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Veera (1994 film)

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625:. As it depicts Devi having formed Muthu's name (முத்து) by arranging thousands of lamps, 20,000 lamps were made to glow simultaneously. Krissna decided to use chimney lamps that stopped the wind from extinguishing the lights. The song had to be filmed from above to emphasise the glowing lamps while Devi "should appear as a mere spot in the middle of gigantic lamps", so Prakash went to a tower that stood about 200 feet (61 m) away from the actual spot so the camera could zoom in and out for best results. Krissna described it as "one of the most strenuous and painstakingly shot sequences" in his career. Rajinikanth and Anand did not rehearse the fight sequence in which Muthu and Harichandran jump towards each other, then fall to the ground with their hands interlocked; they watched the stuntmen perform and followed their instructions. Rajinikanth performed all of his stunts without using a 618:. After the first day's filming, Krissna was unhappy because the location did not provide him with the expected quality. The crew returned to Madras and filmed the song at Raghavendra Kalyana Mandapam and at a house at AVM Studios. The song "Konji Konji" was filmed at Narada Gana Sabha, Madras. Because the song that depicts Muthu performing on stage "didn't lend itself to anything vibrant", Krissna intercut it with scenes in which Roopa visualises Muthu in various outfits and begins to find him attractive. According to Krissna, this was a chance to show Muthu in a variety of costumes because he is only shown wearing a simple white shirt and black trousers until the song begins, and would not change his clothing and appearance until much later in the film. Krissna decided to "let the audience get a glimpse of how would look later on in the film" through this song. 538:
than the Telugu original, and it was established that the protagonist Muthuveerappan (Muthu) is a pious person who married twice due to circumstances beyond his control. He differentiated Muthu from the original's protagonist, saying although circumstances drive him to another woman (Roopa), Muthu's feelings for his first wife Devi are sincere, he has not forgotten her and is forced by his mother into marrying Roopa.
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kidnapped by Harichandran's men. Muthu subdues Harichandran and Chandran, who are arrested. Muthu's wives reconcile with him but not with each other. Muthu's mother persuades him to leave Madras and return to Karamadai. When he, his mother and Ravikanth enter Muthu's house, they find Devi, Roopa and Viswanathan already there. Devi and Roopa take a bag each from Muthu then flounce off in opposite directions.
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Roopa from going there but fails. Roopa arrives at the temple; Ravikanth helps Muthu to hide his marriage to Devi from Roopa and vice versa. When Roopa sees her husband leaving with Devi, Ravikanth lies that Muthu and Veera are different men. As a result, Muthu is forced to live a double life as Devi's husband Muthu and as Roopa's husband Veera.
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the situation. Rajinikanth and other crew members expressed similar views. On returning to Madras, Krissna told Ilaiyaraaja the duet's tune did not suit the situation; Ilaiyaraaja was angry with Krissna but a few hours later, he replaced the duet with other tunes. The audio launch was held at Raghavendra Kalyana Mandapam.
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with Ravikanth, and wins the prize money. Muthu returns to Karamadai and repays the loan, clearing his mother's debt. He learns Devi's house had been destroyed by a flood; the bodies of Devi and her father were not found. With Devi presumed dead, Muthu's mother tells him to return to Madras so that he can start afresh.
