233:
126:
149:
982:
103:
253:
254:
136:
162:
113:
137:
251:
163:
114:
252:
134:
160:
111:
135:
582:
161:
112:
1263:
1220:
544:
Martin, Henry (Winter, 2000). "Seven Steps to Heaven: A Species
Approach to Twentieth-Century Analysis and Composition", p. 149,
886:
289:
232:
1356:
786:
323:). For example, the Viennese trichord of C-F#-G could be considered a D11/C: D (elided) - F# - A (elided) - C - G.
532:
497:
493:
469:
703:
613:
245:
718:
1129:
728:
713:
524:
1256:
574:
1409:
957:
515:(2000). "Harmonic Relations: American Popular Harmonies (1925–1950) and Their European Kin", pp. 5–36,
683:
743:
723:
546:
270:
708:
1319:
1249:
733:
1336:
1103:
1000:
748:
698:
237:
192:
901:
856:
830:
738:
1371:
1124:
1108:
942:
606:
8:
1341:
1280:
693:
688:
1346:
1241:
1179:
1144:
1098:
457:
204:
196:
68:
1404:
1070:
991:
564:
528:
489:
465:
296:
1378:
1366:
1139:
1075:
1028:
813:
660:
293:
1399:
1361:
1090:
962:
906:
866:
840:
781:
665:
655:
599:
586:
304:
226:
154:
82:
125:
1230:
1225:
1065:
1060:
967:
771:
758:
308:
274:
51:
1393:
1292:
1134:
1080:
1052:
1008:
981:
921:
916:
876:
675:
637:
622:
316:
300:
285:
148:
1351:
1297:
1184:
1038:
911:
896:
881:
861:
835:
802:
312:
262:
200:
176:
63:
44:
37:
23:
1276:
1272:
1199:
1194:
1169:
1164:
1023:
891:
871:
825:
766:
650:
645:
512:
1326:
1314:
1189:
1033:
1013:
776:
320:
241:
1331:
1174:
797:
102:
1302:
1215:
1042:
947:
266:
1018:
952:
30:
225:–G are both examples of Viennese trichords, though they may be
462:
281:
591:
1271:
523:, vol. 19, part 1), p. 7. Routledge. Covach, John and
488:, p. 348. Englewood Cliffs, New Jersey: Prentice-Hall
517:
Traditions, Institutions, and
American Popular Music
1391:
1257:
607:
261:According to Henry Martin, "omposers such as
508:
506:
480:
478:
1264:
1250:
614:
600:
503:
475:
231:
1392:
1245:
595:
240:, embellishing the first chord, from
13:
14:
1421:
557:
307:, and added fourth/eleventh of a
980:
249:
158:
147:
132:
124:
109:
101:
484:DeLone, Richard, et al (1975).
246:What Is This Thing Called Love?
236:Viennese trichord as a part of
550:, vol. 38, no. 1, pp. 129–168.
538:
450:
1:
486:Aspects of 20th Century Music
443:
131:Viennese trichord as dominant
7:
10:
1426:
704:Dominant seventh flat five
621:
288:, the chord formed by the
1288:
1208:
1157:
1117:
1089:
1051:
999:
989:
978:
935:
849:
811:
757:
674:
636:
629:
547:Perspectives of New Music
521:Contemporary Music Review
292:of the set usually has a
88:
81:
74:
62:
57:
50:
43:
36:
29:
22:Component intervals from
21:
1221:Chord names and symbols
569:Java Set Theory Machine
265:... are partial to 016
1104:Secondary leading-tone
565:"All About Set Theory"
258:
195:, is a pitch set with
193:Second Viennese School
235:
185:Viennese fourth chord
1109:Secondary supertonic
575:"More on Set Theory"
269:, given their 'more
189:tritone-fourth chord
328:
89:<1,0,0,0,1,1>
18:
1410:Musical set theory
1180:Chord-scale system
1099:Secondary dominant
585:2011-07-23 at the
456:Paddison, Max and
326:
259:
157:Viennese trichord.
