; Phipps, Jennifer (1977),
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2619:'Artbursts' reviews, The Bulletin, Vol. 78 No. 4033, 29 May 1957, p.26
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The most noble art of them all: the selected writings of Laurie Thomas
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The most noble art of them all: the selected writings of Laurie Thomas
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Hey days : memories and glimpses of Melbourne's Bohemia 1937–1947
147:(1890–1974) was a Scottish-born Australian stained-glass designer and
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683:, Art Gallery of New South Wales, 28 November 1998 - 28 February 1999
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148:
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The Behan legacy: the Stuartholme-Behan Collection of Australian Art
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in 1905 before taking up a three-year apprenticeship in 1905 in the
1852:
McCulloch, Alan; McCulloch, Susan; McCulloch Childs, Emily (2006).
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2949:"William Frater :: The Collection :: Art Gallery NSW"
2589:"Exhibition by "Twenty Mebourne Painters." (10 September 1919)"
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Artists' portraits / selected and introduced by Geoffrey Dutton
977:
Prunster, Ursula ‘Seeing Cezanne - Australian Affinities.’ In
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2768:. Castlemaine: Castlemaine Art Gallery and Historical Museum.
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painter who challenged conservative tastes in Australian art.
2230:
Forwood, Gillian; Bryans, Lina, 1909–2000, (artist.) (2003),
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2076:
834:
Jim Alexander Gallery exhibition catalogue, 1989 (photocopy)
615:, National Gallery of Victoria, August 11-September 18, 1966
468:, and in solo shows at Georges Gallery, Melbourne, and the
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Lock-Weir, Tracey; Art Gallery of South Australia (1979),
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William Frater 1890–1974 : exhibition June 12-29 1991
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National Gallery of Victoria: painting, drawing, sculpture
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Abbott-Smith, Nourma; Fairweather, Ian, 1891–1974 (1978),
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Macquarie Galleries exhibition catalogue, 1946 (photocopy)
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Lock-Weir, Tracey; Art Gallery of South Australia (1979),
16:
British-born Australian painter and stained-glass designer
1617:"The Art of Light: a survey of stained glass in Victoria"
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1954: Spring exhibition of the Victorian Artists' Society
608:, Rosalind Humphries Galleries, Oct. 1st To Oct 24th 1971
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Christ Church. Frater attempted to introduce his Glasgow
2848:[Jim Alexander Gallery: Australian Gallery File]
2408:(1), S.U. Smith, B. Stevens and C.L. Jones, 1 March 1941
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Bunning, Neville M (1948), "The Art of William Frater",
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William Street Gallery, 1988, pb, Griffin Vaughan Murray
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The Melbourne Modernists- Frater, Plante, Shore, Tweddle
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Cézanne, Paul; Maloon, Terence; Gundert, Angela (1998),
2666:. International, Australia. 11 February 1971. p. 8
2382:(1st ed.). Sydney: Australian Academy of Art. 1938
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Heathcote, Christopher; Kemp, Roger, 1908–1987 (2007),
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Australian Officers of the Order of the British Empire
2719:
Frater, William; National Gallery of Victoria (1966),
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Frater, William; National Gallery of Victoria (1966),
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1919: Twenty Melbourne Painters group show, Athenaeum
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Wittman, Richard; Frater, William, 1890–1974 (2000),
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Wittman, Richard; Frater, William, 1890–1974 (2000),
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Hetherington, John; Kahan, Louis, 1905–2002 (1963),
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Misty moderns : Australian tonalists 1915–1950
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Misty moderns : Australian tonalists 1915–1950
456:In 1938 he had joined and exhibited in Sydney with
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1855:The new McCulloch's encyclopedia of Australian art
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1271:Gray, Anne (1981), "William Frater reconsidered",
676:, Museum and Art Gallery of the Northern Territory
1238:
1221:Jost, Mack; Horsham Regional Art Gallery (1986),
946:, Castlemaine Art Gallery and Historical Museum,
724:. He was survived by his four sons and daughter.
716:for his services to art, and died at his home at
552:and possibilities. It was revolutionary for me."