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initially refuses because he misses Devi but his mother persuades him to marry her. After her marriage, Roopa and Viswanathan go to the United States as the latter needs a heart surgery there. One day, at his recording studio, Muthu finds Devi alive and well. She survived the flood but was left with
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player Ravikanth, who gives him the stage name Veera. Both make repeated attempts to enter the competition but are unsuccessful. Muthu saves the competition promoter's owner Viswanathan's daughter Roopakala from Harichandran, a gangster. With Roopa's help, Muthu is able to perform at the competition
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and Panchu Arunachalam. It is the last Rajinikanth film for which Ilaiyaraaja composed music. The soundtrack album was released on the label Pyramid Music. During the filming schedule at Rajahmundry, Ilaiyaraaja had composed a duet and sent it to Krissna, who liked the song but felt it did not suit
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this official, Rathnavelu, son of the village landlord, tries to rape Devi. Muthu saves her by subduing Rathnavelu. Enraged, the landlord insults Muthu's mother, tells her about a loan owed to him by Muthu's late father and threatens to evict her if the loan is not paid within a week. Muthu goes to
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that was 100 ft × 200 ft (30 m × 61 m); a rope was attached to a pulley, one side of which was attached to Mani's waist. He was made to hang horizontally from it, with his face and hands turned towards the floor; completing the task took him two days and two nights. A
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After Roopa and Viswanathan return, Muthu tries to tell Roopa about Devi but decides not to after she tells him about how her friend, at Roopa's suggestion, murdered her lover for infidelity. Devi and Muthu go to a temple to formally marry on Devi's demands, and Ravikanth is tasked with preventing
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to discuss the plot. They prepared a fresh outline in ten days; Krissna tailored the story to Rajinikanth's style and added logic to the scenario. He submitted the final draft to Arunachalam, who liked it and suggested plot changes. According to Krissna, the remake has more "emotional profundity"
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Krishnamurthy Shastri. To lure her, Muthu pretends to learn music from Shastri. One day, Devi overhears Muthu discussing his plans to seduce her with his friends, and confronts him. Chastened, Muthu concentrates on his music and later wins over Devi. They marry in secret but before they can make
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starts promisingly enough", praising Rajinikanth's comedy timing in the first half, but said the manner in which Muthu learns of Devi's presumed death is "not very convincingly told". She said, "The script takes a nosedive" with the return of Devi, "never to recover". Mannath added Rajinikanth's
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was written to be substantially different from the original; it was tailored to Rajinikanth's style and had logic added to the scenario. Arunachalam, who made script changes, received sole screenwriting credit. The film was produced by Arunachalam's wife Meena, photographed by P. S. Prakash and
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After Muthu and his mother arrive in Madras, he gets a full-time job in the music industry as Veera. Viswanathan appoints him as the new company manager after firing the previous manager Chandran for selling pirated cassettes. Roopa, having fallen in love with Muthu, wants to marry him. Muthu
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showing two of him. Believing it is genuine, Chandran gives the photograph to Harichandran who sees through the fraud, commits a murder and frames Muthu as Veera's killer. After Muthu reveals the truth about his double life to his wives, they fight over him and refuse to share. The wives are
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as an example because the two female leads are initially friends (despite being unaware that they are married to the same man), and once a conflict arises amongst them, "the friendship helps smooth things over, and the film ends with the two choosing to co-exist with the man".
653:) while Muthu silently witnesses, Rajinikanth could not control his laughter at Senthil's dialogue delivery and covered his mouth with a towel. In the post-production phase, Meena's voice was dubbed by K. R. Anuradha and the introductory "Super Star" graphic title card from 1042:
praised the film's action sequences, the performances of the female leads and the music by Ilaiyaraaja but said Harichandran has "little to do with the main story" and was included "just to satisfy Rajni's action-oriented fans". Vijiyan concluded the review by saying,
561:, received credit for the original story. Cinematography was handled by P. S. Prakash, editing by the duo Ganesh–Kumar, and art direction was done by Magie. The action choreography was handled by Raju, and dance sequences were choreographed by 501:, he expressed his desire to remake it in Tamil as their next collaboration. Krissna objected to this idea as he did not like the film and found it unsuitable for him. Rajinikanth said he wanted to make a "two-wife" comedy, but Krissna noticed 1974: 2525: 2558: 1053:
said, "The director has displayed much ingenuity in bringing the first supposedly dead 'wife' back to life, bringing the two wives together, etc. The final scenes were shoddy, ill-conceived and in bad taste." R. P. R. of
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lacks the values associated with typical Rajinikanth films and felt fans would not accept his character being bigamous. Rajinikanth said changes could be made to suit the local milieu. Krissna wanted to begin work on
