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artistic output; a piece which covers plenty of ground through well-paced ascending and descending passages which directly maintain a strict sense of cohesion that renders running times redundant." However, Currin stated that, "The distended build that opens the 19-minute 'Vicarious
Redemption' demands an edit that it doesn't get; as is, some of the heaviest and best moments on the record, when the septet works in perfectly combustible unity, get diluted by the deep slog that surrounds them."
342:
of "Passing
Through" for the website Off The Record. The acoustic version was recorded live and outside during a snowstorm in Finland. Johannes Persson said of this recording, "Halfway through the first take, my fingers went numb. It was freezing cold and that was actually the wind and snow that you hear in the video; there were no sound effects. The snow fell so hard that the bell instrument was almost muted and you could barely hear it."
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1168:, but scrapped the idea because, as Persson puts it, "double albums are hard, as it's hard to maintain a consistent quality." The band's idea then was to release a few additional tracks shortly after the release of the studio album as a continuation – a plan that was kept secret from both their fans and record label until the EP's masters were almost completed.
286:— a landmark film in German Expressionism. Cult of Luna drummer and percussionist Thomas Hedlund commented on the band's interest in the film, stating: "We wanted to find a contrast to the previous albums. They were more rural, earthy and organic in a way. This time we wanted to explore the city; the machinery that is a society.
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to play out the way they're supposed to, as is the case with the 18-and-a-half-minute epic 'Vicarious
Redemption,' which seems to grow exponentially as it slowly plods toward its conclusion." Brown called the song an "intimidating centerpiece," but also that it, "may be the pinnacle of Cult of Luna's
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on the guitars, the drums parts had the cymbals recorded separately, and the band recorded the sounds of, "hitting metal rods and ladders and stairways cutting them up like beats." For the first time in Cult of Luna's career, keyboards and electronics became an integral part of the writing process,
1171:
The remix of "Vicarious
Redemption" by Justin Broadrick was not originally a part of the EP. Cult of Luna's record label pressured them to include a remix on the release. The band caved into the label's demands and asked them to get Broadrick to remix "Vicarious Redemption" out of spite because, at
341:
in
February 2013, the band released a music video for the song "Passing Through". The video was directed by Markus Lundqvist and filmed in a hospital in Sweden that closed in the 1960s, "where the mentally ill were routinely castrated and lobotomized." Cult of Luna also recorded an acoustic version
290:
dealt with questions about belonging, the need for a change, human vs. machines, love. All of which were topics that we found inspiring in the making of this album." Speaking on the importance of having a conceptual theme for an album, Persson said, "I think one important aspect of artistic work is
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five years prior in 2008. The band cited the fact that all members were living in different cities, had busy lives with their own families and jobs, and not being signed to record label at the time as various reasons for this long gap. Ultimately and retrospectively, Cult of Luna guitarist
Johannes
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almost 19-minutes long, it was the most difficult song to work with. Persson, who said he believes remixes to be a "waste of time," said
Broadrick was chosen because he is "one of the few people I'd trust with a remix," and later praised his work on this song as an "amazing way of doing a remix."
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Persson said this additional time was beneficial for the writing process. He said, "we didn't rush into anything, and we wrote a whole lot of different songs of which not all of them made it into the recording process. We could actually choose songs that would be working toward the goal we had."
224:
s conceptual theme, sound and imagery. Thematically, the album features ideas of cities, machinery, and factories, and it was also noted for incorporating a heavier focus on keyboards and electronic elements than on previous Cult of Luna albums. The writing sessions were particularly fruitful,
253:
When the members of Cult of Luna decided they officially wanted to start working on a new album, they began messaging each other ideas of what they wanted it to sound like using books, films and photographs for inspiration. Cult of Luna first noted that their two previous albums,
294:
Cult of Luna did not begin composing music until this concept was solidified. Persson said that having this clear direction in place made the writing process easier and noticed there were fewer arguments between the band members. The band has stated that
1160:, we complete and end a chapter that, for the last few years, have been a big part of our lives. Now we leave the inner city and look up into the vast void above." At one point in the writing process, Cult of Luna considered releasing
195:, and in the US on January 29, 2013 on CD through Density Records and on vinyl through Back on Black. To promote the album, Cult of Luna released the song "I: The Weapon" for online streaming prior to the release of
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is an interesting and accomplished hybrid, but it isn't perfect. In fact, it works best on a track-by track basis, though the record clearly aims to be its own holistic, all-encompassing universe."
