Knowledge:Featured article candidates/The Goldfinch (painting)/archive1

2650: 1000:- FunkMonk said below "In other painting FACs I've reviewed, background on the artist was placed before description of the painting itself, ..." but in my experience this is neither usual, nor usually the best approach. The subject of the article is the painting, and the description of that should normally follow the lead - here there are two intervening sections. 4252:, I've had second thoughts about the Noble ref. I don't have direct access to the text, and I'm not totally sure that the reference is correct. I've therefore removed that sentence , which isn't critical, until I can confirm the citation, which is likely to take sometime. I've had no response from the Rijksmuseum, so best not to wait 2620:, I obviously don't want this to become a list of everywhere it's ever been, and we already have Paris, but the two-year tour is clearly a major event and is linked to Tartt's book so I've added a bit on that, and mentioned the million in Tokyo to make it a bit more global. I've also taken the opportunity to add a featured picture 139:"The Goldfinch (Dutch: Het puttertje) is a 1654 painting by Dutch artist Carel Fabritius" - I don't like years as adjectives, or false titles, and the article doesn't I think mention the important fact that it is signed. Plus you miss the main link. Suggest: "The Goldfinch (Dutch: Het puttertje) is a painting by the 1990:? More specifically, I had hoped that you might see "other sources … For example … including" and go a bit further than ticking off the list of bullets, but if you'd prefer to have a laundry list of further points to tick off (and apologies, but this is all rather undigested stream-of-consciousness): 3750:

This is a bit trickier, since most of the stuff about the exhibitions was sourced by previous reviewers who asked for it to be added, so I can't really revert that, and is does show the upsurge in its fame with the release of the book. Although the book won several unmentioned awards, the Pulitzer is

3742:

I think some of this drifts a little too far away from the painting and you may want to consider trimming some of the ephemera (the Pulitzer Prize for fiction, the growth in members at the Frick collection, Girl With a Pearl Earring (should be lower case "w" too, btw)) are all points to consider, but

1033:

The pic "... Abraham Mignon (circa 1668) shows the water-drawing behaviour of the bird." & the Dou are in the next gallery after that is described. Mind you, if the description section follows the lead, I think the first gallery strip can perhaps be removed, with the 2 pics of artist and bird in

3292:

Again, I won't press the issue, but I'm not sure what the following has to do with the subject of this article (the painting, not the movie): "The film was poorly received, with review aggregator website Rotten Tomatoes giving an approval rating of 24%, and an average score of 4.5/10, and Metacritic

2842:

know from the sources that the old varnish had yellowed enough to have to be removed, so it's just a matter of whether this is the correct shade. Given the vagaries of colour reproduction by cameras, book printings and laptop/tablet screens, we are unlikely to get perfect reproduction of colours—and

2654:

there seems to be a discrepancy between the date given for the (presuambly) pre-restoration yellowish goldfinch image (2005) and the date of the restoration (2003). I wondered if the restoration started in 2003 and finished later, but I think the image must be earlier than its 2005 upload date, as

1981:

Well, this is still a nice article, and getting better by the day. Thank you for giving me an excuse to dig into the sources. What a genius Fabritius was. Such a pity he was exploded. I guess my main point is that there is more out there. I see some of the points that have been mentioned in the

3926:

The reference to the explosion in the lede seems a bit Easter-eggy to me. Since many readers get no further than the lede, I might expand enough so that the reader understands that this was something not merely personal to the artist, but a larger disaster. Also I'd mention the estimated death toll

2024:

use of the end of his brush to create black line through the thickly painted yellow wing - but also the transition in tones away from Rembrandt-esque darkness (which you mention) to Vermeer-esque light (which could be said more explicitly: Vermeer was certainly influenced by Fabritius, and while it

2757:

To be clear, I've no objection to the "yellow" pic being in (in fact I've just now seen it for the first time I think, as it was added after my first run-through). The colour values are probably poor though. Taking any picture with a Yorck & recent image will make it look like there's been a

2477:

Two further points, and then I think my nitpicking be exhausted. I think its first public exhibition in Paris in 1866 is quite important, and it is mentioned in the Mauritshuis presentation. And you might want to see the back and forth on my talk page about Émile Martinet, and some of his works

2325:

As I understand it, Fabritius was still alive when he was dug out from the ruins of his house some hours after the gunpowder explosion in Delft, he was taken to a hospital, but died a short time afterwards. All of the others in the house were dead when they were found. So "died with him" is not

3751:

prestigious enough to be worth stating imho. However, I had misgivings myself about the commentary on the film, so cut to just the single sentence of basic info about the film, which has to be there, I think, since, as the film of the book, it's clearly relevant to an article about the painting.

3975:"Following her death in 1643, he moved back to Middenbeemster until the early 1650s, then moving to Delft, where he joined the Guild of Saint Luke in 1652." I'm not sure "moving" is proper. I would simply omit the word. I'm not completely happy about the "moved back" "until the early 1650s". 3082:. Now, this article starts somewhat abruptly, if we ignore the intro, without presenting the artist. You mention aspects of his life earlier in the article, so I went to read his biography section before I read the rest of the article for context. Could be good to get that out of the way. 2783:

I'll restore the image for the time being. Johnbod, do you think I should add a footnote to the caption to say that the painting may not have been quite as yellow as depicted? I'll see if I can track down a more reliable pre-restoration image, although I'm not sure how easy that will be

2729:

Oh, I wasn't expecting it to be removed, just the date clarified. I challenge you to find another (better) pre-restoration image of the painting. Anyway, I like the restructuring of the article, and I've made and linked a stubby little article for Piero della Francesca's

3743:

if you decide to keep them, I won't demur. The whole para about the film and its Rancid Tomatoes rating should definitely be expunged – there are too many issues with RT as a metric at the best of times, but it really jars here and is a long way from the article's topic.

2805:

I personally wouldn't put it back - although it is almost certainly pre-restoration, there's not a lot to distinguish it from a post-restoration image that has a yellow filter added and, as Johnbod says, the Yorck images are all over the place colour and qualitywise.

