Knowledge

Video on demand

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consumers. By analyzing data of what is viewed most by consumers, companies can purchase more content that is aimed for an audience, and then in-turn market products that are based on what viewer profiles are of a group of consumers who viewer a specific amount of content. This data analysis will often provide researchers valuable data that includes: what was watched, when it was watched, what they watched after watching, and even how many people watched the same video at the same time in a day, month, and even year.
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to gain the attention of an audience, pinning down an exact budget for a film production can be difficult. Video on demand can have three release strategies that include: day-and-date (instantaneous release in theaters and on VOD), day-before-date (VOD before theatrical viewing), and VOD only. Production studios can make revenue on these types of releases until sales start to slow. After that, film companies can then license the content to other streaming services and, temporarily, make extra income like that too.
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VOD movie buy-rates and setting Hollywood and cable operator revenue splits. Cable providers offered VOD as part of digital subscription packages, which by 2005 primarily allowed cable subscribers to only access an on-demand version of the content that was already provided in the linear traditional broadcasting distribution. These on-demand packages sometimes include extras and bonus footage in addition to the regular content.
566: 385:–based computer for its VOD servers, allowing it to support more than a million users. By 1994 the Oracle scalable VOD system used massively parallel processors to support from 500 to 30,000 users. The SGI system supported 4,000 users. The servers connected to networks of increasing size to eventually support video stream delivery to entire cities. 341:(DEC) was developing a scalable video server configured from small-to-large for a range of video streams. Bell Atlantic selected IBM and in April 1993 the system became the first VOD over ADSL to be deployed outside the lab, serving 50 video streams. In June 1993, US West filed for a patent to register a proprietary system consisting of the 182:; these can provide rapid responses to users. Cable companies have rolled out their own versions of VOD services through apps, allowing television access wherever there is a device that is Internet capable. Cable media companies have combined VOD with live streaming services. The early-2020s launches of apps from cable companies (e.g., 499:, which was launched on 25 December 2007. Another example of online video publishers using legal peer-to-peer technology is based on Giraffic technology, which was launched in early 2011, with large online VOD publishers such as US-based VEOH and UK-based Craze's Online Movies Box movie rental service. 1165:
Attendance in movie theaters had declined during the 2020 COVID-19 pandemic. Worldwide in 2019, theatrical entertainment reach 11.4 billion dollars, but in 2020, it was only 2.2 billion. Due recovery efforts to increase those attendance numbers, along with the growing amount of marketing that is need
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A push VOD system uses a personal video recorder (PVR) to store a selection of content, often transmitted in spare capacity overnight or all day long at low bandwidth. Users can watch the downloaded content at the time they desire, immediately and without any buffering issues. Push VOD depends on the
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consumer video technique used by multi-channel broadcasters using high-bandwidth distribution mechanisms such as satellite and cable television. Multiple copies of a programme are broadcast at short time intervals (typically staggered on a schedule of every 10–20 minutes) on linear channels providing
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VOD services are now available in all parts of the United States, which has the highest global take-up rate of VOD. In 2010, 80% of American Internet users had watched video online, and 42% of mobile users who downloaded video preferred apps to a normal browser. Streaming VOD systems are available on
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connections. Servers for traditional cable and telco VOD services are usually placed at the cable head-end, serving a particular market, and cable hubs in larger markets. In the telco world, they are placed in either the central office or a newly created location called a Video Head-End Office (VHO).
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Online piracy is detrimental to production companies that produce digital content. In a study that offered BitTorrent users a free SVOD subscription, the results of the research provided readers with information that show download and upload speeds in those homes decreased with a free subscription,
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When technology companies, include SVOD apps on their devices, like phones, tablets, televisions, game systems, computers, this can remove an attitude obstruction for a user to view content. This technology also provides an advantage for technology companies for data analysis of viewed content from
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Push video on demand is so-named because the provider "pushes" the content out to the viewer's set-top box without the viewer having requested the content. This technique is used by several broadcasters on systems that lack the connectivity and bandwidth to provide true "streaming" video on demand.
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provided up to 40 channels in 2002, with several films receiving four channels on a staggered schedule to provide the NVOD experience for viewers. As of 2018, most cable pay-per-view channels now number mainly 3–5, and are used mainly for live ring sports events (boxing and professional wrestling),
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A viewer may only have to wait a few minutes before the next time a movie will be programmed. This form is bandwidth-intensive, reduces the number of channels a provider can offer, and is generally provided by large operators with a great deal of redundant capacity. This concept has been reduced in
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CEO Buno Pati and president Phil Wiser showed a set-top box with a one-terabyte hard drive that could be used for video-on-demand services previously offered through cable television and broadband. A movie, for example, could be sent out once using a broadcast signal rather than numerous times over
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technology). They use the large downstream bandwidth present on their cable systems to deliver movies and television shows to end-users. These viewers can typically pause, fast-forward, and rewind VOD movies due to the low latency and random-access nature of cable technology. The large distribution
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Many VOD trials were held with various combinations of server, network, and set-top box. Of these the primary players in the US were the telephone companies using DEC, Microsoft, Oracle, IBM, Hewlett-Packard, USA Video, nCube, SGI, and other servers. The DEC server system was the most-used in these
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Plans such as those of the Integrated Network System, a national high-capacity fibre-optic network supporting a range of broadband services in Japan, noted in a more general 1986 publication, were interpreted as conducive to eventual VOD deployment. However, early VOD trials employed existing cable
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Developing VOD requires extensive negotiations to identify a financial model that would serve both content creators and cable providers while providing desirable content for viewers at an acceptable price point. Key factors identified for determining the economic viability of the VOD model include
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technology to provide very-high-capacity multi-point downloads of the video content. Instead of the video content all being downloaded from Sky's servers, the content comes from multiple users of the system who have already downloaded the content. Other UK television broadcasters implemented their
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It has been reported that the pandemic had contributed to a transformation in movie distribution in favor of PVOD over traditional movie houses, as studios were able to realize 80% of revenue through PVOD versus 50% of traditional theater box office receipts. Theater owners including AMC and
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became the first UK company to launch a fully commercial VOD service and the first to integrate broadcast television and Internet access through a single set-top box using IP delivery over ADSL. By 2001, Kingston Interactive TV had attracted 15,000 subscribers. After several trials,
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Premium video on demand (PVOD) is a version of TVOD which allows customers to access video-on-demand content several weeks or months earlier than their customary TVOD or home video availability – often feature films made available alongside, or in place of, a traditional release in
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as the set-top box with video streams and other information to be deployed to 2,500 homes. In 1994–95, US West filed for a patent concerning the provision of VOD in several cities: 330,000 subscribers in Denver, 290,000 in Minneapolis, and 140,000 in Portland. In early 1994,
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Advertising video on demand (AVOD) uses an advertising-based revenue model. This allows companies that advertise on broadcast and cable channels to reach people who watch shows using VOD. This model also allows people to watch content without paying subscription fees.