16:
1387:
1386:
1357:"Ode-to-Napoleon"
1239:
1238:
1153:
1152:
1071:Chromatic mediant
976:
975:
927:Viennese trichord
441:
440:
255:
191:), named for the
181:Viennese trichord
164:
138:
115:
108:Viennese trichord
93:
92:
17:Viennese trichord
1417:
1266:
1259:
1252:
1243:
1242:
997:
996:
984:
792:
791:
749:Harmonic seventh
719:Diminished major
634:
633:
616:
609:
602:
593:
592:
579:Flexistentialism
551:
542:
536:
510:
501:
482:
473:
454:
329:
325:
257:
256:
224:
223:
218:
217:
212:
211:
166:
165:
151:
140:
139:
128:
117:
116:
105:
76:
67:
19:
15:
1425:
1424:
1420:
1419:
1418:
1416:
1415:
1414:
1390:
1389:
1388:
1383:
1284:
1270:
1240:
1235:
1204:
1149:
1113:
1085:
1047:
985:
972:
963:Synthetic chord
931:
902:Northern lights
867:Complexe sonore
845:
831:Augmented sixth
819:
817:
807:
789:
788:
782:Upper structure
753:
739:Altered seventh
734:Augmented minor
729:Augmented major
714:Half-diminished
670:
625:
620:
587:Wayback Machine
560:
555:
554:
543:
539:
525:Everett, Walter
511:
504:
483:
476:
455:
451:
446:
273:' inclusion of
250:
244:'s opening to "
221:
220:
215:
214:
209:
208:
183:(also known as
173:
172:
171:
170:
169:
168:
167:
159:
152:
143:
142:
141:
133:
129:
120:
119:
118:
110:
106:
83:Interval vector
12:
11:
5:
1423:
1413:
1412:
1407:
1402:
1385:
1384:
1382:
1381:
1376:
1375:
1374:
1369:
1364:
1359:
1354:
1349:
1344:
1339:
1329:
1324:
1323:
1322:
1312:
1311:
1310:
1300:
1295:
1289:
1286:
1285:
1273:Pitch segments
1269:
1268:
1261:
1254:
1246:
1237:
1236:
1234:
1233:
1228:
1226:List of chords
1223:
1218:
1212:
1210:
1206:
1205:
1203:
1202:
1197:
1192:
1187:
1182:
1177:
1172:
1167:
1161:
1159:
1155:
1154:
1151:
1150:
1148:
1147:
1142:
1137:
1132:
1127:
1121:
1119:
1115:
1114:
1112:
1111:
1106:
1101:
1095:
1093:
1087:
1086:
1084:
1083:
1078:
1073:
1068:
1063:
1057:
1055:
1049:
1048:
1046:
1045:
1036:
1031:
1026:
1021:
1016:
1011:
1005:
1003:
994:
987:
986:
979:
977:
974:
973:
971:
970:
965:
960:
955:
950:
945:
943:Mixed interval
939:
937:
933:
932:
930:
929:
924:
919:
914:
909:
904:
899:
894:
889:
884:
879:
874:
869:
864:
859:
853:
851:
847:
846:
844:
843:
838:
833:
828:
822:
820:
812:
809:
808:
806:
805:
800:
795:
784:
779:
774:
769:
763:
761:
755:
754:
752:
751:
746:
741:
736:
731:
726:
721:
716:
711:
706:
701:
696:
691:
686:
680:
678:
672:
671:
669:
668:
663:
658:
653:
648:
642:
640:
631:
627:
626:
619:
618:
611:
604:
596:
590:
589:
572:
559:
558:External links
556:
553:
552:
537:
502:
474:
458:Deliège, Irène
448:
447:
445:
442:
439:
438:
435:
431:
430:
427:
423:
422:
419:
415:
414:
411:
407:
406:
403:
399:
398:
395:
389:
388:
383:
379:
378:
375:
371:
370:
367:
363:
362:
359:
355:
354:
351:
347:
346:
343:
337:
336:
333:
309:dominant chord
229:in many ways.
