Classical guitar - Knowledge

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usually glued and can be reinforced with mechanical fasteners. Recently many manufacturers use bolt-on fasteners. Bolt-on neck joints were once associated only with less expensive instruments but now some top manufacturers and hand builders are using variations of this method. Some people believed that the Spanish-style one piece neck/block and glued dovetail necks have better sustain, but testing has failed to confirm this. While most traditional Spanish style builders use the one-piece neck/heel block, Fleta, a prominent Spanish builder, used a dovetail joint due to the influence of his early training in violin making. One reason for the introduction of mechanical joints was to make it easier to repair necks. This is more of a problem with steel string guitars than with nylon strings, which have about half the string tension. This is why nylon string guitars often do not include a truss rod either.

1282: 2027: 2400:"The development of the modern tuning can be traced in stages. One of the tunings from the 16th century is C-F-A-D. This is equivalent to the top four strings of the modern guitar tuned a tone lower. However, the absolute pitch for these notes is not equivalent to modern "concert pitch". The tuning of the four-course guitar was moved up by a tone and toward the end of the 16th century, five-course instruments were in use with an added lower string tuned to A. This produced A-D-G-B-E, one of a wide number of variant tunings of the period. The low E string was added during the 18th century." 1165: 2221: 1078: 470: 37: 1253: 1469: 6348: 5331: 1356: 3492: 526: 1055: 518:

guitar. The reason is that the baroque guitar used courses, which are two strings close together (in unison), that are plucked together. This gives baroque guitars an unmistakable sound characteristic and tonal texture that is an integral part of an interpretation. Additionally, the sound aesthetic of the baroque guitar (with its strong overtone presence) is very different from modern classical type guitars, as is shown below.

1130: 2203:. The wood for the fretboard usually differs from the wood in the rest of the neck. The bending stress on the neck is considerable, particularly when heavier gauge strings are used. The most common scale length for classical guitar is 650mm (calculated by measuring the distance between the end of the nut and the center of the 12th fret, then doubling that measurement). However, scale lengths may vary from 635-664mm or more. 1485: 1372: 522:

emphasize the fundamental too heavily (at the expense of overtone partials) for earlier repertoire (Classical/Romantic: Carulli, Sor, Giuliani, Mertz, ...; Baroque: de Visee, ...; etc.). "Andrés Segovia presented the Spanish guitar as a versatile model for all playing styles" to the extent, that still today, "many guitarists have tunnel-vision of the world of the guitar, coming from the modern Segovia tradition".

112: 2111:) is a piece of wood embedded with metal frets that constitutes the top of the neck. It is flat or slightly curved. The curvature of the fretboard is measured by the fretboard radius, which is the radius of a hypothetical circle of which the fretboard's surface constitutes a segment. The smaller the fretboard radius, the more noticeably curved the fretboard is. Fretboards are most commonly made of 1769:(b. Spain 1852) was central to this, sometimes incorporating stylized aspects of flamenco's Moorish influences into his romantic miniatures. This was part of late 19th century mainstream European musical nationalism. Albéniz and Granados were central to this movement; their evocation of the guitar was so successful that their compositions have been absorbed into the standard guitar repertoire. 1223:) significantly contributed to its repertoire. Morlaye's Le Premier Livre de Chansons, Gaillardes, Pavannes, Bransles, Almandes, Fantasies – which has a four-course instrument illustrated on its title page – was published in partnership with Michel Fedenzat, and among other music, they published six books of tablature by lutenist Albert de Rippe (who was very likely Guillaume's teacher). 3190: 3585:(dubious and highly unlikely: whoever studied Beethoven musicologically knows that he generally had disdain for most musicians and publishers, see letters addressed to Artaria, who published Giuliani's music. Beethoven also said that he deeply disliked pianists who played the piano like an harp, see the book "Beethoven: impressions by his contemporaries" published by Dover. 830:(November 21, 1852 – December 15, 1909) was one of the great guitar virtuosos and teachers and is considered the father of modern classical guitar playing. As a professor of guitar at the conservatories of Madrid and Barcelona, he defined many elements of the modern classical technique and elevated the importance of the guitar in the classical music tradition. 1034:

very excellent performers, but none with such a distinct personality in their tone and style as Llobet, Segovia and Bream. In all instrumental areas, not just the guitar, there is a lack of individualism with a strong tendency to conformity. This I find very unfortunate since art (music, theatre or the pictorial arts) is a very individual and personal matter.

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instrument length of 785–915 mm (30.9–36.0 in). Full-size instruments are sometimes referred to as 4/4, while the smaller sizes are 3/4, 1/2, 1/4, and even as small as 1/8 for very small children. However, there is not a standardized set of dimensions for fractional guitars, and their size difference is not linear from a full size guitar.

3400: 1200:, published in Spain in 1546, contains the earliest known written pieces for a four-course guitarra. This four-course "guitar" was popular in France, Spain, and Italy. In France this instrument gained popularity among aristocrats. A considerable volume of music was published in Paris from the 1550s to the 1570s: 1244:

was a guitar-like instrument with six double strings made of gut, tuned like a modern classical guitar with the exception of the third string, which was tuned half a step lower. It has a high sound and is rather large to hold. Few have survived and most of what is known today come from diagrams and paintings.

541:, considering him "the catalyst for change toward the Spanish design and the so-called 'modern' school in the 1920s and beyond." The styles of music performed on ladder-braced guitars were becoming unfashionable—and, e.g., in Germany, more musicians were turning towards folk music (Schrammel-music and the 2341:

The main purpose of the bridge on a classical guitar is to transfer the vibration from the strings to the soundboard, which vibrates the air inside of the guitar, thereby amplifying the sound produced by the strings. The bridge holds the strings in place on the body. Also, the position of the saddle,

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The little finger whose use is not completely standardized in classical guitar technique can also be found designated by e or x. There are several words in Spanish for the little finger: dedo meñique, dedo auricular, dedo pequeño, but their initials conflict with the initials of the other fingers. C

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The explanation for this "asymmetrical" tuning (in the sense that the maj 3rd is not between the two middle strings, as in the tuning of the viola da gamba) is probably that the guitar originated as a 4-string instrument (actually an instrument with 4 double courses of strings, see above) with a maj

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This is the point where the neck meets the body. In the traditional Spanish neck joint, the neck and block are one piece with the sides inserted into slots cut in the block. Other necks are built separately and joined to the body either with a dovetail joint, mortise or flush joint. These joints are

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The four fingers of the left hand (which fret the strings) are designated 1 = index, 2 = major, 3 = ring finger, 4 = little finger. 0 designates an open string—a string not stopped by a finger and whose full length thus vibrates when plucked. It is rare to use the left hand thumb in performance, the

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Nowadays it is customary to play this repertoire on reproductions of instruments authentically modelled on concepts of musicological research with appropriate adjustments to techniques and overall interpretation. Thus over recent decades we have become accustomed to specialist artists with expertise

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in Spain. While the lute was then becoming popular in other parts of Europe, the Spaniards did not take to it well because of its association with the Moors. Instead, the lute-like vihuela appeared with two more strings that gave it more range and complexity. In its most developed form, the vihuela

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When considering the guitar from a historical perspective, the musical instrument used is as important as the musical language and style of the particular period. As an example: It is impossible to play a historically informed de Visee or Corbetta (baroque guitarist-composers) on a modern classical

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proved that it was the top, and not the back and sides of the guitar that gave the instrument its sound, in 1862 he built a guitar with back and sides of papier-mâché. (This guitar resides in the Museu de la Musica in Barcelona, and before the year 2000 it was restored to playable condition by the

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being among the most influential designers of their times); to not only strengthen the top against collapsing under the tremendous stress exerted by the tensioned strings, but also to affect the resonance of the top. Some contemporary guitar makers have introduced new construction concepts such as

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Scores do not systematically indicate fretboard positions (where to put the first finger of the fretting hand), but when helpful (mostly with barrés chords) the score indicates positions with Roman numerals from the first position I (index finger on the 1st fret: F-B flat-E flat-A flat-C-F) to the

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The last guitarist to follow in Segovia's footsteps was Julian Bream and Julian Bream will be 73 years old on July 15th 2006. Miguel Llobet, Andrés Segovia and Julian Bream are the three performer personalities of the 20th century. Do not understand me wrong, we have many guitarists today that are

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Right-handed players use the fingers of the right hand to pluck the strings, with the thumb plucking from the top of a string downwards (downstroke) and the other fingers plucking from the bottom of the string upwards (upstroke). The little finger in classical technique as it evolved in the 20th

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The origins of the modern guitar are not known with certainty. Some believe it is indigenous to Europe, while others think it is an imported instrument. Guitar-like instruments appear in ancient carvings and statues recovered from Egyptian, Sumerian, and Babylonian civilizations. This means that

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For a right-handed player, the traditional classical guitar has 12 frets clear of the body and is properly held up by the left leg, so that the hand that plucks or strums the strings does so near the back of the sound hole (this is called the classical position). However, the right-hand may move

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Today's use of Torres and post-Torres type guitars for repertoire of all periods is sometimes critically viewed: Torres and post-Torres style modern guitars (with their fan-bracing and design) have a thick and strong tone, very suitable for modern-era repertoire. However, they are considered to

1555:, use the little finger independently, compensating for the little finger's shortness by maintaining an extremely long fingernail. Rak and Yamashita have also generalized the use of the upstroke of the four fingers and the downstroke of the thumb (the same technique as in the rasgueado of the 2302:, allowing the acoustic guitar to be heard without amplification. The sound hole is normally a single round hole in the top of the guitar (under the strings), though some have different placement, shapes, or numbers of holes. How much air an instrument can move determines its maximum volume. 2362:

Smaller-scale instruments are produced to assist children in learning the instrument as the smaller scale leads to the frets being closer together, making it easier for smaller hands. The scale-size for the smaller guitars is usually in the range 484–578 mm (19.1–22.8 in), with an

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also published his Premier Livre de Tablature de Guiterne, and in the same year he also published Briefve et facile instruction pour apprendre la tablature a bien accorder, conduire, et disposer la main sur la Guiterne. Robert Ballard, Grégoire Brayssing from Augsburg, and Guillaume Morlaye

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While "classical guitar" is today mainly associated with the modern classical guitar design, there is an increasing interest in early guitars; and understanding the link between historical repertoire and the particular period guitar that was originally used to perform this repertoire. The

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twelfth position XII (index finger on the 12th fret: E-A-D-G-B-E. The 12th fret is where the body begins) or even higher up to position XIX (the classical guitar most often having 19 frets, with the 19th fret being most often split and not being usable to fret the 3rd and 4th strings).

3514: 545:). This was localized in Germany and Austria and became unfashionable again. On the other hand, Segovia was playing concerts around the world, popularizing modern classical guitar—and, in the 1920s, Spanish romantic-modern style with guitar works by Moreno Torroba, de Falla, etc. 495:), different response, etc. These differences are due to differences in construction; for example, modern classical guitars usually use a different bracing (fan-bracing) from that used in earlier guitars (they had ladder-bracing); and a different voicing was used by the luthier. 1535:

technique, in the performance of the rasgueado also uses the upstroke of the four fingers and the downstroke of the thumb: the string is hit not only with the inner, fleshy side of the fingertip but also with the outer, fingernail side. This was also used in a technique of the

4180:...According to the current historical records, Gaetano Vinaccia and his brother Gennaro were responsible for the creation of the first six string guitar sometimes around 1776 in Naples...Authenticity of his surviving guitar was often placed in question by modern historians... 1347:. This guitar has been examined and does not show tell-tale signs of modifications from a double-course guitar. The authenticity of guitars allegedly produced before the 1790s is often in question. This also corresponds to when Moretti's 6-string method appeared, in 1792. 2137:

and placed at points that divide the length of string mathematically. The strings' vibrating length is determined when the strings are pressed down behind the frets. Each fret produces a different pitch and each pitch spaced a half-step apart on the 12 tone scale. The

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was also a guitar virtuoso and composer. He once wrote: "I love the guitar for its harmony; it is my constant companion in all my travels". He also said, on another occasion: "I do not like this instrument, but regard it simply as a way of helping me to think."

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neck of a classical guitar being too wide for comfort, and normal technique keeps the thumb behind the neck. However Johann Kaspar Mertz, for example, is notable for specifying the thumb to fret bass notes on the sixth string, notated with an up arrowhead (⌃).