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Broadcaster Video On Demand is an exciting and evolving landscape which offers advertisers a host of premium advertising opportunities around trusted, quality content. It’s an important part of the new TV ecosystem that is helping people to watch more of the TV they
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In most cases, these PVOD releases are offered through most of the same platforms as traditional TVOD, but at a higher price point, typically about US$ 20 for a 48-hour rental; this offering has again been branded as "Home Premiere" by some studios and platforms.
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codec, which enabled the distribution of movies via Digital Cinema Packages. This technology has since expanded its services from feature-film productions to include broadcast television programmes and has led to lower bandwidth requirements for VOD applications.
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Push VOD is also used by broadcasters that want to optimize their video streaming infrastructures by pre-loading the most popular contents to the consumers' set-top device. If the consumer requests one of these films, it is already loaded on her or his DVR.
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prohibited telephone companies from providing video services within their operating regions. In 1993, the National Communication and Information Infrastructure (NII) was proposed and passed by the US House and Senate, opening the way for the seven Baby
655:. This innovation proved it is technically possible to offer the consumer potentially every film ever made, and the popularity and ease of use of such services may have motivated the rise of centralised video-on-demand services. Some services such as 689:(EST), by which customers can permanently access a piece of content once purchased via the Internet; and download to rent (DTR), by which customers can access the content for a limited time upon renting. Examples of TVOD services include the Apple 117:
allow temporary rentals and purchases of video entertainment content. Other Internet-based VOD systems provide users with access to bundles of video entertainment content rather than individual movies and shows. The most common of these systems,
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Transactional video on demand (TVOD) is a distribution method by which customers pay for each piece of video-on-demand content. For example, a customer would pay a fee for each movie or TV show that they watch. TVOD has two sub-categories:
150:, another Internet-based VOD system, uses an advertising-funded model in which users can access most of its video content free of charge but must pay a subscription fee for premium content. Some airlines offer VOD services as 1177:
traffic drops as the Netflix traffic grows." This can be valuably interpreted as in that online piracy numbers drop the more that SVOD companies grow, which in turn means more revenue going back to the production companies.
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is a cable VOD service that also offers pay-per-view. Once the programs have been downloaded onto a user's PVR, he or she can watch, play, pause, and seek at their convenience. VOD is also common in expensive hotels.
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comedy specials, and concerts, though the latter two sources are declining due to streaming services offering much more lucrative performance contracts to performers, and several ring sports organisations (mainly
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There are a host of different VOD services from the UK broadcasters all brimming with opportunities for advertisers. Here you’ll find an overview of the key players and their on-demand services by platform
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In the UK, from September 1994, a VOD service formed a major part of the Cambridge Digital Interactive Television Trial. This provided video and data to 250 homes and several schools connected to the
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From clickable pre-rolls to full interactivity, broadcaster VOD advertising is always innovating. Here you can get the low down on the various VOD formats currently available from the UK TV companies
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attempted to create a 20-year deal to stream movies on demand over Enron's fiber-optic network. The heavily promoted deal failed, with Enron's share prices dropping following the announcement.
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cable or fiber-optic lines, and this would not involve the expense of adding many miles of lines. Sezmi planned to lease part of the broadcast spectrum to offer a subscription service that
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McGregor, Michael A., Driscoll, Paul D., McDowell, Walter (2010) "Head’s Broadcasting in America: A Survey of Electronic Media". Boston, Massachusetts: Allyn & Bacon p. 47–48.
2082: 198:) are attempts to compete with Subscription Video on Demand (SVOD) services because they lack live news and sports content. Streaming video servers can serve a wide community via a 2930: 1344: 2361: 2496: 2550: 1260: 233:
could be squeezed into the limited telecommunication bandwidth of a copper telephone cable to provide a VOD service of acceptable quality as the required bandwidth of a
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on request. These multimedia are accessed without a traditional video playback device and a typical static broadcasting schedule, which was popular under traditional
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Downloading and streaming VOD systems provide the user with features of portable media players and DVD players. Some VOD systems store and stream programs from
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Cinemark, as well as suppliers including IMAX and National CineMedia, all experienced significant drops in revenues during shutdowns related to COVID-19.
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30 per rental as soon as 60 days after they debuted in cinemas, compared to 120 days for the regular TVOD window; this version only lasted a few months.