3023:

Hmm, yes, in articles about the books, films, etc. themselves, but this is rather tangential (this article is not about the book), so seems a bit out of place. Anyway, I won't press the issue, I'm not entirely up to snuff when it comes to media summaries here.

835:

to close. I'd add a nice pic of the real bird somewhere. On my set-up Elgort is all beside the notes. Personally I'd have him and Thore-Berger in a gallery at the bottom with some of the other pics. The Mignon might be better as a cropped detail - possibly

2123:

You could draw on the suggestion that this painting might have been part of a multi-part trompe-l'oeil installation, perhaps with a separate painting of a ledge and bucket, or even a 3D ledge and bucket below. Fabritius is known to have made images for a

3423:

File:Abraham_Mignon_-_Fruit_Still-Life_with_Squirrel_and_Goldfinch_-_WGA15666.jpg needs a US PD tag. Same with File:The_Garden_of_Earthly_Delights_by_Bosch_High_Resolutioncrop.jpg, File:Raffaello_Sanzio_-_Madonna_del_Cardellino_-_Google_Art_Project.jpg,

4128:

No, it isn't essential, that's why it's a question. Some editors do it; I've been asked to consider it at FAC before. It's helpful for anyone looking for the books and probably good practice, but I've no problem if the nominator prefers not to do it.

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which was expected to be the popular draw (as it had been elsewhere during the two-year world tour, including a million (!) visitors at the Tokyo Metropolitan Art Museum, and then at Kobe City Art Museum, but also at the de Young in San

1996:

I have the Davis book, and it's been really useful for background, and telling me what I need to verify, but it's written as a popular history with few footnotes and plenty of speculation, so I don't think it's suitable as direct source

3668:"American art historian", "French art critic" (and later "English art historian"): are the nationalities important? (Particularly odd when we get to the stateless "art historian Wilhelm Martin", and various others without nationality! 1236:"The Goldfinch was lost for more than two centuries before the previously unknown painting first came to light in 1859" - "The Goldfinch was lost and unknown for more than two centuries before it first came to light in 1859" better? 2061:, which only became clear after discoloured varnish was cleaned off in 2003, and links back to what Bürger said in his 1859 catalogue of the Arenburg collection, about "mur blême", "fonds clairs et pâles" and "lumineuse couleur". 2917:

At first glance, I'm not too fond of all the white space in the last part of the article. Is Ansel Elgorth really that important to the story that he warrants creating that huge white space under the Théophile Thoré-Bürger

3896:"A common and colourful bird with a pleasant song, the goldfinch was a popular pet, and it could be taught simple tricks including lifting a thimble-sized bucket of water." I might cut the "it" before "could be taught". 1797:, the art dealer. I assume he sold it on to the Mauritshuis, but I doubt it was for the same price he paid for it at the auction (there's a 5% commission from the auction house to add to the 6200 francs to start with). 1270:"The Frick exhibition was part of a world tour of selected Golden Age paintings from the Mauritshuis closure during a two-year..." needs something, if only a possessive. Also dates needed - 2013-2014 at the Frick. 2572:

and that there were queues around the corner at the Frick, in the autumn/winter weather, with 13,000 joining as members (quadrupling the number) to jump the queue, and more importantly the goldfinch overshadowing

1164:"Fabritius' student, Mattias Spoors, and church deacon Simon Decker also died as a result of the explosion" - reads slightly oddly. What was the deacon doing? Was he the subject of a portrait? If so, better say. 3579:

Tim, many thanks for review and support, all fixed except the currency. I tried on that but couldn't get a sensible answer. I might try again later, but these conversions, as you imply, are often challenged

1827:

Unlikely to be separate transaction - Bredius became director of the Mauritshuis in 1889. Brown p.126 has "bought by Bredius for the Mauritshuis (for his account of the sale see Bredius 1939, pp.11-12)". -

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Thanks for the great review. I'll add a real bird. The Mignon, unlike the Bosch isn't really hi-res enough. Can you leave the possibility of a second gallery with me for a while? I need to think about that

454:..." - odd. Fabritius is a normal surname, which happens to be the usual way he is referred to (just like Rembrandt). This implies it was a nickname, like El Greco say. "Initially he worked as a carpenter ( 2569:

And then, you mention the "blockbuster" Frick exhibition in 2013-14 with 200,000 attending, but you might want to mention that paintings were out on loan in 2012-14 while the Mauritshuis was renovated,

3552:"5,500 francs" – it would be nice to have some indication of what this represented in euros or some such, though I know it can be very hard to give accurate equivalents, and I don't press the point. 3202:"The bird itself was created with broad brush strokes, with only minor later corrections to its outline, while details, including the chain, are added with more precision." Why change in tense? 2600:

This might all be too much - and no doubt the content is driven by the sources - but should we be mentioning 200,000 people at the Frick but not a million visitors the year before in Tokyo?

2838:, yes, I saw the FP, thanks for that. I don't think the image is a big deal, but I'm inclined to keep it in for now, unless or until we can find a better pre-restoration image, because we 3999: 3765: 2347: 2316: 2193: 2114: 1659: 1629: 1599: 1569: 1539: 3490: 3463: 3033: 4300: 4266: 4240: 4157: 3966: 3728: 3628: 3594: 3513: 2857: 2826: 2284: 2257: 2233: 2157: 2084: 2046: 1971: 1822: 1753: 1493: 1293: 1279:

Tweaked and added Frick dates. I don't know if you were suggesting dating all the exhibitions, but if so, I think that would just be unnecessary clutter, so I'm not prepared to do that

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I think you've got most of it. There is probably more that could be added on how this panel might physically have worked as a tromp l'oeil, and also linking the Italian article on

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There is a list of earlier exhibitions in the Liedtke catalogue: looks like it goes out roughly every 20 years, 40s 60s, 80s. (Do we know where it was kept during the World Wars?)

