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347:, are included within specific rooms to which is one of the reasons why the Via Latina catacombs are special. Every room is typically denoted with a letter to help with organization of the different rooms and artworks. Room N is decorated of entirely paintings of the pagan hero Hercules The paintings show Hercules as a hero or savior. There is also said to be a focus on the after-life and life after death in Room N. For many of the other rooms, the subject matter is primarily Christian art, depicting images of both the
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paintings. It is unknown whether the catacombs were built as one big master plan or if it was built in stages. The catacombs consist of many separate rooms all connected by a series of corridors. To organize the excavation, each room was given a letter to symbolize where it was located and what art work was depicted inside. The excavation of the catacombs took place in four stages starting with the stairways and finishing with the 3 corridors and their adjoining rooms.
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are tombs over a short stretch of the road just outside Rome. Above ground they are largely reconstructed, but the underground chambers survived. They are now in an "archaeological park". They are not to be confused with the small
Christian Via Latina Catacomb, only rediscovered in 1955, with many
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was founded in 334 BC and must have been accessible from Rome by road, whereas the Via Appia was made only twenty-two years later. It follows, too, a far more natural line of communication, without the engineering difficulties that the arrow-straight Via Appia had to overcome. As a through-route, it
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in the background receiving a message from above. The style of the art work is similar throughout every room in the catacombs, meaning that all of the artworks were produced by one person or a group of people who used the same style and technique.
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and the junction with the Via Appia. The distance from Rome to
Casilinum was 129 Roman miles by the Via Appia, 135 Roman miles by the old Via Latina through Venafrum, 126 Roman miles by the shortcut past Rufrae (now
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artwork. It is unknown whether this tomb belonged to a specific family or a fraternity. The art fills every room in the catacombs. The catacombs were excavated in 1955 and published officially in 1962.
355:. Notable art scenes depicted are the Flood Scene, Abraham's vision of the Three Angels under the Oak of Mamre, Crossing of the Red Sea, and the Ascension of Elijah and the Good Shepherd.
628:
Grabar, A. (1969). Early
Christian art; from the rise of Christianity to the Death of Theodosius. (Arts of mankind ; v. 9). New York: Odyssey Press, pp. 225-236.
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362:, is one of the many religious stories told on the walls of the catacombs. Viewers can see the figure assumed to be
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along the line taken by the modern highroad and railway. The two lines rejoined near the present railway station of
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565:
Dulaey, Martine. 2011. "Imagery and the
Fathers of the Church: About the Cubiculum F in the Via Latina Catacomb."
524:
627:
581:
Die neue
Katakombe an der via Latina in Rom. Untersuchungen zur Ikonographie der alttestamentlichen Wandmalerei.
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271:). Considerable remains of the road exist in the neighborhood of Rome; for the first 40 Roman miles, as far as
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235:
After the disorders of the civil wars, the via Latina was repaired by a group of prominent Romans, including
307:, compared to other Roman catacombs, were recently discovered. The artwork within the catacombs is from the
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216:, and the original road and, instead of traversing it, turned abruptly northeast over the mountains to
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478:, The Via Latina Catacomb: imitation and discontinuity in fourth-century Roman painting. pg.7-12.
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Each room inside the catacombs has a different painting or subject depicted on the walls.
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Tibullus, Book I, Elegy 7; see George McCracken, "Tibullus, Messalla and the via Latina"
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raising a man from the dead as his disciples watch with intent. Viewers may also notice
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Snyder, H. Gregory. 2011. A Second-Century
Christian Inscription from the Via Latina."
209:
633:
Journal article about the art of
Hercules and Alcestis within the Via Latina catacombs
603:
The Via Latina
Catacomb: Imitation and Discontinuity in Fourth-Century Roman Painting.
311:. The art in the tomb is dated back to the 4th century. These particular catacombs in
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138:; it was important in the early military history of Rome. It must have preceded the
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445:. Vol. 16 (11th ed.). Cambridge University Press. pp. 243–244.
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Berg, Beverly. 1994. "Alcestis and
Hercules in the Catacomb of Via Latina."
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After their junction, the Via Latina continued to follow the valley of the
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In later times, however, there was in all probability a shortcut by
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Vigiliae
Christianae: A Review of Early Christian Life and Language
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This article incorporates text from a publication now in the
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The Unknown Catacomb: A Unique Discovery of Early Christian Art.
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Wall painting in the Catacomb of the Via Latina, 4th century.
155:, though the latter may have been preferred in later times.
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40:
220:, thus giving a direct communication with the interior of
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University Park: Pennsylvania State University Press.
168:), following a line taken by the modern railway to
239:; the work was under way in 27 BC, at the time of
300:Resurrection of Lazarus, Catacombs of Via Latina.
