178:, Berger "didn't just help us gain a new perspective on viewing art with his 1972 series Ways of Seeing – he also revealed much about the world in which we live. Whether exploring the history of the female nude or the status of oil paint, his landmark series showed how art revealed the social and political systems in which it was made. He also examined what had changed in our ways of seeing in the time between when the art was made and today."
398:
discuss it. The discussion occupies the rest of the time. A clear gesture of openness. But the 'five women' remain unnamed until the closing credits. They are women. And Berger himself actually sits in on the discussion - in fact he chairs it, with complete confidence in the non-prejudicial nature of his own presence.
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397:
There is one occasion when other voices are introduced, in the second programme, about representations of women - reflecting Berger's awareness that he's been speaking on behalf of women too long. About two-thirds through, he says he's shown what he's done so far to 'five women', and asked them to
29:
385:, through essays that focus particularly on how women are portrayed in advertisements and oil paintings. "Berger ... has had a profound influence on the popular understanding of art and the visual image," according to sociologists Yasmin Gunaratnam and Vikki Bell.
280:. Berger asserts that only twenty or thirty nudes in the European oil painting tradition depict a woman as herself rather than as a subject of male idealisation or desire.
244:
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TV series, which represents a more traditionalist view of the
Western artistic and cultural canon, and the series and book criticise traditional
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676:"How John Berger changed our ways of seeing art: He taught us that photographs always need language, and require a narrative, to make sense"
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has taken over the role of oil paint, though the context is reversed. An idealised potential for the viewer (via
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185:, as part of his analysis of the treatment of the nude in European painting. It soon became popular among
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645:(2001). "Pride and prejudice: the changing context of gay visibility". In Danuta Walters, Suzanna (ed.).
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193:, who used it to critique traditional media representations of the female character in cinema.
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251:'s painting's modern context is severed from that which existed at the time of its making.
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The series has had a lasting influence, and in particular introduced the concept of the
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770:"Puritanic Relationalism: John Berger's Ways of Seeing and Media and Culture Studies"
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The book and television series were considered groundbreaking. A 1994 critic noted:
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In the fourth programme, on publicity and advertising, Berger argues that
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was written by Berger and Dibb, along with Sven
Blomberg, Chris Fox, and
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is a 1972 television series of 30-minute films created chiefly by writer
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248:
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705:"Through the looking-glass: John Berger's groundbreaking book Ways of"
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15 Documentaries That Get Inside an Artist's Head - The New York Times
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Ways of Seeing opened our eyes to visual culture|Culture|The
Guardian
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374:: four using words and images; and three essays using only images.
823:"Illustrations and Amplifications for John Berger's Ways of Seeing"
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524:, edited by Sharon L. James, Sheila Dillon, p. 75, 2012, Wiley,
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Now described as "revolutionary", the book has contributed to
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119:
840:"John Berger [An extended quotation from an episode of
239:
The first part of the television series drew on ideas from
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in
January 1972 and adapted into a book of the same name.
16:
1972 book and TV documentary by John Berger and Mike Dibb
774:
Continuum: The
Australian Journal of Media & Culture
461:
Gunaratnam, Yasmin, and Vikki Bell (5 January 2017),
245:
The Work of Art in the Age of
Mechanical Reproduction
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All the rage: the story of gay visibility in
America
313:
of the individuals who commissioned the work of art.
564:"John Berger / Ways of Seeing , Episode 4 (1972)".
553:"John Berger / Ways of Seeing , Episode 3 (1972)".
542:"John Berger / Ways of Seeing , Episode 1 (1972)."
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346:) is considered a substitution for the actual
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309:as a means of depicting or reflecting the
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521:A Companion to Women in the Ancient World
426:WAYS OF SEEING / WAYS OF TALKING on JSTOR
153:The series was intended as a response to
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738:. London: Hodder Arnold Publications.
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289:"Episode 3 - Painting and Possessions"
924:1972 British television series debuts
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305:The third programme is on the use of
276:The second film discusses the female
802:"Notes on 'The Gaze': John Berger's
734:Fuery, Patrick; Kelli Fuery (2003).
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322:"Episode 4 - Fine Arts and Commerce"
189:, including the British film critic
887:Beyond John Berger's Ways of Seeing
825:. Seattle: University of Washington
736:Visual Cultures and Critical Theory
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808:. Aberystwyth: University of Wales
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170:by raising questions about hidden
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350:depicted in old master portraits.
223:"Episode 1 - Camera and Painting"
768:Bruck, Jan; John Docker (1989).
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821:Dillon, George (October 2013).
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146:. It was broadcast on
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389:Reception and legacy
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329:1972-01-29
296:1972-01-22
267:1972-01-15
249:Old Master
230:1972-01-08
172:ideologies
168:aesthetics
362:The book
307:oil paint
187:feminists
183:male gaze
144:Mike Dibb
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829:22 April
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754:52056670
379:feminist
197:Episodes
126:23135054
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685:14 July
348:reality
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