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had entered the broadband market, constructing and purchasing thousands of miles of fiber-optic cables throughout the United States. In 2001, Enron and
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Online Media. The trial commenced at a speed of 2 Mbit/s to the home, subsequently increased to 25 Mbit/s. The content was provided by the
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Behr, Peter (1 January 2001). "Broadband Strategy Got Enron in Trouble; Bid to Create Market for Fiber-Optic Space Included Aggressive Accounting".
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The DEC VOD server architecture used interactive gateways to set up video streams and other information for delivery from any of a large number of
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Some VOD services require the viewer to have a TV set-top box. This photo shows the set-top box for the Jazzbox VOD service and its accompanying
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Ad-Supported Video on Demand (ASVOD) refers to video services that provide free content supported by advertisements. Popular services include
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television infrastructure, notably British Telecom's video library trial, operated through the Westminster Cable Company. This trial used the
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model that requires users to pay a monthly fee for access to a selection of movies, television shows, and original series. In contrast,
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Clement, Michel; Otten, Cord; Seifert, Rouven; Kleinen, Ole; Houston, Mark B.; Karniouchina, Ekaterina V.; Heller, Christoph (2018).
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continue to provide NVOD services, as they do not offer broadband and much of their rural customer base only has access to slower
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In November 1992, Bell Atlantic announced a VOD trial. IBM was developing a video server code-named Tiger Shark. Concurrently,
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over pay-TV providers which require a portion of the profits they otherwise retain directly. In Australia, pay-TV broadcaster
772:; this requires customers to pay a premium fee (approximately US$ 26–30 depending on country) on top of a subscription to the 4009: 2757: 4992: 4084: 2967:"IDEA FORUM: The impact of subscription-based video on demand on traditional distributors' value chains and business models" 1212: 625: 3567: 611:, 142 paying VOD services were operational in Europe at the end of 2006. The number increased to 650 by 2009. At the 2010 2273: 2108: 3727: 2139: 1655: 263: 2806: 1817: 3577: 3502: 2384: 1884: 969:
convenience for viewers, who can watch the programme without needing to tune in at the only scheduled point in time.
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A screenshot of a subscription video on-demand service showing a typical visual catalog interface of video content
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has introduced a series of advertisements for the same company that ties into the content that is being watched.
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in which subscribers are charged a regular fee to access unlimited programs. Examples of these services include
714:– but at a much higher price point. A version of the model was tested in 2011 by American satellite TV provider 4783: 4019: 3607: 1313: 516: 405: 4866: 2044: 739:
were quickly also released on VOD platforms for a higher rental price than usual, while other films including
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providing all components. By 1992, VOD servers were supplying previously encoded digital video from disks and
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to simulate the video-on-demand experience. Most of Edge Spectrum's channels, where they are on air, carry
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popularity as video on demand is implemented, along with providers often wanting to provide the maximum
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under the brand name "Home Premiere", which allowed viewers to rent select films from major studios for
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television, VOD systems initially required each user to have an Internet connection with considerable
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followed in 1999 but was restricted to London. After attracting 40,000 customers, they were bought by
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or through remote devices such as computers, tablets, and smartphones. VOD users may also permanently
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to passengers through video screens embedded in seats or externally provided portable media players.
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Baysinger, Tim (15 August 2016). "For Ad VOD Players, Success Is Blend of Linear, Digital Models".
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software allows the distribution of content without the linear costs associated with centralised
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streaming service, but they then retain access as long as they maintain their subscription (for
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service in February 2010. A year later, however, SeeSaw was shut down due to a lack of funding.
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of a single signal makes streaming VOD impractical for most satellite television systems. Both
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VOD services first appeared in the early 1990s. Until then, it was not thought possible that a
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Rizzuto, Ronald J.Wirth (2002). "The Economics of Video on Demand: A Simulation Analysis".
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was a major AVOD company before ending its free service in August 2016, transferring it to
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has emerged as an increasingly popular medium of VOD provision over downloading, including
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VOD services were only made possible as a result of two major technological developments:
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in 2008. This was abandoned in 2009 following complaints, which were investigated by the
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Unlike broadcast television, which traditionally has been the most common in the form of
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said would provide a superior picture to that of cable or satellite at a lower cost.
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to access each system's content. In 2000, the Fraunhofer Institute IIS developed the
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break-up of AT&T resulted in several smaller telephone companies nicknamed
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technologies have become prominent, and culminated in the arrival of VOD and
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servers, enabling it in 1993 to support more than 100,000 streams with full
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licenses, has an eventual business plan to use its network and a system of
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Media distribution system allowing consumers to control playback schedule
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Martínez-del-Amor, Miguel Á.; Bruns, Volker; Sparenberg, Heiko (2017).
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and Channel 4 planned to launch a joint platform provisionally called
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Godinho De Matos, Miguel; Ferreira, Pedro; Smith, Michael D. (2018).
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was reported to be considering switching to a P2P model to cope with
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desktop and mobile platforms from cable providers (in tandem with
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offers NVOD for new-release movies over their satellite service.
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McKenzie, Jordi; Crosby, Paul; Cox, Joe; Collins, Alan (2019).
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The Mobile Wave: How Mobile Intelligence Will Change Everything
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use peer-to-peer distribution to better scale their platforms.
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but it could not prove decreased use in BitTorrent software.
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In a reflection made by 2013 Netflix Chief Content Officer,
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video compression standards, along with ADSL technology.