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but after a few weeks, audiences increased and the film completed a 100-day run in theatres. Krissna attributed the film's success to its comedy and Rajinikanth's popularity after
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comedy in the second half feels forced and that "At this stage of his career could have taken more meaningful roles" but concluded by praising the songs. K. Vijiyan of
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was produced by Arunachalam's wife Meena under their banner P. A. Art Productions. Arunachalam received sole credit for the screenplay while P. Satyanand, the writer of
361:; her memory was restored when she heard Muthu singing on the radio so she went to Madras in search of him. Muthu decides not to tell Devi about his marriage to Roopa. 2121: 2613: 1799: 1475: 1432: 3010: 1834: 1146:(1996). Rajinikanth's English line "How is it?" (pronounced "Owwizzit?") became immensely popular, as did the response "Super" (pronounced "Soopar"). Producer 3273: 2580: 1766: 1602: 1293: 1080:, which had "soared to unimaginable heights" while other commentators attributed its success to its music. According to journalist Sudhir Srinivasan, 549:
was made secondary. According to Krissna, "we polished the screenplay over and over again till it gathered sheen. Eventually, but for the basic plot,
675:(1990) because both of them stress that "true wealth consists of good parents, wife, children and friends". Though the film is a remake of 2218: 645:, which does not generally permit filming. Most of Rajinikanth's acting was improvised on set. For the scene in which Muthu trips on his 2353: 2321: 2289: 2257: 1047:
has a bit of everything to satisfy all sections of the audience to provide a superb evening's entertainment". A writer for the magazine
518:(1992), "we will get caught. Bring the hopes down, bring the level down and then take it up again." Krissna agreed but avoided making a 3283: 3263: 1867: 3253: 2814: 1100: 3293: 3288: 2748: 2734: 2720: 2695: 2111: 3298: 3278: 3268: 1198: 1789: 3258: 3238: 3233: 3228: 2655: 649:
while changing into formal clothing, there were no retakes. While filming a scene in which Ravikanth talks to Chandran (
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holiday. The film received mixed reviews from critics and audiences were disappointed because they expected a film like
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received mixed critical reviews; audiences and fans of Rajinikanth were disappointed because they expected a film like
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gave the film a mixed review, criticising the screenplay and lack of originality, but lauded Ilaiyaraaja's music.
3243: 2951: 1937: 1603:"வீரா படத்தில் ரோஜாவுக்கு பதில் இவர்தான் நடித்திருக்க வேண்டியது.. நடிச்சிருந்தா கச்சிதமா பொருந்தியிருக்கும்!!!" 2516:"Karuthamma, Nammavar, Kadhalan, Nattamai – Tamil cinema offered its best in the watershed year of 1994" 3066: 3050: 2807: 1942: 1283: 1344: 3223: 3133: 2004: 1902: 614:. A four-day filming schedule with 40 background dancers was planned for the song "Maadethile Kanni" at 3248: 281:
because of circumstances beyond his control and is forced to live a double life to cover his tracks.
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partially redeemed Rajinikanth's reputation following the commercial failure of his home production
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was offered to reprise her role as well. She declined, citing scheduling conflicts, and
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but Rajinikanth said if their next film was heavy on action like their previous film
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Chandran, aware of Muthu's double life, tries to blackmail him but Muthu gives him an
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In Madras, Muthu tries to enter a music competition to win the prize money. He meets
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because he disliked it but agreed after Rajinikanth told him their next film after
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and were discontent with the title character's lack of heroism. Malini Mannath of
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was re-used. The length of the final film is 4,406.34 metres (14,456.5 ft).
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Popular Cinema and Politics in South India: The Films of MGR and Rajinikanth
313:. Despite this, ticket sales improved within a few weeks of its release and 1124: 1104: 876: 717: 642: 626: 586: 437: 425: 266: 258: 3187: 3034: 2927: 2650: 2050: 1147: 1096: 882: 713: 611: 480: 383: 230: 120: 86: 2781: 1965:"Rajinikanth and Illaiyaraaja to join hands after 28 years for a movie?" 1910: 2895: 2855: 994: 729: 671: 545:
the second wife's desire for the protagonist is sexual, that aspect in
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had a mediocre response at the box office because of comparisons with
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The song "Malai Kovil Vaasalil" was filmed at the MRF Racing Track in
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became a commercial success, running for over 100 days in theatres.
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Raga Chintamani: A Guide to Carnatic Ragas Through Tamil Film Music
2378: 1630: 1628: 1466:"RIP Vivekh: A detailed roadmap of the actor's illustrious journey" 983: 615: 562: 306: 294:(1992) should be different to avoid comparisons. The screenplay of 1529: 1505: 1495: 1493: 1399: 1397: 1395: 2887: 2839: 2402: 1835:"Gentangle column: Two leading ladies, only eight plot pathways?" 1428: 1049: 733: 638: 508: 407: 358: 342: 246: 2495: 2451: 1652: 1625: 1582: 1570: 1409: 740:, and "Thirumagal" in Lalitha. "Maadethile Kanni" is set in the 632:
Magie's assistant Mani designed the film's large, multicoloured
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portrayed the antagonist Harichandran in his first Tamil film.