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Early guitars of the classical and romantic period (early romantic guitars) have single strings, but their design and voicing are still such that they have their tonal energy more in the overtones (but without starved fundamental), giving a bright intimate

2175:), whose numeric value is about 1.059463. The twelfth fret divides the string into two exact halves and the 24th fret (if present) divides the string in half yet again. Every twelve frets represents one octave. This arrangement of frets results in 571:"With the change of music a stronger fundamental was demanded and the fan bracing system was approached. ... the guitar tone has been changed from a transparent tone, rich in higher partials to a more 'broad' tone with a strong fundamental." 1420:

gave the modern classical guitar its definitive form, with a broadened body, increased waist curve, thinned belly, and improved internal bracing. The modern classical guitar replaced an older form for the accompaniment of song and dance called

2244:. Considered the most prominent factor in determining the sound quality of a guitar, this thin (often 2 or 3 mm thick) piece of wood has a uniform thickness and is strengthened by different types of internal bracing. The back is made in 536:

While fan-braced modern classical Torres and post-Torres style instruments coexisted with traditional ladder-braced guitars at the beginning of the 20th century, the older forms eventually fell away. Some attribute this to the popularity of

3681:"... he performed a more important task by commissioning material by some of the 20th century's greatest composers, including Heitor Villa-Lobos, Manuel Ponce, Federico Moreno Torroba, Mario Castelnuovo-Tedesco, and Alexander Tansman." 4300:

is said to be the initial of the dedo chiquito which is not the most common name for the little finger. E and X are not initials, but letters that were picked, each with its own rationale, by people who didn't know what else to pick

1579:) and in different positions (such as closer and further away from the guitar bridge). For example, plucking an open string will sound brighter than playing the same note(s) on a fretted position (which would have a warmer tone). 3586: 3936: 3336:"The term Spanish guitar has been used differently across the centuries in different countries. Today it is often used interchangeably with the term classical guitar and is certainly not limited to instruments made in Spain". 3420: 552:

first popularized the Torres design as a classical solo instrument. However, some maintain that Segovia's influence led to its domination over other designs. Factories around the world began producing them in large numbers.

2359:. This length may have been chosen because it's twice the length of a violin string. As the guitar is tuned to one octave below that of the violin, the same size gut could be used for the first strings of both instruments. 1028:

The evolution of the classical guitar and its repertoire spans more than four centuries. It has a history that was shaped by contributions from earlier instruments, such as the lute, the vihuela, and the baroque guitar.

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of around 650 mm (25.6 in), with an overall instrument length of 965–1,016 mm (38.0–40.0 in). The scale length has remained quite consistent since it was chosen by the originator of the instrument,

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During final construction, a small section of the outside corners is carved or routed out and filled with binding material on the outside corners and decorative strips of material next to the binding, which are called

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called "guitars" were already in use since the 13th century, but their construction and tuning were different from modern guitars. The time where the most changes were made to the guitar was in the 1500s to the 1800s.

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Strumming is a less common technique in classical guitar, and is often referred to by the Spanish term "rasgueo", or for strumming patterns "rasgueado", and uses the backs of the fingernails. Rasgueado is integral to

3361: 1625:) do not systematically indicate the string to pluck (though the choice is usually obvious). When indicating the string is useful, the score uses the numbers 1 to 6 inside circles (highest-pitch sting to lowest). 2259:

The majority of the sound is caused by the vibration of the guitar top as the energy of the vibrating strings is transferred to it. Different patterns of wood bracing have been used through the years by luthiers

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so it bends with the shape of the rim) is glued into the corners where the rim meets the top and back. This interior reinforcement provides 5 to 20 mm of solid gluing area for these corner joints.

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The modern classical guitar is usually played in a seated position, with the instrument resting on the left lap – and the left foot placed on a footstool. Alternatively – if a footstool is not used – a

1487: 2956: 4154:" in which the author Thomas F. Heck concludes "the guitar with six single strings is probably of French or Italian origin, definitely not of Spanish origin...I do not consider the matter closed..." 4096: 1582:

The instrument's versatility means it can create a variety of tones, but this finger-picking style also makes the instrument harder to learn than a standard acoustic guitar's strumming technique.

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than steel strings, as do the predecessors to nylon strings, gut strings (made from ox or sheep gut). The lower three strings ('bass strings') are wound with metal, commonly silver-plated copper.

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Classical fingerboards are normally flat and without inlaid fret markers, or just have dot inlays on the side of the neck—steel string fingerboards usually have a slight radius and inlays.

1765:(b. Slovakia, Austria 1806) were strongly influenced by the dominance of the piano. Not until the end of the nineteenth century did the guitar begin to establish its own unique identity. 1441:– whereas the fingers ring the melody and its accompanying parts. Often classical guitar technique involves the use of the nails of the right hand to pluck the notes. Noted players were: 4322: 3582: 1567:

As with other plucked instruments (such as the lute), the musician directly touches the strings (usually plucking) to produce the sound. This has important consequences: Different tone/

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There is a historical parallel between musical styles (baroque, classical, romantic, flamenco, jazz) and the style of "sound aesthetic" of the musical instruments used, for example:

3424: 510:– they used 19th-century guitars. These guitars in turn sound different from the Torres models used by Segovia that are suited for interpretations of romantic-modern works such as 491:

Different types of guitars have different sound aesthetics, e.g. different colour-spectrum characteristics (the way the sound energy is spread in the fundamental frequency and the

1559:: as explained above the string is hit not only with the inner, fleshy side of the fingertip but also with the outer, fingernail side) both as a free stroke and as a rest stroke. 3838: 1772:

The steel-string and electric guitars characteristic to the rise of rock and roll in the post-WWII era became more widely played in North America and the English-speaking world.

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To achieve tremolo effects and rapid, fluent scale passages, the player must practice alternation, that is, never plucking a string with the same finger twice in a row. Using

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with the aim of extending the guitar repertoire with new music. Segovia's tour of South America revitalized public interest in the guitar and helped the guitar music of

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Thus modern guitars with fan bracing (fan strutting) have a design and voicing that gives them a thick, heavy sound, with far more tonal energy found in the fundamental.

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Vihuela, renaissance guitars and baroque guitars have a bright sound, rich in overtones, and their courses (double strings) give the sound a very particular texture.

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A rather small sized vaulted-back guitar in the engraving by Etienne Picart (c. 1680) after the painting by Leonello Spada Concert (c.1615), Musée du Louvre, Paris

3641:"In Spain Falla's lead was followed by Joaquin Turina (1882–1949) and Federico Moreno Torroba (b. 1891), who began to produce works in collaboration with Segovia." 3307: 1116:

are distantly related to the European guitar, as they all derive ultimately from the same ancient origins, but by very different historical routes and influences.

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3rd between the 2nd and 3rd strings, and it only became a 6-string instrument by gradual addition of a 5th string and then a 6th string tuned a 4th apart:

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Not many classical guitar concertos were written through history. Nevertheless, some guitar concertos are nowadays widely known and popular, especially

1332: 2281:, or carbon-fiber reinforced lattice – pattern bracing. The back and sides are made out of a variety of woods such as mahogany, maple, cypress Indian 1518:

century is used only to ride along with the ring finger without striking the strings and to thus physiologically facilitate the ring finger's motion.

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Classical guitarists use their right hand to pluck the strings. Players may shape their fingernails for a brighter tone and feel against the strings.

1849: 1809: 1146: 436: 3170:(Palma de Mallorca: Govern de les Illes Balears, Conselleria d'Educació i Cultura, Direcció General de Cultura, Institut d'Estudis Baleàrics, 2000) 4150:

Page showing guitars, the oldest captioned "1779 Italy Vinaccia TH Looks right for 1779"; at the bottom of the page TH refers to a linked article "

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as saying that it is the most requested guitar piece besides Malagueña and perhaps the best-known instrumental guitar piece today. In the field of

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usually a strip of bone or plastic that supports the strings off the bridge, determines the distance to the nut (at the top of the fingerboard).

1529:, that rapid strumming of the string by the fingers in reverse order employing the back of the fingernail—a familiar characteristic of Flamenco. 1201: 620: 6190: 4311: 2289:). Each one is chosen for its aesthetic effect and structural strength, and such choice can also play a role in determining the instrument's 4377: 3882: 287:

The instrumental finger technique common to classical guitar—individual strings plucked with the fingernails or, less frequently, fingertips

3892: 3554:"The myth of Schubert and the Guitar, An article seeking to clarify what relationship Schubert may – or may not – have had with the guitar" 986:

This type of repertoire is usually performed by guitarists who have particularly chosen to focus on the avant-garde in their performances.

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the five fingers of the right-hand (which pluck the strings) are designated by the first letter of their Spanish names namely p = thumb (

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The guitars built by Antonio de Torres still had friction pegs (see for example Richard Chapman "The New Complete Guitarist", p. 13 top)

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brothers Yagüe, Barcelona). The body of a classical guitar is a resonating chamber that projects the vibrations of the body through a

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Music written specifically for the classical guitar dates from the addition of the sixth string (the baroque guitar normally had five

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Within the contemporary music scene itself, there are also works which are generally regarded as extreme. These include works such as

6398: 2985: 2805: 2712: 2619: 1968:, or nylon wrapped with metal, as opposed to the metal strings found on other acoustic guitars. Nylon strings also have a much lower 1541: 2526: 5786: 5367: 5049: 4610: 1660: : Basic melody line on the treble strings. Has the appearance of "walking along the strings". This is often used for playing 3747: 1986:

Typical modern six-string classical guitars are 48–54 mm wide at the nut, compared to around 42 mm for electric guitars.

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technique, and classical compositions evoking Flamenco, employ the little finger semi-independently in the Flamenco four-finger

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A classical guitar's frets, fretboard, tuners, headstock, all attached to a long wooden extension, collectively constitute its

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composed many works and brought into the mainstream the characteristics of Latin American music, as did the Brazilian composer

3816: 2895: 1670: : Arpeggio pattern example. However, there are many arpeggio patterns incorporated into the classical guitar repertoire. 1704:

A guitar recital may include a variety of works, e.g., works written originally for the lute or vihuela by composers such as

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of a classical guitar point backwards—in contrast to most steel-string guitars, which have machine heads that point outward.

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popularized Brazilian musical styles such as the newly created Bossa Nova, which was well received by audiences in the USA.

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of the top and back. Binding and purfling materials are generally made of either wood or high-quality plastic materials.

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The body of the instrument is a major determinant of the overall sound variety for acoustic guitars. The guitar top, or

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The Guitar (From The Renaissance To The Present Day) by Harvey Turnbull (Third Impression 1978) – Publisher: Batsford (

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The Guitar (From The Renaissance To The Present Day) by Harvey Turnbull (Third Impression 1978) – Publisher: Batsford (

1746:(b. Spain 1867). The most important composer who did not write for the guitar but whose music is often played on it is 487:

in the art of vihuela (a 16th-century type of guitar popular in Spain), lute, Baroque guitar, 19th-century guitar, etc.

348:, typically with silver-plated copper fine wire wound about the acoustically lower (d-A-E in standard tuning) strings. 298:

sometimes distinguishes the classical guitar from older forms of guitar, which are in their broadest sense also called

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This tuning is such that neighboring strings are at most 5 semitones apart. There are also a variety of commonly used

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The written history of the classical guitar can be traced back to the early 16th century with the development of the

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Baroque court music, nineteenth-century opera and its influences, nineteenth-century folk songs, Latin American music

54: 1343:; however, the date on the label is a little ambiguous. The Vinaccia family of luthiers is known for developing the 4829: 3292: 1753:

Of music written originally for guitar, the earliest important composers are from the classical period and include

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The classical guitar repertoire also includes modern contemporary works – sometimes termed "New Music" – such as

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A variety of different tunings are used. The most common by far, which one could call the "standard tuning" is:

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The classical guitar also became widely used in popular music and rock & roll in the 1960s after guitarist

1750:(b. Germany 1685), whose baroque lute, violin, and cello works have proved highly adaptable to the instrument. 1437:

The fingerstyle is used fervently on the modern classical guitar. The thumb traditionally plucks the bass – or

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A vibrant library of guitar sheet music, which can serve in accomplishing diverse teaching and research needs.

