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255:(resonance of the wood of the instrument) should match the second-highest string, and the main cavity resonance (resonance of the air the instrument contains) should match the third-highest string. On a viola these strings are D and G, respectively. The standard viola is too small to achieve this matchup of string frequency to resonance frequency (unless it has been modified w/ a hole-in-the-heart design).
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Carleen
Hutchins, the American physicist and violin maker, has designed a viola whose principal body resonances are in the same relative positions as those of the violin, but even this instrument has a body length of 510 mm, rather long to hold on the
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Vertical viola. A variation on the viola designed by
Carleen Hutchins as part of the new violin family. The vertical viola is 2.5 inches longer than a standard viola and is held vertically to be played like a cello. Also called an alto
248: in) longer than the regular viola, intended to be played vertically like a cello. (Despite Hutchins's original intention, a few violists have played her viola horizontally.)
262:, of which the vertical viola has been the most successful. Since all of the instruments are designed based on the violin, Hutchins gave the name
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The same design principle was used by
Hutchins to design a complete family of eight stringed instruments, commonly called the
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The standard viola is about as big as can conveniently be played under the chin. The physicist/instrument maker
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Hutchins's instrument has attracted admiration for its power and beauty of tone. The cellist
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Musical
Instruments: History, Technology, and Performance of Instruments of Western Music
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The fundamental acoustic principle underlying the vertical viola is that the main body
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Yo-Yo Ma's recording of Bartók Viola
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Yo-Yo Ma's recording of the Bartók Viola
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Yo-Yo Ma playing the Bartók Viola
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a large viola fitted with a long endpin and held like a cello
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has employed a
Hutchins vertical viola to perform and record
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Campbell, Murray; Greated, Clive A.; Myers, Arnold (2004).
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386:) stems from his apparent dissatisfaction with
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338:. Oxford University Press. p. 254.
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307:. Scarecrow Press. p. 116.
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860:Double bass concerto
364:"The New York Album"
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803:and genres of music
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372:. No. 3. 1995
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99:February 2024
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54:Find sources:
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32:This article
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21:
20:
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1014:Violin octet
994:Stradivarius
875:Cello sonata
870:Viola sonata
830:String octet
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537:Tenor violin
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509:Stroh violin
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374:. Retrieved
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41:Please help
36:verification
33:
984:Jazz violin
926:Nyckelharpa
911:Hurdy-gurdy
815:String trio
759:Double stop
662:Fingerboard
585:Double bass
555:Bass violin
468:Instruments
376:23 February
275:Béla Bartók
264:alto violin
209:alto violin
194:Double bass
130:Alto Violin
127:Other names
896:Arpeggione
786:Scordatura
715:Bow stroke
702:Techniques
692:Tuning peg
682:Sound post
369:Gramophone
285:References
69:newspapers
977:Slap bass
962:Jazz bass
801:Ensembles
781:Pizzicato
774:Bariolage
764:Fingering
754:Harmonics
721:Col legno
687:Tailpiece
320:violin...
253:resonance
1049:Category
1033:Category
972:Big band
931:Pochette
749:Arpeggio
737:Spiccato
647:Chinrest
625:Bass bar
603:Octobass
489:Pochette
271:Yo-Yo Ma
936:Quinton
901:Baryton
792:Vibrato
742:Tremolo
732:Portato
727:Martelé
598:Violone
570:Cellone
243:⁄
83:scholar
1055:Violas
921:Lirone
710:Bowing
672:Scroll
657:F-hole
652:Endpin
642:Bridge
476:Violin
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179:Violin
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989:Rosin
945:Other
617:Parts
547:Cello
519:Viola
221:cello
217:viola
189:Cello
184:Viola
90:JSTOR
76:books
999:Viol
635:Frog
378:2024
351:arm.
340:ISBN
309:ISBN
203:The
62:news
667:Nut
630:Bow
277:'s
211:or
45:by
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