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obtained permission to reuse the film's title; his production
641:) attempt to fool Roopa at a temple was filmed at Hyderabad's 2871: 2614:"A look back into Superstar Rajinikanth's career best Baasha" 1382: 1380: 1378: 1376: 1319: 1317: 1315: 1133: 988: 646: 633: 349: 2233: 2213: 2148: 2136: 2085: 2073: 1095:
6.6 crore or US$ 790,000 in 2023) in the NSC (
1373: 1312: 336:, falls in love with Devayani alias Devi, the daughter of 2471:"சாதனை புரிந்த தமிழ் படங்கள் – 315 – எஸ்.கணேஷ்" 2426: 1814: 2171:[What did Rajini say about the Chief Minister?] 1111:
said it collected that much "in Chengalpettu alone".
2822: 2479:(in Tamil). Nellai. 10 October 2017. Archived from 1284:"Superstar Rajni pulling in the crowd with 'Veera'" 2680: 2501: 2457: 2384: 2037: 2025: 1742: 1730: 1718: 1706: 1694: 1682: 1670: 1658: 1646: 1634: 1601:RadhaKrishnan, Udayachandran (20 December 2022). 1588: 1576: 1547: 1535: 1511: 1415: 1403: 1260: 569:was chosen to play Devi, reprising her role from 277:in supporting roles. The film is about a man who 3210: 2687:My Days with Baasha: The Rajnikanth Phenomenon 2209:"Top 7 memorable Tamil New Year film releases" 2808: 2581:"Panchu Arunachalam never chased money, fame" 2424: 1600: 986:holiday. The film opened in competition with 329:. The events are told in chronological order. 3274:Films with screenplays by Panchu Arunachalam 2757: 2729: 2244: 2154: 2142: 2094: 2079: 1523: 1499: 1463: 1386: 1323: 1256: 763:s soundtrack were sold on the release date. 458:as Inspector Sathyamurthy (guest appearance) 2704: 1820: 1338: 1336: 1334: 1332: 1226:"Rajinikanth's 'Veera' was remade in Hindi" 1136:and released under several titles, despite 1068:During the first few weeks of its release, 2815: 2801: 2611: 2546: 1787: 610:, although principal photography began at 29: 2207:Sambandan, Aparanjeetha (9 August 2017). 2206: 982:was released on 14 April 1994 during the 305:was released on 14 April 1994 during the 2513: 2406:. No. 86. Samta. 1995. pp. 4–5 2053:[Rajinikanth's sudden speech!]. 1558: 1556: 1329: 2202: 2200: 1757:"They act in front of the mike at work" 1754: 1464:Ramachandran, Avinash (17 April 2021). 1427: 1342: 1281: 3211: 2762:(2nd ed.). Pichhamal Chintamani. 2561:from the original on 20 September 2019 2166: 1945:from the original on 20 September 2019 1897: 1895: 1865: 1788:Shivakumar, Vivek (11 December 2018). 2796: 2736:Rajinikanth: The Definitive Biography 2593:from the original on 15 November 2016 2169:"முதல்வர் பற்றி ரஜினி என்ன சொன்னார்?" 2124:from the original on 21 December 2019 2007:from the original on 21 December 2019 1847:from the original on 21 December 2019 1833:Seker, Archanaa (14 September 2016). 1832: 1613:from the original on 23 December 2022 1553: 1277: 1275: 1273: 1271: 1269: 1013: 1010:, which were released the same week. 961: 944: 925: 908: 891: 869: 850: 831: 812: 791: 464:as Krishnamurthy Shastri (uncredited) 2547:Srinivasan, Sudhir (26 March 2016). 