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Before the rise of VOD, the cable pay-per-view provider
1849:"Parallel efficient rate control methods for JPEG 2000" 997: 495:) which was launched on 16 November 2006 and the BBC's 400:
encoded video was streamed over an ATM network from an
2659: 1417:
Sunrise Europe: The Dynamics of Information Technology
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Store, as well as VOD rental services offered through
2758:"Rent Store + Box Office titles – Store + Box Office" 2301:"Could Netflix switch to P2P to lower ISP pressure?" 1441:"Video 'juke box' brings a library into your lounge" 1432: 1194: 1076:
viewer recording content so choices can be limited.
639: 381:(VCR)-like functionality. In 1994, it upgraded to a 3004:Cheng, Lei-Gen; Cui, Laizhong; Jiang, Yong (2016). 599:-owning subscribers of their satellite TV service. 1004:options which cannot stream films or have onerous 1596:"Video Servers: nCube and Oracle Challenge IBM", 1549: 1547: 5196: 3494: 2014:"Internet TV service Seesaw launches beta trial" 1818:"Sky by Broadband rebrands as Sky Anytime on PC" 1555:"The potential of ad-supported, on-demand video" 109:. Desktop client applications such as the Apple 3137:Journal of Economic Behavior & Organization 1855:. Vol. 10396. pp. Paper 103960R, 16. 113:online content store and Smart TV apps such as 1544: 1079: 3445: 3003: 1407: 918:The examples and perspective in this section 483:own versions of the same technology, such as 3459: 2447: 2445: 2134:. Perseus Books/Vanguard Press. p. 86. 1681:"Cambridge Corners the Future in Networking" 1648: 1012:is now prioritizing their streaming service 1853:Applications of Digital Image Processing XL 3452: 3438: 3316:"Google entering video-on-demand business" 3010:Journal of Computer Science and Technology 2755: 1952:"Broadcasters to launch joint VOD service" 1765: 1763: 1674: 1413: 1255: 1253: 936:, or create a new section, as appropriate. 753:, or in some cases directly to PVOD only. 30:"VOD" redirects here. For other uses, see 3198: 2896: 2548: 2542: 2442: 2298: 2175:"NAB Shows Off New Spectrum Applications" 2155:Video on demand and catch-up TV in Europe 1658:. University of Cambridge. Archived from 952:Learn how and when to remove this message 3292: 2517: 2484: 2324: 2322: 1703: 1438: 1093:using the existing Hulu infrastructure. 801: 564: 558:, who used the technology to launch the 83:content to a device such as a computer, 2694: 2240: 2205: 2172: 1760: 1697: 1311: 1250: 1066: 900: 303:Cable Communications Policy Act of 1984 91:for continued viewing. The majority of 14: 5197: 3225: 2768:from the original on 19 September 2015 2605: 2583: 2577: 2415: 2382: 2355: 2129: 2042: 1949: 1730: 1626: 1611: 1395:from the original on 20 September 2019 787: 701:(i.e., cable or satellite) providers. 447:in 2006 which was, in turn, bought by 75:content, either through a traditional 3433: 3279:Broadcaster VOD advertising formats. 3168: 3166: 3126: 3124: 3072: 3070: 3068: 3041: 3039: 2960: 2958: 2956: 2941:from the original on 23 December 2018 2928: 2878:from the original on 10 December 2015 2637: 2631: 2499:from the original on 3 September 2020 2466:from the original on 18 February 2021 2451: 2319: 1994:from the original on 12 December 2013 1964:from the original on 12 December 2013 1901:from the original on 4 September 2019 1507:from the original on 4 September 2019 1384:Video on demand: Research Paper 94/68 1376: 1374: 1372: 1370: 1355:from the original on 23 December 2018 1342: 1051:Edge Spectrum, an American holder of 3395:"The Video on Demand Business Index" 2865: 2807:"Stations for Owner - Edge Spectrum" 2737:from the original on 28 October 2017 2530:from the original on 23 October 2021 2253:from the original on 1 November 2019 1798:from the original on 1 November 2019 1769: 1718:from the original on 30 October 2020 1481:from the original on 5 December 2018 1213:Comparison of video hosting services 1182:Behavior detrimental to SVOD revenue 904: 626:National Association of Broadcasters 174:videos. It is possible to put video 3103:"How do Netflix movies make money?" 3078:"How Exactly Do Movies Make Money?" 2847:from the original on 13 August 2021 2817:from the original on 13 August 2021 2485:Spangler, Todd (2 September 2020). 