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of the 1920s, in addition to compiling a list of ideas for how including: industrial, factory, monotone, repetitive, harsh and grey. One idea that prominently popped up during these discussions was
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s sonic themes include "machinery, repetition and clear, linear structures." Cult of Luna also wanted to achieve a more "static" sound on the album. To do this, the band recorded with more
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gave the album an average to low review of 6.8 out of 10 citing issues with sequencing and transitions between songs, and the length of some songs and the album as a whole. He said, "
199:, and released a music video for the song "Passing Through" in February 2013. The album was critically acclaimed upon release and earned an average score of 85 based on 10 reviews at
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is a testament to the abilities of this
Swedish collective; a band who have now earned their place as one of the most essential in progressive metal." However, Grayson Currin of
669:, Gregory Heaney gave the album 4.5 out of 5 stars and said that, "While Cult of Luna have always been an impressive band, the solid construction and merciless execution of
662:, which assigns a normalized rating out of 100 to reviews from critics, the album received an average score of 85, which indicates "universal acclaim", based on 10 reviews.
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gave the album a 9/10 and said that, "The fact that after six full-length LPs Cult of Luna can still deliver an opus as challenging, engrossing and intricately layered as
361:. This tour marked the first time the band had toured in the United States since 2005 — at which point the band was touring in support of their third studio album,
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s almost-19-minute track, "Vicarious
Redemption." Heaney wrote, "Confident in their craft, the bandmembers are careful never to rush things, allowing the songs on
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is seen as a continuation and completion of the band's "journey into the harshness of the monotone city landscape" that began with its early-2013 studio album,
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is chillingly futuristic and its quasi-industrial stance is almost
Teutonic sounding; much like the aural equivalent of its stark artwork." Jordan Mainzer of
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having boundaries and limits. I think many people do themselves a disservice by working too freely, as then you don't challenge yourself – anything can go."
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with the amount of material they had written, but instead released three additional songs that were written during these sessions (but not yet recorded) as
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s theme, man versus machine, in a contemporary setting. If Lang's film portrayed man operating in clocklike motion, battling, succumbing to the machine,
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is reminiscent of the austere atmosphere of the expressionist film that forms its muse, and the Swedish septet have more than succeeded in doing so.
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349:, Cult of Luna embarked on a January–May 2013 European tour. In September/October 2013, Cult of Luna toured North America, co-headlined with
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In December 2012, Cult of Luna made the song "I: The Weapon" available for online streaming to help promote the album. After the release of
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leaving the band with a large collection of songs to choose from for the album. As a result, the band released the companion EP,
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sessions, but not recorded. The CD and digital versions of the EP also feature a remix of "Vicarious Redemption" (originally on
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suggests that man has conquered it by taking control and using it to explore and communicate his emotions." Raziq Rauf of the
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were generally well received. Brown said that, "Cult of Luna have been laborious in their attempt to ensure that the music of
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gave the album a positive review and said, "With a concept loosely based upon Fritz Lang's dystopian science fiction film,
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gave the album a three-and-a-half out of five stars and said, "on a conceptual level, the dubstep beat transposes
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marks the longest period of time between studio albums in Cult of Luna's history; the band last released
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268:. Common themes that arose out of the exchange of media for inspiration included
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1664:"Vertikal – Cult of Luna : Songs, Reviews, Credits, Awards : AllMusic"
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191:(2008). The album was released in Europe on January 25, 2013 through
1557:"Interview with Johannes Persson from Cult Of Luna: Passing Through"
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Cult of Luna performing live in the Netherlands on November 1, 2013.
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1522:"Cult Of Luna Release Icy, Melancholic Video For 'Passing Through'"
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During the writing process, Cult of Luna was heavily influenced by
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that was released on September 17, 2013 through Density Records/
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1627:"Cult of Luna Unveil 'Vertikal II' Release Details + Fall Tour"
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makes for an incredible listening experience. Dean Brown of
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Green, Nick (February 2013). "Cult of Luna, Vertikal".