3014:
2325:A quest for enlightenment: the art of Roger Kemp
2196:"The red hat | William FRATER | NGV | View Work"
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285:in the 1930s in glass at Holy Trinity Anglican,
1368:, University of Queensland Press, p. 189,
942:Perry, Peter W., 1952-; McKay, Kirsten (2011),
754:Australian Galleries catalogue 1980 (photocopy)
2473:. New South Wales. 29 November 1967. p. 8
999:
487:From 1959–1964 Frater was a painting tutor at
164:William Frater was born on 31 January 1890 at
2748:Alan MCulloch, 'Prizes have varied effects,'
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1202:
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701:Misty moderns: Australian tonalists 1915–1950
668:Castlemaine Art Gallery and Historical Museum
386:in May 1923, and he exhibited there with the
2501:. New South Wales. 24 August 1966. p. 5
2465:"Urgency and outrage in anti-war exhibition"
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495:Frater joined in solidarity a controversial
325:in figure and portrait paintings including
2529:. New South Wales. 3 August 1966. p. 6
1689:(49), S.U. Smith, B. Stevens and C.L. Jones
1051:, The University of Queensland Art Museum,
778:
720:on 28 November that year and was buried in
154:
2735:Arnold Shore, 'Gallery portrait display'.
2350:) CS1 maint: numeric names: authors list (
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2128:. Canberra: National Centre of Biography,
2035:Item held by National Gallery of Australia
2014:) CS1 maint: numeric names: authors list (
1972:) CS1 maint: numeric names: authors list (
1897:. Canberra: National Centre of Biography,
1773:) CS1 maint: numeric names: authors list (
1663:) CS1 maint: numeric names: authors list (
1494:Item held by National Gallery of Australia
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1038:) CS1 maint: numeric names: authors list (
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838:Kershaw, Alister; Harrison, Brian (1993),
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304:At Yencken he mentored teenage apprentice
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2234:Lina Bryans : rare modern, 1909–2000
1419:"JAMES GLEESON INTERVIEWS: ALBERT TUCKER"
874:, Hawthorn, Vic Hutchinson of Australia,
3003:Castlemaine Art Museum Collection Online
2658:"'MODERN SCHOOLS' INFLUENCED BY PNG ART"
2175:
2057:
1225:, City of Horsham Regional Art Gallery,
870:Alan McCulloch; Nodrum, Charles (1984),
502:Frater was given a retrospective at the
251:
3023:Stained glass artists and manufacturers
1416:
690:, Niagara Gallery, Melbourne June 12–29
367:school. With associates Horace Brandt,
3015:
2686:"William Frater | Art Auction Results"
2551:Hoff, Ursula; Plant, Margaret (1968).
2546:
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2424:
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1845:
606:The New 9 x 5 Impressionist Exhibition
2752:(Melbourne), Wed 22 Sep 1954, Page 17
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2283:Ian Fairweather: profile of a painter
2077:Badham, Herbert (Herbert E.) (1949),
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696:1980: Australian Galleries, Melbourne
382:His first solo exhibition was at the
346:
2635:, Vol. 79 No. 4064, 1 Jan 1958, p.26
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1488:Frater, William Frater & Dench.
1412:
1410:
631:1973: Port Morseby, Papua New Guinea
562:
3043:Alumni of the Glasgow School of Art
2844:
2801:, Charles Darwin University Press,
2739:(Melbourne), Wed 22 Dec 1954,Page 6
2541:
2419:
1889:"Hall, Lindsay Bernard (1859–1935)"
1842:
1442:Australian painters: forty profiles
892:, Charles Darwin University Press,
809:Australian painters: forty profiles
394:Frater was characterised in a 1933
13:
2866:, Art Gallery of South Australia,
2647:
2622:
2610:
2578:
2358:
2125:Australian Dictionary of Biography
2048:
2028:
1894:Australian Dictionary of Biography
1739:
1671:
1638:William Frater: a life with colour
1626:
1614:
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1307:Australian Dictionary of Biography
1290:
1169:William Frater: a life with colour
1102:, University of Queensland Press,
983:, Art Gallery of New South Wales,
853:, Art Gallery of South Australia,
508:Kelvingrove Art Gallery and Museum
256:Wesley Church, Melbourne, exterior
14:
3084:
2493:"PRIZES, PICASSO AND CONTROVERSY"
2117:
1750:, National Library of Australia,
1407:
1153:, Victorian Artists Society, 1990
783:(163), O.L. Society Ltd: 126(1),
765:(1st ed.), Craftsman House,
460:' anti-modernist foundation, the
411:In 1936 Frater visited a flat in
398:article as a stereotypical Scot;
379:school of painting in Melbourne.