207:. The sets C–D
153:
146:
145:
144:
130:
123:
122:
121:
107:
100:
99:
98:
97:
96:
95:
94:
91:
90:
86:
85:
79:
78:
72:
71:
60:
59:
55:
54:
48:
47:
41:
40:
34:
33:
27:
26:
9:
6:
4:
3:
2:
1422:
1411:
1408:
1406:
1403:
1401:
1398:
1397:
1395:
1380:
1377:
1373:
1370:
1368:
1365:
1363:
1360:
1358:
1355:
1353:
1350:
1348:
1345:
1343:
1340:
1338:
1335:
1334:
1333:
1330:
1328:
1325:
1321:
1318:
1317:
1316:
1313:
1309:
1306:
1305:
1304:
1301:
1299:
1296:
1294:
1291:
1290:
1287:
1282:
1278:
1274:
1267:
1262:
1260:
1255:
1253:
1248:
1247:
1244:
1232:
1229:
1227:
1224:
1222:
1219:
1217:
1214:
1213:
1211:
1207:
1201:
1198:
1196:
1193:
1191:
1188:
1186:
1183:
1181:
1178:
1176:
1173:
1171:
1168:
1166:
1163:
1162:
1160:
1156:
1146:
1143:
1141:
1138:
1136:
1135:Primary triad
1133:
1131:
1128:
1126:
1123:
1122:
1120:
1116:
1110:
1107:
1105:
1102:
1100:
1097:
1096:
1094:
1092:
1088:
1082:
1079:
1077:
1074:
1072:
1069:
1067:
1064:
1062:
1059:
1058:
1056:
1054:
1050:
1044:
1040:
1037:
1035:
1032:
1030:
1027:
1025:
1022:
1020:
1017:
1015:
1012:
1010:
1007:
1006:
1004:
1002:
998:
995:
993:
988:
983:
969:
966:
964:
961:
959:
956:
954:
951:
949:
946:
944:
941:
940:
938:
934:
928:
925:
923:
920:
918:
915:
913:
910:
908:
905:
903:
900:
898:
895:
893:
890:
888:
885:
883:
880:
878:
875:
873:
870:
868:
865:
863:
860:
858:
855:
854:
852:
848:
842:
839:
837:
834:
832:
829:
827:
824:
823:
821:
815:
810:
804:
801:
799:
796:
794:
785:
783:
780:
778:
775:
773:
770:
768:
765:
764:
762:
760:
756:
750:
747:
745:
742:
740:
737:
735:
732:
730:
727:
725:
722:
720:
717:
715:
712:
710:
707:
705:
702:
700:
697:
695:
692:
690:
687:
685:
682:
681:
679:
677:
673:
667:
664:
662:
659:
657:
654:
652:
649:
647:
644:
643:
641:
639:
635:
632:
628:
624:
617:
612:
610:
605:
603:
598:
597:
594:
588:
584:
580:
576:
573:
570:
566:
562:
561:
549:
548:
541:
534:
533:90-5755-120-9
530:
526:
522:
518:
514:
509:
507:
499:
498:9780130493460
495:
494:0-13-049346-5
491:
487:
481:
479:
471:
470:9781409404163
467:
463:
459:
453:
449:
436:
433:
432:
428:
425:
424:
420:
417:
416:
412:
409:
408:
404:
401:
400:
396:
394:
391:
390:
387:
384:
381:
380:
376:
373:
372:
368:
365:
364:
360:
357:
356:
352:
349:
348:
344:
342:
339:
338:
334:
331:
330:
324:
322:
318:
314:
310:
306:
302:
298:
295:
291:
287:
286:popular music
283:
278:
276:
272:
268:
264:
247:
243:
239:
234:
230:
228:
206:
202:
199:(0,1,6). Its
198:
194:
190:
186:
182:
178:
156:
150:
127:
104:
87:
84:
80:
73:
70:
65:
61:
56:
53:
49:
46:
42:
39:
35:
32:
28:
25:
20:
1337:All-trichord
1320:All-interval
1307:
1039:Leading-tone
926:
816: /
803:Tone cluster
684:Leading-tone
578:
568:
563:Jay Tomlin.