2299:Brinkmann, Martin (22 March 2014). 2271: 2187:from the original on 1 October 2012 2085:from the original on 25 August 2012 2024:from the original on 18 August 2012 1931:from the original on 30 August 2019 1694:, Volume 05, No. 10, November 1995. 1380: 1324:from the original on 13 August 2021 761:used the September 2020 release of 24: 4560: 3293:Marriott, Michel (6 August 2007). 3219: 3163: 3121: 3065: 3045: 3036: 2953: 2707:from the original on 18 March 2020 2676:from the original on 21 April 2021 2307:from the original on 22 March 2014 2280:from the original on 22 March 2014 2241:Johnson, James (8 February 2019). 1744:. 17 December 1997. Archived from 1367: 264:asymmetric digital subscriber line 25: 5216: 2638:Bacon, Brian (22 February 2024). 2549:McDermott, John (17 March 2022). 2518:Williams, Joseph (23 June 2020). 2430:from the original on 9 March 2021 2397:from the original on 23 June 2020 2364:from the original on 8 March 2021 2328: 2055:from the original on 16 June 2012 1950:Sweney, Mark (27 November 2007). 1706:"Jumping Off the Bandwidth Wagon" 1289: 964:Near video on demand (NVOD) is a 768:to launch a related model called 640:Role of peer-to-peer file sharing 282:started as a trial in 1990, with 62:over-the-top (OTT) media services 3368:. 6 January 2008. Archived from 2929:Bouma, Luke (23 December 2018). 2173:Dickson, Glen (9 January 2010). 1828:from the original on 22 May 2020 1565:from the original on 11 May 2020 1343:Bouma, Luke (23 December 2018). 1197: 909: 794:List of streaming media services 679: 609:European Audiovisual Observatory 392:network, later part of NTL, now 345:Interactive Information Server, 157: 3095: 2997: 2922: 2907: 2890: 2859: 2829: 2799: 2780: 2749: 2719: 2688: 2584:Krings, Emily (10 April 2024). 2511: 2478: 2409: 2376: 2356:Kaysen, Mads (24 August 2015). 2349: 2292: 2265: 2234: 2199: 2166: 2148: 2123: 2097: 2067: 2036: 2006: 1976: 1943: 1913: 1851:. In Tescher, Andrew G. (ed.). 1840: 1810: 1780: 1704:Schiesel, Seth (11 July 1999). 1635: 1620: 1605: 1590: 1577: 1519: 1312:Webster, Andrew (4 June 2012). 463:, which responded by launching 2383:Szalai, Georg (5 April 2011). 2043:Clover, Julian (27 May 2011). 1493: 1463: 1439:Hathaway, Gordon (July 1987). 1336: 1305: 1283: 725:PVOD made a return during the 13: 1: 4764:New Japan Pro-Wrestling World 2983:10.1080/08997764.2020.1796687 2796:, retrieved 19 February 2020. 2695:Brodkin, Jon (4 March 2020). 1641:"Building the Data Highway", 1420:. Basil Blackwell. p. 58 1267:. 16 May 2016. Archived from 1243: 343:Digital Equipment Corporation 339:Digital Equipment Corporation 4662:Big Japan Pro Wrestling Core 3342:. March 2008. Archived from 3246:10.1080/23268743.2014.927705 3226:Petley, Julian (July 2014). 2452:Adams, Sam (16 March 2020). 2416:Graser, Marc (8 July 2011). 1585:Electronic Engineering Times 984:Only the satellite services 451:in 2009. Cable TV providers 274:media format and featured a 170:buffer to allow the user to 7: 1190: 1080:Advertising video on demand 932:, discuss the issue on the 819:subscription business model 491:(4 on Demand, now known as 349:providing the network, and 71:Television VOD systems can 10: 5221: 4647:All Japan Pro Wrestling TV 4626:YouTube Movies & Shows 3266:Broadcaster VOD services. 3149:10.1016/j.jebo.2019.03.017 2971:Journal of Media Economics 2208:Journal of Media Economics 1599:Computergram International 1233:Over-the-top media service 791: 763:the live-action remake of 731:global closures of cinemas 704: 535:subsequently launched the 356:British Telecommunications 266:(ADSL) data transmission. 218: 214: 29: 5166: 4935: 4817: 4639: 4601:Microsoft Movies & TV 4559: 3943: 3491: 3468: 3252:What is Broadcaster VOD. 3022:10.1007/s11390-016-1684-9 2868:"What Is VOD Technology?" 2670:"What Is VOD Technology?" 2418:"Biz redefines PVOD plan" 2220:10.1207/s15327736me1503_5 1629:Video Dialtone Technology 1614:Video Dialtone Technology 1602:, 29 October 1993, p. 17. 613:Consumer Electronics Show 595:offer VOD programming to 537:Digital Cinema Initiative 5008:Global Wrestling Network 4199:Great American Pure Flix 2916:Broadcasting & Cable 2900:Broadcasting & Cable 2792:19 February 2020 at the 2526:. Standard & Poors. 