301:and the Arts & Crafts ethos.
184:in 1904, then studied art at the
3068:20th-century Australian painters
2098:, National Gallery of Victoria,
1545:. Dr Gwyneth R Daniel Cheedeman.
908:The National Gallery of Victoria
906:Hoff, Ursula, 1909–2005 (1973),
703:, Art Gallery of South Australia
566:
281:training into his renditions of
260:
3048:Scottish emigrants to Australia
2999:"William Frater, Self Portrait"
2991:
2966:
2941:
2924:"NGA collection search results"
2916:
2905:
2879:
2855:
2838:
2814:
2790:
2755:
2742:
2729:
2712:
2703:
2678:
2638:
2631:Geoffrey Dutton, 'Artbursts',
2569:
2513:
2485:
2457:
2394:
2370:
2316:
2274:
2271:, Issues 248-257, 2003, Page 40
2222:
2213:
2188:
2182:Design and Art Australia Online
2169:
2111:
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1980:
1938:
1880:
1833:
1807:
1781:
1709:
1700:
1608:
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1574:
1549:
1532:
1507:
1481:
1015:, Library Council of Victoria,
748:
297:, they lacked the symbolism of
289:and St. Andrew's Presbyterian,
2765:Scottish painters in Australia
2435:. Melbourne: RMIT Publishing.
2130:Australian National University
1899:Australian National University
1681:Unidentified (15 April 1933),
1561:vhd.heritagecouncil.vic.gov.au
1519:vhd.heritagecouncil.vic.gov.au
1457:
1432:
1381:
1357:
1331:
1312:
1264:
944:Scottish painters in Australia
872:Encyclopedia of Australian art
736:Art Gallery of New South Wales
727:
664:Scottish painters in Australia
638:John Martin's department store
558:
299:Hunt's painting of the subject
1:
3053:20th-century Scottish artists
2663:Papua New Guinea Post-courier
1426:National Gallery of Australia
1417:Gleeson, James (2 May 1979).
1303:'Frater, William (1890–1974)'
1257:
1003:Australian painting 1788–1960
733:National Gallery of Australia
656:
451:
2285:, University of Queensland,
2120:"Burdett, Basil (1897–1942)"
739:National Gallery of Victoria
513:
504:National Gallery of Victoria
444:. Part of their circle were
195:
7:
2887:"5. Arthurs Creek Cemetery"
1539:Cheeseman, Gwyneth Daniel.
1468:, Oxford University Press,
1439:Hetherington, John (1978).
1207:, Oxford University Press,
763:Directory of Australian art
489:Melbourne Technical College
315:
159:
131:Order of the British Empire
10:
3089:
1466:Stained glass in Australia
1239:Mackie, Elizabeth (1981),
1205:Stained glass in Australia
640:, Adelaide, Christmas show
406:
223:Victorian Artists' Society
2953:www.artgallery.nsw.gov.au
2599:(12), , 10 September 1919
2402:"CONTENTS (1 March 1941)"
2080:A study of Australian art
2031:"Portrait of Lina Bryans"
1595:HOLY TRINITY WILLIAMSTOWN
1364:Thomas, Laurie F (1976),
1098:Thomas, Laurie F (1976),
1006:, Oxford University Press
761:Crawford, Ashley (2006),
707:
662:2011, Touring exhibition
621:1946: Macquarie Galleries
462:Australian Academy of Art
388:Twenty Melbourne Painters
331:Portrait of artist's wife
327:The artist's wife reading
247:
217:. His application to the
192:glass studio in Glasgow.
126:
118:
103:
89:
79:
71:
52:
30:
23:
2845:Gallery, Jim Alexander.
