1332:, renga became popular in the court and people around it. It spread to the priestly classes and thence to wealthy commoners. In much the same way as waka, renga anthologies were produced under the imperial aegis. As momentum and popular interest shifted to the renga form, the tanka style was left to the Imperial court. Conservative tendencies exacerbated the loss of life and flexibility. A tradition named Kokin-denju, the heritage of Kokin Wakashū, was developed. It was a system on how to analyze the Kokin Wakashū and included the secret (or precisely lost) meaning of words. Studying waka degenerated into learning the many intricate rules, allusions, theories, and secrets, so as to produce tanka that would be accepted by the court.
33:
1417:. It was not precisely a new form; satirical waka was a style known since ancient times. But it was in the Edo period that this aspect of waka developed and reached an artistic peak. Still, most waka poets kept to ancient tradition or made those reformation another stereotype, and waka was not a vibrant genre in general at the end of this period.
1405:, composed many waka in a naïve style intentionally avoiding complex rules and the traditional way of waka. He belonged to another great tradition of waka: waka for expressing religious feeling. His frank expression of his feeling found many admirers, then and now. In the cities, a comical, ironic and satiric form of waka emerged. It was called
1324:
families; the former stood for "progressive" approaches, the varied use of the "ten styles" and novelty, while the latter conservatively hewed to already established norms and the "ushin" (deep feelings) style that dominated courtly poetry. Eventually, the Nijo family became defunct, leading to the
1100:. This severing of ties, combined with Japan's geographic isolation, essentially forced the court to cultivate native talent and look inward, synthesizing Chinese poetic styles and techniques with local traditions. The waka form again began flourishing, and
1112:. It was presented to the emperor in 905. This was the first waka anthology edited and issued under imperial auspices, and it commenced a long and distinguished tradition of imperial anthologies of waka that continued up to the Muromachi period.
1390:, the great reviver of the traditional Japanese literature, attempted to revive waka as a way of providing "traditional feeling expressed in genuine Japanese way". He wrote waka, and waka became an important form to his followers, the
1359:(playful renga)) and kyōka, comical waka, were a reaction to this seriousness. But in the Edo-period waka itself lost almost all of its flexibility and began to echo and repeat old poems and themes.
1309:. He edited it again and again until he died in 1239. Teika made copies of ancient books and wrote on the theory of waka. His descendants, and indeed almost all subsequent poets, such as
1351:, but the noble style of waka in the court inhibited and scorned such aspects of waka. Renga was soon in the same position with many codes and strictures reflecting literary tradition.
1016:. He was a waka poet who belonged to the youngest generation represented in the anthology; indeed, the last volume is dominated by his poems. The first waka of volume 1 was by
1386:
was a late 19th-century revision) was the favored genre. This tendency was kept during this period, but in the late Edo period waka faced new trends from beyond the court.
1313:, taught his methods and studied his poems. The courtly poetry scenes were historically dominated by a few noble clans and allies, each of which staked out a position.
1325:
ascendancy of the "liberal" Reizei family. Their innovative reign was soon deposed by the Asukai family, aided by the
Ashikaga shōgun, Ashikaga Yoshinori.