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can be placed between the guitar and the left lap (the support usually attaches to the instrument's side with

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Baroque guitar attributed to Matteo Sellas : This Italian instrument has five courses and a rounded back.

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popularized the guitar with tours and early phonograph recordings. Segovia collaborated with the composers

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The materials and the methods of classical guitar construction may vary, but the typical shape is either

3860:"Variazioni notturne - Paolo Coggiola - 2016 - Partiture Cartacee - vari - PreludioMusic - Shop on-line" 5311: 4580: 3908: 3766: 3471: 2351: 1514:). (There are of course exceptions, with some performers choosing to hold the instrument another way.) 1500: 956: 6028: 4164: 2224:

A photo of a contemporary "double-top" construction guitar made by Gernot Wagner in 2013 and owned by

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The top, back and sides of a classical guitar body are very thin, so a flexible piece of wood called

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to achieve different tonal qualities. The player typically holds the left leg higher by the use of a

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The phrase "classical guitar" may refer to either of two concepts other than the instrument itself:

17: 6709: 6688: 4955: 4590: 3208: 2414: 2294: 2273: 2088: 1405: 1395: 1362: 403: 333: 6663: 6653: 5968: 5682: 5353: 4715: 4595: 4385: 1797: 1785: 851: 843: 511: 276:. The modern steel string guitar, on the other hand, usually has 14 frets clear of the body (see 6324: 3889: 2149: 1930:. Nowadays, more and more contemporary composers decide to write a guitar concerto, among them 998: 5394: 5262: 5219: 4725: 3278: 813:, after hearing Giuliani play, commented the instrument was "a miniature orchestra in itself". 713: 6643: 4274: 5953: 4855: 3713: 3691: 3459: 3156:, Blaydon : Ashley Mark Publishing Company, monthly publication first published in 1982. 2429: 2356: 2293:. These are also strengthened with internal bracing, and decorated with inlays and purfling. 2261: 2013:

The overall design of a Classical Guitar is very similar to the slightly lighter and smaller

1888: 1864: 1747: 1724: 1320: 1287: 951:

Performers who are known for including modern repertoire include Jürgen Ruck, Elena Càsoli,

691:

From approximately 1780 to 1850, the guitar had numerous composers and performers including:

424: 261: 6408: 5004: 887: 474: 355:

derives from the modern classical, but has differences in material, construction and sound.

6704: 6403: 5781: 5657: 5294: 5287: 5123: 5034: 4669: 3087:

Cambridge Studies in Performance Practice (No. 6): Performance on Lute, Guitar, and Vihuela

1825: 810: 616: 71: 6658: 6633: 5138: 4684: 2026: 1766: 1442: 827: 549: 8: 5943: 5637: 5194: 5074: 5057: 4635: 4618: 3996:"The Guitar | Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art" 3348: 2442: 2233: 2220: 2143: 1969: 1951: 1762: 1326: 789: 610: 597: 383:

Both instrument and repertoire can be viewed from a combination of various perspectives:

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Frets are the metal strips (usually nickel alloy or stainless steel) embedded along the

964: 814: 759: 741: 6673: 6559: 6423: 6365: 6282: 6214: 5973: 5817: 5776: 5746: 5697: 5592: 5249: 5086: 4932: 4647: 3145:

The Classical Guitar: Its Evolution, Players and Personalities since 1800 – 5th Edition

2265: 2249: 1907: 1781: 1720: 1552: 1413: 1399: 1164: 855: 707: 663: 659: 502:

played a baroque guitar with a very different sound aesthetic from the guitars used by

372: 367: 121: 6668: 6549: 6347: 5938: 3126:

La Chitarra, Quattro secoli di Capolavori (The Guitar: Four centuries of Masterpieces)

1883: 1789: 1728: 1709: 1548: 1473: 1458: 655: 499: 6725: 6638: 5948: 5918: 5801: 5234: 5189: 5184: 5148: 5091: 4652: 4439: 4134: 4102: 3672: 3652: 3632: 3338:- Daniel Wheeldon. Department of Musical Instruments, The Metropolitan Museum of Art. 3171: 3116: 3103: 3090: 3077: 2438: 2176: 2116: 1841: 1417: 1204:'s Le Troysième Livre... mis en tablature de Guiterne was published in 1551. In 1551 1193: 1188: 990: 968: 859: 701: 59: 47: 4490: 4234: 3995: 3528: 3128:

by Giovanni Accornero, Ivan Epicoco, Eraldo Guerci; published by Edizioni Il Salabue

1934:

by Federico Biscione, for guitar and string orchestra, is one of the most inspired.

1450: 847: 839: 783: 538: 6745: 6501: 6370: 6304: 6287: 6268: 6137: 6112: 6046: 5687: 5667: 5424: 5334: 5257: 5024: 5009: 4848: 4771: 3813: 2419: 2389:(highest-pitched string e'—spatially the bottom string in playing position) to the 2082: 1845: 1821: 1743: 1273: 1086: 1065: 976: 921: 719: 695: 625: 530: 225: 1947: 1876: 1739: 6617: 6107: 6102: 6066: 6036: 5827: 5791: 5751: 5717: 5552: 5462: 5306: 5277: 5214: 5169: 5029: 5019: 4999: 4994: 4989: 4984: 4950: 4890: 4781: 4766: 4720: 4700: 4433: 4262: 3896: 3842: 3820: 3754: 3590: 3404: 3393: 2014: 1923: 1899: 1837: 1426: 1060: 937: 905: 777: 765: 399: 352: 307: 248:"), which evolved into the Renaissance guitar and into the 17th and 18th-century 205: 166: 144: 140: 5530: 1571:(of a single note) can be produced by plucking the string in different manners ( 1331:

The earliest extant six-string guitar is believed to have been built in 1779 by

529:

19th century guitar made by Manuel de Soto y Solares, held by Spanish guitarist

363:

The classical guitar has a long history and one is able to distinguish various:

6648: 6597: 6393: 6318: 6241: 6234: 6092: 6051: 5963: 5662: 5582: 5376: 5316: 5106: 5096: 5067: 4974: 4922: 4905: 4756: 4741: 4628: 4124:

by Paul Sparks (1995), page 225, quote: "Vinaccia, Gaetano (1759 – after 1831)"

3553: 2701: 2194: 1958: 1927: 1903: 1856: 1817: 1758: 1698: 1303: 1258: 1170: 1077: 972: 960: 879: 806: 802: 795: 753: 593: 503: 407: 393: 318: 249: 229: 209: 160: 5477: 4020: 1016:

There are also a variety of databases documenting modern guitar works such as

36: 6769: 6471: 6413: 6071: 6061: 6041: 6018: 5908: 5863: 5832: 5622: 5607: 5597: 5409: 5399: 5267: 5239: 5179: 5101: 5079: 5039: 5014: 4917: 4640: 4255: 3581:, ETUDE May 1930, volume XLVIII number 5, page 317–318, 367, reproduced 3387:

Les guitares classiques du Musée de la musique (almost 200 classical guitars)

3258: 3061: 3057: 2794: 2372: 2241: 1860: 1805: 1661: 1468: 1409: 1377: 1309: 1205: 913: 895: 771: 601: 569:

Later in Spain a style of music emerged that favoured a stronger fundamental:

507: 345: 103: 4465: 4355: 4192: 4151: 1252: 867: 6683: 6592: 6523: 6388: 6255: 6220: 6157: 5837: 5822: 5761: 5612: 5537: 5457: 5447: 5224: 4885: 4073: 3195: 2608: 2225: 2200: 2046: 2003: 1915: 1872: 1813: 1754: 1705: 1454: 1446: 929: 725: 542: 1371: 6735: 6607: 6602: 6310: 5587: 5512: 5482: 5467: 5204: 5174: 5143: 4900: 4895: 4710: 4705: 3273: 3268: 3238: 2515: 2188: 2134: 1919: 1833: 1829: 1828:

to write significant works for guitar. Bream's collaborations with tenor

1801: 1511: 952: 900: 651: 589: 376: 148: 79: 6612: 6577: 6476: 5913: 5632: 5627: 5602: 5577: 5562: 5452: 5062: 4623: 3671:

Secrets From The Masters (Edited by Don Menn) (Published by GPI Books) (

1054: 469: 6678: 6572: 6299: 6168: 5993: 5958: 5672: 5647: 5517: 5492: 5487: 5164: 4078:(The talk given at the Lute Society meeting in London on 16 April 2005) 3529:"The Hector Berlioz Website – La Côte Saint-André Berlioz's birthplace" 2078: 1006: 5567: 3152: 1942:

The classical guitar is distinguished by a number of characteristics:

6587: 6582: 6491: 6431: 6227: 6200: 6142: 6056: 5903: 5898: 5707: 5652: 5507: 5497: 5472: 5404: 5199: 4927: 2434: 2277:"double-top" consisting of two extra-thin wooden plates separated by 2096: 2038: 2007: 1526: 1438: 1355: 492: 273: 269: 83: 6486: 5442: 4496: 3074:

The Guitar and its Music (From the Renaissance to the Classical Era)

525: 6567: 6544: 6451: 6441: 6263: 6249: 6152: 6147: 5923: 5692: 5547: 5525: 5429: 4679: 4507: 4408:"Parts of the Classical Guitar (Names, Descriptions, & Images)" 2423: 2330: 2325: 2282: 2253: 2245: 1997: 1784:. Andrés Segovia commissioned works from Spanish composers such as 1777: 1572: 1556: 1544:

which has recently begun to be introduced on the classical guitar.

1532: 1522: 1422: 1344: 6456: 5702: 5677: 5414: 5209: 1315:"Early romantic guitar" or "Guitar during the Classical music era" 332:

similar to the early romantic guitars of Spain, France and Italy.

280:) and is commonly held with a strap around the neck and shoulder. 6517: 6496: 6481: 6436: 6274: 6076: 6003: 5988: 5978: 5933: 5928: 5617: 5572: 5419: 5345: 5282: 4786: 4761: 4751: 4554: 4493:

Jayson Kerr Dobney, Wendy Powers (The Metropolitan Museum of Art)

1576: 1537: 1404:

The modern classical guitar was developed in the 19th century by

1239: 1232: 1152: 1135: 1129: 1117: 866:

were commissioned by Segovia to write new pieces for the guitar.

647: 257: 245: 241: 237: 4776: 3138:

Lyre-guitar. Étoile charmante, between the 18th and 19th century

1950:

instrument. The sound of the plucked string is amplified by the

256:

was established by the late designs of the 19th-century Spanish

6740: 6506: 6461: 6446: 6292: 6013: 5998: 5983: 5893: 5712: 5502: 5229: 4871: 4746: 4549: 3233: 3041:{\displaystyle 440{\rm {{Hz}\cdot ({\sqrt{2}})^{-29}\approx }}} 2861:{\displaystyle 440{\rm {{Hz}\cdot ({\sqrt{2}})^{-19}\approx }}} 2768:{\displaystyle 440{\rm {{Hz}\cdot ({\sqrt{2}})^{-14}\approx }}} 2675:{\displaystyle 440{\rm {{Hz}\cdot ({\sqrt{2}})^{-10}\approx }}} 2290: 2237: 1978:

The neck can be made entirely of wood without a steel truss rod

1568: 1336: 1109: 337: 213: 201: 111: 2582:{\displaystyle 440{\rm {{Hz}\cdot ({\sqrt{2}})^{-5}\approx }}} 6511: 6466: 6132: 5434: 4910: 2278: 2139: 2119:, some other hardwood, or of phenolic composite ("micarta"). 2112: 1965: 1840:

and others. There are significant works by composers such as

1816:

of Britain managed to get nearly every British composer from

1340: 1113: 1102: 341: 217: 95: 3923: 3448:

Early Classical Guitar and Early Romantic Guitar Time Period

1875:, the works and performances of Spanish composer and player 1682: : A way of playing a melody line on the lower strings. 1017: 6008: 2236:, is a finely crafted and engineered element often made of 2128: 2052: 1961:, though some classical guitars have seven or more strings. 233: 154: 41:

Front and lateral view of a typical modern classical guitar

4840: 1738:) or even Spanish-flavored music written for the piano by 4477:

Richard Chapman, "The New Complete Guitarist", p. 10 left

4378:"Fretted instrument terminology: An Illustrated Glossary" 3782: 3443: 3441: 3115:; by Sinier de Ridder; published by Edizioni Il Salabue; 1898:. Composers, who also wrote famous guitar concertos are: 306:. Examples of early guitars include the six-string early 4059:

Libro de música de vihuela de mano intitulado El maestro

3485:"Museum of Fine Arts, Boston: Collection Search Results" 3308:

List of composers for the classical guitar (nationality)

2951:{\displaystyle 440{\rm {{Hz}\cdot ({\sqrt{2}})^{-24}=}}} 1800:

of Mexico. Other prominent Latin American composers are

232:. Classical guitars derive from instruments such as the 4501: 3134:

by Giovanni Accornero; published by Edizioni Il Salabue

1013:

etc. which are notorious for their extreme difficulty.