2228:Sarah Thomas, review of
2176:Callaway, Anita (1995).
2064:Design and Art Australia
2060:"Lina Bryans, biography"
2058:Callaway, Anita (1995).
1223:The Mack Jost collection
1158:William Frater 1880–1974
688:William Frater 1880–1974
625:
466:Contemporary Art Society
446:Nina and Clem Christesen
182:Kingscavil Public School
155:Early life and education
2557:. Melbourne: Cheshire.
2521:"In place of patronage"
2238:, The Miegunyah Press,
1640:, The Miegunyah Press,
1171:, The Miegunyah Press,
1082:40 years: seek and find
1000:Smith, Bernard (1962),
598:
219:National Gallery School
133:for his services to art
3058:Artists from Melbourne
3038:People from Linlithgow
2269:Australian Book Review
2083:, Currawong Publishing
1464:Zimmer, Jenny (1984),
1203:Zimmer, Jenny (1984),
1079:Shore, Arnold (1957),
888:Murray, Daena (2006),
743:Castlemaine Art Museum
722:Arthurs Creek cemetery
541:
421:Backyards, South Yarra
404:
344:
295:The Light of the World
283:The Light of the World
257:
176:, and his mother from
2974:"William FRATER, NGV"
1393:Passengers in History
1343:Passengers in History
1119:On lips of living men
1094:exhibition to follow.
910:, Thames and Hudson,
844:, Royal Blind Society
536:
400:
375:, they constituted a
351:He experimented with
335:
255:
231:Maurice Greiffenhagen
202:Glasgow School of Art
84:Glasgow School of Art
2799:The sound of the sky
890:The Sound of the Sky
674:The sound of the sky
415:owned by well-to-do
384:Athenaeum, Melbourne
470:Macquarie Galleries
64:Melbourne, Victoria
2978:www.ngv.vic.gov.au
2674:– via Trove.
2537:– via Trove.
2509:– via Trove.
2481:– via Trove.
2200:www.ngv.vic.gov.au
1319:"William Frater".
1241:The artists of Kew
578:. You can help by
377:post-Impressionist
347:Post-impressionism
258:
186:Linlithgow Academy
2873:978-0-7308-3015-3
2832:978-0-908298-16-7
2808:978-0-9802923-0-5
2775:978-0-9807831-3-1
2690:www.mutualart.com
2442:978-1-921426-98-8
2334:978-1-876832-43-8
2292:978-0-7022-1115-7
2245:978-0-522-85037-6
2139:978-0-522-84459-7
2105:978-0-7241-0031-6
2029:Frater, William.
1998:978-976-641-045-2
1956:978-976-641-045-2
1908:978-0-522-84459-7
1887:Galbally, Ann E.
1865:978-0-522-85317-9
1757:978-0-642-10579-0
1647:978-0-522-84825-0
1615:Hughes, Bronwyn.
1475:978-0-19-554369-8
1395:. 21 January 2016
1375:978-0-7022-1370-0
1345:. 21 January 2016
1273:Art and Australia
1250:978-0-9594081-0-2
1232:978-1-86252-400-2
1214:978-0-19-554369-8
1178:978-0-522-84825-0
1109:978-0-7022-1370-0
1058:978-1-86499-992-1
1022:978-0-909962-40-1
990:978-0-7313-8930-8
953:978-0-9807831-3-1
917:978-0-500-18139-3
899:978-0-9802923-0-5
881:978-0-09-148250-3
860:978-0-7308-3015-3
772:978-0-9751965-3-3
596:
595:
478:Central Australia
363:tradition of the
279:Arts & Crafts
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1683:"William Frater"
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396:Art in Australia
166:Ochiltree Castle
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56:28 November 1974
40:
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576:needs expansion
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529:Geoffrey Dutton
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434:Ian Fairweather
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200:Frater won the
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178:gastroenteritis
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41:31 January 1890
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2893:. 6 March 2015
2891:Cemetery Tours
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2178:"Lina Bryans"
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574:This section
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549:Albert Tucker
546:
545:James Gleeson
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584:
580:adding to it
575:
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521:The Bulletin
520:
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486:
482:Port Douglas
480:in 1950 and
455:
438:Arnold Shore
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105:Notable work
58:(1974-11-28)
18:
3033:1990 deaths
3028:1890 births
2983:16 December
2958:16 December
2933:17 December
2897:20 December
2825:, Niagara,
2695:19 December
2670:17 December
2603:18 December
2533:17 December
2505:17 December
2477:17 December
2412:17 December
2205:19 December
2161:19 December
2040:19 December
1930:19 December
1693:17 December
1600:17 December
1566:17 December
1524:16 December
1499:17 December
1399:19 December
1349:19 December
1122:, Lansdowne
728:Collections
559:Exhibitions
510:, Glasgow.