2439:from the original on 25 October 2022 2197: 2106: 1206:from the original on 31 January 2022 1199:British Board of Film Classification 637:scene in which Muthu and Ravikanth ( 606:at the Lord Ganapathi temple within 529:Rajinikanth and Krissna went to the 284:Krissna initially refused to remake 2646:"Veera to hit screens by year-end?" 2612:Srinivasan, Sudhir (3 March 2017). 2528:from the original on 17 August 2018 1977:from the original on 3 January 2022 1892: 1790:"A Superstar Career Through Titles" 1445:from the original on 7 October 2019 1084:is the first Tamil film to collect 716:, who also wrote lyrics along with 197: 13: 2658:from the original on 22 March 2020 1880:from the original on 17 March 2020 1866:Shekar, Anjana (28 January 2020). 1266: 14: 3310: 2775: 2626:from the original on 27 July 2017 2514:Sundaram, Nandhu (19 July 2018). 1802:from the original on 30 July 2020 1343:Mannath, Malini (22 April 1994). 1238:from the original on 11 July 2019 3284:Indian nonlinear narrative films 3264:Films directed by Suresh Krissna 1357:from the original on 13 May 2024 1296:from the original on 13 May 2024 553:emerged as a near-new product." 3254:Films about music and musicians 2952:Parattai Engira Azhagu Sundaram 2674: 2638: 2605: 2573: 2540: 2507: 2463: 2418: 2390: 2346: 2314: 2282: 2250: 2160: 2100: 2061:from the original on 5 May 2024 2043: 1989: 1957: 1925: 1859: 1826: 1781: 1755:Lakshmi, K. (11 January 2009). 1748: 1594: 1457: 1421: 1140:having been remade in Hindi as 665:Writer S. Rajanayagam compared 2684:; Rangarajan, Malathi (2012). 2549:"The man who made Rajinikanth" 1218: 1186: 1166: 773: 474: 332:Muthuveerappan, an idler from 1: 3294:Tamil remakes of Telugu films 2502:Krissna & Rangarajan 2012 2458:Krissna & Rangarajan 2012 2385:Krissna & Rangarajan 2012 2038:Krissna & Rangarajan 2012 2026:Krissna & Rangarajan 2012 1743:Krissna & Rangarajan 2012 1731:Krissna & Rangarajan 2012 1719:Krissna & Rangarajan 2012 1707:Krissna & Rangarajan 2012 1695:Krissna & Rangarajan 2012 1683:Krissna & Rangarajan 2012 1671:Krissna & Rangarajan 2012 1659:Krissna & Rangarajan 2012 1647:Krissna & Rangarajan 2012 1635:Krissna & Rangarajan 2012 1589:Krissna & Rangarajan 2012 1577:Krissna & Rangarajan 2012 1548:Krissna & Rangarajan 2012 1536:Krissna & Rangarajan 2012 1512:Krissna & Rangarajan 2012 1416:Krissna & Rangarajan 2012 1404:Krissna & Rangarajan 2012 1282:Vijiyan, K. (23 April 1994). 1261:Krissna & Rangarajan 2012 1179: 1063: 724:Many of the songs are set in 703: 679:, many writers have compared 600:was formally launched with a 469: 3289:Indian romantic comedy films 3067:Idi Maa Ashokgadi Love Story 3051:Rayalaseema Ramanna Chowdary 2425:ஆர். பி. ஆர். (8 May 1994). 2051:"ரஜினிகாந்த் திடீர் பேச்சு!" 756:. Over 100,000 cassettes of 732:, "Malai Kovil Vaasalil" in 669:to another Rajinikanth film 7: 3299:Tamil-language Indian films 3279:Indian musical comedy films 3269:Films scored by Ilaiyaraaja 3134:Katari Veera Surasundarangi 2298:. 14 April 1994. p. 15 2057:(in Tamil). 19 March 1994. 1172:Also the titular character. 581:was cast as Roopa instead. 16:1994 film by Suresh Krissna 10: 3315: 3259:Films about musical groups 3239:1994 romantic comedy films 3234:1990s Tamil-language films 3229:1990s musical comedy films 2362:. 15 April 1994. p. 4 2330:. 15 April 1994. p. 4 2266:. 