3659:) – p, 113 (Chapter 3 – The Twentieth Century) – 3639:) – p. 112 (Chapter 3 – The Twentieth Century) – 3438: 3147:, Blaydon : Ashley Mark Publishing Company, 2002. 3132:

Rosa sonora – Esposizione di chitarre XVII – XX secolo

3102:

by Harvey Turnbull; published by Bold Strummer, 1991.

3064:

which has the 6th string tuned down from an E to a D.

2030:

Diagram showing exterior parts of the classical guitar

1653:

the ring finger, common alternation patterns include:

873: 4098:

Encyclopaedic Dictionary of World Musical Instruments

2988: 2898: 2808: 2715: 2622: 2529: 2448: 2152: 1416:, and Robert Bouchet. The Spanish luthier and player 809:

owned at least two and wrote for the instrument; and

4435:

Handbook of Materials for String Musical Instruments

3515:"ref Guitar | Matteo Sellas|All|Musical Instruments" 3421:"SEGOVIA, Andres: 1950s American Recordings, Vol. 4" 3185: 1472:

Eminent Paraguayan classical guitarist and composer

477:

in Paris (which houses almost 200 classical guitars)

3100:

The Guitar: From the Renaissance to the Present Day

2049:(or pegheads, tuning keys, tuning machines, tuners) 1859:popularized the instrument in his instrumental hit 317:– 1880), and the earlier baroque guitars with five 3362:"FAQ about Classical Guitars and Flamenco Guitars" 3040: 2950: 2860: 2767: 2674: 2581: 2489: 2167: 3364:. Zavaleta's La Casa de Guitarras. Archived from 3246:, a Greek children's choir with classical guitars 1719:), and also music written for the harpsichord by 6767: 3472:Function, Construction and Quality of the Guitar 2490:{\displaystyle {\sqrt{2}}=2^{({\frac {1}{12}})}} 2305: 592:period who wrote for four-course guitar include 4071: 4045:The New Grove Dictionary of Musical Instruments 2256:or other decorative woods are sometimes used. 2142:of the widths of two consecutive frets is the 1892:(with the famous theme from 2nd movement) and 1562: 1495:Popular song (public domain): Spanish Romance. 6184: 5361: 4856: 4523: 4256:A 1992 interview of Štěpán Rak by Graham Wade 4074:"The Royal College Dias – guitar or vihuela?" 1727:(b. Germany 1687), for the baroque guitar by 1108:contemporary Iranian instruments such as the 4047:, (New York: Macmillan Press Limited, 1984). 2350:The modern full-size classical guitar has a 2034:Parts of typical classical guitars include: 482:musicologist and author Graham Wade writes: 351:A guitar family tree may be identified. The 4000:The Met's Heilbrunn Timeline of Art History 3224:International classical guitar competitions 1937: 290:The instrument's classical music repertoire 244:(the name being a derivative of the Greek " 6191: 6177: 5368: 5354: 4863: 4849: 4530: 4516: 4309: 4056: 3349:Classical vs. Flamenco Guitar Construction 3303:List of composers for the classical guitar 1869:Classical Gas: The Music of Mason Williams 1387: 1103:Overview of the classical guitar's history 6399:Royal Andalusian School of Equestrian Art 4152:Dr. Heck - Stalking the Earliest 6-String 1723:(b. Italy 1685), for the baroque lute by 1676: : Classical guitar tremolo pattern. 686: 453: 6198: 3993: 2285:and highly regarded Brazilian rosewood ( 2219: 2025: 1483: 1467: 524: 468: 3926:– Database of Contemporary Guitar Music 3407:– use search-phrase: Mot-clé(s) : 2385:The above order is the tuning from the 2206: 1425:, and a modified version, known as the 14: 6768: 3460:Early Romantic Guitar Period Technique 3252: 3089:(2005) edited by Victor Anand Coelho. 2329:. This binding serves to seal off the 858:reach a wider audience. The composers 6172: 5349: 4844: 4511: 4431: 4018: 3398:Catalog: Instruments et oeuvres d'art 1796:and Latin American composers such as 1585: 1182: 548:The 19th-century classical guitarist 208:and other styles. An acoustic wooden 5854:Benidorm International Song Festival 4537: 3994:Powers, Wendy; Dobney, Jayson Kerr. 3413: 3202: 3076:(2007) by James Tyler, Paul Sparks. 821: 402:– 1750 to 1850 (for music from the 5869:Festival Internacional de Santander 3379: 1981:The interior bracing can be lighter 1902:(originally for mandolin or lute), 1175:(engraving by Etienne Picart, 1680) 375:(composers and their compositions, 24: 6346: 5375: 4808:Composers for the classical guitar 4497:Classical & Fingerstyle Guitar 4310:Mertz, Johann Kaspar (1847–1850). 3161:Traditions of the Classical Guitar 2998: 2995: 2908: 2905: 2818: 2815: 2725: 2722: 2632: 2629: 2539: 2536: 1975:Because of the low string tension 1954:and resonant cavity of the guitar. 1156:(vihuela book by Luis Milan, 1536) 934:Suite für Guitarre allein, Op. 164 805:studied the guitar as a teenager; 556: 340:are now made of materials such as 220:, it is a precursor of the modern 110: 25: 6807: 4484: 4312:"Mertz — Bardenklänge books 1-13" 4101:. Global Vision Pub House. 2004. 4072:Alexander Batov (20 April 2006). 3219:Early classical guitar recordings 1297: 646:Some well known composers of the 5730: 5330: 5329: 3293:Bibliography of classical guitar 3188: 2314:(because it is often scored, or 1547:Some modern guitarists, such as 1370: 1354: 1280: 1251: 1163: 1145: 1128: 1076: 1053: 955:(when he was still performing), 833: 578: 464: 212:instrument with strings made of 35: 5787:Galicia, Cantabria and Asturias 5273:History of the classical guitar 4471: 4459: 4425: 4400: 4370: 4340: 4328:from the original on 2022-10-10 4303: 4293: 4267: 4249: 4219: 4210: 4185: 4157: 4127: 4115: 4089: 4065: 4050: 4037: 4012: 3987: 3973: 3959: 3929: 3917: 3902: 3876: 3852: 3826: 3800: 3775: 3760: 3734: 3719: 3700: 3685: 3665: 3645: 3625: 3595: 3571: 3546: 3521: 3507: 3264:Extended-range classical guitar 3067: 2107:The fretboard (also called the 1610:), c = little finger or pinky ( 1380:played by John Williams in 2008 1098:History of the classical guitar 838:At the beginning of the 1920s, 460:History of the classical guitar 389:(chronological period of time) 72:Hornbostel–Sachs classification 4135:"Gallery of Dated Instruments" 3477: 3465: 3453: 3354: 3342: 3328: 3168:Francesc Guerau i el seu temps 3060:. The most common is known as 3021: 3005: 2931: 2915: 2841: 2825: 2748: 2732: 2655: 2639: 2562: 2546: 2482: 2469: 1964:All six strings are made from 1632: 1479: 1290:by Jean-Nicolas Grobert (1830) 583: 13: 1: 3981:"Interview with Bernard Hebb" 3423:. Graham Wade. Archived from 3321: 3163:, London : Calder, 1980. 2306:Binding, purfling and kerfing 1895:Fantasía para un gentilhombre 1732: 1713: 1686: 1266: 1217: 1210: 1023: 744: 435:, ...), German guitars ( 431:, ...), French guitars ( 311: 183:Category:Classical guitarists 4165:"Gaetano Vinaccia Biography" 3834:Algo: Due pezzi per chitarra 3298:List of classical guitarists 3244:Typaldos D. children's choir 3229:Guitar Foundation of America 2102: 1701:) in the late 18th century. 1432: 942:Algo: Due pezzi per chitarra 137:Steel-string acoustic guitar 7: 4870: 3845:– Edizioni Suvini Zerboni ( 3808:Suite für Guitarre, Op. 164 3181: 2252:is especially coveted, but 1693:Classical guitar repertoire 1563:Direct contact with strings 826:The guitarist and composer 677:Nicolas Alexandre Voboam II 358: 10: 6812: 4825:International competitions 4491:Thematic essay: The guitar 4468:Hampshire guitar orchestra 4275:"Classical Guitar Lessons" 3462:by earlyromanticguitar.com 3450:by earlyromanticguitar.com 2370: 2192: 2186: 2168:{\displaystyle {\sqrt{2}}} 2126: 2115:, but may also be made of 1690: 1501:Classical guitar technique 1498: 1393: 1324: 1318: 1307: 1301: 1230: 1226: 1186: 1095: 1044: 641: 457: 228:, both of which use metal 6754: 6718: 6697: 6626: 6558: 6532: 6422: 6381: 6358: 6344: 6207: 6125: 6085: 6027: 5889: 5882: 5846: 5810: 5739: 5728: 5546: 5390: 5383: 5325: 5248: 5157: 5048: 4943: 4878: 4795: 4734: 4693: 4609: 4563: 4545: 4279:nationalguitaracademy.com 3967:"Australian Music Center" 3812:– Doblinger Musikverlag ( 3579:The Romance of the Guitar 3214:Classical guitar pedagogy 3153:Classical Guitar Magazine 2366: 2336: 1912:Mario Castelnuovo-Tedesco 1794:Mario Castelnuovo-Tedesco 1463:John Williams (guitarist) 874:"New music" – avant-garde 864:Mario Castelnuovo-Tedesco 330:historic classical guitar 179: 174: 127: 120: 109: 102: 90: 70: 53: 46: 34: 6781:Spanish classical guitar 6710:Festival Bienal Flamenco 4502:Classical Guitar Library 4438:. Springer. p. 45. 4432:Bucur, Voichita (2016). 