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Visiting card

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201: 276: 58:, with sophisticated rules governing their use. The essential convention was that a first person would not expect to see a second person in the second's own home (unless invited or introduced) without having first left his visiting card at the second's home. Upon leaving the card, the first would not expect to be admitted initially but instead might receive a card at his own home in response from the second. This would serve as a signal that a personal visit and meeting at home would be welcome. On the other hand, if no card was forthcoming, or if a card was sent in an envelope, a personal visit was thereby discouraged. 264: 252: 237: 171: 216: 186: 20: 903: 155:
are similarly given as "Lord John Smith", etc., but "Hon" (for "the Honourable") are not used (Mr, Ms, etc. being used instead). Those without titles of nobility or courtesy titles may use ecclesiastical titles, military ranks, "Professor" or "Dr", or Mr, Ms, etc. For archbishops, bishops, deans, and
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Before the 18th century, visitors making social calls left handwritten notes at the home of friends who were not at home. By the 1760s, the upper classes in France and Italy were leaving printed visiting cards decorated with images on one side and a blank space for hand-writing a note on the other.
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By the 19th century, men and women needed personalized calling or visiting cards to maintain their social status or to move up in society. These small cards, about the size of a modern-day business card, usually featured the name of the owner, and sometimes an address. Calling cards were left at
38:, was a small, decorative card that was carried by individuals to present themselves to others. It was a common practice in the 18th and 19th century, particularly among the upper classes, to leave a visiting card when calling on someone (which means to visit their house or workplace). 90:
Visiting cards became common among the aristocracy of Europe, and also in the United States. The whole procedure depended upon there being servants to open the door and receive the cards and it was, therefore, confined to the social classes which employed servants.
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in 2016, a gentleman's card would traditionally give his title, rank, private or service address (bottom left), and club (bottom right) in addition to his name. Titles of peers are given with no prefix (e.g. simply "Duke of Wellington"),
164:, which is a modern version of the visiting card, features a person's name, mobile phone number, and email address, with an optional residential address rarely included; family social cards include the names of parents and children. 156:
archdeacons, the territorial title is used (e.g. "The Bishop of London"). Men may use their forenames or initials, while a married or widowed woman may either use her husband's name (the traditional usage) or her own. The only
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The style quickly spread across Europe and to the United States. As printing technology improved, elaborate color designs became increasingly popular. However, by the late 1800s, simpler styles became more common.
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or "CdVs" were not generally used as calling cards: they did not have the owner/sitter's name printed on them, since they were normally given to family and close friends, or were of celebrities.
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are also used by some for dating. These cards typically have the bearer's name, their contact information, and may also feature a humorous quote or piece of information about the individual.
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in 2007 endorsed the inclusion of private and club addresses (at the bottom left and right respectively) but states the inclusion of a telephone or fax number would be "a solecism".
125:. However, the standard form of visiting card in the 19th century in the United Kingdom was a plain card with nothing more than the bearer's name on it. Sometimes the name of a 136:, in which contact details, including address and telephone number, are essential. This has led to the inclusion of such details even on modern domestic visiting cards: 98:
Next day Paul found Stubbs' card on his table, the corner turned up. Paul went to Hertford to call on Stubbs but found him out. He left his card, the corner turned up.
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The visiting card is no longer the universal feature of upper-middle-class and upper-class life that it once was in Europe and North America. Much more common is the
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homes, sent to individuals, or exchanged in person for various social purposes. Knowing and following calling card "rules" signalled one's status and intentions.
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If a card was left with a turned corner it indicated that the card had been left in person rather than by a servant.
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might be added, but addresses were not otherwise included. Visiting cards were kept in highly decorated card cases.
