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132:(1778–1860) as "Sonata mulattica composta per il mulatto Brischdauer , gran pazzo e compositore mulattico" (Mulatto Sonata composed for the mulatto Brischdauer, great madman mulatto composer). Shortly after completion the work was premiered by Bridgetower and Beethoven on 24 May 1803 at the Augarten Theatre at a concert that started at the unusually early hour of 8:00 am. Bridgetower sight-read the sonata; he had never seen the work before, and there had been no time for any rehearsal.
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it even further. The third variation, in F minor, returns to a darker and more meditative state. The fourth recalls the first and second variations with its light, ornamental, and airy feel. The fifth and final variation, the longest, caps the movement with a slower and more dramatic feel, nevertheless returning to the carefree F major.
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There could hardly be a greater contrast with the second movement, a placid tune in F major followed by five distinctive variations. The first variation transliterates the theme into a lively triple meter while embellishing it with trills, while in the second the violin steals the melody and enlivens
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The sonata opens with a slow 18-bar introduction, of which only the first four bars of the solo violin are in the A-Major-key. The piano enters, and the harmony begins to turn darker towards the minor key, until the main body of the movement — an angry A-minor
135:
After the premiere performance, Beethoven and
Bridgetower fell out: while the two were drinking, Bridgetower apparently insulted the morals of a woman whom Beethoven cherished. Enraged, Beethoven removed the dedication of the piece, dedicating it instead to
610:
String
Quintet in A Major (After Violin Sonata No. 9 'Kreutzer'), Performed by Akemi Mercer-Niewöhner(Violin), Charys Schuler(Violin), Dirk Niewöhner(Viola), Valentin Scharff(Cello), Ulrich Horn (Cello) of the Frankfurt Radio Symphony
403:, which gave the composition its nickname. Kreutzer never performed the work, considering it "outrageously unintelligible". He did not particularly care for any of Beethoven's music, and they only ever met once, briefly.
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reimagined the life of
Bridgetower, the sonata's original dedicatee, in poetry, thus writing about the sonata that connected the composer and the violinist who first performed it.
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was first published in 1889. That novella was adapted in various stage and film productions, contributing to
Beethoven's composition becoming known to the general public.
53:, is an 1803 sonata for piano and violin notable for its technical difficulty, unusual length (around 40 minutes), and emotional scope. It is commonly known as the
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In the composer's 1803 sketchbook, the work was titled "Sonata per il
Pianoforte ed uno violino obligato in uno stile molto concertante come d’un concerto" ("
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366:. After moving through a series of slightly contrasting episodes, the theme returns for the last time, and the work ends jubilantly in a rush of A major.
592:
Copyright free LP recording of the
Kreutzer sonata Max Rostal (violin) and Franz Osborn (piano) at the European Archive (for non-American viewers only).
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328:— begins. Here, the piano part matches the violin's in terms of difficulty. Near the end, Beethoven brings back part of the opening
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101:"). The final movement of the work was originally written for another, earlier, sonata for violin and piano by Beethoven, the
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The calm is broken by a crashing A major chord in the piano, ushering in the virtuosic and exuberant third movement, a 6/8
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After its successful premiere in 1803, the work was published in 1805 as
Beethoven's Op. 47, with its re-dedication to
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ESTA-Nachrichten (European String
Teachers Association) No. 51, March 2004, p. 13ff, Stuttgart.
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Beethoven gave no key designation to the work. Although the work is usually titled as being in
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Beethoven's 'Kreutzer' Sonata: Nineteenth-century Art of
Arrangement - One Piece, Three Ways
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346:(F major, variation form, with the third variation in F minor, about 18 minutes)
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542:"Mitteilungen des Steirischen TonkĂĽnstlerbundes" No. 1/2, June 2003, Graz.
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has published articles indicating that the main key is in fact
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320:(A major – A minor, sonata form, about 15 minutes in length)
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Sonata
Mulattica: A Life in Five Movements and a Short Play
386:, painting by René François Xavier Prinet (1901), based on
460:"Beethoven, Ludwig van: Works - Chamber Music with Piano."
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Composition for violin and piano by Ludwig van Beethoven
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140:, who was considered the finest violinist of the day.
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The sonata was originally dedicated to the violinist
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was not written in A major"/Gerhard Präsent, London
332:, before closing the movement in an anguished coda.