1953:

Looking at the provenance, I already had the chevalier ref, now I've also expanded on Haro and Kleinberger. Martinet is more of a problem. Neither of the links is RS, and although

3409:

Not sure the gallery in Subject makes a lot of sense - we've got a portrait of the artist, plus a modern-day photo of the bird, plus a set of other paintings that include the bird

2672:

The Yorck Project images were mostly scans from books that were already so old (in 2005) that the photos were out of copyright. The quality & colour of many is just terrible.

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If the sources state so, mention the colour of the wall under descrition? It is a pretty dominant aspect of the painting. Now you only mention it under Physical characteristics.

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I tend to agree, but all the images were requested by reviewers, are relevant and can't easily go elsewhere. I might play around with splitting into a couple of galleries

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in which his mother dies. He takes the Fabritius painting with him as he escapes the building" - presumably in the novel it was on loan for an exhibition. Better say so.

2527:, and I guess I should be supporting, although as I hope is clear, I've been concentrating on content, rather than language and format. Two further thoughts, though. 848: 4193: 3528:

Seems to my inexpert eye to meet the FA criteria. Evidently comprehensive, well illustrated and thoroughly referenced. A few quibbles, which don't affect my support:

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The first paragraph under In popular culture ends without citation. I assume it is is because it is just a summary of the book, but would still be god to cite that.

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I strongly suspect it was the printer Émile Martinet (1838-1895), of Rue Mignon. His daughter Maxime married Jules Haro, the son of Étienne-François Haro. See

1957:, it doesn't appear to confirm his family relationship with Haro or his job. I don't doubt the facts, but I can't find a proper source to enable it to be added 3445: 3223: 3133: 3103: 3065: 2942: 3365: 2912: 1645:

the book was before the restoration, we know that not only is there obviously no bucket now, but there never was, seems a bit of a red (gold?) herring to me

2478:(that were later sold in the same estate sale in 1896) being exhibited in 1874, which I think makes it clear this is the same "E. Martinet". Sadly not the 1814:

confirms the sale at the auction and the purchase by the Mauritshuis are separate transactions, so that bit of the "Ownership" section will need rewording.

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On the provenance, and Martinet/Haro, perhaps someone in France can help to locate some hardcopy sources, although you don't get more hardcopy than the

2020:

You might want to say a bit more about Fabritius as a link between Rembrandt and Vermeer - for example the Rembrandt-y looseness of the brushwork, and

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As I said, up to you. Holding up any photo in a book, catalogue or postcard in front of the original painting is usually a disconcerting experience.

2532: 2165: 344:"The goldfinch is a popular topic for painters" - painters don't really have "topics". "The goldfinch frequently appears in paintings" or something? 2249:

I thought that too, but when I re-read it I saw it meant later than the grapes. Then again, if we both misunderstood it probably needs rewording.

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That is probably more than enough from me. Please don't be discouraged - there is a great article there, I just think it needs a bit more.

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the bold strokes with bright colours above and the feathery strokes with dull colours below, adding to the impression of volume and texture

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Ref 5 cites Petria Noble in a work edited by Epco Runia. Presumably Noble wrote a chapter or section? If so, we should probably name this.

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it was actually a {{-}} inserted by another editor causing the white space, the pic alone wouldn't do that. I've removed both though

1198:" in the second quarter of the fourteenth century while the Black Death pandemic gripped Europe" BD arrived in Sicily in 1347, and eg 3549:

for "German-Dutch art historian Wilhelm Martin" (and is his nationality relevant here anyway?) and "Former actress Apolline Lacroix".

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Firstly, I think the increased number of sections have odd names and the wrong sequence. I would suggest re-arranging as follows:

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Sources appear reliable and high quality. No comment on whether it is a representative survey but there are no obvious concerns.

3882: 3074:

In other painting FACs I've reviewed, background on the artist was placed before description of the painting itself, such as in

3232:"painted by Jacopo de' Barbari in 1504" Since you present him in the earlier paragraph, perhaps only last name is needed here? 1173:

I've removed the speculation as to why they were there since we don't know. If you're still not happy, they can go altogether

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is and was exclusively an auction house (or wierd monopolistic consortium of them). We don't link Paris (nor New York later).

30: 17: 2584: 2445:?) and in the main I like to add locations for artworks, but you apparently don't, so I'm not going to stand in your way. 2055:

The pleasant online presentation at the Mauritshuis compares the blank walls behind the Fabritius's goldfinch and Vermeer's

1842:

You are right, Kleinburger seems to have been a proxy or agent for Bredius. I've copied Bredius's account to the talk page.

1068:

The caption for "The Nativity (1470–1475) by Piero della Francesca" needs to locate the bird, which took me a while to find.

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the citation for Jowell's article (ref 24) has three sets of quotation marks where one would expect an even number of them.

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Great find. This is the 1896 sale. The catalogue includes a picture so there is no doubt. The painting is Lot 16 on page 9

1202:

arrived in 1348, with the peak until 1351, and a second major wave in the 1360s... "in the middle" might be more accurate.

2442: 2295:

I think it is fairly usual for the image captions of artworks to include artist, title, date, and where the work is held.

636:, and hearing about the earlier coverage by Bleyswijck in the Binstock book (lk below), it might be best to soften this. 2587: 2535:

and a funky yellowish one which seems to show it before the restoration, if you look at the blemishes in the background

2302:

I've included all of that except the location which I don't think is relevant and just makes long captions even longer

1515: 4069: 238:. It wasn't exactly a "popular subject", but often included as an attribute or symbolic/decorative element, mainly in 2996: 1889: 762:"The painting is currently in the permanent collection of the Mauritshuis in The Hague" - it isn't going anywhere. 104: 71: 3079: 150:

Done, mislead by the chapter in Lederer head Flemish Baroque in which this was placed, but you're obviously right

2369: 1434:(so realistic, it deceived a bird) to this painting of a bird (so realistic, it could fool a person passing by) 462:)" may be true, though I think the word is rather more vague than that, but is essentially a coincidence afaik. 687: 1768:

contemporaneous record, clearly says "M." (i.e. Monsieur) "E. Martinet", and it appears to be an estate sale.