14 April 1994. p. 4 2181:(in Tamil). pp. 63–64 974: 592: 497:and producer-screenwriter 324: 3163: 3144: 3109: 2978: 2831: 1114: 786: 783: 780: 777: 772: 728:such as "Konji Konji" in 660: 493:(1992) with the director 181: 173: 163: 140: 126: 116: 108: 100: 82: 74: 60: 50: 40: 35:Theatrical release poster 28: 23: 2705:Rajanayagam, S. (2015). 2435:(in Tamil). p. 18. 1159: 881:S. P. Balasubrahmanyam, 398:as Roopakala alias Roopa 299:edited by Ganesh–Kumar. 219:. It is a remake of the 78:Meena Panchu Arunachalam 2167:கிச்சா (3 April 1994). 2069:– via RajiniFans. 376: 320: 149:14 April 1994 3244:Fiction about polygamy 3196:Rocky – The Rebel 2758:Sundararaman (2007) . 2586:The New Indian Express 1840:The New Indian Express 1156:was released in 2018. 895:"Malai Kovil Vaasalil" 861:S. P. Balasubrahmanyam 835:"Konji Konji" (female) 750:S. P. Balasubrahmanyam 392:as Devayani alias Devi 2654:. 27 September 2016. 1345:"Two women in a boat" 1234:. 19 September 2013. 736:, "Pattu Poo Poo" in 135:P. A. Art Productions 2110:(20 December 2013). 1973:. 20 December 2021. 1913:on 20 September 2019 1143:Saajan Chale Sasural 854:"Konji Konji" (male) 2731:Ramachandran, Naman 2372:Google News Archive 2340:Google News Archive 2308:Google News Archive 2276:Google News Archive 2040:, pp. 106–108. 2028:, pp. 103–105. 1745:, pp. 124–125. 1733:, pp. 126–128. 1721:, pp. 119–120. 1709:, pp. 114–116. 1697:, pp. 117–118. 1685:, pp. 112–114. 1673:, pp. 108–112. 1550:, pp. 100–101. 1526:, pp. 154–155. 1502:, pp. 153–154. 1367:Google News Archive 1306:Google News Archive 1132:has been dubbed in 1107:) areas; historian 954:Mano, K. S. Chithra 769: 327:nonlinear narrative 325:The film follows a 203:) is a 1994 Indian 3224:1990s Indian films 2823:Films directed by 2589:. 10 August 2016. 2398:"Double standards" 2387:, pp. 3, 130. 2359:The Indian Express 2327:The Indian Express 2295:The Indian Express 2263:The Indian Express 2112:"Versatile Nattai" 1970:The Times of India 1907:Music India Online 1769:on 17 October 2019 1438:The Times of India 1350:The Indian Express 1231:The Times of India 1028:The Indian Express 1014:Critical reception 873:"Maadethile Kanni" 857:Panchu Arunachalam 838:Panchu Arunachalam 819:Panchu Arunachalam 799:Panchu Arunachalam 795:"Aathile Annakili" 767: 708:The soundtrack of 686:Rettai Vaal Kuruvi 499:Panchu Arunachalam 370:altered photograph 217:Panchu Arunachalam 55:Panchu Arunachalam 3249:Films about fraud 3206: 3205: 2995:Indrudu Chandrudu 2750:978-81-8475-796-5 2722:978-1-317-58772-9 2697:978-93-8162-629-0 2245:Ramachandran 2014 2221:on 9 October 2018 2155:Sundararaman 2007 2143:Sundararaman 2007 2095:Sundararaman 2007 2080:Sundararaman 2007 1538:, pp. 97–99. 1524:Ramachandran 2014 1514:, pp. 95–96. 