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Voice acting in Japan

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1615:, all of whom were established actors or singers in mainstream entertainment before entering voice acting. While character song tie-ins were already common in the film industry by then, some voice actors also began making crossover television, stage, and concert appearances as their characters as well, leading them to be closely associated with one another. The term "2.5D", which picked up frequent usage in the mid-2010s, was used to describe voice actors who would portray their characters in real life, such as television or stage plays. Over the mid-to-late 2010s, multimedia projects where the voice actors would appear as their characters in real-life became popular, such as 1482: 1432:. Following his lead, the other magazines created "seiyū corners" with information and gossip about voice actors; this was one of the main causes of young anime fans yearning to become voice actors. This period also saw a gradual split of anime voice actors from their roots in theater. With the rise of voice actor specific training centers and audio-only productions, voice actors could start their careers working full time without any association to a broadcasting theater company. The term "seiyu" emerged to describe these voice actors who focused solely on voicing for anime productions. This boom lasted until the first half of the 1980s. 73: 936: 1720: 135: 894: 256: 32: 351: 1512:. Voice actors acquired many new fans thanks to the radio, and their CD sale figures increased. Concerts began to be held in the bigger halls. While the second boom also saw the voice actors become DJs, this time the recording houses backed the voice actor radio shows as sponsors, and large sums of money began to circulate. 1188:, Japan's public broadcasting system) started radio broadcasts. In that same year, twelve students who were specialising in voice-only performances became the first voice actors in Japan when a performance of a radio drama was broadcast. They referred to themselves as "seiyū", but in those days the term "radio actor" 1321:. Because of problems with pay guarantees arising from the Gosha Agreement, cinema actors were prevented from dubbing foreign movies for television. Television actors were also prevented from dubbing because of a similar agreement. This caused studios to turn to actors from the radio age and actors from the 1230:
At first, voice actors, like those at the Tokyo Radio Drama Troupe and similar companies specialised in radio dramas; with the advent of television, the term took on the additional meaning of one who does dubbing for animation. Television broadcasting aside, when radio was the leading mass medium,
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In the second half of the 1990s, the boom in the animation world led to the increase of anime shown in the Tokyo area. With the Internet, gathering information on their favourite voice actors became easy for fans, and voice actors began to appear in Internet-based radio shows.
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There are several theories as to how the term "seiyū" was coined. One theory is that Oyhashi Tokusaburo, a reporter for the Yomiuri Newspaper, coined the term. Another theory is that Tatsu Ooka, an entertainment programming managing producer for the NHK, came up with it.
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When voice acting was introduced in television games, the same voice actors would perform in a series of events related to the television game world, making appearances and participating in radio programs based on the television games to attract the fanbase.
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The earliest Japanese animation would predate the introduction of audio in film by at least a decade. Much like their live-action contemporaries during this period, screenings would have musical accompaniment and oftentimes include a
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There are around 130 voice acting schools in Japan. Broadcast companies and talent agencies often have their own troupes of vocal actors. Magazines focusing specifically on voice acting are published in Japan, with
1162:(narrator). The benshi would fulfill a role similar to ones in the Japanese puppet theater and magic lantern shows, where the narration would fill in dialogue and other story elements. With the introduction of 1727: 1725: 1723: 1071:, live-action stunt and puppet shows, and commercials. A voice actor also provides dubbing for non-Japanese television programs and films. The initial term for voice actors in Japan was "koe no haiyū" 1231:
actors who played in radio dramas were not without their fans; for example, actors in the Nagoya Radio Drama troupe who played the lead love interest roles often received many fan letters.
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At first, the NHK subtitled most foreign shows; however, shows dubbed in the Japanese language soon became the standard. At the centre of the first voice acting boom were actors like
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industry, and some fans may watch a show merely to hear a particular voice actor. Many voice actors have concurrent singing careers and have also crossed over to live-action media.
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In 1941, NHK opened a training program to the public to prepare actors to specialise in radio dramas. This was called the "Tokyo Central Broadcasting Station Actor Training Agency"
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During this period, voice acting production companies also began to provide specialised courses at on-site training schools specifically for training in animation dubbing.
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comedians, and the like, and voice actors were called "dubbing talents" if they specialised in dubbing, while those giving voice to a character went under the name of "
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Actors that were famous for their roles in dubbing and radio were used for their star power to voice similar characters in several anime productions. For example,
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Starting in the 1950s, a rise in the popularity of radio dramas as well as foreign television and film created many new opportunities for voice actors. After the
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The 1960s and 1970s booms were centered on media, such as the TV. In the 1990s, a new boom centred on more personal ways of communication, such as radio shows,
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Voice acting has existed in Japan since the advent of radio. It was only in the 1970s that the term seiyū entered popular usage because of the anime
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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are the first examples of this new trend. Recording companies and voice acting schools began to devise new ways to raise young voice actors.
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was founded. Later, Haikyo voice acting managers left and opened their own management agencies. Voice actors in Japan also voiced anime.
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The boom in the anime world market, which produced a wave of young talents who wanted to become voice actors, rather than actors.
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The lack of Japan-made movies and dramas forced TV networks to air foreign shows, which raised demand for voice actors.
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noted that over 1,500 voice actors were active in 2021, compared to 370 voice actors (145 men and 225 women) in 2001.
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Content in this edit is translated from the existing Japanese Knowledge article at ]; see its history for attribution.
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began public broadcasting. Among these new broadcasts were several radio dramas, such as the 1952 drama
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with voice acted overdubs in a separate and continually streaming vocal track (a technique called
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is an industry where actors provide voice-overs as characters or narrators in media including
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provides voice-overs for characters and narration for various types of media, including
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In 1989, the voice actors of the five main stars of the animated television show
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During the mid-to-late 2000s, voice acting talents began crossing over with the
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The first dubbed show broadcast in Japan was an episode of the American cartoon
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to describe a voice actor associated with a particular anime or game character.