4286:

I've now been able to verify the text and reference, I'd just missed "Carel", so now restored and corrected

2897: 2246:. (That was earlier, surely, not later? 1510s versus 1654. Perhaps better to say a Renaissance example.) 1426:

from the Met and National Gallery's Vermeer exhibition in 2001 mentions some interesting points, including:

833:

I think you are right to have a gallery - personally I use "<gallery widths="200px" heights="200px": -->

3659:

A nice article on a picture I was unaware of before, but it is rather capitvating, for all its simplicity.

2951:

Looks better, it was also an issue whether we even needed to see his photo here, seemed like undue weight.

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Is there more to say about the restoration? Do the technical sources mention X-ray and infrared analysis?

3774:

That's fine: it looks much tighter now than it did, so some of the other bits I mentioned look OK now. -

3112:

The captions of the paintings in the galleries could state dates for context. Perhaps also the portraits.

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is not universally accepted, there is speculation that Vermeer could have been a student of Fabritius).

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For the older books, which don't have ISBNs, could we add OCLC numbers or similar to help locate them?

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After centuries in private collections ("lost" seems a bit strong, as no one as looking for it) the

1422:

Nice article, but I wonder if there are other sources out there that should be mined. For example,

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deprecates currently, & "permanent" is also not needed, after 125 years. The lead gets it right.

1100:

It turns out I hadn't found the right bird at all! We badly need a better pic of this great work.

273: 72: 2539:. Query if one or both might be helpful. We have lots of images already, but it is an artwork... 970:

Ok, I've been away for a while, & the article has grown considerably, so there is more to say.

2202:

There is another more finished self-portrait at the National Gallery, which also has an article:

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how the painting may have been displayed, supporting the thesis that it was nailed up by a window

3638: 2409:, I think I've responded to all your points so far, please let me know if I've missed something 1423: 2531:

We have alternative images, of the painting as displayed at the Mauritshuis in its black frame

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I've done this, settled for Goldfinch instead of subject, please change if you don't like that

914: 3611: 558:"Fabritius died young," - well very young, just 2ish years into his independent career, at 32. 2592: 2438: 2134:. The removal of the border suggests could have been placed on a wall without a frame. The 1765: 3945:

The first sentence in the fourth paragraph of "Style" could benefit from a split in my view.

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has been promoted, but there may be a delay in bot processing of the close. Please see

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say the timing was a coincidence? It strikes me there are few coincidences in marketing.

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does indeed say that, so it is at least a possibility, although I share your doubts

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Most interesting. and well done I confess I wasn't aware of the book and so forth.

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If you can bear adding links to articles in other languages, you might want to use

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was probably the best I could find, looking at the range, best left out I think.

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You use curly brackets instead of parenthesis by some dates, any reason for that?

2129: 2125: 763: 280:, though the same is more or less true for that. There's another of these later. 231: 2546:

I've added the 2005 pic to physical characteristics and fixed the image licence

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Exposition retrospective: tableaux anciens empruntés aux galleries particulières

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The provenance is pretty well established, I can't see why we need more on this

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it is attributed to "The Yorck Project (2002)" and I suspect it predates that.

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was born in 1622, as Carel Pietersz, ..." this is still odd. Why not just say

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showing a weighted average score of 40 out of 100.". Seems like undue weight.

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is the print collector Chevalier Joseph Guillaume Jean Camberlyn (1783-1861).

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Are there other catalogues, journal articles, etc, that should be consulted?

797: 53: 3356:- looks good to me now, in line with other painting articles I've reviewed. 1863:

And here is the catalogue of the 1892 sale after the death of Thoré-Burger (

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some other similar paintings including in particular the somewhat realistic

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Artist (now "Background") - ok this & "Style" could be either way round.

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For consistency, we need a publishing location for the Bürger book (ref 6).

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that's already there reffed to Stone-Ferrier in "physical characteristics"

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that applies to all the images here although probably to a lesser extent

2138:

painting of the lady shows how a goldfinch could be kept beside a window.

1430:(as you have already mentioned Pliny) the neat reversal of the grapes of 379: 375: 227: 57: 3454:

File:Théophile_Thoré_by_Nadar.jpg: when/where was this first published?

1732:

is the art dealer Étienne-François Haro (1827-1897, who retired c.1885).

2990: 2135: 684: 2021: 1127: 1123: 447: 938:, yes, I've got all the text and have used it to add to the article 39:

Subsequent comments should be made on the article's talk page or in

628:

his first biographer (he usually is with DGA painters), but seeing

3839:. All good from me. Nice article and a pleasure to read. Cheers - 1793:

Interestingly the notes to the side of the lot say it was sold to

2482:

though, but nice to give the man his name after all these years.

1900:

That's almost certainly correct. The auction was an estate sale.

192:

measuring 33.5 by 22.8 centimetres (13.2 in × 9.0 in) and using

111:

for help with sourcing and detailed comments before I came here

2982:

to source summaries in books, plays or films, see, for example

1431: 917:

has stuff, though the most relevant page or pages are missing.

2208:(1654). That said, I quite like the loose, sketchy nature of 994:

Cultural references and exhibitions (now "In popular culture")

725: 521: 455: 3142:"Fabritius was born in 1622" Why not full name at link here? 1376:, many thanks for your review and support, much appreciated 2814:

08:45, 7 February 2020 (UTC) P.S. The main image is now a

2219:

Yes, I looked at other images, but I liked this one too

496:(link below) on page 247. It is a bit confusing though. 276:

period.." - but this isn't a Flemish Baroque work. It's

2437:(unless someone writes a short stub for you... and the 3172:"Fabritius died very young" Why not just give his age? 2775:, thanks very much for the review and support and the 416:" pretty ancient, so better give dates - 1876 - 1954. 143:

Carel Fabritius, signed and dated 1654." Or something.