2180:Broadcasting & Cable 2130:Saylor, Michael (2012). 2045:"Arqiva to close SeeSaW" 1414:Mackintosh, Ian (1986). 1389:House of Commons Library 674: 1627:Minoli, Daniel (1995). 1612:Minoli, Daniel (1995). 1587:, 4 October 1993, p. 1. 1445:British Telecom Journal 1057:digital video recorders 699:multichannel television 687:electronic sell-through 436:Kingston Communications 172:fast-forward and rewind 152:in-flight entertainment 3568:CTV Movies / Throwback 3191:10.1287/mnsc.2017.2875 2390:The Hollywood Reporter 2160:3 October 2011 at the 1822:www.campaignlive.co.uk 1228:National Streaming Day 1053:low-power broadcasting 807: 574: 552:Competition Commission 379:videocassette recorder 301:. Following this, the 225:Original net animation 85:digital video recorder 2918:: 23. 15 August 2016. 1686:15 April 2016 at the 1656:"Cambridge iTV Trial" 1381:Lea, William (1994). 1008:(and where possible, 805: 568: 89:portable media player 50:broadcast programming 5028:Hillsong Channel Now 3286:9 March 2021 at the 3273:8 March 2021 at the 3260:8 March 2021 at the 2837:"Edge Spectrum, Inc" 1645:, March 1994, p. 46. 1503:. www.congress.gov. 1067:Push video on demand 930:improve this section 920:may not represent a 901:Near video on demand 293:In the US, the 1982 237:signal is around 200 231:television programme 32:VOD (disambiguation) 4897:Redbox Free Live TV 4657:beIN Sports Connect 3372:on 20 December 2008 2337:on 18 December 2015 2331:"VOD Rights Models" 2111:on 26 November 2010 2020:. 26 January 2010. 1861:2017SPIE10396E..0RM 1792:www.ispreview.co.uk 1773:The Washington Post 1748:on 17 February 2017 1616:. pp. 441–485. 1538:4 June 2020 at the 1477:. 4 December 2018. 1271:on 25 December 2018 981:services possible. 788:Subscription models 180:local area networks 64:on televisions and 4571:Amazon Prime Video 3985:Amazon Prime Video 3300:The New York Times 3179:Management Science 2565:on 1 December 2023 1869:10.1117/12.2273005 1711:The New York Times 1040:, and the apps of 1002:satellite internet 831:Amazon Prime Video 808: 729:and the resulting 575: 478:approach based on 347:Scientific Atlanta 253:motion-compensated 235:digital television 115:Amazon Prime Video 66:personal computers 5192: 5191: 5063:PlayStation Video 4847:Cinemax On Demand 4621:The Great Courses 4531:WOW Presents Plus 4324:Night Flight Plus 4085:Criterion Channel 3908:Xfinity Streampix 3888:Virgin Media Play 3768:Shout! Factory TV 3658:Mediaset Infinity 3185:(12): 5610–5630. 3109:. 30 October 2020 2935:Cord Cutters News 2872:Houston Chronicle 2866:Anderson, Casey. 2841:ibntelevision.com 2727:"Echelon Studios" 2619:. 26 October 2022 2049:Broadband TV News 1794:. 26 March 2015. 1740:(Press release). 1349:Cord Cutters News 1161:Economics of SVOD 962: 961: 954: 817:) services use a 751:drive-in theaters 742:Trolls World Tour 736:The Invisible Man 727:COVID-19 pandemic 617:Las Vegas, Nevada 607:According to the 425:Enron Corporation 418:Anglia Television 328:Southwestern Bell 260:video compression 166:drives and use a 97:telephone company 16:(Redirected from 5212: 4837:Bally Sports app 4774:Premier Football 4687:Eurosport Player 4672:Wrestle Universe 4576:Fandango at Home 4439:The Roku Channel 4095:Curiosity Stream 3773:Sling Freestream 3738:The Roku Channel 3693:PictureBox Films 3588:Fandango at Home 3454: 3447: 3440: 3431: 3430: 3426: 3418: 3410: 3408: 3406: 3397:. 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Archived from 2101: 2095: 2094: 2092: 2090: 2071: 2065: 2064: 2062: 2060: 2040: 2034: 2033: 2031: 2029: 2010: 2004: 2003: 2001: 1999: 1990:. 23 July 2009. 1980: 1974: 1973: 1971: 1969: 1947: 1941: 1940: 1938: 1936: 1917: 1911: 1910: 1908: 1906: 1844: 1838: 1837: 1835: 1833: 1814: 1808: 1807: 1805: 1803: 1784: 1778: 1777: 1767: 1758: 1757: 1755: 1753: 1734: 1728: 1727: 1725: 1723: 1701: 1695: 1678: 1672: 1671: 1669: 1667: 1652: 1646: 1639: 1633: 1632: 1624: 1618: 1617: 1609: 1603: 1594: 1588: 1581: 1575: 1574: 1572: 1570: 1551: 1542: 1534: 1533: 1529: 1523: 1517: 1516: 1514: 1512: 1497: 1491: 1490: 1488: 1486: 1467: 1461: 1460: 1458: 1456: 1436: 1430: 1429: 1427: 1425: 1411: 1405: 1404: 1402: 1400: 1378: 1365: 1364: 1362: 1360: 1340: 1334: 1333: 1331: 1329: 1309: 1303: 1302: 1300: 1298: 1287: 