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Otsu, Terumitsu; Kennard, Mary (April 27, 2002). "The art of voice acting".
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cast himself and his wife as the titular Benkei and Ushiwaka, respectively.
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style of acting. Around this time dubbing of foreign animation was done by
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In 1961, during the early days of commercial television broadcasting, the
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was identified by Nintendo as the world's first integrated radio-game.
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to the source of your translation. A model attribution edit summary is
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There are three main factors that set voice actors and actors apart.
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Their professional upbringing by the Tokyo Broadcasting Drama Troupe
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and actresses have devoted fan clubs due to a crossover with the
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In 1925, the Tokyo Broadcasting Company (predecessor to the
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and other private networks during the golden age of radio .
1924:"月島きらり starring 久住小春(モーニング娘。)『スーパーアイドル・きらりの2ndシングルPV到着!』-" 188:
to this template: there are already 1,136 articles in the
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The Anime Encyclopedia: A Century of Japanese Animation
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Tōkyō Chūō Hōsō Kyoku Senzoku Gekidan Haiyū Yōsei Sho
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a machine-translated version of the Japanese article.
1663: 172: 1749:Miyashita, Yuki; Shimbun, Yomiuri (24 April 2018). 1204:was used by newspapers to refer to the profession. 2061:Anime Essentials: Every Thing a Fan Needs to Know 1888: 1886: 1884: 1384: 2106: 2090:Miracle voice actors and magical voice actresses 2036: 1748: 1731: 1234: 969:for non-Japanese films and television programs. 1805:尾形英夫『あの旗を撃て! 「アニメージュ」血風録』オークラ出版、2004年、60頁、120頁。 1705: 1703: 1374: 1216: 1197: 1107: 1056: 988: 2007:"声優人口、男女ともに増加で"史上最多" 「声優名鑑」20年で370人→1500人超と4倍" 1881: 1857:Sore wa Namae o Nusumareta Machi no Monogatari 1845: 1368: 1210: 1191: 1101: 1084: 1074: 1050: 982: 214:accompanying your translation by providing an 159:Click for important translation instructions. 146:expand this article with text translated from 916: 2037:Clements, Jonathan; McCarthy, Helen (2015). 1781:"Broadcast Law: Broadcasting for the Public" 1700: 1341:Tokyo Actor's Consumer's Cooperative Society 16:"Seiyu" redirects here. For other uses, see 1709: 1589:2000–present: Idol and real-life crossovers 60:Learn how and when to remove these messages 1978: 1921: 1595:Japanese idol § Anime and video games 923: 909: 349: 2101:Database of anime staff and cast members. 1651:Japanese voice actor management companies 1276:, who was famous for his Japanese dub of 318:Learn how and when to remove this message 300:Learn how and when to remove this message 117:Learn how and when to remove this message 1952:男性アイドルシーンに異変 「地方」「2.5次元」「アニメ」の異色出自アイドルたち 1851: 1480: 934: 80:This article includes a list of general 2055: 1831:PCM音声放送デッドヒートのゆくえ(St.GIGA開局前夜・BSアナログ放送) 1669: 2107: 1042: 1863:) (in Japanese) (1995/8/8 ed.). 1822: 1603:industry. Prominent examples include 1409:were the first to unite into a band, 1352:, on October 9, 1955, on KRT (today 249: 128: 66: 25: 13: 1179: 86:it lacks sufficient corresponding 14: 2136: 2078: 41:This article has multiple issues. 1363:The Adventures of Television Boy 1150: 892: 254: 133: 71: 30: 2099:Anime News Network Encyclopedia 1999: 1972: 1943: 1915: 49:or discuss these issues on the 1808: 1799: 1773: 1675: 1385:1970s: Second voice actor boom 224:You may also add the template 1: 1819:. SRAD.jp. 30 September 2003. 1656: 1235:1950s: First voice actor boom 2085:Seiyū (voice actor) database 1842:. Alpha-Net. 2 October 2003. 1732:Clements & McCarthy 2015 1688:(in Russian) (3): 36. 2004. 1575:video game console with its 1567:), to be played in Japan on 1551:, the world's first digital 7: 1634: 1375: 1217: 1198: 1108: 1057: 1009:being the longest running. 989: 855: 847: 837: 828: 801: 791: 755: 745: 736: 688: 669: 655: 636: 627: 618: 595: 571: 562: 553: 544: 484: 470: 461: 280:the claims made and adding 196:will aid in categorization. 10: 2141: 2030: 1895:角川とアップフロントがアイドル声優オーディション開催 1592: 1128: 899:Anime and manga portal 876:Anime-influenced animation 171:Machine translation, like 15: 2015:(in Japanese). 2021-02-20 1979:Hiroki Tai (2015-02-15). 1961:(in Japanese). 2016-02-07 1922:Junko Yano (2006-10-25). 1904:(in Japanese). 2008-07-02 1369: 1211: 1192: 1102: 1085: 1075: 1051: 983: 148:the corresponding article 1951: 1894: 1495:Original Video Animation 1476: 1435: 1293: 1259:Kimi no Nawa (Your Name) 1253:Nippon Hōsō Kyōkai (NHK) 386:Original video animation 1981:"最近よく聞く"2.5次元"、その定義とは?" 1389:During the late 1970s, 1136:Space Battleship Yamato 235:For more guidance, see 101:more precise citations. 23:Industry and occupation 2063:. Stone Bridge Press. 2041:. 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