1656:
Literally, "pillow word". Poetic epithets generally not used for their literal meaning but to "connect" with the word (often a place name) that follows
1044:
recorded not only the works of the royalty and nobility, but also works of soldiers and farmers whose names were not recorded. The main topics of the
1104:
ordered the creation of an anthology of waka, where the waka of ancient poets and their contemporaries were collected; the anthology was named "
1816:
1693:
Literally, "hanging word". A word deliberately used to convey two meanings, due to the existence of separate homophonic words. An example is
2584:
2540:
2087:
Shirane Haruo, Nobuyuki
Kanechiku, Kumiko Tabuchi, Hidenori Jinno, editors, "世界へひらく和歌 Waka Opening Up to the World", Benseisyuppan, 2012
780:(at the beginning of the 10th century), chōka was seldom written and tanka became the main form of waka. Since then, the generic term
2368:
1778:
1757:
1291:, a form of collaborative linked poetry, began to develop. In the late Heian period, three of the last great waka poets appeared:
2180:. A general name for various types of poetry including chōka, tanka, sedōka and kata-uta, which are composed in lines of 5 and 7
2569:
1737:
1250:
The above three court anthologies, in addition to the five following anthologies, are known as the "Collections of Eight Ages"
2158:
2122:
1096:) and the waka art form largely fell out of official favor. But in the 9th century, Japan stopped sending official envoys to
126:
has two different but related meanings: the original meaning was "poetry in
Japanese" and encompassed several genres such as
2321:
Ten
Imperial Reigns, or one hundred years, have passed since, long ago, the Emperor Heizei issued an edict to compile the
2465:
2092:
2213:
2026:
1961:
1953:
1907:
1808:
Literally, "taking from the main poem". Allusion to or quoting one or more lines from a poem written by someone else.
2521:
2361:
1303:. Emperor Go-Toba ordered the creation of a new anthology and joined in editing it. The anthology was named
2574:
1214:
1830:
17:
1888:
2241:
2073:
1177:
925:
and even
Western poetry, it developed gradually, broadening its repertoire of expression and topics.
2319:
2044:
Kokin Wakashū: The First
Imperial Anthology of Japanese Poetry, with 'Tosa Nikki' and 'Shinsen Waka'
1052:
were love, sadness (especially on the occasion of someone's death), and other miscellaneous topics.
2579:
2354:
2516:
2589:
2564:
2032:
1767:
1436:
1025:
2559:
2392:
1461:
271:
1476:
1446:
1305:
1013:
1518:
1092:
During the Nara period and the early Heian period, the court favored
Chinese-style poetry (
784:
came to be almost synonymous with tanka. Famous examples of such works are the diaries of
8:
2485:
1585:
1456:
1292:
76:
2068:
This Wine of Peace, the Wine of
Laughter: A Complete Anthology of Japan's Earliest Songs
150:
was a general term for poetry composed in
Japanese, and included several genres such as
1746:
Literally, "linked words". Semantically related words used on different positions of a
1036:, Ōtomo no Tabito and his son Yakamochi were the greatest poets in this anthology. The
213:
s compilation at the beginning of the tenth century, all of these forms except for the
2478:
2219:
2209:
2154:
2118:
2088:
2022:
1984:
1957:
1949:
1903:
1826:
1506:
1441:
1346:
1296:
1160:
1047:
1039:
1033:
1029:
1003:
995:
942:
910:
863:
849:
800:
598:
592:
141:
1530:
1235:
2280:
1536:
1501:
1486:
1387:
1329:
1210:
1181:
954:
794:
188:
2176:: "Poetry unique to Japan, written since ancient times, and used in contrast with
2114:
Brocade by Night: 'Kokin
Wakashu' and the Court Style in Japanese Classical Poetry
2037:
Brocade by Night: 'Kokin Wakashū' and the Court Style in Japanese Classical Poetry
1154:
1105:
968:
38:
2399:
2377:
2177:
2112:
1524:
1496:
1398:
1300:
1284:
1169:
1021:
950:
916:
825:
and other ancient sources exist. Besides that, there were many other forms like:
785:
54:
1017:
972:
1941:
1597:
1471:
1231:, which by that time was already difficult for even educated Japanese to read.
1173:
1009:
237:
fell out of use until it was revived at the end of the nineteenth century (see
1321:
2553:
2170:
2077:
1994:
1865:
1833:
language, complete grammatical sentences typically end with the verb, but in
1647:
1566:
1560:
1554:
1481:
1317:
1185:
1101:
921:
830:
789:
350:
2223:
395:. These last three forms, however, fell into disuse at the beginning of the
2471:
2208:. Lewis Turco. Hanover: University Press of New England. pp. 154–155.