1281: 1280: 1278: 1276: 1257: 1207: 1202: 1201: 957: 950: 946: 943: 937: 913: 912: 905: 811:Subscription VOD 467:, later renamed 465:Sky by broadband 429:Blockbuster Inc. 404:media server to 240: 21: 5220: 5219: 5215: 5214: 5213: 5211: 5210: 5209: 5205:Video on demand 5195: 5194: 5193: 5188: 5162: 5048:NBC Sports Gold 4931: 4813: 4754:NBA League Pass 4749:MLS Season Pass 4635: 4562: 4555: 4546:YouTube Premium 4501:Vision+ Premium 4187:+ live channels 3946: 3939: 3493: 3487: 3483:Video on demand 3478:Streaming media 3473:Digital library 3464: 3461:Video on demand 3458: 3421: 3413: 3404: 3402: 3393: 3385:Lotz, Amanda D. 3375: 3373: 3358: 3349: 3347: 3334: 3325: 3323: 3314: 3305: 3303: 3288:Wayback Machine 3275:Wayback Machine 3262:Wayback Machine 3222: 3220:Further reading 3217: 3216: 3171: 3164: 3129: 3122: 3112: 3110: 3101: 3100: 3096: 3086: 3084: 3076: 3075: 3066: 3056: 3054: 3044: 3037: 3002: 2998: 2963: 2954: 2944: 2942: 2927: 2923: 2914:"Tech Tweets". 2913: 2912: 2908: 2895: 2891: 2881: 2879: 2864: 2860: 2850: 2848: 2835: 2834: 2830: 2820: 2818: 2811:rabbitears.info 2805: 2804: 2800: 2794:Wayback Machine 2785: 2781: 2771: 2769: 2754: 2750: 2740: 2738: 2731:Echelon Studios 2725: 2724: 2720: 2710: 2708: 2693: 2689: 2679: 2677: 2668: 2667: 2660: 2650: 2648: 2636: 2632: 2622: 2620: 2611: 2610: 2606: 2596: 2594: 2582: 2578: 2568: 2566: 2547: 2543: 2533: 2531: 2516: 2512: 2502: 2500: 2483: 2479: 2469: 2467: 2450: 2443: 2433: 2431: 2414: 2410: 2400: 2398: 2381: 2377: 2367: 2365: 2354: 2350: 2340: 2338: 2327: 2320: 2310: 2308: 2297: 2293: 2283: 2281: 2270: 2266: 2256: 2254: 2239: 2235: 2204: 2200: 2190: 2188: 2171: 2167: 2162:Wayback Machine 2153: 2149: 2142: 2128: 2124: 2114: 2112: 2103: 2102: 2098: 2088: 2086: 2073: 2072: 2068: 2058: 2056: 2041: 2037: 2027: 2025: 2012: 2011: 2007: 1997: 1995: 1982: 1981: 1977: 1967: 1965: 1948: 1944: 1934: 1932: 1919: 1918: 1914: 1904: 1902: 1887: 1845: 1841: 1831: 1829: 1816: 1815: 1811: 1801: 1799: 1786: 1785: 1781: 1768: 1761: 1751: 1749: 1736: 1735: 1731: 1721: 1719: 1702: 1698: 1688:Wayback Machine 1679: 1675: 1665: 1663: 1662:on 11 June 2008 1654: 1653: 1649: 1640: 1636: 1625: 1621: 1610: 1606: 1595: 1591: 1582: 1578: 1568: 1566: 1553: 1552: 1545: 1540:Wayback Machine 1531: 1525: 1524: 1520: 1510: 1508: 1499: 1498: 1494: 1484: 1482: 1469: 1468: 1464: 1454: 1452: 1437: 1433: 1423: 1421: 1412: 1408: 1398: 1396: 1379: 1368: 1358: 1356: 1341: 1337: 1327: 1325: 1310: 1306: 1296: 1294: 1288: 1284: 1274: 1272: 1259: 1258: 1251: 1246: 1223:Music on demand 1218:Direct-to-video 1205:Internet portal 1203: 1196: 1193: 1134:Movies Anywhere 1114:Samsung TV Plus 1082: 1069: 958: 947: 941: 938: 927: 914: 910: 903: 855:Disney+ Hotstar 800: 798:Streaming media 790: 749:on PVOD and in 707: 682: 677: 653:streaming media 642: 630:Gordon H. Smith 390:Cambridge Cable 324:Pacific Telesis 238: 227: 221:Streaming media 217: 160: 103:Streaming media 38:Video on demand 35: 28: 23: 22: 18:Video streaming 15: 12: 11: 5: 5218: 5208: 5207: 5190: 5189: 5187: 5186: 5181: 5176: 5170: 5168: 5164: 5163: 5161: 5160: 5155: 5150: 5145: 5140: 5135: 5130: 5125: 5120: 5115: 5110: 5105: 5100: 5095: 5093:Redbox Instant 5090: 5085: 5080: 5075: 5070: 5065: 5060: 5055: 5050: 5045: 5040: 5035: 5030: 5025: 5020: 5015: 5010: 5005: 5000: 4995: 4990: 4985: 4980: 4975: 4970: 4965: 4960: 4955: 4950: 4945: 4939: 4937: 4933: 4932: 4930: 4929: 4924: 4919: 4914: 4909: 4904: 4899: 4894: 4889: 4884: 4879: 4874: 4869: 4864: 4859: 4854: 4849: 4844: 4839: 4834: 4829: 4823: 4821: 4815: 4814: 4812: 4811: 4806: 4804:UFC Fight Pass 4801: 4796: 4791: 4786: 4781: 4776: 4771: 4766: 4761: 4756: 4751: 4746: 4741: 4736: 4731: 4726: 4721: 4716: 4711: 4710: 4709: 4707:NWA All Access 4699: 4694: 4689: 4684: 4679: 4674: 4669: 4664: 4659: 4654: 4649: 4643: 4641: 4637: 4636: 4634: 4633: 4628: 4623: 4618: 4613: 4608: 4606:Nintendo eShop 4603: 4598: 4593: 4588: 4583: 4578: 4573: 4567: 4565: 4557: 4556: 4554: 4553: 4548: 4543: 4538: 4533: 4528: 4523: 4518: 4513: 4508: 4503: 4498: 4493: 4488: 4483: 4478: 4473: 4472: 4471: 4461: 4456: 4451: 4446: 4441: 4436: 4431: 4426: 4421: 4416: 4411: 4406: 4401: 4396: 4391: 4386: 4381: 4376: 4371: 4366: 4361: 4356: 4351: 4346: 4341: 4336: 4331: 4326: 4321: 4316: 4311: 