3603:"PAGANINI: Guitar Music" 3286: 3209:Classical guitar strings 2439:Equal temperament tuning 2345: 2295:Antonio de Torres Jurado 2122: 2021: 1938:Physical characteristics 1406:Antonio de Torres Jurado 1396:Antonio de Torres Jurado 1363:Antonio de Torres Jurado 1335:(1759 – after 1831) in 473:Guitars from the Museum 413:Modern classical guitars 334:Classical guitar strings 302:, or more specifically, 6664:Feria Real de San Roque 6654:Royal Fair of Algeciras 5859:Eurovision Song Contest 4820:Compositions for guitar 4716:Modern classical guitar 4227:"Mastering the Dedillo" 3912:by Sven-David Sandström 3558:www.jacaranda-music.com 2215: 2182: 1786:Federico Moreno Torroba 1774:Agustín Barrios Mangoré 1641:to indicate the thumb, 1388:Modern classical guitar 1039:Bernard Hebb, Interview 844:Federico Moreno Torroba 670:Examples of instruments 326:modern classical guitar 296:modern classical guitar 254:modern classical guitar 6352: 5263:Electric guitar design 4169:guitarhistoryfacts.com 4122:The Classical Mandolin 4021:"The Guitar's History" 3914:– Gehrmans Musikförlag 3403:July 25, 2009, at the 3279:Six-string alto guitar 3143:Summerfield, Maurice, 3042: 2977:minor thirteenth below 2952: 2862: 2769: 2676: 2583: 2491: 2229: 2169: 2031: 1867:is quoted in the book 1708:(b. England 1563) and 1649:the middle finger and 1602:), m = middle finger ( 1496: 1476: 1042: 926:Rara (eco sierologico) 714:Wenzel Thomas Matiegka 687:Classical and romantic 533: 489: 478: 454:Historical perspective 427:) and French guitars ( 400:Early romantic guitars 115: 94:Late 19th century, in 6705:Creamfields Andalusia 6627:Traditions and feasts 6350: 5300:list of manufacturers 4321:. Vienna: Haslinger. 4139:Early Romantic Guitar 3864:www.preludiomusic.com 3712:– Universal Edition ( 3710:by Cristóbal Halffter 3697:– Boosey & Hawkes 3043: 2953: 2863: 2770: 2677: 2584: 2492: 2381:e – b – g – d – A – E 2223: 2170: 2029: 1889:Concierto de Aranjuez 1879:are known worldwide. 1865:Christopher Parkening 1748:Johann Sebastian Bach 1725:Sylvius Leopold Weiss 1598:), i = index finger ( 1494: 1471: 1321:Early romantic guitar 1288:Early romantic guitar 1198:Tres Libros de Música 1031: 528: 484: 472: 262:Antonio Torres Jurado 222:steel-string acoustic 200:, is a member of the 114: 6437:Andalusian Breakfast 6404:Valderrama Golf Club 6338:Autonomous community 6325:Casa de Contratación 5797:Navarre and La Rioja 4944:By type (six string) 4803:Classical guitarists 4352:www.phys.unsw.edu.au 4237:on 30 September 2014 3886:by Brian Ferneyhough 3583:here as of June 2011 3385:Cité de la Musique: 3140:by Eleonora Vulpiani 2986: 2896: 2806: 2713: 2620: 2527: 2446: 2207:Neck joint or 'heel' 2150: 1826:Peter Maxwell Davies 1757:(b. Spain 1778) and 1742:(b. Spain 1860) and 1621:Scores (contrary to 1606:), a = ring finger ( 999:Sven-David Sandström 811:Ludwig van Beethoven 617:Guillaume de Morlaye 6689:Romería de El Rocío 6644:Holy Week in Málaga 6533:Musical instruments 6394:Peace Cup Andalucia 5883:Musical instruments 4694:Related instruments 4466:Guitar scale length 4057:Luis Milan (1536). 3731:– Universal Edition 3495:on 24 February 2007 3396:; 3253:Related instruments 2503:1st (highest pitch) 2144:twelfth root of two 2093:Saddle (Bridge nut) 1792:, Italians such as 1763:Johann Kaspar Mertz 1327:Classical music era 1083:History of guitars 946:Variazioni Notturne 944:, Paolo Coggiola's 790:Johann Kaspar Mertz 638:Four-course guitar 598:Miguel de Fuenllana 157:(distantly related) 122:Related instruments 31: 6796:Spanish inventions 6791:String instruments 6447:Churros/Calentitos 6409:Vuelta a Andalucía 6353: 6333:Spanish transition 6283:Visigothic Kingdom 6215:Prehistoric Iberia 5818:Spanish folk music 5683:Soleá por Bulerías 5593:Cantes a palo seco 5050:Additional strings 5005:Guitarrón mexicano 4611:Additional strings 4412:Learn Guitar Today 4348:"Guitar acoustics" 4261:2013-05-30 at the 4019:Jovanovic, Marko. 3895:2011-07-27 at the 3888:– Edition Peters ( 3841:2011-07-19 at the 3836:by Franco Donatoni 3819:2011-08-13 at the 3753:2011-08-13 at the 3744:by Maurizio Pisati 3589:2011-08-14 at the 3392:2010-03-13 at the 3038: 2965:6th (lowest pitch) 2948: 2858: 2765: 2672: 2579: 2487: 2250:Brazilian rosewood 2230: 2165: 2032: 1908:Heitor Villa-Lobos 1782:Heitor Villa-Lobos 1721:Domenico Scarlatti 1645:the index finger, 1586:Fingering notation 1553:Kazuhito Yamashita 1497: 1477: 1414:Hermann Hauser Sr. 1400:Hermann Hauser Sr. 1361:Spanish guitar by 1183:Renaissance guitar 888:Cristóbal Halffter 856:Heitor Villa-Lobos 708:Ferdinando Carulli 675:Baroque guitar by 664:Santiago de Murcia 660:Francesco Corbetta 606:Grégoire Brayssing 534: 479: 475:Cité de la Musique 116: 29: 6763: 6762: 6659:Feria de La Línea 6639:Cavalcade of Magi 6634:Carnival of Cádiz 6560:Traditional music 6166: 6165: 6121: 6120: 5949:Guitarra de canya 5919:Cross-strung harp 5726: 5725: 5556: 5343: 5342: 5185:Chitarra battente 4956:acoustic-electric 4838: 4837: 3941:soundandmusic.org 3937:"Sound and Music" 3884:Kurze Schatten II 3768:Si Le Jour Paraît 3695:by Elliott Carter 3351:(Fernandez Music) 3318: 3317: 3058:alternate tunings 3054: 3053: 3018: 2928: 2887:minor tenth below 2838: 2745: 2652: 2559: 2480: 2459: 2357:Antonio de Torres 2163: 1842:Hans Werner Henze 1832:also resulted in 1808:of Venezuela and 1767:Francisco Tárrega 1492: 1443:Francisco Tárrega 1418:Antonio de Torres 1263:The Guitar Player 1194:Alonso de Mudarra 1189:Renaissance music 1173:with rounded-back 995:Kurze Schatten II 991:Brian Ferneyhough 969:Siegfried Behrend 918:Si Le Jour Paraît 860:Alexandre Tansman 828:Francisco Tárrega 822:Francisco Tárrega 702:Antoine de Lhoyer 588:Composers of the 550:Francisco Tárrega 423:Spanish guitars ( 379:, improvisations) 190: 189: 165:Looks similar to 60:String instrument 48:String instrument 16:(Redirected from 6803: 6786:Acoustic guitars 6776:Classical guitar 6746:Andalusian horse 6462:Gachas Andaluzas 6389:Jábega malagueña 6327: 6313: 6305:Crown of Castile 6288:Byzantine Empire 6277: 6258: 6244: 6237: 6230: 6223: 6193: 6186: 6179: 6170: 6169: 5887: 5886: 5772:Castile and Leon 5757:Balearic Islands 5734: 5550: 5388: 5387: 5370: 5363: 5356: 5347: 5346: 5333: 5332: 4865: 4858: 4851: 4842: 4841: 4772:Guitarra morisca 4576:Early recordings 4539:Classical guitar 4532: 4525: 4518: 4509: 4508: 4478: 4475: 4469: 4463: 4457: 4456: 4454: 4452: 4429: 4423: 4422: 4420: 4419: 4404: 4398: 4397: 4395: 4393: 4388:on 21 April 2018 4384:. Archived from 4374: 4368: 4367: 4365: 4363: 4354:. Archived from 4344: 4338: 4337: 4335: 4333: 4327: 4316: 4307: 4301: 4297: 4291: 4290: 4288: 4286: 4271: 4265: 4253: 4247: 4246: 4244: 4242: 4233:. Archived from 4223: 4217: 4214: 4208: 4207: 4205: 4203: 4189: 4183: 4182: 4177: 4175: 4161: 4155: 4149: 4147: 4145: 4131: 4125: 4119: 4113: 4112: 4093: 4087: 4086: 4069: 4063: 4062: 4054: 4048: 4041: 4035: 4034: 4032: 4031: 4016: 4010: 4009: 4007: 4006: 3991: 3985: 3984: 3977: 3971: 3970: 3963: 3957: 3956: 3954: 3952: 3947:on 18 March 2012 3943:. Archived from 3933: 3927: 3921: 3915: 3906: 3900: 3880: 3874: 3873: 3871: 3870: 3856: 3850: 3830: 3824: 3804: 3798: 3797: 3795: 3793: 3779: 3773: 3770:by Maurice Ohana 3764: 3758: 3738: 3732: 3729:by Luciano Berio 3723: 3717: 3704: 3698: 3689: 3683: 3669: 3663: 3649: 3643: 3629: 3623: 3622: 3620: 3618: 3613:on 16 April 2018 3609:. 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1087:Deutsches Museum 1080: 1066:Guitarra Morisca 1057: 1040: 981:Magnus Andersson 977:Mats Scheidegger 965:Maria Kämmerling 922:Sylvano Bussotti 815:Niccolò Paganini 760:Niccolò Paganini 749: 746: 740: 720:Francesco Molino 696:Filippo Gragnani 629: 614: 531:Rafael Serrallet 316: 313: 226:electric guitars 196:, also known as 194:classical guitar 39: 32: 30:Classical guitar 28: 21: 6811: 6810: 6806: 6805: 6804: 6802: 6801: 6800: 6766: 6765: 6764: 6759: 6750: 6714: 6698:Music festivals 6693: 6669:Feria de Málaga 6622: 6554: 6550:Gaita gastoreña 6528: 6516:Various dishes 6418: 6377: 6354: 6342: 6323: 6309: 6273: 6254: 6240: 6233: 6226: 6219: 6203: 6197: 6167: 6162: 6126:Music ensembles 6117: 6081: 6023: 5939:Gaita gastoreña 5878: 5847:Music festivals 5842: 5828:Spanish hip hop 5806: 5740:Music by region 5735: 5722: 5542: 5379: 5374: 5344: 5339: 5321: 5312:Vibrato systems 5307:Prepared guitar 5278:List of guitars 5244: 5220:Six-string alto 5153: 5044: 4939: 4874: 4869: 4839: 4834: 4791: 4782:Romantic guitar 4767:Guitarra latina 4730: 4701:Flamenco guitar 4689: 4605: 4559: 4541: 4536: 4487: 4482: 4481: 4476: 4472: 4464: 4460: 4450: 4448: 4446: 4430: 4426: 4417: 4415: 4406: 4405: 4401: 4391: 4389: 4376: 4375: 4371: 