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When television entered the home in the 1960s, it was seen as a massive hit to the cinema industry and many saw it as the decline in cinema popularity. This in turn resulted in films having to stay ahead of television by incorporating superior quality than that of a television. This was done by adding color, but importantly it implemented the use of widescreen. This would allow a massive increase in space usable by the director, thus allowing an even wider shot for the viewer to witness more of any given shot.
123:, was released. Even though this wouldn't be considered a film in the current motion picture industry, it was a huge step towards complete motion pictures. It is arguable that it is very basic but it still remains that it was displayed as a wide angle as both the rider and horse are fully visible in the frame.
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This shot can be commonly mistaken for an establishing shot as it displays key characters and locations. However, it is actually a shot in which all relevant characters are in frame (usually for the whole duration of the scene), with inter-cut shots of other characters to shift focus. This is a very
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The subject is only just visible in the location. This can find a balance between a "wide shot" and an "extreme wide shot" by keeping an emphasis on both the characters and the environment, almost finding a harmony between the two of them. This enables the ability to use the benefits of both types,
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In the early 1900s, motion pictures evolved from short, minute long, screenings to becoming full-length motion pictures. More and more cinematic techniques appeared, resulting in the wide shot being less commonly used. However, it still remained as it is almost irreplaceable in what it can achieve.
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or through projectors. These early films also maintained a wide angle layout as it was the best way to keep everything visible for the viewer. Once motion pictures became more available in the 1890s, there were public screenings of many different films only being around a minute long, or even less.
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The subject comfortably takes up the whole frame. In the case of a person, head to toe. This usually achieves a clear physical representation of a character and can describe the surroundings as it is usually visible within the frame. This results in the audience having a desired (by the director)
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Modern films will now frequently use the different types of wide shots as they are a staple in filmmaking and are almost impossible to avoid unless deliberately chosen to. In the current climate of films, the technical quality of any given shot will appear with much better clarity which has given
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A shot typically used to display a location and is usually the first shot in a new scene. These establish the setting of a film, whether that is the physical location or the time period. Mainly it gives a sense of place to the film and brings the viewer to wherever the story requires them to
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The shot is so far away from the subject that they are no longer visible. This is used to create a sense of a character being lost or almost engulfed by the sheer size of their surroundings. This can result in a character being made small or insignificant due to their situation and/or
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life to some incredible shots from modern cinema. Also, given the quality of modern home entertainment mediums such as Blu-ray, 3D and Ultra HD Blu Rays, this has allowed the scope and size of any given frame to encompass more of the scene and environment in greater detail.
145:. Though unconfirmed as the first usage of this method, it is one of the earliest recorded examples. Once the introduction of new framing techniques were introduced, more and more styles were developed and used for the benefits they could provide that wide shots couldn't.
225:, there is a running image of a small girl trapped within a concentration camp wearing a red coat (the only colour in the film). She is frequently pictured in a wide shot format as a way to display both her and the horrific surroundings to build a disturbing contrast.
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contains an enormous number of extreme wide shots which successfully induced the feeling of scale of the lead in his surrounding and aesthetically dwarfed him due to his surroundings making him seem more vulnerable and weak.
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featured a practical stunt in which a large truck and trailer are flipped nose first. This is shot very far back to give the shot more clarity and to see the flip through its entirety as opposed to cutting midway through.
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useful method for retaining audience focus as most shots in this style refrain from using cuts and therefore will keep the performances and the dialogue in the forefront of what is going on for the duration of the scene.
276:, the protagonist Mark Watney is stranded on Mars and the film contains many wide shots. These are used to show the Martian landscape and give the character the sense of isolation that the film would want.
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This type of filmmaking was a result of filmmakers trying to retain the sense of the viewer watching a play in front of them, as opposed to just a series of pictures.
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that typically shows the entire object or human figure and is usually intended to place it in some relation to its surroundings. These are typically shot now using
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Many directors are known for their use of the variety of wide shots. A key example of them is the frequent use of establishing shots and very wide shots in
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These films again adhered to the wide shot style. One of the first competitive filming techniques came in the form of the close-up, as
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by allowing the scale of the environment but also maintaining an element of focus on the character(s) or object(s) in frame.
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Cinematography: Theory and
Practice, Image Making for Cinematographers and Directors
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trilogy, showing the vast New
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and extremely wide shots can use almost any camera type.
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Images from various films – many of which are wide shots
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117:. In 1878, one of the first true motion pictures,
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26:"Long shot" redirects here. For other uses, see
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534:"Cinematography: The Master Shot: Indie Tips"
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589:Bordwell, David; Thompson, Kristin (2006).
37:An extreme wide shot in the trailer to the
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593:. New York: McGraw-Hill.
591:Film Art: An Introduction
564:. John Wiley & Sons.
561:Film Studies For Dummies
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179:Extreme wide shot (EWS)
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1500:Choreography
1486:Film editing
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1430:Smallgantics
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1018:Lens effects
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449:10 November
394:10 November
311:Videography
273:The Martian
132:Kinetoscope
52:photography
1921:Categories
1571:Transition
1390:Chroma key
1345:Time-lapse
1310:Filtration
1275:Dolly zoom
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672:Background
544:2016-11-10
538:Indie Tips
519:2016-11-10
475:2016-11-16
419:27 October
371:2016-11-16
349:August 11,
317:References
84:35 mm
56:filmmaking
1805:Long take
1741:Cross cut
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1580:Insertion
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301:Long take
241:The 1962
72:long shot
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64:wide shot
43:Cleopatra
39:1963 film
21:long take
1681:Supercut
1640:Dissolve
1623:Jump cut
1587:Dialogue
1223:Puppetry
1093:One-shot
979:Tracking
962:Whip pan
912:Jib shot
817:Two shot
807:Close-up
797:American
777:Shooting
745:Diegetic
692:High-key
664:Lighting
484:cite web
280:See also
1841:Editing
1820:Footage
1676:Montage
1541:Cutaway
1493:Concept
1399:digital
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1265:Bipacks
1212:hanging
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1030:Racking
957:Panning
952:Tilting
855:Reverse
812:Italian
707:Low-key
94:History
74:) is a
1825:B-roll
1729:Action
1650:Prelap
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1377:Visual
1098:Insert
1078:B-roll
1004:Follow
892:Aerial
865:Single
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1659:Other
1536:Clues
1025:Focus
984:Dolly
974:Shaky
860:Trunk
849:(POV)
737:Sound
722:Stage
687:Flood
677:Cameo
157:Types
1781:Term
1760:Rule
1635:Wipe
1045:Deep
887:Tilt
727:Soft
712:Mood
682:Fill
595:ISBN
566:ISBN
496:help
451:2016
421:2017
396:2016
351:2023
338:ISBN
142:Hove
76:shot
62:, a
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