2185:
2063:
1605:
1542:
1267:
1097:
964:
929:
777:
396:
134:(discussed below); the later, more common definition refers to poetry in a
2203:
1372:
In the early Edo period, waka was not a fashionable genre. Newly created
1316:
By this period, a number of clans had fallen by the wayside, leaving the
602:
1613:
1409:(狂歌), mad poem, and was loved by intellectual people in big cities like
1310:
960:
Pre-Modern Era (1600–1867, then subdivided into 1600–1770 and 1770–1867)
899:
Waka has a long history, first recorded in the early 8th century in the
870:
460:. Mainly composed to commemorate public events, and often followed by a
208:
2002:
1998:
1851:
1684:
843:
839:
96:
1929:
Waka, tanka, renga, haiku and senryū with translations and annotations
32:
1799:
597:
no. 802, which is of a pattern 5-7 5-7 5-7 5-7-7. It was composed by
2492:
2441:
1548:
1512:
1402:
2526:
1936:
Waiting for the Wind: Thirty-Six Poets of Japan's Late Medieval Age
1881:
1664:
1391:
2346:
2151:
From the Country of Eight Islands: An Anthology of Japanese Poetry
2082:
From the Country of Eight Islands: An Anthology of Japanese Poetry
1491:
1451:
1406:
834:: This form carved on a slab of slate – the "Buddha footprint" or
582:
phrases repeated at least twice, and conclude with a 5-7-7 ending
225:
had significantly diminished in prominence. As a result, the word
1609:– An encyclopaedic collection with index, first published in 1901
984:
The most ancient waka were recorded in the historical record the
1884:- Japanese national anthem based on a waka of early 10th century
1787:
Literally, "phrase gap". The most significant semantic gap in a
1620:
1202:
poems are generally considered to be reflective and idealistic.
307:
originally encompassed a number of differing forms, principally
1972:
1893:
anthologies in English translation and relevant scholarly works
1356:
1338:
987:
937:
902:
2499:
2448:
2434:
2427:
2420:
2413:
1875:
1466:
1414:
1383:
1379:
1374:
1352:
1288:
693:
465:
239:
135:
2341:
436:
One half of an exchange of two poems; the shortest type of
2188:
on the word came to refer primarily to tanka. Also called
1993:
c.759) and also includes the Buddha's Footstone Poems (21
1601:– Fujiwara no Teika's collection of 100 poems by 100 poets
2271:, University of Columbia Press, New York, 1999 : 221
1589:– The collective name for all 21 Imperially-commissioned
1410:
1000:, the oldest surviving waka anthology. The editor of the
2117:. Stanford University Press. October 1985. p. 1.
738:
640:
2318:
was conceived as a court anthology notwithstanding.
2238:
A Waka Anthology: Volume One: The Gem-Glistening Cup
2019:
A Waka Anthology, Volume Two: Grasses of Remembrance
1946:
A Waka Anthology, Volume One: The Gem-Glistening Cup
1205:
Roughly half a century after the compilation of the
949:The Middle Ages ('chūsei' from 1185, including the
2205:The new book of forms : a handbook of poetics
1278:
2551:
1825:Ending a poem with a noun or noun phrase. Since
99:, an old name for Japan), and a variant name is
2301:
2236:English translation by Edwin A. Cranston, from
1878:– Old Japanese syllabary in 7-5 metre poem form
1722:
1706:
1673:Literally, "preface words". Longer versions of
1259:
1141:
1110:Collection of Ancient and Modern Japanese Poems
1012:, but it is believed that the final editor was
874:recorded this form. The pattern is 5-7-7-5-7-7.
792:, as well as such collections of poem tales as
704:
530:
386:
365:
340:
319:
262:
27:Type of poetry in classical Japanese literature
2313:
2295:
1982:
1970:
1716:
1700:
1344:
1336:
1253:
1226:
1193:
1135:
1074:
1045:
1037:
1001:
993:
985:
908:
900:
881:
861:
847:
820:
719:
698:
613:
590:
524:
514:Composed of two sets of 5-7-7 (similar to two
475:
380:
359:
334:
313:
285:
256:
199:
182:
169:
156:
139:
107:
90:
84:
68:
2362:
1837:composition this is not necessarily the case.