4361: 4359: 4358:on 22 July 2008 4346: 4345: 4341: 4331: 4329: 4325: 4314: 4308: 4304: 4298: 4294: 4284: 4282: 4273: 4272: 4268: 4263:Wayback Machine 4254: 4250: 4240: 4238: 4225: 4224: 4220: 4215: 4211: 4201: 4199: 4197:www3.uakron.edu 4191: 4190: 4186: 4173: 4171: 4163: 4162: 4158: 4143: 4141: 4133: 4132: 4128: 4120: 4116: 4109: 4095: 4094: 4090: 4070: 4066: 4055: 4051: 4043:Stanley Sadie, 4042: 4038: 4029: 4027: 4017: 4013: 4004: 4002: 3992: 3988: 3979: 3978: 3974: 3965: 3964: 3960: 3950: 3948: 3935: 3934: 3930: 3922: 3918: 3907: 3903: 3897:Wayback Machine 3881: 3877: 3868: 3866: 3858: 3857: 3853: 3843:Wayback Machine 3831: 3827: 3821:Wayback Machine 3810:by Ernst Krenek 3805: 3801: 3791: 3789: 3781: 3780: 3776: 3765: 3761: 3755:Wayback Machine 3739: 3735: 3724: 3720: 3705: 3701: 3690: 3686: 3679:), p. 236 3670: 3666: 3650: 3646: 3630: 3626: 3616: 3614: 3601: 3600: 3596: 3591:Wayback Machine 3576: 3572: 3562: 3560: 3552: 3551: 3547: 3537: 3535: 3527: 3526: 3522: 3513: 3512: 3508: 3498: 3496: 3483: 3482: 3478: 3470: 3466: 3458: 3454: 3446: 3439: 3430: 3428: 3419: 3418: 3414: 3405:Wayback Machine 3394:Wayback Machine 3384: 3380: 3371: 3369: 3360: 3359: 3355: 3347: 3343: 3333: 3329: 3324: 3319: 3289: 3255: 3194: 3189: 3187: 3184: 3070: 3024: 3020: 3013: 3008: 2994: 2993: 2992: 2987: 2984: 2983: 2971: 2934: 2930: 2923: 2918: 2904: 2903: 2902: 2897: 2894: 2893: 2881: 2844: 2840: 2833: 2828: 2814: 2813: 2812: 2807: 2804: 2803: 2788: 2751: 2747: 2740: 2735: 2721: 2720: 2719: 2714: 2711: 2710: 2695: 2658: 2654: 2647: 2642: 2628: 2627: 2626: 2621: 2618: 2617: 2602: 2565: 2561: 2554: 2549: 2535: 2534: 2533: 2528: 2525: 2524: 2509: 2472: 2468: 2464: 2454: 2449: 2447: 2444: 2443: 2428:Semitones from 2415:Helmholtz pitch 2375: 2369: 2348: 2339: 2308: 2287:Dalbergia nigra 2218: 2209: 2197: 2191: 2185: 2158: 2153: 2151: 2148: 2147: 2131: 2125: 2105: 2024: 2015:Flamenco guitar 1940: 1924:Lennox Berkeley 1900:Antonio Vivaldi 1884:Joaquín Rodrigo 1850:Roland Chadwick 1848:of England and 1838:Lennox Berkeley 1810:Enrique Solares 1790:Joaquín Rodrigo 1735: 1729:Robert de Visée 1716: 1710:Luis de Narváez 1695: 1689: 1674:p-a-m-i-p-a-m-i 1635: 1588: 1565: 1503: 1484: 1482: 1474:Agustín Barrios 1459:Agustín Barrios 1435: 1429:, was created. 1427:flamenco guitar 1402: 1390: 1385: 1384: 1383: 1382: 1381: 1375: 1367: 1366: 1359: 1329: 1323: 1317: 1312: 1306: 1300: 1295: 1294: 1293: 1292: 1291: 1285: 1277: 1276: 1269: 1256: 1235: 1229: 1220: 1213: 1191: 1185: 1180: 1179: 1178: 1177: 1176: 1174: 1168: 1159: 1158: 1157: 1155: 1150: 1141: 1140: 1139: 1133: 1105: 1100: 1094: 1093: 1092: 1091: 1090: 1084: 1081: 1072: 1071: 1070: 1069: 1061:Guitarra Latina 1058: 1047: 1041: 1038: 1026: 1011:Toccata Orpheus 938:Franco Donatoni 906:Maurizio Pisati 876: 836: 824: 778:Matteo Carcassi 766:Dionisio Aguado 747: 734: 689: 656:Robert de Visée 644: 623: 608: 586: 581: 570: 559: 557:Characteristics 500:Robert de Visée 467: 462: 456: 437:Herrmann Hauser 396:– 1600 to 1750 361: 353:flamenco guitar 314: 308:romantic guitar 206:classical music 204:family used in 167:Flamenco guitar 145:Flamenco guitar 141:Electric guitar 86:or fingernails) 82:sounded by the 77: 42: 23: 22: 15: 12: 11: 5: 6809: 6799: 6798: 6793: 6788: 6783: 6778: 6761: 6760: 6755: 6752: 6751: 6749: 6748: 6743: 6738: 6733: 6728: 6722: 6720: 6716: 6715: 6713: 6712: 6707: 6701: 6699: 6695: 6694: 6692: 6691: 6686: 6681: 6676: 6671: 6666: 6661: 6656: 6651: 6649:Feria de Jerez 6646: 6641: 6636: 6630: 6628: 6624: 6623: 6621: 6620: 6615: 6610: 6605: 6600: 6598:Flamenco Chill 6595: 6590: 6585: 6580: 6575: 6570: 6564: 6562: 6556: 6555: 6553: 6552: 6547: 6542: 6540:Spanish guitar 6536: 6534: 6530: 6529: 6527: 6526: 6521: 6514: 6509: 6504: 6499: 6494: 6489: 6484: 6479: 6474: 6469: 6464: 6459: 6454: 6449: 6444: 6439: 6434: 6428: 6426: 6420: 6419: 6417: 6416: 6411: 6406: 6401: 6396: 6391: 6385: 6383: 6379: 6378: 6376: 6375: 6374: 6373: 6362: 6360: 6356: 6355: 6345: 6343: 6341: 6340: 6335: 6330: 6329: 6328: 6319:Spanish Empire 6316: 6315: 6314: 6302: 6297: 6296: 6295: 6285: 6280: 6279: 6278: 6271: 6264:Roman Hispania 6261: 6260: 6259: 6247: 6246: 6245: 6238: 6231: 6224: 6211: 6209: 6205: 6204: 6196: 6195: 6188: 6181: 6173: 6164: 6163: 6161: 6160: 6155: 6150: 6145: 6140: 6135: 6129: 6127: 6123: 6122: 6119: 6118: 6116: 6115: 6110: 6105: 6100: 6095: 6089: 6087: 6083: 6082: 6080: 6079: 6074: 6069: 6064: 6059: 6054: 6049: 6044: 6039: 6033: 6031: 6025: 6024: 6022: 6021: 6016: 6011: 6006: 6001: 5996: 5991: 5986: 5981: 5976: 5971: 5966: 5961: 5956: 5951: 5946: 5941: 5936: 5931: 5926: 5921: 5916: 5911: 5906: 5901: 5896: 5890: 5884: 5880: 5879: 5877: 5876: 5871: 5866: 5861: 5856: 5850: 5848: 5844: 5843: 5841: 5840: 5835: 5830: 5825: 5820: 5814: 5812: 5811:Music by genre 5808: 5807: 5805: 5804: 5799: 5794: 5789: 5784: 5779: 5774: 5769: 5767:Canary Islands 5764: 5762:Basque Country 5759: 5754: 5749: 5743: 5741: 5737: 5736: 5729: 5727: 5724: 5723: 5721: 5720: 5718:Romani (Gypsy) 5715: 5710: 5705: 5700: 5695: 5690: 5685: 5680: 5675: 5670: 5665: 5660: 5655: 5650: 5645: 5640: 5635: 5630: 5625: 5620: 5615: 5610: 5605: 5600: 5595: 5590: 5585: 5580: 5575: 5570: 5565: 5559: 5557: 5544: 5543: 5541: 5540: 5535: 5534: 5533: 5523: 5520: 5515: 5510: 5505: 5500: 5495: 5490: 5485: 5480: 5475: 5470: 5465: 5460: 5455: 5450: 5445: 5440: 5437: 5432: 5427: 5422: 5417: 5412: 5407: 5402: 5397: 5391: 5385: 5381: 5380: 5377:Music of Spain 5373: 5372: 5365: 5358: 5350: 5341: 5340: 5338: 5337: 5326: 5323: 5322: 5320: 5319: 5317:Vintage guitar 5314: 5309: 5304: 5303: 5302: 5292: 5291: 5290: 5280: 5275: 5270: 5265: 5260: 5254: 5252: 5250:Related topics 5246: 5245: 5243: 5242: 5237: 5232: 5227: 5222: 5217: 5212: 5207: 5202: 5197: 5192: 5187: 5182: 5177: 5172: 5167: 5161: 5159: 5155: 5154: 5152: 5151: 5146: 5141: 5136: 5131: 5126: 5121: 5116: 5115: 5114: 5109: 5104: 5099: 5089: 5084: 5083: 5082: 5072: 5071: 5070: 5065: 5054: 5052: 5046: 5045: 5043: 5042: 5037: 5032: 5027: 5022: 5017: 5012: 5007: 5002: 4997: 4992: 4987: 4982: 4977: 4972: 4971: 4970: 4969: 4968: 4958: 4947: 4945: 4941: 4940: 4938: 4937: 4936: 4935: 4925: 4920: 4915: 4914: 4913: 4903: 4898: 4893: 4888: 4882: 4880: 4876: 4875: 4868: 4867: 4860: 4853: 4845: 4836: 4835: 4833: 4832: 4827: 4822: 4817: 4816: 4815: 4813:by nationality 4805: 4799: 4797: 4793: 4792: 4790: 4789: 4784: 4779: 4774: 4769: 4764: 4759: 4757:English guitar 4754: 4749: 4744: 4742:Baroque guitar 4738: 4736: 4732: 4731: 4729: 4728: 4723: 4718: 4713: 4708: 4703: 4697: 4695: 4691: 4690: 4688: 4687: 4682: 4677: 4672: 4667: 4662: 4661: 4660: 4650: 4645: 4644: 4643: 4633: 4632: 4631: 4626: 4615: 4613: 4607: 4606: 4604: 4603: 4598: 4593: 4588: 4583: 4578: 4573: 4567: 4565: 4561: 4560: 4558: 4557: 4552: 4546: 4543: 4542: 4535: 4534: 4527: 4520: 4512: 4506: 4505: 4499: 4494: 4486: 4485:External links 4483: 4480: 4479: 4470: 4458: 4445:978-3319320809 4444: 4424: 4399: 4369: 4339: 4302: 4292: 4266: 4248: 4231:ralphmaier.com 4218: 4209: 4184: 4156: 4126: 4114: 4107: 4088: 4064: 4049: 4036: 4011: 3986: 3972: 3958: 3928: 3916: 3901: 3875: 3851: 3825: 3799: 3774: 3759: 3733: 3718: 3699: 3684: 3664: 3644: 3624: 3594: 3570: 3545: 3520: 3506: 3476: 3464: 3452: 3437: 3412: 3378: 3353: 3341: 3326: 3325: 3323: 3320: 3316: 3315: 3311: 3310: 3305: 3300: 3295: 3288: 3285: 3283: 3282: 3281: 3276: 3271: 3266: 3261: 3254: 3251: 3249: 3248: 3247: 3241: 3236: 3231: 3226: 3221: 3216: 3211: 3201: 3200: 3199: 3183: 3180: 3179: 3178: 3164: 3159:Wade, Graham, 3157: 3148: 3141: 3135: 3129: 3123: 3110: 3097: 3084: 3069: 3066: 3052: 3051: 3035: 3030: 3027: 3023: 3016: 3012: 3007: 3004: 3000: 2997: 2991: 2981: 2978: 2975: 2972: 2969: 2966: 2962: 2961: 2945: 2940: 2937: 2933: 2926: 2922: 2917: 2914: 2910: 2907: 2901: 2891: 2888: 2885: 2882: 2879: 2876: 2872: 2871: 2869:146.83 Hz 2855: 2850: 2847: 2843: 2836: 2832: 2827: 2824: 2820: 2817: 2811: 2801: 2798: 2792: 2789: 2786: 2783: 2779: 2778: 2776:196.00 Hz 2762: 2757: 2754: 2750: 2743: 2739: 2734: 2731: 2727: 2724: 2718: 2708: 2705: 2702:perfect fourth 2699: 2696: 2693: 2690: 2686: 2685: 2683:246.94 Hz 2669: 2664: 2661: 2657: 2650: 2646: 2641: 2638: 2634: 2631: 2625: 2615: 2612: 2606: 2603: 2600: 2597: 2593: 2592: 2590:329.63 Hz 2576: 2571: 2568: 2564: 2557: 2553: 2548: 2545: 2541: 2538: 2532: 2522: 2519: 2513: 2510: 2507: 2504: 2500: 2499: 2484: 2479: 2476: 2471: 2467: 2463: 2457: 2453: 2437:, if using an 2432: 2426: 2417: 2412: 2407: 2383: 2382: 2371:Main article: 2368: 2365: 2347: 2344: 2338: 2335: 2307: 2304: 2217: 2214: 2208: 2205: 2195:Guitar strings 2187:Main article: 2184: 2181: 2177:equal tempered 2161: 2157: 2127:Main article: 2124: 2121: 2104: 2101: 2100: 2099: 2094: 2091: 2086: 2076: 2073: 2070: 2067: 2064: 2061: 2058: 2055: 2050: 2044: 2041: 2023: 2020: 2019: 2018: 2011: 2001: 1993: 1990: 1987: 1984: 1983: 1982: 1979: 1973: 1962: 1955: 1939: 1936: 1928:Malcolm Arnold 1904:Mauro Giuliani 1857:Mason Williams 1852:of Australia. 