545:
540:
520:
516:
513:Forte, Allen
485:
461:
452:
392:
385:
340:
311:with elided
299:, being the
279:
260:
201:Forte number
188:
184:
180:
177:music theory
174:
38:minor second
1277:cardinality
1024:Subdominant
887:Grandmother
744:Nondominant
724:Minor-major
75:3-5 /
1394:Categories
1372:Schoenberg
1327:Pentachord
1315:Tetrachord
1158:Techniques
1145:Substitute
1140:Subsidiary
1076:Neapolitan
1034:Submediant
1014:Supertonic
787:Dominant 7
777:Thirteenth
709:Diminished
661:Diminished
444:References
321:jazz chord
277:1 and 6."
242:Bill Evans
197:prime form
69:Complement
1379:Aggregate
1362:Petrushka
1342:Chromatic
1332:Hexachord
1175:Chordioid
1091:Secondary
907:Petrushka
841:Seven six
798:Polychord
666:Suspended
656:Augmented
464:, p. 62.
290:inversion
271:dissonant
267:trichords
64:Forte no.
1405:Tritones
1347:Diatonic
1308:Viennese
1303:Trichord
1216:Arpeggio
1130:Contrast
1066:Borrowed
1061:Approach
1043:Subtonic
1029:Dominant
1001:Diatonic
992:function
948:Secundal
850:Specific
790:♯
772:Eleventh
759:Extended
699:Dominant
583:Archived
460:(2010).
335:Inverse
297:function
294:dominant
222:♯
216:♭
210:♭
66: /
1081:Passing
1053:Altered
1019:Mediant
958:Quartal
953:Tertian
936:General
922:Tristan
917:So What
877:Elektra
818:omitted
676:Seventh
630:By form
527:; eds.
305:seventh
219:and C–F
155:Quartal
58:8:12:17
31:tritone
1400:Chords
1367:Sacher
1352:Mystic
1231:Factor
1185:Guitar
1125:Common
968:Tetrad
912:Psalms
897:Mystic
882:Farben
862:Bridge
836:Lydian
623:Chords
531:
492:
468:
437:e,5,t
429:t,4,9
421:9,3,8
413:8,2,7
405:7,1,6
397:6,0,5
377:4,t,3
369:3,9,2
361:2,8,1
353:1,7,0
345:0,6,e
319:, see
263:Webern
227:voiced
52:Tuning
1293:Monad
1209:Other
1200:Slash
1195:Power
1170:Block
1165:Barre
1118:Other
1009:Tonic
892:Magic
872:Dream
857:Alpha
826:Sixth
814:Added
767:Ninth
694:Minor
689:Major
651:Minor
646:Major
638:Triad
434:e,0,5
426:t,e,4
418:9,t,3
410:8,9,2
402:7,8,1
393:6,7,0
386:5,e,4
382:5,6,e
374:4,5,t
366:3,4,9
358:2,3,8
350:1,2,7
341:0,1,6
332:Prime
317:fifth
315:(and
301:third
238:6-z17
1298:Dyad
1281:list
1190:Open
529:ISBN
490:ISBN
466:ISBN
327:3-5
313:root
284:and
282:jazz
187:and
179:, a
45:root
24:root
1275:by
990:By
280:In
275:ics
205:3-5
203:is
175:In
77:9-5
1396::
1041:/
581:.
577:,
567:,
505:^
496:,
477:^
303:,
213:–G
1283:)
1279:(
1265:e
1258:t
1251:v
793:9
615:e
608:t
601:v
571:.
535:.
519:(
500:.
472:.
248:"
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