292:, meaning it contains 31 syllables in total.
915:. Under influence from other genres such as
2369:
2355:
1969:988 pp. includes almost all waka from the
1934:Carter, Steven D., editor and translator,
1920:Carter, Steven D., editor and translator,
1574:
138:. Up to and during the compilation of the
1922:Traditional Japanese Poetry: An Anthology
1367:
456:phrases, with a last phrase containing 7
403:vanished soon afterwards. Thus, the term
2510:Individuals and groups of Japanese poets
2051:An Introduction to Japanese Court Poetry
2017:Cranston, Edwin, editor and translator,
1766:Literally, "paired phrases". Similar to
1198:into 20 volumes, arranged by theme. The
1128:The first three imperially-commissioned
890:means "half-poem". The pattern is 5-7-7.
31:
2143:
1991:Collection for Ten Thousand Generations
1335:There were comical waka already in the
14:
2552:
807:
711:in tanka form, also written by Okura:
2350:
2255:世界へひらく和歌 Waka Opening Up to the World
2201:
1697:, which can mean either "a pine tree"
1425:
89:, in the past it was also written as
2308:based on the Chinese preface of the
963:Modern Era (post 1867, divided into
2466:List of Japanese poetry anthologies
2376:
2021:, Stanford University Press, 2006.
1948:, Stanford University Press, 1993.
1915:527 pp., a standard academic study.
1902:, Stanford University Press, 1961.
1898:Brower, Robert H., and Earl Miner,
1283:After the Heian period, during the
1266:, and were all compiled during the
1188:in 905. It collected roughly 1,100
675: Where do they come from,
229:became effectively synonymous with
24:
2585:Articles containing Japanese poems
2149:Sato, Hiroaki and Watson, Burton.
2138:Britannica Kokusai Dai-Hyakkajiten
2053:, Stanford University Press, 1968.
692:The chōka above is followed by an
221:had effectively gone extinct, and
204:, "repeating-the-first-part poem")
25:
2601:
2335:
2039:, Stanford University Press, 1985
1938:, Columbia University Press, 1989
1924:. Stanford University Press, 1991
1238:commanded the compilation of the
1116:Rise of Japanese national culture
497:The most widely-composed type of
83:in modern Japanese is written as
75:is a type of poetry in classical
2046:, Stanford University Press 1985
1872:meeting at the start of the year
1246:The five later-Heian anthologies
1087:
757: What are they to me,
295:
146:in the eighth century, the word
2286:
1362:
765:That is a child? They can not.
761: How could they ever
671: When I eat chestnuts
539:or an exchange between lovers (
53:poetry which fixed the form of
2522:Thirty-Six Immortals of Poetry
2517:Japanese poets (category list)
2274:
2261:
2247:
2230:
2195:
2164:
2131:
2105:
1279:Kamakura and Muromachi periods
683:Not letting me sleep in peace?
407:came in time to refer only to
275:or syllabic units. Therefore,
206:. However, by the time of the
13:
1:
2570:Japanese literary terminology
2283:, retrieved 18 September 2012
2153:. Columbia University Press,
2098:
2084:, multiple editions available
2006:
1997:poems carved in stone at the
1621:Glossary of terms related to
1192:that had not appeared in the
919:, novels and stories such as
854:. The pattern is 5-7-5-7-7-7.
679: Making me helpless
518:). Frequently in the form of
43:
2459:Poetry works and collections
2328:Retrieved 18 September 2012.
2281:Daigo Tennō to Kokin Wakashū
1215:Five Men of the Pear Chamber
1082:
936:Early and Heian Literature (
759:Silver, or gold, or jewels?
681:Endlessly night after night.
669:My children come to my mind;
117:
7:
2314:
2302:
2174:dictionary entry for "waka"
2080:, editors and translators,
1983:
1981:completed 712) through the
1971:
1845:
1723:
1707:
1345:
1337:
1273:
1260:
1227:
1221:, in addition to preparing
1194:
1142:
1075:
1046:
1038:
1002:
994:
986:
932:used four large categories
909:
901:
882:
862:
848:
821:
763:Equal the greater treasure
739:
705:
673:The longing is even worse.