1671:

I've found all I can, although I obv missed this one

1518:, so do we have a Dutch speaker to confirm the usage? 890:, Now a second gallery, and I'll amed the biographer 4143:

I've not done this in any of my previous 70-odd FAs

2646:

I guess it would be churlish not to support now but

2451:

I've added a bit more on the illusion and linked to

2499:added the exhibition and a bit more about Martinet 2368:is a topic deserving of an article, as much as the 1355:All points fixed, & article looking very good. 592:..." - no, born 1660. "His first biographer" maybe. 4355:The above discussion is preserved as an archive. 2533:File:Carel fabritius, il cardellino, 1654, 01.jpg 1867:) again with a picture. It is lot 10 on page 13 378:religious paintings..." - again a link to plain 2736:. For what it is worth, I think I am ready to 180:on 33.5 by 22.8 centimetres (13.2 in × 9.0 in) 43:. No further edits should be made to this page. 3707:suggests to add a comma to four-figure numbers 4361:No further edits should be made to this page. 4334:template in place on the talk page until the 2586:and then it seems the Palazzo Fava in Bologna 29:The following is an archived discussion of a 3472:Added, also added US-PD and copied over the 1982:last couple of days were already in Brown's 979:Description (now "Physical characteristics") 2779:stub. In view of the comments from you and 3476:from the Bibliotheque Nationale Francaise 1411:The following discussion has been closed. 728:on 5 December 1892" - better explain that 41:Knowledge talk:Featured article candidates 4045:, many thanks for the review and support 982:Goldfinch (or "the Bird") - now "Subject" 913:'s long catalogue entry is very useful. 2537:File:Carel Fabritius - The Goldfinch.jpg 524:in 1652" is a bit Easter-eggy. Probably 450:was born in 1622, as Carel Pietersz, in 4114:This isn't I think usual or necessary. 3379:Many thanks for the review and support 14: 2647: 1608:are those rings metal, or smooth wood? 4008:I can't see beyond the paywall; does 3539:the OED doesn't hyphenate "overpaint" 1525:No, it's obvious, added "diminutive" 184:.. " reads very oddly. I don't think 18:Knowledge:Featured article candidates 3556:A pleasure to read and to review. – 1691:And can we pin down the provenance? 909:The link Theramin provides below to 136:Generally looks good. Some comments: 834:, then the normal </gallery: --> 242:pics (that would be the "subject"). 23: 2521:OK, I've done a stubby article on 2143:Added text and the Delft painting 1705:Already done, see comments at end 188:really needs the link: "It is in 24: 4373: 2997:Final Fantasy: The Spirits Within 1871:(agrees with Brown 1981 p.126) - 1865:la collection de feu Thoré-Burger 1034:their natural places in the text. 796:"survives a terrorist bombing at 272:"The painting is unusual for the 4226:, many thanks, all done I think 2648: 2455:. Interesting magpie discussion 3936:that destroyed much of the city 2032:expanded the relevant sections 1327:thanks again, all done I think 588:"According to his contemporary 230:painters" - might as well link 3536:"just" in "died aged just 32"; 2370:First Impressionist Exhibition 226:"it was a popular subject for 13: 1: 4348:11:39, 15 February 2020 (UTC) 4301:16:01, 14 February 2020 (UTC) 4267:07:09, 14 February 2020 (UTC) 4241:07:02, 12 February 2020 (UTC) 4194:07:02, 12 February 2020 (UTC) 4158:07:02, 12 February 2020 (UTC) 4139:17:49, 11 February 2020 (UTC) 4124:15:43, 11 February 2020 (UTC) 4097:07:02, 12 February 2020 (UTC) 3813:, many thanks for the review 3424:File:FabritiusViewOfDelft.jpg 3080:The Colossus of Rhodes (Dalí) 2978:No, it's absolutely standard 2876:15:42, 11 February 2020 (UTC) 4215:08:17, 7 February 2020 (UTC) 4060:12:01, 5 February 2020 (UTC) 4038:11:29, 5 February 2020 (UTC) 4000:12:01, 5 February 2020 (UTC) 3967:12:01, 5 February 2020 (UTC) 3918:12:01, 5 February 2020 (UTC) 3875:13:34, 5 February 2020 (UTC) 3849:13:27, 5 February 2020 (UTC) 3828:13:16, 5 February 2020 (UTC) 3803:11:03, 5 February 2020 (UTC) 3793:I hope these help. Cheers – 3784:13:27, 5 February 2020 (UTC) 3766:13:16, 5 February 2020 (UTC) 3729:13:16, 5 February 2020 (UTC) 3690:13:16, 5 February 2020 (UTC) 3654:23:02, 4 February 2020 (UTC) 3629:17:01, 4 February 2020 (UTC) 3595:07:30, 4 February 2020 (UTC) 3572:18:44, 3 February 2020 (UTC) 3514:11:55, 26 January 2020 (UTC) 3499:Many thanks for the review, 3491:11:55, 26 January 2020 (UTC) 3464:15:27, 25 January 2020 (UTC) 3446:11:55, 26 January 2020 (UTC) 3394:16:33, 24 January 2020 (UTC) 3366:13:21, 24 January 2020 (UTC) 3345:07:24, 24 January 2020 (UTC) 3315:07:24, 24 January 2020 (UTC) 3284:07:24, 24 January 2020 (UTC) 3254:07:24, 24 January 2020 (UTC) 3224:07:24, 24 January 2020 (UTC) 3194:14:59, 23 January 2020 (UTC) 3164:14:59, 23 January 2020 (UTC) 3134:15:13, 23 January 2020 (UTC) 3104:14:59, 23 January 2020 (UTC) 3066:15:52, 23 January 2020 (UTC) 3034:11:33, 23 January 2020 (UTC) 3015:07:04, 23 January 2020 (UTC) 2961:11:33, 23 January 2020 (UTC) 2943:07:04, 23 January 2020 (UTC) 2913:19:34, 22 January 2020 (UTC) 2858:09:12, 7 February 2020 (UTC) 2827:08:45, 7 February 2020 (UTC) 2799:06:59, 7 February 2020 (UTC) 2768:03:11, 7 February 2020 (UTC) 2758:big restoration! Up to you. 2750:02:42, 7 February 2020 (UTC) 2718:06:31, 2 February 2020 (UTC) 2682:04:42, 2 February 2020 (UTC) 2665:01:42, 2 February 2020 (UTC) 2635:14:27, 29 January 2020 (UTC) 2610:01:48, 29 January 2020 (UTC) 2561:07:02, 29 January 2020 (UTC) 2514:09:58, 27 January 2020 (UTC) 2492:01:07, 27 January 2020 (UTC) 2470:09:58, 27 January 2020 (UTC) 2424:07:22, 25 January 2020 (UTC) 2397:00:17, 24 January 2020 (UTC) 2380:and … Étienne-François Haro. 2348:07:42, 24 January 2020 (UTC) 2317:16:54, 24 January 2020 (UTC) 2285:07:42, 24 January 2020 (UTC) 2258:00:26, 24 January 2020 (UTC) 2234:07:42, 24 January 2020 (UTC) 2194:07:22, 25 January 2020 (UTC) 2158:07:22, 25 January 2020 (UTC) 2115:11:49, 24 January 2020 (UTC) 2085:11:49, 24 January 2020 (UTC) 2047:16:54, 24 January 2020 (UTC) 2012:07:36, 24 January 2020 (UTC) 1972:14:14, 22 January 2020 (UTC) 1947:06:35, 22 January 2020 (UTC) 1924:01:56, 22 January 2020 (UTC) 1909:12:22, 22 January 2020 (UTC) 1881:10:10, 22 January 2020 (UTC) 1851:12:22, 22 January 2020 (UTC) 1838:11:18, 22 January 2020 (UTC) 1823:10:55, 22 January 2020 (UTC) 1806:10:34, 22 January 2020 (UTC) 1789:09:46, 22 January 2020 (UTC) 1761:So who was "E. Martinet"? 1754:07:41, 23 January 2020 (UTC) 1720:07:41, 23 January 2020 (UTC) 1686:15:45, 22 January 2020 (UTC) 1660:15:45, 22 January 2020 (UTC) 1630:15:45, 22 January 2020 (UTC) 1600:15:45, 22 January 2020 (UTC) 1570:15:45, 22 January 2020 (UTC) 1540:15:45, 22 January 2020 (UTC) 1494:15:45, 22 January 2020 (UTC) 1456:15:45, 22 January 2020 (UTC) 1391:06:43, 5 February 2020 (UTC) 1365:17:24, 4 February 2020 (UTC) 1342:07:16, 4 February 2020 (UTC) 1314:20:14, 3 February 2020 (UTC) 1294:07:16, 4 February 2020 (UTC) 1260:07:16, 4 February 2020 (UTC) 1226:07:16, 4 February 2020 (UTC) 1188:07:16, 4 February 2020 (UTC) 1154:07:16, 4 February 2020 (UTC) 1110:17:24, 4 February 2020 (UTC) 1092:07:16, 4 February 2020 (UTC) 1058:07:16, 4 February 2020 (UTC) 1023:07:16, 4 February 2020 (UTC) 991:Provenance (now "Ownership") 953:16:35, 24 January 2020 (UTC) 927:13:46, 22 January 2020 (UTC) 905:14:16, 23 January 2020 (UTC) 875:16:20, 21 January 2020 (UTC) 849:15:19, 21 January 2020 (UTC) 825:16:20, 21 January 2020 (UTC) 788:16:20, 21 January 2020 (UTC) 754:16:20, 21 January 2020 (UTC) 712:16:20, 21 January 2020 (UTC) 669:16:37, 24 January 2020 (UTC) 646:14:06, 22 January 2020 (UTC) 614:16:20, 21 January 2020 (UTC) 580:16:20, 21 January 2020 (UTC) 550:16:20, 21 January 2020 (UTC) 506:13:46, 22 January 2020 (UTC) 484:16:20, 21 January 2020 (UTC) 438:16:20, 21 January 2020 (UTC) 412:"German-Dutch art historian 404:16:20, 21 January 2020 (UTC) 382:is unlikely to help readers. 366:16:20, 21 January 2020 (UTC) 336:16:20, 21 January 2020 (UTC) 302:16:20, 21 January 2020 (UTC) 264:16:20, 21 January 2020 (UTC) 236:Italian Renaissance painting 218:16:20, 21 January 2020 (UTC) 165:16:20, 21 January 2020 (UTC) 126:10:15, 21 January 2020 (UTC) 96:10:15, 21 January 2020 (UTC) 7: 4329:featured article candidates 3982:lost "moving" and inserted 3076:The Dawn of Love (painting) 2703:Ok, I'll remove that image 1988:Fabritius and the Goldfinch 196:illusionism." Or something. 