1585:"Cult of Luna welcomes 'Vertikal' (stream it in full)"
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The album was generally well received critically. At
1908:"Cult of Luna to Release 'Vertikal II' In September"
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1279:"Cult of Luna: New Song Available For Streaming"
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185:and is also the band's first studio album since
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1778:. No. 1450. 26 January 2013. p. 55.
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1890:"Album Review – Cult of Luna – Vertikal"
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950:Johannes Persson – guitar and vocals
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1857:Jordan Mainzer (24 February 2013).
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16:2013 studio album by Cult of Luna
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1744:Pratt, Greg (January 29, 2013).
1426:"14 Questions with Cult of Luna"
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2040:Somewhere Along the Highway
1772:"Cult of Luna – Vertikal".
1467:. Team Rock. Archived from
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1190:"Vicarious Redemption"
1187:"Shun the Mask" – 11:58
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790:"Vicarious Redemption"
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901:"The Flow Reversed"
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1896:. 24 January 2013.
1595:. January 24, 2013
1501:. December 3, 2012
1316:"Vertikal Reviews"
1291:. December 3, 2012
1289:Roadrunner Records
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2093:
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2087:
2086:
2084:
2083:
2076:
2073:A Dawn to Fear
2069:
2057:
2050:
2043:
2036:
2029:
2022:
2014:
2012:
2008:
2007:
2000:
1999:
1992:
1985:
1977:
1970:
1969:
1931:
1899:
1881:
1868:Slant Magazine
1846:
1818:
1781:
1764:
1736:
1733:(100): 90, 92.
1719:
1680:
1649:
1606:
1589:Brooklyn Vegan
1576:
1540:
1512:
1495:Brooklyn Vegan
1482:
1442:
1416:
1383:
1371:ATTN: Magazine
1338:
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710:Slant Magazine
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587:Slant Magazine
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345:In support of
326:
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24:
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2164:
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2157:
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2141:
2138:
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2135:
2131:
2125:
2124:
2123:Fire Was Born
2120:
2119:
2117:
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2100:
2099:
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2037:
2035:
2034:
2030:
2028:
2027:
2023:
2021:
2020:
2016:
2015:
2013:
2011:Studio albums
2009:
2005:
1998:
1993:
1991:
1986:
1984:
1979:
1978:
1975:
1958:
1954:
1953:
1948:
1942:
1940:
1938:
1936:
1919:
1915:
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1565:. Arts Weekly
1564:
1563:
1558:
1551:
1549:
1547:
1545:
1529:
1528:
1523:
1516:
1500:
1496:
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1471:on 2013-09-12
1470:
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1216:
1213:
1210:
1207:
1206:
1195:
1189:
1186:
1183:
1180:
1179:
1176:Track listing
1173:
1169:
1167:
1163:
1159:
1155:
1151:
1147:
1145:
1141:
1137:
1133:
1129:
1125:
1121:
1117:
1113:
1112:
1097:
1096:
1092:
1088:
1087:
1083:
1079:
1078:
1074:
1073:
1069:
1065:
1061:
1057:
1055:
1051:
1048:
1045:
1043:
1039:
1027:
1023:
1012:
1008:
1004:
999:
995:
991:
986:
981:
976:
968:
965:
964:
960:
959:
956:
952:
949:
946:
944:
940:
937:
934:
931:
930:
926:
925:
913:
910:Total length:
907:
903:
900:
896:
883:
879:
878:
868:
865:Total length:
862:
858:
855:
851:
847:
844:
840:
836:
834:"Disharmonia"
833:
829:
825:
822:
818:
814:
811:
807:
803:
800:
796:
792:
789:
785:
781:
778:
774:
770:
767:
763:
750:
744:Track listing
741:
738:
734:
729:
727:
723:
719:
715:
711:
707:
703:
699:
695:
690:
688:
684:
680:
676:
672:
668:
663:
661:
625:
622:
621:
591:
589:
588:
584:
583:
553:
551:
550:
546:
545:
541:
539:
538:
534:
533:
529:
527:
526:
522:
521:
491:
489:
488:
484:
483:
479:
477:
476:
472:
471:
467:
465:
462:
461:
457:
455:
452:
451:
421:
419:
416:
415:
407:
404:Review scores
402:
398:
396:
393:
392:
384:
379:
368:
366:
365:
360:
356:
352:
348:
343:
340:
331:
322:
320:
319:
314:
310:
305:
302:
298:
292:
289:
285:
284:
280:'s 1927 film
279:
275:
271:
267:
263:
259:
258:
251:
248:
247:
242:
232:
230:
229:
223:
219:
218:
214:'s 1927 film
213:
208:
206:
202:
198:
194:
190:
189:
184:
180:
176:
175:
160:
159:
155:
151:
150:
146:
142:
141:
137:
136:
132:
128:
124:
120:
118:
114:
111:
108:
106:
102:
90:
86:
83:
79:
76:
74:
70:
66:
62:
51:
47:
43:
38:
34:
30:
25:
20:
2318:
2289:
2288:
2280:
2272:
2266:Music albums
2253:
2245:
2181:
2121:
2115:Video albums
2103:
2098:Cult of Luna
2096:
2078:
2071:
2059:
2053:
2052:
2045:
2038:
2031:
2024:
2019:Cult of Luna
2017:
2004:Cult of Luna
1960:. Retrieved
1950:
1922:. Retrieved
1911:
1902:
1894:Sputnikmusic
1893:
1884:
1872:. Retrieved
1866:
1860:
1837:. Retrieved
1831:
1821:
1809:. Retrieved
1803:
1797:
1773:
1767:
1755:. Retrieved
1749:
1739:
1728:
1722:
1710:. Retrieved
1700:
1694:
1671:. Retrieved
1640:. Retrieved
1630:
1599:November 15,
1597:. Retrieved
1588:
1579:
1567:. Retrieved
1560:
1531:. Retrieved
1525:
1515:
1503:. Retrieved
1494:
1485:
1473:. Retrieved
1469:the original
1464:Metal Hammer
1462:
1435:November 15,
1433:. Retrieved
1429:
1419:
1407:. Retrieved
1402:
1376:November 15,
1374:. Retrieved
1370:
1329:. Retrieved
1319:
1293:. Retrieved
1282:
1254:. Retrieved
1248:
1181:"ORO" – 7:20
1170:
1166:double album
1161:
1157:
1153:
1149:
1148:
1131:
1127:
1120:Cult of Luna
1110:
1109:
1108:
1093:
1085:
1084:
1075:
1064:Cult of Luna
1003:Cult of Luna
974:
927:Band members
876:
875:
736:
732:
730:
725:
717:
713:
705:
701:
697:
693:
691:
686:
678:
670:
665:Writing for
664:
657:
623:Sputnikmusic
585:
547:
535:
523:
485:
473:
362:
346:
344:
338:
336:
316:
313:double album
308:
306:
296:
293:
287:
281:
265:
261:
255:
252:
244:
240:
238:
227:
226:
221:
215:
209:
196:
186:
183:Cult of Luna
173:
172:
171:
156:
148:
147:
138:
127:Cult of Luna
121:Cult of Luna
42:Cult of Luna
37:Studio album
2352:2013 albums
2239:Adaptations
2105:Vertikal II
1962:November 2,
1924:November 2,
1839:February 1,
1811:24 February
1757:February 1,
1712:24 February
1642:November 2,
1569:November 4,
1533:November 4,
1505:December 3,
1475:November 2,
1409:November 5,
1331:November 5,
1295:December 3,
1256:February 1,
1158:Vertikal II
1150:Vertikal II
1111:Vertikal II
1086:Vertikal II
983:Vertikal II
975:Vertikal II
943:engineering
845:"In Awe Of"
801:"The Sweep"
714:Metropolis'
318:Vertikal II
301:downpicking
228:Vertikal II
158:Vertikal II
2341:Categories
2319:Metropolis
2274:S.U.S.A.R.