667: When I eat melons
641:
591:
531:
476:
387:
366:
341:
320:
263:
140:
10:
2606:
2070:, New York, Grossman, 1968
992:and the 20 volumes of the
979:
894:
677:Flickering before my eyes.
560:with an extra phrase of 7
474:appear prominently in the
249:(hereafter referred to as
2535:
2509:
2458:
2384:
2296:
2242:Stanford University Press
2058:Based on Brower and Miner
2042:McCullough, Helen Craig,
1979:Record of Ancient Matters
1944:, editor and translator,
1717:
1701:
1420:
1254:
1136:
720:
699:
614:
525:
381:
360:
335:
314:
286:
257:
200:
183:
170:
157:
108:
91:
85:
69:
1061:Songs and poetry in the
570:
2033:McCullough, Helen Craig
1854:– Japanese death poem (
928:The literary historian
846:. Also recorded in the
253:) consist of five lines
1437:Kakinomoto no Hitomaro
1368:Edo period (1603–1867)
1026:Kakinomoto no Hitomaro
452:Repetition of 5 and 7
267:, literally "phrases")
58:
2202:Turco, Lewis (1986).
1900:Japanese Court Poetry
349:, but also including
35:
1858:) is mostly made in
1519:Minamoto no Sanetomo
1382:, or opening verse,
1178:Ōshikōchi no Mitsune
886:recorded this form.
480:, but only 5 in the
279:is sometimes called
2575:Japanese literature
2541:Articles with poems
1831:subject–object–verb
1457:Ariwara no Narihira
1401:a Buddhist priest,
1293:Fujiwara no Shunzei
801:The Tales of Yamato
501:throughout history
449:5-7-5-7-5-7...5-7-7
77:Japanese literature
2269:Seeds in the Heart
1477:Ōtomo no Kuronushi
1462:Fun'ya no Yasuhide
1447:Ōtomo no Yakamochi
1355:(also called just
1306:Shin Kokin Wakashū
1098:Tang dynasty China
1014:Ōtomo no Yakamochi
73:, "Japanese poem")
59:
2547:
2546:
2159:978-0-231-06395-1
2140:entry for "Waka".
2124:978-0-8047-6645-6
1843:
1842:
1507:Fujiwara no Teika
1442:Yamabe no Akahito
1297:Fujiwara no Teika
1225:readings for the
1184:on the orders of
1034:Yamanoue no Okura
1030:Yamabe no Akahito
955:Muromachi periods
943:The Tale of Genji
772:
771:
748:Koni shikame yamo
742:Kugane mo tama mo
690:
689:
648:Mashite shinowayu
599:Yamanoue no Okura
568:
567:
564:added to the end
16:(Redirected from
2597:
2536:Individual poems
2371:
2364:
2357:
2348:
2347:
2329:
2317:
2307:
2305:
2299:
2298:
2290:
2284:
2278:
2272:
2265:
2259:
2258:
2251:
2245:
2234:
2228:
2227:
2199:
2193:
2172:Digital Daijisen
2168:
2162:
2147:
2141:
2135:
2129:
2128:
2109:
2064:Philippi, Donald
2011:
2008:
1988:
1976:
1889:Bibliography of
1728:
1726:
1720:
1719:
1712:
1710:
1704:
1703:
1629:
1628:
1537:Motoori Norinaga
1502:Murasaki Shikibu
1388:Motoori Norinaga
1350:
1342:
1330:Muromachi period
1265:
1263:
1257:
1256:
1230:
1211:Emperor Murakami
1197:
1182:Mibu no Tadamine
1168:was compiled by
1147:
1145:
1139:
1138:
1121:The first three
1078:
1051:
1043:
1007:
999:
991:
971:(1912–1926) and
914:
906:
885:
867:
853:
824:
819:featured in the
815:Lesser forms of