31:featured article nomination 10: 4378: 1739:Done, see comments at end 1479:added to text and gallery 801:Metropolitan Museum of Art 528:is the only link you need. 492:See also the quick bio by 2576:Girl with a Pearl Earring 2441:deserves an article too: 2360:was included in the 1866 1502:the Dutch common name of 624:I was assuming Houbraken 278:Dutch Golden Age painting 4358:Please do not modify it. 3644:Putting down a marker - 2583:and the High in Atlanta, 2374:Palais des Champ-Élysées 1414:Please do not modify it. 1128:Carel Pietersz Fabritius 73:The Goldfinch (painting) 36:Please do not modify it. 3938:and the death estimate 3545:I could do without the 2903:I'll have a look soon. 2376:which was organised by 2212:(1645) you have chosen. 1516:Dutch diminutive suffix 1130:was born in 1622, ...." 141:Dutch Golden Age artist 3860:many thanks for that! 3703:"2000 years": I think 3524:Support from Tim riley 3051:Added a para to style 3000:as a random selection 2205:Young Man in a Fur Cap 1399:Comments from Theramin 688:Théophile Thoré-Bürger 630:how short Houbraken's 4205:Spotchecks not done. 2439:Piero della Francesca 1406:Some random comments 314:" - or "common name"? 310:"the bird's nickname 1638:where is the bucket? 469:That's ineteresting 3737:Cultural references 2383:Well, blow me down. 915:This google preview 690:" more false title. 526:Guild of Saint Luke 131:Comments by Johnbod 64:) 15 February 2020 4019:What cynicism! (: 3883:Support by Wehwalt 1984:catalogue raisonné 1470:Jacopo de' Barbari 1466:c.1510 sparrowhawk 3532:I might lose the 2985:The Fifth Element 2740:now. Well done. 2644: 2643: 2443:one magpie or two 1914:Hope this helps. 240:Madonna and Child 99: 4369: 4360: 4333: 4327: 4324:, and leave the 4298: 4264: 4238: 4191: 4155: 4094: 4057: 3997: 3964: 3915: 3872: 3825: 3763: 3726: 3687: 3626: 3609: 3592: 3569: 3567: 3562: 3511: 3488: 3443: 3391: 3342: 3312: 3281: 3251: 3221: 3191: 3161: 3131: 3101: 3063: 3012: 2940: 2855: 2837: 2822: 2810: 2796: 2715: 2653: 2652: 2651: 2632: 2558: 2511: 2467: 2453:it:Uno sparviero 2435:it:Uno sparviero 2421: 2345: 2314: 2282: 2253: 2231: 2191: 2155: 2112: 2082: 2044: 2009: 1969: 1944: 1904: 1846: 1818: 1801: 1751: 1717: 1683: 1657: 1627: 1615:wood, corrected 1597: 1567: 1537: 1491: 1453: 1416: 1403: 1402: 1388: 1339: 1291: 1257: 1223: 1185: 1151: 1089: 1055: 1020: 950: 902: 872: 822: 785: 751: 709: 666: 611: 590:Arnold Houbraken 577: 547: 516:"and joined the 481: 435: 401: 363: 333: 299: 261: 215: 162: 123: 93: 79: 48:The article was 38: 4377: 4376: 4372: 4371: 4370: 4368: 4367: 4366: 4365: 4356: 4331: 4325: 4294: 4260: 4234: 4187: 4151: 4090: 4072: 4053: 3993: 3960: 3911: 3885: 3868: 3821: 3759: 3722: 3683: 3641: 3622: 3603: 3588: 3565: 3560: 3558: 3526: 3507: 3484: 3474:explicit PD tag 3439: 3387: 3338: 3308: 3277: 3247: 3217: 3187: 3157: 3127: 3097: 3059: 3008: 2936: 2900: 2851: 2831: 2820: 2808: 2792: 2711: 2649: 2628: 2554: 2507: 2463: 2417: 2341: 2310: 2278: 2251: 2227: 2210:the earlier one 2187: 2151: 2126:perspective box 2108: 2078: 2040: 2005: 1965: 1940: 1902: 1844: 1816: 1812:Maritshuis page 1799: 1747: 1713: 1679: 1653: 1623: 1593: 1563: 1533: 1487: 1449: 1412: 1401: 1384: 1335: 1287: 1253: 1219: 1181: 1147: 1124:Carel Fabritius 1085: 1051: 1016: 946: 898: 868: 818: 781: 747: 705: 662: 607: 573: 543: 477: 431: 397: 359: 329: 295: 274:Flemish Baroque 257: 232:Renaissance art 211: 158: 133: 119: 89: 76: 34: 22: 21: 20: 12: 11: 5: 4375: 4364: 4363: 4351: 4350: 4338:goes through. 4310: 4309: 4308: 4307: 4306: 4305: 4304: 4303: 4274: 4273: 4272: 4271: 4270: 4269: 4244: 4243: 4218: 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FAC 101: 100: 81:Nominator(s): 75: 70: 69: 46: 45: 25: 15: 9: 6: 4: 3: 2: 4374: 4362: 4359: 4353: 4352: 4349: 4345: 4341: 4337: 4330: 4323: 4319: 4315: 4312: 4311: 4302: 4299: 4297: 4291: 4290: 4285: 4282: 4281: 4280: 4279: 4278: 4277: 4276: 4275: 4268: 4265: 4263: 4257: 4256: 4251: 4248: 4247: 4246: 4245: 4242: 4239: 4237: 4231: 4230: 4225: 4222: 4221: 4220: 4219: 4216: 4212: 4208: 4204: 4201: 4200: 4195: 4192: 4190: 4184: 4183: 4178: 4177: 4176: 4175: 4171: 4170: 4159: 4156: 4154: 4148: 4147: 4142: 4141: 4140: 4136: 4132: 4127: 4126: 4125: 4121: 4117: 4113: 4112: 4111: 4110: 4109: 4108: 4104: 4103: 4098: 4095: 4093: 4087: 4086: 4081: 4080: 4079: 4078: 4074: 4073: 4070:Source review 4061: 4058: 4056: 4050: 4049: 4044: 4041: 4040: 4039: 4035: 4031: 4027: 4022: 4021:The Telegraph 4018: 4017: 4016: 4015: 4011: 4010:The Telegraph 4007: 