2247:Metropolis
2218:Characters
2204:1925 novel
2190:Fritz Lang
2182:Metropolis
2026:The Beyond
1632:Noisecreep
1593:Spin Media
1499:Buzz Media
1321:Metacritic
1250:PopMatters
1222:References
1192:(remix by
1116:post-metal
1066:chronology
1017:2013-09-17
726:Metropolis
698:Metropolis
675:PopMatters
660:Metacritic
537:PopMatters
395:Metacritic
288:Metropolis
283:Metropolis
278:Fritz Lang
217:Metropolis
212:Fritz Lang
205:normalized
201:Metacritic
179:post-metal
129:chronology
78:Post-metal
56:2013-01-25
2308:Mekanique
2209:1927 film
2033:Salvation
1702:BBC Music
1203:Personnel
955:keyboards
922:Personnel
768:"The One"
733:Vertikal'
683:Pitchfork
525:Pitchfork
454:BBC Music
371:Reception
364:Salvation
359:Tesseract
355:Intronaut
351:Katatonia
325:Promotion
297:Vertikal'
222:Vertikal'
2290:Vertikal
2054:Vertikal
1952:Allmusic
1861:Vertikal
1833:Revolver
1798:Vertikal
1775:Kerrang!
1751:Exclaim!
1695:Vertikal
1673:June 30,
1162:Vertikal
1154:Vertikal
1144:Godflesh
1132:Vertikal
1128:Vertikal
1077:Vertikal
1054:Producer
1010:Released
1000: by
737:Vertikal
718:Vertikal
706:Vertikal
702:Vertikal
694:Vertikal
687:Vertikal
679:Vertikal
671:Vertikal
667:Allmusic
549:Revolver
487:Kerrang!
475:Exclaim!
458:Positive
418:Allmusic
347:Vertikal
339:Vertikal
309:Vertikal
270:Futurism
266:Vertikal
241:Vertikal
197:Vertikal
174:Vertikal
149:Vertikal
117:Producer
64:Recorded
49:Released
39: by
22:Vertikal
2321:(manga)
2301:Related
2230:Rotwang
2061:Mariner
1874:3 March
1668:Allrovi
1099:(2016)
1095:Mariner
1090:(2013)
1081:(2013)
1015: (
162:(2013)
153:(2013)
144:(2008)
54: (
2293:(2013)
2285:(2005)
2277:(2004)
2064:(with
1198:– 9:38
1146:fame.
1025:Length
893:Length
760:Length
530:6.8/10
412:Rating
409:Source
399:85/100
389:Rating
386:Source
88:Length
2197:Works
2140:Khoma
1164:as a
1134:) by
1118:band
1047:Indie
1042:Label
914:72:26
890:Title
869:65:40
793:18:50
757:Title
311:as a
181:band
110:Indie
105:Label
73:Genre
2188:and
1964:2013
1926:2013
1876:2013
1841:2013
1813:2013
1759:2013
1714:2013
1675:2013
1644:2013
1601:2013
1571:2013
1535:2013
1507:2012
1477:2013
1437:2013
1411:2013
1403:Jump
1378:2013
1333:2013
1297:2012
1258:2013
1142:and
1140:Jesu
904:6:46
859:5:41
848:9:56
837:0:45
826:9:06
815:7:13
804:2:40
782:9:23
771:2:06
542:9/10
480:8/10
468:8/10
357:and
272:and
260:and
2184:by
2090:EPs
1707:BBC
1138:of
898:10.
886:No.
753:No.
722:BBC
2343::
1955:.
1949:.
1934:^
1916:.
1910:.
1892:.
1865:.
1849:^
1830:.
1802:.
1784:^
1748:.
1705:.
1699:.
1683:^
1666:.
1652:^
1635:.
1629:.
1609:^
1591:.
1587:.
1559:.
1543:^
1524:.
1497:.
1493:.
1461:.
1445:^
1428:.
1401:.
1386:^
1369:.
1341:^
1324:.
1318:.
1305:^
1287:.
1281:.
1266:^
1247:.
1229:^
1034:19
1030:35
998:EP
853:9.
842:8.
831:7.
820:6.
809:5.
798:4.
787:3.
776:2.
765:1.
97:40
93:65
80:,
2174:e
2167:t
2160:v
2068:)
1996:e
1989:t
1982:v
1966:.
1928:.
1878:.
1863:"
1843:.
1815:.
1800:"
1761:.
1716:.
1697:"
1677:.
1646:.
1603:.
1573:.
1537:.
1509:.
1479:.
1439:.
1413:.
1380:.
1335:.
1299:.
1260:.
1196:)
1032::
1019:)
95::
58:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