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card cutting and scoring machine from 1889, capable of producing 100,000 visiting cards a day
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United Kingdom (alternative lady's, joint or family visiting card, and modern social card) (
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used are those indicating membership of the armed forces (e.g. "Captain J. Smith, RN"). The
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Debrett's New Guide to Etiquette & Modern Manners: The Indispensable Handbook
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Argentina, Czech Republic, Finland, Russia, Hungary, Poland, Romania, Sri Lanka
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Germany, Italy, France, Spain, Switzerland, Netherlands, Austria, Turkey
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with the advent of photography in the mid-19th century. Photographic
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United Kingdom (traditional lady's, joint or family visiting card) (
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Collection of calling cards received by Mrs. John Beckwith, Chicago
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Etiquette in Society, in Business, in Politics and at Home
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Some visiting cards included refined engraved ornaments,
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Social cards used by 18th–20th-century upper classes
23:Visiting card of Johann van Beethoven, brother of 737: 919: 329:United Kingdom (gentleman's visiting card) (3 Ă— 54:Visiting cards became an indispensable tool of 750: 665:Mayor, A. Hyatt (1943). "Old Calling Cards". 78: 66: 206:Sample lady's visiting card, specifying an 777: 492:Australia, India, Sweden, Norway, Denmark 913:The Gentleman's Guide to the Calling Card 780:"The New Dating Tools: A Card and a Wink" 602:thick card backing of a carte de visite 295:As of 2010, Business-style cards called 18: 667:The Metropolitan Museum of Art Bulletin 920: 778:Rosenbloom, Stephanie (21 July 2010). 718: 699: 664: 643:, a related but usually distinct item 112:, Part III, Chapter 7, "Resurrection" 899:The Etiquette of Using Calling Cards 866:"Visiting Cards of the 18th Century" 421:United States, Canada and Pakistan ( 269:Victorian silver visiting card case 13: 71:from 1615 to 1800 and then became 14: 944: 894:Social Calls in the Edwardian era 887: 751:Elizabeth Wyse (19 April 2016). 700:Resor, Cynthia (March 4, 2019). 274: 262: 250: 235: 214: 199: 184: 169: 757:. Debrett's. pp. 418–420. 597:photographic print pasted on a 302: 771: 712: 693: 658: 1: 652: 290: 7: 848:Funk & Wagnalls Company 622: 10: 949: 723:. Macmillan. p. 168. 193:Johann Wolfgang von Goethe 49: 634:Electronic business cards 121:lettering, and fantastic 868:, Chapter 5 June of the 706:teachingwiththemes.com/ 824:Department of the Army 115: 79: 67: 27: 719:Morgan, John (2007). 96: 22: 908:the Newberry Library 880:W. & R. Chambers 826:, 24 September 2004. 158:post-nominal letters 61:As an adoption from 25:Ludwig van Beethoven 308: 225:, caricaturist for 68:une carte d'adresse 65:, they were called 834:"Cards and Visits" 813:United States Army 784:The New York Times 754:Debrett's Handbook 307: 257:Visiting card case 223:Louis Adrien Huart 148:Debrett's Handbook 28: 620: 619: 529: 528: 242:Visiting card of 221:Visiting card of 191:Visiting card of 176:Visiting card of 940: 836:, Chapter 10 of 822:: Headquarters, 820:Washington, D.C. 794: 793: 791: 790: 775: 769: 768: 748: 735: 734: 716: 710: 709: 697: 691: 690: 662: 647:Compliments slip 531: 530: 477: 476: 472: 469: 463: 462: 458: 455: 434: 433: 429: 426: 384: 383: 379: 376: 370: 369: 365: 362: 342: 341: 337: 334: 309: 306: 278: 266: 254: 244:AntonĂ­n Langweil 239: 218: 203: 188: 173: 127:gentlemen's club 113: 109:Decline and Fall 85:cartes de visite 82: 70: 34:, also called a 948: 947: 943: 942: 941: 939: 938: 937: 918: 917: 890: 885: 862:Robert Chambers 803:"Calling Cards" 797: 788: 786: 776: 772: 765: 749: 738: 731: 717: 713: 698: 694: 679:10.2307/3257136 663: 659: 655: 640:Carte de visite 625: 601: 599:carte de visite 593: 588: 474: 470: 467: 465: 460: 456: 453: 451: 431: 427: 424: 422: 381: 377: 374: 372: 367: 363: 360: 358: 339: 335: 332: 330: 305: 293: 286: 283:Oscar Friedheim 279: 270: 267: 258: 255: 246: 240: 231: 219: 210: 204: 195: 189: 180: 174: 153:courtesy titles 114: 102: 74:carte de visite 52: 17: 12: 11: 5: 946: 936: 935: 930: 928:Business cards 916: 915: 910: 901: 896: 889: 888:External links 886: 884: 883: 859: 827: 810: 801:Ray Trygstad. 