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489:, Early Christian Art, André Grabar, 1896-1990.
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576:New Lanark, Scotland: Geddes & Grosset.
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31:Via Latina in a red colour from an 1886 map
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579:Kötzsche-Breitenbruch, Lieselotte. 1979.
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262:, where there was the crossing of the
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449:Papers of the British School at Rome
447:Ashby cites his own contribution to
391:Early Christian art and architecture
146:, in as much as the Latin colony at
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596:Journal of Early Christian Studies
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462:The American Journal of Philology
339:fill the vast majority of rooms.
237:Marcus Valerius Messalla Corvinus
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511:, New York Times Article, 1987.
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549:Resources in other libraries
358:The photo on the right, the
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343:art, specifically the hero
305:The Catacombs of Via Latina
10:
1208:
212:and the volcanic group of
200:, and then passed through
180:(where it joined with the
114:for about 200 kilometers.
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675:
544:Resources in your library
110:, running southeast from
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66:
61:
51:
36:
24:
315:, depict images of both
292:Artwork of the Catacombs
172:, and passing below the
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102:for "Latin Road") was a
1192:Rome Q. IX Appio-Latino
768:Via Asturica Burdigalam
601:Tronzo, William. 1986.
572:Ferrua, Antonio. 1991.
467:.4 (1932), pp. 344-352.
442:Encyclopædia Britannica
360:Resurrection of Lazarus
583:MĂĽnster: Aschendorff,
301:
254:, and the road ran to
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91:
796:Via Bracara Asturicam
451:, iv. 1 sq., v. 1 sq.
299:
258:and Cales, and so to
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1182:Roman roads in Italy
782:Via Augusta Pretoria
624:at Wikimedia Commons
831:Via Claudia Augusta
285:Tombs of Via Latina
279:Tombs and Catacombs
174:Hernican hill-towns
21:
16:Roman road of Italy
894:Strata Diocletiana
691:Via Aemilia Scauri
598:19, no. 2: 157–95.
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273:Compitum Anagninum
192:, and others. At
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19:
1169:
1168:
971:Via Julia Augusta
620:Media related to
589:978-3-402-07077-2
567:Antiquité Tardive
562:48, no.3: 219–34.
525:Library resources
386:Catacombs of Rome
331:stories from the
196:, it crossed the
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1104:Via Traiana Nova
852:Via Confluentana
838:Via Claudia Nova
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134:to the pass of
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381:Valle Latina
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224:by roads to
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153:Via Labicana
124:Porta Latina
121:
95:
93:
1149:By province
1118:Via Valeria
1097:Via Traiana
1076:Via Salaria
1041:Via Popilia
1034:Via Pontica
950:Via Gallica
915:Via Egnatia
901:Via Domitia
866:Via Corsica
817:Via Campana
789:Via Aurelia
775:Via Augusta
705:Via Amerina
698:Via Agrippa
684:Via Aemilia
669:Roman roads
433:Latina, Via
313:Rome, Italy
166:River Sacco
1176:Categories
1069:Via Regina
985:Via Latina
957:Via Gemina
943:Via Flavia
929:Via Flacca
887:Via Devana
845:Via Clodia
824:Via Cassia
712:Via Anicia
622:Via Latina
569:19: 47–62.
530:Via Latina
397:References
269:Presenzano
252:Caianiello
104:Roman road
96:Via Latina
56:Roman road
20:Via Latina
1156:Britannia
1139:Via XVIII
1006:Via Maris
873:Via Decia
726:Via Appia
719:Via Annia
431:(1911). "
329:Christian
321:Christian
260:Casilinum
243:' elegy.
210:Apennines
194:Fregellae
190:Frosinone
186:Ferentino
140:Via Appia
45:Benevento
375:See also
351:and the
345:Hercules
335:and the
264:Volturno
241:Tibullus
144:Campania
37:Location
1187:Samnium
676:By road
439:(ed.).
426::
226:Isernia
222:Samnium
218:Venafro
206:Cassino
126:in the
77:Periods
67:Builder
62:History
47:, Italy
1161:Judaea
587:
527:about
435:". In
420:
256:Teanum
248:Rufrae
230:Telese
202:Aquino
178:Anagni
170:Naples
161:Trerus
368:Moses
364:Jesus
341:Pagan
317:pagan
148:Cales
118:Route
108:Italy
100:Latin
585:ISBN
319:and
283:The
228:and
204:and
198:Liri
132:Rome
112:Rome
94:The
52:Type
41:Rome
184:),
130:of
106:of
43:to
1178::
465:53
405:^
232:.
188:,
176:,
661:e
654:t
647:v
591:.
164:(
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