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445:"George Augustus Polgreen Bridgetower (1780-1860)"
564:"Classical Classics - Beethoven: Kreutzer Sonata"
306:, and takes approximately 43 minutes to perform:
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602:(violin) and Paavali Jumppanen (piano) from the
112:, the Austrian composer and music theoretician
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585:Story about the Dedication of Kreutzer Sonata
182:. Unsourced material may be challenged and
1027:Music dedicated to ensembles or performers
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557:International Music Score Library Project
477:"THE STRAD" Oct.1999, p. 1023: "The
356:(A major, sonata form, about 10 minutes)
202:Learn how and when to remove this message
30:Title page of an original edition of the
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25:
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1017:Violin sonatas by Ludwig van Beethoven
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580:(M.Mus.). New Zealand School of Music.
447:. AfriClassical.com. January 27, 2015.
406:Referring to Beethoven's composition,
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809:Flute Sonata in B-flat major, Anh. 4
457:Johnson, Douglas; Scott G. Burnham.
180:adding citations to reliable sources
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692:No. 3 in E-flat major, Op. 12 No. 3
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596:Performance of Violin Sonata No. 9
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293:Problems playing these files? See
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19:For other Kreutzer Sonatas, see
773:No. 5 in D major, Op. 102 No. 2
768:No. 4 in C major, Op. 102 No. 1
604:Isabella Stewart Gardner Museum
791:Horn Sonata in F major, Op. 17
721:No. 8 in G major, Op. 30 No. 3
716:No. 7 in C minor, Op. 30 No. 2
711:No. 6 in A major, Op. 30 No. 1
687:No. 2 in A major, Op. 12 No. 2
682:No. 1 in D major, Op. 12 No. 1
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758:No. 2 in G minor, Op. 5 No. 2
753:No. 1 in F major, Op. 5 No. 1
503:"The Power and the Passion."
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228:I. Adagio sostenuto – Presto
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103:Sonata No. 6, Op. 30, No. 1
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726:No. 9 in A minor, Op. 47 (
702:No. 5 in F major, Op. 24 (
492:Thayer's Life of Beethoven
246:II. Andante con variazioni
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735:No. 10 in G major, Op. 96
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526:W.W. Norton, spring 2009.
763:No. 3 in A major, Op. 69
697:No. 4 in A minor, Op. 23
673:Violin Sonata in A major
571:Oswin, Matthew (2013).
562:Gutmann, Peter (2007).
124:Premiere and dedication
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302:The piece is in three
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67:) after the violinist
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507:, January 2009, p. 42
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974:String Quartet No. 1
655:Ludwig van Beethoven
176:improve this section
51:Ludwig van Beethoven
967:The Kreutzer Sonata
948:The Kreutzer Sonata
940:The Kreutzer Sonata
916:The Kreutzer Sonata
908:The Kreutzer Sonata
900:The Kreutzer Sonata
892:The Kreutzer Sonata
884:The Kreutzer Sonata
876:The Kreutzer Sonata
859:The Kreutzer Sonata
553:Violin Sonata No. 9
465:Oxford Music Online
413:The Kreutzer Sonata
393:The Kreutzer Sonata
383:The Kreutzer Sonata
87:and one obligatory
39:Violin Sonata No. 9
932:Prelude to Madness
677:(fragmentary work)
566:. Classical Notes.
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130:George Bridgetower
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1022:1803 compositions
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401:Rudolphe Kreutzer
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91:in a highly
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854:Leo Tolstoy
410:'s novella
408:Leo Tolstoy
388:Leo Tolstoy
364:sonata form
284:Edward Auer
264:III. Presto
94:concertante
75:Composition
1011:Categories
970:(painting)
812:(doubtful)
675:, Hess 46
432:References
360:tarantella
343:variazioni
295:media help
611:Orchestra
517:Rita Dove
420:Rita Dove
373:Reception
304:movements
163:does not
144:Structure
728:Kreutzer
490:Thayer,
479:Kreutzer
422:'s 2009
192:May 2018
99:concerto
83:for the
616:YouTube
339:Andante
184:removed
169:sources
118:A minor
110:A major
49:47, by
43:A major
987:Portal
951:(2008)
943:(1987)
935:(1948)
927:(1946)
919:(1937)
911:(1927)
903:(1922)
895:(1920)
887:(1915)
879:(1911)
862:(1889)
704:Spring
665:Violin
354:Presto
330:Adagio
326:Presto
317:Presto
313:Adagio
89:violin
81:Sonata
61:German
959:Other
924:Celos
868:Films
801:Flute
745:Cello
578:(PDF)
85:piano
783:Horn
341:con
282:and
167:any
165:cite
37:The
856:'s
614:on
598:by
362:in
178:by
47:Op.
41:in
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59:(
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