4006: 4001: 3998: 3996: 3990: 3989: 3985: 3984:where he live 3981: 3980: 3979: 3978: 3974: 3973: 3968: 3965: 3963: 3957: 3956: 3951: 3950: 3949: 3948: 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2981: 2977: 2976: 2975: 2974: 2970: 2969: 2962: 2958: 2954: 2950: 2949: 2948: 2947: 2944: 2941: 2939: 2933: 2932: 2927: 2924: 2923: 2922: 2921: 2916: 2914: 2910: 2906: 2902: 2901: 2877: 2873: 2869: 2865: 2864: 2863: 2862: 2861: 2860: 2859: 2856: 2854: 2848: 2847: 2841: 2835: 2830: 2829: 2828: 2825: 2823: 2817: 2813: 2811: 2804: 2803: 2802: 2801: 2800: 2797: 2795: 2789: 2788: 2782: 2778: 2774: 2771: 2770: 2769: 2765: 2761: 2756: 2755: 2754: 2753: 2752: 2751: 2747: 2743: 2739: 2735: 2734: 2719: 2716: 2714: 2708: 2707: 2702: 2698: 2695: 2694: 2693: 2692: 2691: 2690: 2689: 2688: 2683: 2679: 2675: 2671: 2670: 2669: 2668: 2667: 2666: 2662: 2658: 2636: 2633: 2631: 2625: 2624: 2619: 2616: 2615: 2614: 2613: 2612: 2611: 2607: 2603: 2595: 2593: 2590: 2588: 2585: 2582: 2578: 2577: 2571: 2568: 2567: 2562: 2559: 2557: 2551: 2550: 2545: 2544: 2543: 2542: 2538: 2534: 2530: 2529: 2528: 2526: 2525: 2524:A Sparrowhawk 2515: 2512: 2510: 2504: 2503: 2498: 2497: 2496: 2495: 2494: 2493: 2489: 2485: 2481: 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1071: 1067: 1066: 1059: 1056: 1054: 1048: 1047: 1042: 1041: 1040: 1039: 1038: 1037: 1032: 1031: 1024: 1021: 1019: 1013: 1012: 1007: 1006: 1005: 1004: 1003: 1002: 1001: 993: 990: 987: 984: 981: 978: 975: 974: 972: 969: 968: 964: 963: 954: 951: 949: 943: 942: 937: 934: 933: 932: 931: 928: 924: 920: 916: 912: 908: 906: 903: 901: 895: 894: 889: 886: 885: 884: 883: 882: 881: 876: 873: 871: 865: 864: 858: 855: 854: 853: 852: 851: 850: 846: 842: 832: 831: 826: 823: 821: 815: 814: 809: 808: 807: 806: 802: 799: 795: 794: 789: 786: 784: 778: 777: 772: 771: 770: 769: 765: 761: 760: 755: 752: 750: 744: 743: 738: 737: 736: 735: 731: 727: 723: 719: 718: 713: 710: 708: 702: 701: 696: 695: 694: 693: 689: 686: 682: 681: 670: 667: 665: 659: 658: 653: 652: 651: 650: 647: 643: 639: 635: 633: 627: 623: 622: 621: 620: 619: 618: 615: 612: 610: 604: 603: 598: 597: 596: 595: 591: 587: 586: 581: 578: 576: 570: 569: 564: 563: 562: 561: 557: 556: 551: 548: 546: 540: 539: 534: 533: 532: 531: 527: 523: 519: 515: 514: 507: 503: 499: 495: 491: 490: 489: 488: 485: 482: 480: 474: 473: 468: 467: 466: 465: 461: 457: 453: 449: 445: 444: 439: 436: 434: 428: 427: 422: 421: 420: 419: 415: 411: 410: 405: 402: 400: 394: 393: 388: 387: 386: 385: 381: 377: 373: 372: 367: 364: 362: 356: 355: 350: 349: 348: 347: 343: 342: 337: 334: 332: 326: 325: 320: 319: 318: 317: 313: 309: 308: 303: 300: 298: 292: 291: 286: 285: 284: 283: 279: 275: 271: 270: 265: 262: 260: 254: 253: 248: 247: 246: 245: 241: 237: 233: 229: 225: 224: 219: 216: 214: 208: 207: 202: 201: 200: 199: 195: 191: 187: 183: 179: 176: 172: 171: 166: 163: 161: 155: 154: 149: 148: 147: 146: 142: 138: 135: 134: 128: 127: 124: 122: 116: 115: 110: 106: 103:Following my 98: 97: 94: 92: 86: 85: 78: 77: 74: 68: 66: 63: 59: 55: 51: 44: 42: 37: 32: 27: 26: 19: 4357: 4354: 4314:Closing note 4313: 4295: 4288: 4261: 4254: 4235: 4228: 4188: 4181: 4152: 4145: 4091: 4084: 4054: 4047: 4028:That's it.-- 4020: 4009: 3994: 3987: 3983: 3961: 3954: 3935: 3912: 3905: 3887: 3886: 3869: 3862: 3836: 3822: 3815: 3792: 3760: 3753: 3723: 3716: 3684: 3677: 3658: 3623: 3616: 3589: 3582: 3557: 3555: 3547:false titles 3527: 3508: 3501: 3485: 3478: 3440: 3433: 3404:Image review 3403: 3402: 3388: 3381: 3353: 3339: 3332: 3309: 3302: 3278: 3271: 3248: 3241: 3218: 3211: 3188: 3181: 3158: 3151: 3128: 3121: 3098: 3091: 3060: 3053: 3009: 3002: 2995: 2989: 2983: 2979: 2937: 2930: 2852: 2845: 2839: 2793: 2786: 2776: 2737: 2733:The Nativity 2731: 2728: 2712: 2705: 2645: 2629: 2622: 2599: 2574: 2555: 2548: 2522: 2520: 2508: 2501: 2480:chardonneret 2479: 2476: 2464: 2457: 2432: 2418: 2411: 2386: 2365: 2361: 2358:chardonneret 2357: 2342: 2335: 2326:quite right. 2311: 2304: 2279: 2272: 2228: 2221: 2203: 2188: 2181: 2152: 2145: 2130: 2109: 2102: 2079: 2072: 2057: 2041: 2034: 2006: 1999: 1987: 1983: 1980: 1966: 1959: 1941: 1934: 1913: 1887: 1864: 1760: 1748: 1741: 1714: 1707: 1690: 1680: 1673: 1666: 1654: 1647: 1624: 1617: 1594: 1587: 1564: 1557: 1534: 1527: 1511: 1507: 1503: 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