4306: 4301: 4296: 4291: 4286: 4281: 4276: 4271: 4266: 4261: 4256: 4251: 4246: 4244:Lemino Premium 4241: 4236: 4231: 4226: 4221: 4216: 4211: 4206: 4201: 4196: 4195: 4194: 4189: 4179: 4174: 4169: 4164: 4159: 4154: 4149: 4144: 4139: 4134: 4129: 4124: 4123: 4122: 4117: 4107: 4102: 4097: 4092: 4087: 4082: 4077: 4072: 4067: 4062: 4057: 4052: 4047: 4042: 4037: 4032: 4027: 4022: 4017: 4012: 4007: 4002: 3997: 3992: 3987: 3982: 3977: 3972: 3967: 3962: 3957: 3951: 3949: 3941: 3940: 3938: 3937: 3932: 3931: 3930: 3920: 3915: 3910: 3905: 3900: 3895: 3890: 3885: 3880: 3875: 3870: 3865: 3860: 3855: 3850: 3845: 3840: 3835: 3830: 3825: 3820: 3815: 3810: 3805: 3800: 3795: 3790: 3785: 3780: 3775: 3770: 3765: 3760: 3755: 3750: 3745: 3740: 3735: 3730: 3725: 3720: 3715: 3710: 3705: 3700: 3695: 3690: 3685: 3680: 3675: 3670: 3665: 3660: 3655: 3650: 3645: 3640: 3635: 3630: 3625: 3620: 3615: 3610: 3605: 3600: 3598:Globoplay Free 3595: 3590: 3585: 3583:Facebook Watch 3580: 3575: 3570: 3565: 3560: 3555: 3550: 3545: 3540: 3535: 3533:Amazon Freevee 3530: 3525: 3520: 3515: 3510: 3505: 3499: 3497: 3489: 3488: 3486: 3485: 3480: 3475: 3469: 3466: 3465: 3457: 3456: 3449: 3442: 3434: 3428: 3427: 3419: 3411: 3401:on 27 May 2024 3391: 3388: 3382: 3356: 3332: 3312: 3290: 3277: 3264: 3250: 3240:(3): 260–284. 3221: 3218: 3215: 3214: 3200:10400.14/33147 3162: 3120: 3094: 3064: 3046:Adgate, Brad. 3035: 2996: 2977:(1–2): 50–67. 2952: 2921: 2906: 2889: 2858: 2828: 2798: 2779: 2748: 2718: 2687: 2658: 2645:S&P Global 2630: 2604: 2576: 2559:The Trade Desk 2541: 2510: 2477: 2441: 2408: 2375: 2348: 2329:Kehoe, Keith. 2318: 2291: 2264: 2233: 2198: 2165: 2147: 2141:978-1593157203 2140: 2122: 2096: 2066: 2035: 2005: 1975: 1942: 1912: 1885: 1839: 1809: 1779: 1776:. p. E01. 1759: 1729: 1696: 1673: 1647: 1634: 1631:. p. 233. 1619: 1604: 1589: 1576: 1543: 1518: 1492: 1462: 1431: 1406: 1366: 1335: 1304: 1282: 1248: 1247: 1245: 1242: 1241: 1240: 1235: 1230: 1225: 1220: 1215: 1209: 1208: 1192: 1189: 1118:Amazon Freevee 1081: 1078: 1068: 1065: 960: 959: 924:of the subject 922:worldwide view 917: 915: 908: 902: 899: 789: 786: 770:Premier Access 747:simultaneously 745:were released 712:movie theaters 706: 703: 693:Store and the 681: 678: 676: 673: 667:problems from 665:net neutrality 641: 638: 571:remote control 216: 213: 159: 156: 26: 9: 6: 4: 3: 2: 5217: 5206: 5203: 5202: 5200: 5185: 5182: 5180: 5177: 5175: 5172: 5171: 5169: 5165: 5159: 5158:Yahoo! Screen 5156: 5154: 5151: 5149: 5146: 5144: 5141: 5139: 5136: 5134: 5131: 5129: 5126: 5124: 5121: 5119: 5116: 5114: 5111: 5109: 5108:Sky On Demand 5106: 5104: 5101: 5099: 5096: 5094: 5091: 5089: 5086: 5084: 5081: 5079: 5076: 5074: 5071: 5069: 5066: 5064: 5061: 5059: 5056: 5054: 5051: 5049: 5046: 5044: 5041: 5039: 5036: 5034: 5031: 5029: 5026: 5024: 5021: 5019: 5016: 5014: 5011: 5009: 5006: 5004: 5001: 4999: 4996: 4994: 4991: 4989: 4986: 4984: 4981: 4979: 4976: 4974: 4973:Disney Deluxe 4971: 4969: 4966: 4964: 4961: 4959: 4956: 4954: 4951: 4949: 4946: 4944: 4941: 4940: 4938: 4934: 4928: 4925: 4923: 4920: 4918: 4915: 4913: 4910: 4908: 4905: 4903: 4900: 4898: 4895: 4893: 4890: 4888: 4885: 4883: 4880: 4878: 4875: 4873: 4870: 4868: 4865: 4863: 4860: 4858: 4855: 4853: 4850: 4848: 4845: 4843: 4840: 4838: 4835: 4833: 4830: 4828: 4825: 4824: 4822: 4820: 4819:TV Everywhere 4816: 4810: 4807: 4805: 4802: 4800: 4797: 4795: 4792: 4790: 4789:Sportsnet Now 4787: 4785: 4784:Sky Sport Now 4782: 4780: 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View 1038:WWE Network 1014:AT&T TV 883:Crunchyroll 695:Google Play 671:providers. 580:cable modem 539:, in 2002. 470:Sky Anytime 441:Home Choice 272:Laservision 77:set-top box 5113:Sky Select 4998:Funimation 4988:DramaFever 4852:CNN TV app 4799:TSN Direct 4794:Stan Sport 4724:Honor Club 4702:Triller TV 4611:Rakuten TV 4364:Shahid VIP 4344:Paramount+ 4224:Hulu Japan 4172:GagaOOLala 4167:Foxtel Now 4162:Fox Nation 4152:Floatplane 4105:Discovery+ 4100:DailyWire+ 4020:BBC Select 3788:STV Player 3723:RTÉ Player 3708:Pop Player 3613:Ici TOU.TV 3143:: 98–113. 2882:8 December 2772:9 December 2534:3 November 2368:9 December 2341:9 December 2257:1 November 2214:(3): 209. 2191:13 January 1968:13 January 1960:. 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