1818:William Walton 1812:of Guatemala. 1759:Mauro Giuliani 1691:Main article: 1688: 1685: 1684: 1683: 1677: 1671: 1665: 1634: 1631: 1587: 1584: 1564: 1561: 1508:guitar support 1499:Main article: 1481: 1478: 1451:Andrés Segovia 1434: 1431: 1389: 1386: 1376: 1369: 1368: 1360: 1353: 1352: 1351: 1350: 1349: 1319:Main article: 1316: 1313: 1304:Baroque guitar 1302:Main article: 1299: 1298:Baroque guitar 1296: 1286: 1279: 1278: 1259:Baroque guitar 1257: 1250: 1249: 1248: 1247: 1246: 1231:Main article: 1228: 1225: 1184: 1181: 1171:Baroque guitar 1169: 1162: 1161: 1160: 1151: 1144: 1143: 1142: 1134: 1127: 1126: 1125: 1124: 1123: 1104: 1101: 1096:Main article: 1085:(exhibited at 1082: 1075: 1074: 1073: 1064: 1059: 1052: 1051: 1050: 1049: 1048: 1046: 1043: 1036: 1025: 1022: 973:David Starobin 961:Reinbert Evers 957:John Schneider 880:Elliott Carter 875: 872: 848:Joaquín Turina 840:Andrés Segovia 835: 832: 823: 820: 807:Franz Schubert 803:Hector Berlioz 800: 799: 796:Giulio Regondi 793: 787: 784:Napoléon Coste 781: 775: 769: 763: 757: 754:Mauro Giuliani 751: 729: 723: 717: 711: 705: 699: 688: 685: 684: 683: 680: 672: 671: 643: 640: 636: 635: 594:Alonso Mudarra 585: 582: 580: 577: 576: 575: 572: 567: 563: 558: 555: 512:Moreno Torroba 504:Mauro Giuliani 466: 463: 458:Main article: 455: 452: 451: 450: 441: 440: 415: 414: 411: 397: 394:Baroque guitar 381: 380: 370: 360: 357: 346:fluoropolymers 292: 291: 288: 268:closer to the 250:baroque guitar 198:Spanish guitar 188: 187: 186: 185: 177: 176: 172: 171: 170: 169: 163: 161:Baroque guitar 158: 152: 125: 124: 118: 117: 107: 106: 100: 99: 92: 88: 87: 74: 68: 67: 57: 55:Classification 51: 50: 44: 43: 40: 9: 6: 4: 3: 2: 6808: 6797: 6794: 6792: 6789: 6787: 6784: 6782: 6779: 6777: 6774: 6773: 6771: 6758: 6753: 6747: 6744: 6742: 6739: 6737: 6734: 6732: 6729: 6727: 6724: 6723: 6721: 6717: 6711: 6708: 6706: 6703: 6702: 6700: 6696: 6690: 6687: 6685: 6682: 6680: 6677: 6675: 6672: 6670: 6667: 6665: 6662: 6660: 6657: 6655: 6652: 6650: 6647: 6645: 6642: 6640: 6637: 6635: 6632: 6631: 6629: 6625: 6619: 6616: 6614: 6611: 6609: 6606: 6604: 6601: 6599: 6596: 6594: 6591: 6589: 6586: 6584: 6581: 6579: 6576: 6574: 6571: 6569: 6566: 6565: 6563: 6561: 6557: 6551: 6548: 6546: 6543: 6541: 6538: 6537: 6535: 6531: 6525: 6522: 6519: 6515: 6513: 6510: 6508: 6505: 6503: 6500: 6498: 6495: 6493: 6490: 6488: 6485: 6483: 6480: 6478: 6475: 6473: 6472:Pescado frito 6470: 6468: 6465: 6463: 6460: 6458: 6455: 6453: 6450: 6448: 6445: 6443: 6440: 6438: 6435: 6433: 6430: 6429: 6427: 6425: 6421: 6415: 6414:Marbella Suns 6412: 6410: 6407: 6405: 6402: 6400: 6397: 6395: 6392: 6390: 6387: 6386: 6384: 6380: 6372: 6369: 6368: 6367: 6364: 6363: 6361: 6357: 6349: 6339: 6336: 6334: 6331: 6326: 6322: 6321: 6320: 6317: 6312: 6308: 6307: 6306: 6303: 6301: 6298: 6294: 6291: 6290: 6289: 6286: 6284: 6281: 6276: 6272: 6270: 6267: 6266: 6265: 6262: 6257: 6253: 6252: 6251: 6248: 6243: 6239: 6236: 6232: 6229: 6225: 6222: 6218: 6217: 6216: 6213: 6212: 6210: 6206: 6202: 6194: 6189: 6187: 6182: 6180: 6175: 6174: 6171: 6159: 6156: 6154: 6151: 6149: 6146: 6144: 6141: 6139: 6136: 6134: 6131: 6130: 6128: 6124: 6114: 6111: 6109: 6106: 6104: 6101: 6099: 6096: 6094: 6091: 6090: 6088: 6084: 6078: 6075: 6073: 6072:Sac de gemecs 6070: 6068: 6065: 6063: 6060: 6058: 6055: 6053: 6050: 6048: 6045: 6043: 6040: 6038: 6035: 6034: 6032: 6030: 6026: 6020: 6017: 6015: 6012: 6010: 6007: 6005: 6002: 6000: 5997: 5995: 5992: 5990: 5987: 5985: 5982: 5980: 5977: 5975: 5972: 5970: 5967: 5965: 5962: 5960: 5957: 5955: 5952: 5950: 5947: 5945: 5942: 5940: 5937: 5935: 5932: 5930: 5927: 5925: 5922: 5920: 5917: 5915: 5912: 5910: 5909:Catalan shawm 5907: 5905: 5902: 5900: 5897: 5895: 5892: 5891: 5888: 5885: 5881: 5875: 5872: 5870: 5867: 5865: 5864:Benidorm Fest 5862: 5860: 5857: 5855: 5852: 5851: 5849: 5845: 5839: 5836: 5834: 5833:Spanish opera 5831: 5829: 5826: 5824: 5821: 5819: 5816: 5815: 5813: 5809: 5803: 5800: 5798: 5795: 5793: 5790: 5788: 5785: 5783: 5780: 5778: 5775: 5773: 5770: 5768: 5765: 5763: 5760: 5758: 5755: 5753: 5750: 5748: 5745: 5744: 5742: 5738: 5733: 5719: 5716: 5714: 5711: 5709: 5706: 5704: 5701: 5699: 5696: 5694: 5691: 5689: 5686: 5684: 5681: 5679: 5676: 5674: 5671: 5669: 5666: 5664: 5661: 5659: 5656: 5654: 5651: 5649: 5646: 5644: 5641: 5639: 5636: 5634: 5631: 5629: 5626: 5624: 5623:Flamenco jazz 5621: 5619: 5616: 5614: 5611: 5609: 5608:Campanilleros 5606: 5604: 5601: 5599: 5598:Cantes libres 5596: 5594: 5591: 5589: 5586: 5584: 5581: 5579: 5576: 5574: 5571: 5569: 5566: 5564: 5561: 5560: 5558: 5554: 5549: 5545: 5539: 5536: 5532: 5529: 5528: 5527: 5524: 5521: 5519: 5516: 5514: 5511: 5509: 5506: 5504: 5501: 5499: 5496: 5494: 5491: 5489: 5486: 5484: 5481: 5479: 5476: 5474: 5471: 5469: 5466: 5464: 5461: 5459: 5456: 5454: 5451: 5449: 5446: 5444: 5441: 5438: 5436: 5433: 5431: 5428: 5426: 5423: 5421: 5418: 5416: 5413: 5411: 5408: 5406: 5403: 5401: 5400:Catalan rumba 5398: 5396: 5393: 5392: 5389: 5386: 5382: 5378: 5371: 5366: 5364: 5359: 5357: 5352: 5351: 5348: 5336: 5328: 5327: 5324: 5318: 5315: 5313: 5310: 5308: 5305: 5301: 5298: 5297: 5296: 5295:Manufacturing 5293: 5289: 5286: 5285: 5284: 5281: 5279: 5276: 5274: 5271: 5269: 5268:Guitar wiring 5266: 5264: 5261: 5259: 5256: 5255: 5253: 5251: 5247: 5241: 5240:Viola caipira 5238: 5236: 5233: 5231: 5228: 5226: 5223: 5221: 5218: 5216: 5213: 5211: 5208: 5206: 5203: 5201: 5198: 5196: 5193: 5191: 5188: 5186: 5183: 5181: 5180:Chapman Stick 5178: 5176: 5173: 5171: 5168: 5166: 5163: 5162: 5160: 5156: 5150: 5147: 5145: 5142: 5140: 5137: 5135: 5132: 5130: 5127: 5125: 5122: 5120: 5117: 5113: 5110: 5108: 5105: 5103: 5102:Chapman Stick 5100: 5098: 5095: 5094: 5093: 5090: 5088: 5085: 5081: 5078: 5077: 5076: 5073: 5069: 5066: 5064: 5061: 5060: 5059: 5056: 5055: 5053: 5051: 5047: 5041: 5038: 5036: 5035:Semi-acoustic 5033: 5031: 5028: 5026: 5023: 5021: 5018: 5016: 5013: 5011: 5008: 5006: 5003: 5001: 4998: 4996: 4993: 4991: 4988: 4986: 4983: 4981: 4978: 4976: 4973: 4967: 4964: 4963: 4962: 4959: 4957: 4954: 4953: 4952: 4949: 4948: 4946: 4942: 4934: 4931: 4930: 4929: 4926: 4924: 4921: 4919: 4916: 4912: 4909: 4908: 4907: 4904: 4902: 4899: 4897: 4894: 4892: 4889: 4887: 4884: 4883: 4881: 4877: 4873: 4866: 4861: 4859: 4854: 4852: 4847: 4846: 4843: 4831: 4828: 4826: 4823: 4821: 4818: 4814: 4811: 4810: 4809: 4806: 4804: 4801: 4800: 4798: 4794: 4788: 4785: 4783: 4780: 4778: 4775: 4773: 4770: 4768: 4765: 4763: 4760: 4758: 4755: 4753: 4750: 4748: 4745: 4743: 4740: 4739: 4737: 4735:Early guitars 4733: 4727: 4726:6-string alto 4724: 4722: 4719: 4717: 4714: 4712: 4709: 4707: 4704: 4702: 4699: 4698: 4696: 4692: 4686: 4683: 4681: 4678: 4676: 4673: 4671: 4668: 4666: 4663: 4659: 4656: 4655: 4654: 4651: 4649: 4646: 4642: 4639: 4638: 4637: 4634: 4630: 4627: 4625: 4622: 4621: 4620: 4617: 4616: 4614: 4612: 4608: 4602: 4599: 4597: 4594: 4592: 4589: 4587: 4584: 4582: 4579: 4577: 4574: 4572: 4569: 4568: 4566: 4564:Main articles 4562: 4556: 4553: 4551: 4548: 4547: 4544: 4540: 4533: 4528: 4526: 4521: 4519: 4514: 4513: 4510: 4503: 4500: 4498: 4495: 4492: 4489: 4488: 4474: 4467: 4462: 4447: 4441: 4437: 4436: 4428: 4413: 4409: 4403: 4387: 4383: 4379: 4373: 4357: 4353: 4349: 4343: 4324: 4320: 4313: 4306: 4296: 4281:. 