795:The Tales of Ise
750:
731:
730:
714:
713:
710:
708:
702:
701:
660:
658:Yasui shi nasanu
652:Kitarishi monoso
633:
632:
608:
607:
596:
538:
537:
534:
528:
527:
479:
414:
413:
394:
393:
390:
384:
383:
373:
372:
369:
367:"memorized poem"
363:
362:
348:
347:
344:
338:
337:
327:
326:
323:
317:
316:
291:
289:
288:
268:
266:
260:
259:
205:
203:
202:
192:
189:Buddha footprint
186:
185:
175:
173:
172:
162:
160:
159:
145:
113:
111:
110:
94:
93:
88:
87:
74:
72:
71:
48:
45:
21:
2605:
2604:
2600:
2599:
2598:
2596:
2595:
2594:
2580:Japanese poetry
2550:
2549:
2548:
2543:
2531:
2505:
2454:
2380:
2378:Japanese poetry
2375:
2338:
2333:
2332:
2293:
2291:
2287:
2279:
2275:
2266:
2262:
2253:
2252:
2248:
2235:
2231:
2216:
2200:
2196:
2169:
2165:
2148:
2144:
2136:
2132:
2125:
2111:
2110:
2106:
2101:
2009:
1942:Cranston, Edwin
1895:
1848:
1714:
1698:
1627:
1581:
1572:
1525:Emperor Go-Toba
1497:Ki no Tsurayuki
1432:
1423:
1399:Echigo Province
1375:haikai no renga
1370:
1365:
1353:Haikai no renga
1301:Emperor Go-Toba
1285:Kamakura period
1281:
1276:
1251:
1217:to compile the
1170:Ki no Tsurayuki
1133:
1090:
1085:
1022:Nukata no Ōkimi
982:
897:
813:
808:Minor forms of
786:Ki no Tsurayuki
768:
766:
764:
762:
760:
758:
752:
747:
746:Masareru takara
745:
743:
741:
733:
728:
726:
724:
722:
696:
686:
684:
682:
680:
678:
676:
674:
672:
670:
668:
662:
657:
656:Motona kakarite
655:
653:
651:
649:
647:
645:
643:
635:
630:
628:
626:
624:
622:
620:
618:
616:
578:consist of 5-7
573:
535:
532:"dialogue poem"
522:
469:
391:
388:"poem fragment"
378:
370:
357:
345:
332:
324:
311:
301:
283:
254:
233:, and the word
197:
180:
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1868:– Emperor's
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1713:or "to wait"
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1604:
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1427:
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1363:Early modern
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329:
321:"short poem"
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2385:Major forms
2184:. From the
1995:Bussokuseki
1817:taigen-dome
1768:parallelism
1625:composition
1593:anthologies
1579:collections
1569:(1882–1955)
1563:(1852–1912)
1557:(1846–1877)
1551:(1758–1831)
1545:(1734–1809)
1539:(1730–1801)
1533:(1155–1216)
1527:(1180–1239)
1521:(1192–1219)
1515:(1118–1190)
1509:(1162–1241)
1487:Kanpū Ōmata
1287:and later,
1132:anthologies
1123:chokusenshū
1108:", meaning
1067:Nihon Shoki
1056:Early songs
836:bussokuseki
744:Nanisemu ni
646:Kuri hameba
603:Nara period
553:5-7-5-7-7-7
511:5-7-7-5-7-7
342:"long poem"
79:. Although
18:Waka poetry
2554:Categories
2190:yamato-uta
2099:References
2010: 753
2001:temple in
1999:Yakushi-ji
1852:Death poem
1685:kakekotoba
1638:Definition
1394:scholars.