798: 796: 795: 770: 763: 736: 730:978-1429978286 729: 711: 692: 656: 654: 651: 650: 649: 644: 636: 631: 624: 621: 618: 617: 611: 608: 604: 603: 595: 590: 584: 583: 577: 574: 570: 569: 563: 560: 556: 555: 549: 546: 542: 541: 538: 535: 527: 526: 523: 520: 516: 515: 512: 509: 505: 504: 501: 498: 494: 493: 490: 487: 483: 482: 448: 445: 441: 440: 419: 416: 412: 411: 408: 405: 401: 400: 397: 394: 390: 389: 355: 352: 348: 347: 327: 324: 320: 319: 316: 313: 304: 301: 292: 289: 288: 287: 280: 273: 271: 268: 261: 259: 256: 249: 247: 241: 234: 232: 220: 213: 211: 205: 198: 196: 190: 183: 181: 178:Kaiser Wilhelm 175: 168: 100: 51: 48: 15: 9: 6: 4: 3: 2: 945: 934: 931: 929: 926: 925: 923: 914: 911: 909: 905: 902: 900: 897: 895: 892: 891: 881: 877: 873: 872: 867: 863: 860: 857: 856:1-58734-039-9 853: 849: 845: 841: 840: 835: 831: 828: 825: 821: 818: 814: 811: 809:July 21, 2003 808: 807:Rays of Light 804: 800: 799: 785: 781: 774: 766: 764:9780992934866 760: 756: 755: 747: 745: 743: 741: 732: 726: 722: 715: 707: 703: 696: 688: 684: 680: 676: 672: 668: 661: 657: 648: 645: 642: 641: 637: 635: 632: 630: 629:Business card 627: 626: 615: 612: 609: 606: 605: 600: 596: 591: 586: 585: 581: 578: 575: 572: 571: 567: 564: 561: 558: 557: 553: 550: 547: 544: 543: 539: 536: 533: 532: 524: 521: 518: 517: 513: 510: 507: 506: 502: 499: 496: 495: 491: 488: 485: 484: 480: 449: 446: 443: 442: 438: 420: 417: 414: 413: 409: 406: 403: 402: 398: 395: 392: 391: 387: 356: 353: 350: 349: 345: 328: 325: 322: 321: 317: 314: 311: 310: 300: 298: 297:calling cards 284: 277: 272: 265: 260: 253: 248: 245: 238: 233: 230: 229: 224: 217: 212: 209: 208:"At Home" day 202: 197: 194: 187: 182: 179: 172: 167: 166: 165: 163: 159: 154: 149: 146:According to 144: 142: 141:New Etiquette 140: 135: 134:business card 130: 128: 124: 123:coats of arms 120: 111: 110: 105: 99: 95: 92: 88: 86: 81: 76: 75: 69: 64: 59: 57: 47: 43: 39: 37: 33: 32:visiting card 26: 21: 871:Book of Days 869: 837: 787:. Retrieved 783: 773: 753: 720: 714: 705: 695: 673:(2): 93–98. 670: 666: 660: 638: 616:, size ID-1 614:ISO/IEC 7810 607:85.6 mm 418:50.8 mm 415:88.9 mm 303:Common sizes 296: 294: 228:Le Charivari 226: 161: 147: 145: 137: 131: 116: 107: 104:Evelyn Waugh 97: 93: 89: 84: 72: 60: 53: 44: 40: 36:calling card 35: 31: 29: 589:100 mm 162:Social Card 933:Stationery 922:Categories 864:, editor. 830:Emily Post 789:2018-12-03 653:References 610:54 mm 594:64 mm 592:54 mm 587:89 mm 582:in the EU 580:Debit card 576:55 mm 573:85 mm 568:, size C8 562:57 mm 559:81 mm 554:, size A8 548:52 mm 545:74 mm 522:55 mm 519:91 mm 511:50 mm 508:90 mm 503:Hong Kong 500:54 mm 497:90 mm 489:55 mm 486:90 mm 447:64 mm 444:89 mm 407:55 mm 404:85 mm 396:48 mm 393:85 mm 354:57 mm 351:83 mm 326:38 mm 323:76 mm 291:For dating 139:Debrett's 56:etiquette 850:, 1922. 844:New York 623:See also 318:Used in 119:embossed 101:—  80:visiteur 882:, 1869. 687:3257136 566:ISO 216 552:ISO 216 540:Format 473:⁄ 459:⁄ 430:⁄ 380:⁄ 366:⁄ 338:⁄ 50:History 876:London 854:  761:  727:  685:  537:Height 525:Japan 315:Height 63:France 683:JSTOR 534:Width 399:Iran 312:Width 852:ISBN 759:ISBN 725:ISBN 435:Ă— 2 906:at 675:doi 77:or 924:: 878:: 874:. 846:: 842:. 832:. 815:. 805:, 782:. 739:^ 704:. 681:. 669:. 481:) 479:in 464:Ă— 439:) 437:in 388:) 386:in 371:Ă— 346:) 344:in 281:A 106:, 30:A 858:. 792:. 767:. 733:. 708:. 689:. 677:: 671:2 475:2 471:1 468:+ 466:2 461:2 457:1 454:+ 452:3 432:2 428:1 425:+ 423:3 382:4 378:1 375:+ 373:2 368:4 364:1 361:+ 359:3 340:2 336:1 333:+ 331:1

Index


Ludwig van Beethoven
etiquette
France
carte de visite
Evelyn Waugh
Decline and Fall
embossed
coats of arms
gentlemen's club
business card
Debrett's
courtesy titles
post-nominal letters
Visiting card of Kaiser Wilhelm
Kaiser Wilhelm
Visiting card of Johann Wolfgang von Goethe
Johann Wolfgang von Goethe
Sample lady's visiting card, specifying an "At Home" day
"At Home" day
Visiting card of Louis Adrien Huart, caricaturist for Le Charivari
Louis Adrien Huart
Le Charivari
Visiting card of AntonĂ­n Langweil
AntonĂ­n Langweil
Visiting card case
Victorian silver visiting card case
A Oscar Friedheim card cutting and scoring machine from 1889, capable of producing 100,000 visiting cards a day
Oscar Friedheim
in

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