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Westfront 1918

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He is admitted to the field hospital together with Karl and the Bavarian. While the lieutenant is being carried though the hospital, many injured soldiers can be seen. In a fever, Karl sees his wife again and gasps, "We are all to blame!". He dies and is covered up, while his hand still hangs out. The wounded French
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in 1930 said of it: "Apart from anything, everything I saw in the winter, a sound film these days was my most deeply felt: because he exposes the face of war for non-participants in the rudest. The impression drowned weeks, months. One should perform every New Year's Day, once each year beginning; in
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Karl receives leave, returning to his starving home town and promptly catches his wife in bed with a butcher. Embittered and unreconciled, he returns to the front. In his absence, the student is stabbed in a melee; his body lying in the mud of a shell-hole, only one hand sticking out. An offensive by
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breaks through the thin German trenches. During the defensive battle against the French, Karl and the Bavarian are seriously wounded, covering the remaining members of the group. The lieutenant has a nervous breakdown and falls into insanity. Shouting "Hurrah" non-stop, he salutes a pile of corpses.
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and the constant danger of death. The Bavarian, Karl and the Lieutenant become trapped when part of the trench collapses and the Student digs them out. Later they are mistakenly fired upon by their own artillery due to a misjudgement of distance and are again saved by the Student, who as a messenger
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wrote: "The urge to truthful reproduction of horror that prevails here outgrown two scenes, already almost exceed the limit of the expressible. One: a single battle ends with an infantryman is nipped in the swamp in front of everyone. (The fact that you can still see protrude from the bubbling mud
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In 1918 in France during the last months of the First World War, four infantrymen – the Bavarian (Fritz Kampers), a young man known as 'the student' (Hans-Joachim Moebis), Karl (Gustav Diessl), and the Lieutenant
518:.) The other is the front military hospital in the church with the maimed, nurses and doctors who can barely operate their craft farther from exhaustion. It is as if medieval torture pictures come to life." 316:) – spend a few rest-days behind the front. The student falls in love with a French peasant girl, Yvette (Jackie Monnier). Back at the front, the four suffer again the everyday hardships of war: dirt, 238:
by Ernst Johannsen. The film shows the effect of the war on a group of infantrymen portrayed by an ensemble cast led by screen veterans Fritz Kampers and
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were generally positive, according to film scholar Jan-Christopher Horak in a video interview accompanying the Criterion Collection release package.
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Kagelmann, Andre and None, Reinhold (2014) "'Casually starts death, humans and animals to harvest' Considerations Ernst Johannsen's novel
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only a few years later, the new government banned the movie from public viewing for its extremely harsh criticism, similarly to many
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of the era it depicts, of the mechanized and systematic slaughter of an entire generation of young men during a mere four years of
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lying beside him grasps Karl's hand and says, "Comrades, not enemies". The final message is then displayed, "The End?"
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work through the late 1920s. It was particularly pioneering in its early use of sound – it was Pabst's first "
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records 9/9 positive professional reviews, with the average score 7.9/10. Walter Goodman, in his review in
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More recent reviews of the film, though generally positive, are more subdued. The review aggregator
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risks his life to relay instructions to the soldiers setting the firing range of the artillery.
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on 10 May 2005, writing "The always protean Pabst made a brilliant adjustment to sound."
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Ernst Johannsen: Four of the Infantry, Their last days on the Western Front in 1918
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releases the film in the 2014 2K digital restoration by Deutsche Kinemathek in
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every village, in every school; ex officio by law. What are plays " In the
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production, although it has a much bleaker tone, consistent with Pabst's
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was a critical success when it was released. Following the rise of
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The film bears a very strong resemblance to its close contemporary
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Bandmmann, Christa and Hembus, Joe (1980) "Western Front 1918" in
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stating: "Although the German work ... isn't nearly as moving as "
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German Feature Films from the Beginnings to 1933. A Film Leader
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in Klein, Thomas; Stiglegger, Marcus and Trotter, Rodo (eds.)
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have just labeled this article as needing attention, please add
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on 22 November 1987, compares the film unfavorably to
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the Allies begins, supported by tanks, and a mass of
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Jeremy Arnold on the film, for Turner Classic Movies
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(2010). 35:Film poster from the world premiere 13: 514:later a dead hand, is unnecessary 370:Hans-Joachim Moebis as The Student 14: 1508: 1487:Western Front (World War I) films 962: 707: 661: 281:. Nazi Party Propaganda Minister 1452:Anti-war films about World War I 943:Mückenberger, Christiane (1883) 777: 640:. Scarecrow Press. p. 206. 550:reviewed the film positively in 413: 788:needs additional citations for 733: 698: 689: 602: 585:List of German films 1919-1933 385:Hanna Hoessrich as Karl's Wife 248:All Quiet on the Western Front 1: 1467:Films directed by G. W. Pabst 883:Classics of German sound film 590: 559: 346:Some of the background actors 226:. 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Index


Georg Wilhelm Pabst
Ladislaus Vajda
Seymour Nebenzal
Fritz Kampers
Gustav Diessl
Claus Clausen
Fritz Arno Wagner
Jean Oser
Alexander Laszlo
Nero-Film
Weimar Republic
war film
trenches
Western Front
World War I
G. W. Pabst
Ladislaus Vajda
Gustav Diessl
All Quiet on the Western Front
American
New Objectivity
talkie
National Socialism
war poets
trench warfare
Joseph Goebbels
defeatism
BBC Television
Journey's End

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