1378:(of whose
1295:, his son
1209:, in 951,
1143:Sandai-shū
842:temple in
840:Yakushi-ji
654:Manakai ni
650:Izuku yori
642:Uri hameba
605:and runs:
102:yamato-uta
47: 900
2479:Man'yōshū
2323:Man'yōshū
2315:Man'yōshū
2312:that the
1985:Man'yōshū
1800:honkadori
1347:Man'yōshū
1228:Man'yōshū
1195:Man'yōshū
1148:were the
1083:Classical
1076:Man'yōshū
1048:Man'yōshū
1040:Man'yōshū
1010:anonymous
1004:Man'yōshū
996:Man'yōshū
911:Man'yōshū
883:Man'yōshū
864:Man'yōshū
850:Man'yōshū
838:– at the
822:Man'yōshū
593:Man'yōshū
494:5-7-5-7-7
477:Man'yōshū
470:Numerous
303:The term
296:Forms of
142:Man'yōshū
122:The word
118:Etymology
2527:Rokkasen
2310:Kokinshū
2292:Theories
2224:13359091
1882:Kimigayo
1846:See also
1827:Japanese
1665:jokotoba
1635:Japanese
1614:Sankashū
1426:Notable
1392:Kokugaku
1343:and the
1320:and the
1311:Shōtetsu
1274:Medieval
1234:In 1005
1207:Kokinshū
1200:Kokinshū
1166:Kokinshū
1158:and the
1065:and the
951:Kamakura
946:to 1185)
940:to past
871:Kokinshū
482:Kokinshū
209:Kokinshū
2472:Kaifūsō
2257:. 2012.
1575:Famous
1328:In the
1240:Shūishū
1223:kundoku
980:Ancient
895:History
888:Katauta
878:Katauta
729:子にしかめやも
601:in the
541:sōmonka
520:mondōka
516:katauta
429:Katauta
376:katauta
2493:Kai Ōi
2442:senryū
2400:kanshi
2393:haikai
2244:© 1993
2222:
2212:
2178:kanshi
2157:
2121:
2091:
2076:, and
2025:
1973:Kojiki
1960:
1956:cloth
1952:
1906:
1779:kugire
1758:tsuiku
1549:Ryōkan
1513:Saigyō
1421:Modern
1403:Ryōkan
1357:haikai
1339:Kojiki
1318:Reizei
1299:, and
1164:. The
1152:, the
1094:kanshi
1063:Kojiki
988:Kojiki
969:Taishō
938:Kojiki
917:kanshi
903:Kojiki
880:: The
860:: The
858:Sedōka
631:安眠し寝さぬ
629:もとな懸りて
625:来りしものそ
621:まして偲はゆ
617:子ども思ほゆ
507:Sedōka
399:, and
355:sedōka
195:sedōka
191:poem")
132:sedōka
2500:Iroha
2449:tanka
2435:renku
2428:renga
2421:hokku
2414:haiku
2161:p.619
2029:cloth
1876:Iroha
1856:jisei
1829:is a
1724:matsu
1708:matsu
1695:matsu
1641:Note
1492:Kūkai
1467:Kisen
1452:Henjō
1430:poets
1415:Osaka
1407:kyōka
1384:haiku
1380:hokku
1289:renga
973:Shōwa
965:Meiji
727:まされる宝
706:hanka
694:envoi
587:chōka
576:Chōka
571:Chōka
558:tanka
490:Tanka
472:chōka
466:envoi
462:hanka
445:Chōka
433:5-7-7
423:Note
409:tanka
401:chōka
330:chōka
309:tanka
287:三十一文字
277:tanka
247:Tanka
240:Tanka
235:tanka
231:tanka
223:chōka
219:chōka
215:tanka
165:chōka
152:tanka
128:chōka
95:(see
2407:waka
2220:OCLC
2210:ISBN
2155:ISBN
2119:ISBN
2089:ISBN
2023:ISBN
2003:Nara
1958:ISBN
1950:ISBN
1904:ISBN
1891:waka
1870:waka
1862:form
1860:waka
1835:waka
1822:体言止め
1805:本歌取り
1789:waka
1748:waka
1738:engo
1632:Term
1623:waka
1591:waka
1577:waka
1428:waka
1413:and
1322:Nijō
1190:waka
1180:and
1130:waka
1073:The
953:and
907:and
868:and
844:Nara
817:waka
810:waka
798:and
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