30 May 2016 4280: 4276: 4270: 4264: 4260: 4257: 4252: 4236: 4232: 4228: 4222: 4213: 4198: 4194: 4188: 4181: 4170: 4166: 4160: 4153: 4140: 4136: 4130: 4123: 4118: 4110: 4108:9788187746843 4104: 4100: 4099: 4092: 4085: 4084: 4079: 4075: 4068: 4060: 4053: 4046: 4040: 4026: 4022: 4015: 4001: 3997: 3990: 3982: 3976: 3968: 3962: 3946: 3942: 3938: 3932: 3925: 3920: 3913: 3911: 3905: 3898: 3894: 3891: 3887: 3885: 3879: 3865: 3861: 3855: 3848: 3844: 3840: 3837: 3835: 3829: 3822: 3818: 3815: 3811: 3809: 3803: 3788: 3784: 3778: 3771: 3769: 3763: 3756: 3752: 3749: 3745: 3743: 3737: 3730: 3728: 3722: 3715: 3711: 3709: 3703: 3696: 3694: 3688: 3682: 3678: 3677:0-87930-260-7 3674: 3668: 3662: 3658: 3657:0-7134-3251-9 3654: 3648: 3642: 3638: 3637:0-7134-3251-9 3634: 3628: 3612: 3608: 3607:www.naxos.com 3604: 3598: 3592: 3588: 3584: 3580: 3574: 3559: 3555: 3549: 3534: 3530: 3524: 3516: 3510: 3494: 3490: 3486: 3480: 3473: 3468: 3461: 3456: 3449: 3444: 3442: 3427:on 2018-01-25 3426: 3422: 3416: 3410: 3406: 3402: 3399: 3395: 3391: 3388: 3382: 3368:on 2009-01-25 3367: 3363: 3357: 3350: 3345: 3339: 3337: 3331: 3327: 3314: 3309: 3306: 3304: 3301: 3299: 3296: 3294: 3291: 3290: 3284: 3280: 3277: 3275: 3272: 3270: 3267: 3265: 3262: 3260: 3259:Brahms guitar 3257: 3256: 3250: 3245: 3242: 3240: 3237: 3235: 3232: 3230: 3227: 3225: 3222: 3220: 3217: 3215: 3212: 3210: 3207: 3206: 3205: 3204: 3197: 3186: 3177: 3176:84-89868-50-6 3173: 3169: 3166:Antoni Pizà: 3165: 3162: 3158: 3155: 3154: 3149: 3146: 3142: 3139: 3136: 3133: 3130: 3127: 3124: 3122: 3121:88-87618-09-7 3118: 3114: 3111: 3109: 3108:0-933224-57-5 3105: 3101: 3098: 3096: 3095:0-521-45528-6 3092: 3088: 3085: 3083: 3082:0-19-921477-8 3079: 3075: 3072: 3071: 3065: 3063: 3062:Drop D tuning 3059: 3050: 3049:82.41 Hz 3033: 3028: 3025: 3014: 3010: 3002: 2989: 2982: 2979: 2976: 2973: 2967: 2964: 2963: 2960: 2943: 2938: 2935: 2924: 2920: 2912: 2899: 2892: 2889: 2886: 2883: 2877: 2874: 2873: 2870: 2853: 2848: 2845: 2834: 2830: 2822: 2809: 2802: 2799: 2796: 2795:minor seventh 2793: 2790: 2784: 2781: 2780: 2777: 2760: 2755: 2752: 2741: 2737: 2729: 2716: 2709: 2706: 2703: 2700: 2697: 2691: 2688: 2687: 2684: 2667: 2662: 2659: 2648: 2644: 2636: 2623: 2616: 2613: 2610: 2607: 2604: 2598: 2595: 2594: 2591: 2574: 2569: 2566: 2555: 2551: 2543: 2530: 2523: 2520: 2517: 2514: 2511: 2505: 2502: 2501: 2497: 2477: 2474: 2465: 2461: 2455: 2451: 2440: 2436: 2433: 2431: 2427: 2425: 2421: 2418: 2416: 2413: 2411: 2408: 2405: 2404: 2401: 2398: 2394: 2392: 2388: 2380: 2379: 2378: 2374: 2373:Guitar tuning 2364: 2360: 2358: 2353: 2343: 2334: 2332: 2328: 2327: 2320: 2317: 2313: 2303: 2301: 2296: 2292: 2288: 2284: 2280: 2275: 2272:, Fleta, and 2271: 2267: 2263: 2257: 2255: 2251: 2247: 2243: 2239: 2235: 2227: 2222: 2213: 2204: 2202: 2196: 2190: 2180: 2178: 2159: 2155: 2145: 2141: 2136: 2130: 2120: 2118: 2114: 2110: 2098: 2095: 2092: 2090: 2087: 2084: 2080: 2077: 2074: 2071: 2068: 2065: 2062: 2059: 2056: 2054: 2051: 2048: 2047:Machine heads 2045: 2042: 2040: 2037: 2036: 2035: 2028: 2016: 2012: 2009: 2005: 2004:Machine heads 2002: 1999: 1994: 1991: 1988: 1985: 1980: 1977: 1976: 1974: 1971: 1967: 1963: 1960: 1956: 1953: 1949: 1945: 1944: 1943: 1935: 1933: 1929: 1925: 1921: 1917: 1913: 1909: 1905: 1901: 1897: 1896: 1891: 1890: 1885: 1880: 1878: 1877:Paco de Lucía 1874: 1870: 1866: 1862: 1861:Classical Gas 1858: 1853: 1851: 1847: 1843: 1839: 1835: 1831: 1827: 1823: 1819: 1815: 1811: 1807: 1806:Antonio Lauro 1803: 1799: 1795: 1791: 1787: 1783: 1779: 1775: 1770: 1768: 1764: 1760: 1756: 1751: 1749: 1745: 1741: 1740:Isaac Albéniz 1730: 1726: 1722: 1711: 1707: 1702: 1700: 1694: 1681: 1678: 1675: 1672: 1669: 1668:p-i-m-a-i-m-a 1666: 1663: 1662:Scale (music) 1659: 1656: 1655: 1654: 1652: 1648: 1644: 1640: 1630: 1626: 1624: 1619: 1615: 1613: 1609: 1605: 1601: 1597: 1593: 1583: 1580: 1578: 1574: 1570: 1560: 1558: 1554: 1550: 1545: 1543: 1539: 1534: 1530: 1528: 1524: 1521:In contrast, 1519: 1515: 1513: 1509: 1502: 1475: 1470: 1466: 1464: 1460: 1456: 1452: 1448: 1444: 1440: 1430: 1428: 1424: 1419: 1415: 1411: 1410:Ignacio Fleta 1407: 1401: 1397: 1392: 1379: 1373: 1364: 1357: 1348: 1346: 1342: 1338: 1334: 1328: 1322: 1311: 1310:Baroque music 1305: 1289: 1283: 1275: 1264: 1260: 1254: 1245: 1242: 1241: 1234: 1224: 1207: 1206:Adrian Le Roy 1203: 1202:Simon Gorlier 1199: 1195: 1190: 1172: 1166: 1154: 1148: 1137: 1131: 1122: 1119: 1115: 1111: 1099: 1088: 1079: 1067: 1062: 1056: 1035: 1030: 1021: 1019: 1014: 1012: 1008: 1004: 1000: 996: 992: 987: 984: 982: 978: 974: 970: 966: 962: 958: 954: 949: 947: 943: 939: 935: 931: 927: 923: 919: 915: 914:Maurice Ohana 911: 907: 903: 902: 897: 896:Luciano Berio 893: 889: 885: 881: 871: 869: 865: 861: 857: 853: 849: 845: 841: 834:Modern period 831: 829: 819: 816: 812: 808: 804: 797: 794: 791: 788: 785: 782: 779: 776: 773: 772:Luigi Legnani 770: 767: 764: 761: 758: 755: 752: 742: 738: 733: 732:Luigi Moretti 730: 727: 724: 721: 718: 715: 712: 709: 706: 703: 700: 697: 694: 693: 692: 681: 678: 674: 673: 669: 668: 667: 665: 661: 657: 653: 649: 639: 633: 632: 631: 627: 622: 621:Simon Gorlier 618: 612: 607: 603: 602:Adrian Le Roy 599: 595: 591: 579:Style periods 573: 568: 564: 561: 560: 554: 551: 546: 544: 540: 532: 527: 523: 519: 515: 513: 509: 508:Luigi Legnani 505: 501: 496: 494: 488: 483: 476: 471: 465:Early guitars 461: 448: 447: 446: 445: 438: 434: 430: 426: 422: 421: 420: 419: 412: 409: 405: 401: 398: 395: 392: 391: 390: 388: 384: 378: 374: 371: 369: 366: 365: 364: 356: 354: 349: 347: 343: 339: 336:once made of 335: 331: 327: 322: 320: 309: 305: 304:early guitars 301: 297: 289: 286: 285: 284: 281: 279: 275: 271: 265: 263: 259: 255: 251: 247: 243: 239: 235: 231: 227: 223: 219: 215: 211: 207: 203: 199: 195: 184: 181: 180: 178: 173: 168: 164: 162: 159: 156: 153: 150: 146: 142: 138: 134: 133: 132:Guitar family 129: 128: 126: 123: 119: 113: 108: 105: 104:Playing range 101: 97: 93: 89: 85: 81: 75: 73: 69: 65: 61: 58: 56: 52: 49: 45: 38: 33: 27: 19: 6684:Seville Fair 6593:New Flamenco 6539: 6256:Lady of Baza 6221:Los Millares 6097: 5874:OTI Festival 5838:Spanish rock 5823:Spanish jazz 5613:Cartageneras 5531:Género chico 5458:New flamenco 5288:experimental 4979: 4961:steel-string 4830:Bibliography 4538: 4473: 4461: 4449:. Retrieved 4434: 4427: 4416:. Retrieved 4414:. 2022-01-10 4411: 4402: 4390:. Retrieved 4386:the original 4381: 4372: 4360:. Retrieved 4356:the original 4351: 4342: 4330:. Retrieved 4318: 4305: 4295: 4283:. Retrieved 4278: 4269: 4251: 4239:. Retrieved 4235:the original 4230: 4221: 4212: 4200:. Retrieved 4196: 4187: 4179: 4172:. Retrieved 4168: 4159: 4142:. Retrieved 4138: 4129: 4121: 4117: 4097: 4091: 4082: 4081: 4077: 4067: 4058: 4052: 4044: 4039: 4028:. Retrieved 4024: 4014: 4003:. Retrieved 3999: 3989: 3975: 3961: 3949:. Retrieved 3945:the original 3940: 3931: 3919: 3909: 3904: 3890:score sample 3883: 3878: 3867:. Retrieved 3863: 3854: 3833: 3828: 3814:score sample 3807: 3802: 3790:. Retrieved 3786: 3777: 3767: 3762: 3748:score sample 3741: 3736: 3726: 3721: 3714:score sample 3707: 3702: 3692: 3687: 3680: 3667: 3660: 3647: 3640: 3627: 3615:. Retrieved 3611:the original 3606: 3597: 3578: 3577:A. Segovia, 3573: 3561:. Retrieved 3557: 3548: 3536:. Retrieved 3532: 3523: 3509: 3497:. Retrieved 3493:the original 3488: 3479: 3467: 3455: 3429:. Retrieved 3425:the original 3415: 3408: 3381: 3370:. Retrieved 3366:the original 3356: 3344: 3334: 3330: 3312: 3239:Chordophones 3196:Music portal 3167: 3160: 3151: 3144: 3137: 3131: 3125: 3112: 3099: 3086: 3073: 3068:Bibliography 3055: 3048: 2958: 2868: 2775: 2682: 2609:minor second 2589: 2399: 2395: 2390: 2386: 2384: 2376: 2361: 2352:scale length 2349: 2340: 2324: 2321: 2315: 2311: 2309: 2299: 2286: 2258: 2231: 2226:Jason Vieaux 2210: 2198: 2132: 2108: 2106: 2033: 1941: 1931: 1916:Manuel Ponce 1893: 1887: 1881: 1873:New Flamenco 1868: 1863:. Guitarist 1854: 1844:of Germany, 1836:by Britten, 1814:Julian Bream 1798:Manuel Ponce 1771: 1755:Fernando Sor 1752: 1706:John Dowland 1703: 1696: 1679: 1673: 1667: 1657: 1650: 1646: 1642: 1638: 1636: 1627: 1622: 1620: 1616: 1611: 1607: 1603: 1599: 1595: 1591: 1589: 1581: 1566: 1546: 1531: 1520: 1516: 1512:suction cups 1507: 1504: 1455:Julian Bream 1447:Emilio Pujol 1436: 1403: 1391: 1330: 1262: 1238: 1236: 1197: 1192: 1106: 1032: 1027: 1020:and others. 1015: 1010: 1002: 994: 988: 985: 950: 945: 941: 933: 930:Ernst Krenek 925: 917: 909: 899: 891: 883: 877: 852:Manuel Ponce 837: 825: 801: 726:Fernando Sor 690: 650:guitar were 645: 637: 587: 547: 543:Contraguitar 535: 520: 516: 497: 490: 485: 480: 443: 442: 418:Geographical 417: 416: 386: 385: 382: 377:arrangements 362: 350: 329: 325: 323: 303: 299: 295: 293: 282: 266: 253: 197: 193: 191: 130: 84:bare fingers 26: 6736:Rub el Hizb 6608:Cante jondo 6603:Cante chico 6502:Ortiguillas 6311:Reconquista 6199:Culture of 5782:Extremadura 5588:Cante jondo 5513:Tono humano 5483:Rock urbano 5478:Rock català 4966:dreadnought 4711:Lyre-guitar 4706:Harp guitar 4332:February 2, 4025:Guitar Sumo 3924:Sheer Pluck 3772:– Billaudot 3746:– Ricordi ( 3742:Sette Studi 3727:Sequenza XI 3274:Lyre-guitar 3269:Harp guitar 2959:110 Hz 2516:major third 2274:C.F. 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