493:Vietnam War
425:The Red Hat
417:Lina Bryans
413:South Yarra
369:Pat Harford
353:Cézannesque
329:(1915) and
323:Max Meldrum
306:Alan Sumner
235:Anning Bell
111:The Red Hat
72:Nationality
66:, Australia
3017:Categories
2750:The Herald
2451:1085855988
2386:2 November
1874:1135181250
1451:1262602360
1339:"NORSEMAN"
1258:References
812:, Cheshire
718:Alphington
657:Posthumous
452:Ascendancy
275:Birregurra
242:Alphington
170:Linlithgow
75:Australian
47:, Scotland
45:Linlithgow
37:1890-01-31
2784:744532709
2737:The Argus
2563:954280494
2148:1833-7538
1917:1833-7538
1828:0033-5002
1802:1324-1745
1727:216564502
1591:"Windows"
1285:0004-301X
789:0030-7416
525:Landscape
514:Reception
484:in 1952.
361:plein air
291:Mansfield
211:Melbourne
196:Australia
149:modernist
122:Modernism
80:Education
2342:citation
2300:citation
2253:citation
2156:70677943
2006:citation
1964:citation
1925:70677943
1816:Quadrant
1765:citation
1732:15 March
1721:, 1961,
1655:citation
1490:"Window"
1186:citation
1128:citation
1066:citation
1030:citation
961:citation
925:citation
818:citation
781:Overland
497:pacifist
365:Barbizon
316:Tonalism
287:Oakleigh
207:Norseman
160:Scotland
119:Movement
98:Painting
2526:Tribune
2498:Tribune
2470:Tribune
1790:Meanjin
1389:"ORAMA"
1327:. 1953.
679:1998/9
442:Meanjin
407:Darebin
271:Kyabram
174:typhoid
168:, near
114:, 1937,
2870:
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769:
714:O.B.E.
708:Awards
699:1979:
686:1991:
672:2006:
636:1958:
611:1966:
604:1971:
248:Career
215:Sydney
127:Awards
1620:(PDF)
1557:"VHD"
1515:"VHD"
1422:(PDF)
1085:, S.N
626:Group
340:Manet
227:Orama
2985:2019
2960:2019
2935:2019
2899:2019
2868:ISBN
2827:ISBN
2803:ISBN
2780:OCLC
2770:ISBN
2697:2019
2672:2019
2605:2019
2559:OCLC
2535:2019
2507:2019
2479:2019
2447:OCLC
2437:ISBN
2414:2019
2388:2022
2352:link
2348:link
2329:ISBN
2310:link
2306:link
2287:ISBN
2263:link
2259:link
2240:ISBN
2207:2019
2163:2019
2152:OCLC
2144:ISSN
2134:ISBN
2100:ISBN
2042:2019
2016:link
2012:link
1993:ISBN
1974:link
1970:link
1951:ISBN
1932:2019
1921:OCLC
1913:ISSN
1903:ISBN
1870:OCLC
1860:ISBN
1824:ISSN
1798:ISSN
1775:link
1771:link
1752:ISBN
1734:2022
1723:OCLC
1695:2019
1665:link
1661:link
1642:ISBN
1602:2019
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1526:2019
1501:2019
1470:ISBN
1447:OCLC
1401:2019
1370:ISBN
1351:2019
1281:ISSN
1245:ISBN
1227:ISBN
1209:ISBN
1196:link
1192:link
1173:ISBN
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