1500:Ramachandran 2014 1387:Ramachandran 2014 1324:Ramachandran 2014 1289:New Straits Times 1257:Ramachandran 2014 1039:New Straits Times 971: 970: 901:Swarnalatha, Mano 752:and the other by 746:Brindavani Sarang 692:Micki & Maude 432:Vinu Chakravarthy 386:as Muthuveerappan 338:Carnatic musician 263:Vinu Chakravarthy 229:(1992) and stars 211:film directed by 189: 188: 3306: 3083:Bhadradri Ramudu 2864:Rojavai Killathe 2848:Raja Kaiya Vacha 2817: 2810: 2803: 2794: 2793: 2771: 2754: 2726: 2701: 2690:. Westland Ltd. 2668: 2667: 2665: 2663: 2642: 2636: 2635: 2633: 2631: 2609: 2603: 2602: 2600: 2598: 2577: 2571: 2570: 2568: 2566: 2544: 2538: 2537: 2535: 2533: 2511: 2505: 2499: 2493: 2492: 2490: 2488: 2483:on 22 March 2020 2467: 2461: 2455: 2449: 2448: 2446: 2444: 2422: 2416: 2415: 2413: 2411: 2394: 2388: 2382: 2376: 2375: 2369: 2367: 2350: 2344: 2343: 2337: 2335: 2318: 2312: 2311: 2305: 2303: 2286: 2280: 2279: 2273: 2271: 2254: 2248: 2242: 2231: 2230: 2228: 2226: 2217:. Archived from 2204: 2195: 2194: 2191:Internet Archive 2188: 2186: 2174: 2164: 2158: 2152: 2146: 2140: 2134: 2133: 2131: 2129: 2108:Mani, Charulatha 2104: 2098: 2092: 2083: 2077: 2071: 2070: 2068: 2066: 2047: 2041: 2035: 2029: 2023: 2017: 2016: 2014: 2012: 1993: 1987: 1986: 1984: 1982: 1961: 1955: 1954: 1952: 1950: 1929: 1923: 1922: 1920: 1918: 1909:. Archived from 1899: 1890: 1889: 1887: 1885: 1863: 1857: 1856: 1854: 1852: 1830: 1824: 1821:Rajanayagam 2015 1818: 1812: 1811: 1809: 1807: 1785: 1779: 1778: 1776: 1774: 1765:. Archived from 1752: 1746: 1740: 1734: 1728: 1722: 1716: 1710: 1704: 1698: 1692: 1686: 1680: 1674: 1668: 1662: 1656: 1650: 1644: 1638: 1632: 1623: 1622: 1620: 1618: 1598: 1592: 1586: 1580: 1574: 1568: 1567: 1560: 1551: 1545: 1539: 1533: 1527: 1521: 1515: 1509: 1503: 1497: 1488: 1487: 1485: 1483: 1478:on 17 April 2021 1474:. Archived from 1461: 1455: 1454: 1452: 1450: 1425: 1419: 1413: 1407: 1401: 1390: 1384: 1371: 1370: 1364: 1362: 1340: 1327: 1321: 1310: 1309: 1303: 1301: 1279: 1264: 1254: 1248: 1247: 1245: 1243: 1222: 1216: 1215: 1213: 1211: 1190: 1173: 1170: 1094: 1090: 1088: 964: 948:"Vaadi Vethalai" 775: 770: 766: 762: 712:was composed by 202: 199: 156: 154: 33: 21: 20: 3314: 3313: 3309: 3308: 3307: 3305: 3304: 3303: 3209: 3208: 3207: 3202: 3159: 3140: 3105: 2974: 2827: 2821: 2778: 2751: 2723: 2698: 2682:Krissna, Suresh 2677: 2672: 2671: 2661: 2659: 2644: 2643: 2639: 2629: 2627: 2619:Indulge Express 2610: 2606: 2596: 2594: 2579: 2578: 2574: 2564: 2562: 2545: 2541: 2531: 2529: 2512: 2508: 2500: 2496: 2486: 2484: 2469: 2468: 2464: 2456: 2452: 2442: 2440: 2423: 2419: 2409: 2407: 2396: 2395: 2391: 2383: 2379: 2365: 2363: 2352: 2351: 2347: 2333: 2331: 2320: 2319: 2315: 2301: 2299: 2288: 2287: 2283: 2269: 2267: 2256: 2255: 2251: 2243: 2234: 2224: 2222: 2205: 2198: 2184: 2182: 2172: 2165: 2161: 2153: 2149: 2141: 2137: 2127: 2125: 2105: 2101: 2093: 2086: 2078: 2074: 2064: 2062: 2049: 2048: 2044: 2036: 2032: 2024: 2020: 2010: 2008: 1995: 1994: 1990: 1980: 1978: 1963: 1962: 1958: 1948: 1946: 1931: 1930: 1926: 1916: 1914: 1901: 1900: 1893: 1883: 1881: 1873:The News Minute 1864: 1860: 1850: 1848: 1831: 1827: 1819: 1815: 1805: 1803: 1786: 1782: 1772: 1770: 1753: 1749: 1741: 1737: 1729: 1725: 1717: 1713: 1705: 1701: 1693: 1689: 1681: 1677: 1669: 1665: 1657: 1653: 1645: 1641: 1633: 1626: 1616: 1614: 1607:Update News 360 1599: 1595: 1587: 1583: 1575: 1571: 1562: 1561: 1554: 1546: 1542: 1534: 1530: 1522: 1518: 1510: 1506: 1498: 1491: 1481: 1479: 1462: 1458: 1448: 1446: 1426: 1422: 1414: 1410: 1402: 1393: 1385: 1374: 1360: 1358: 1341: 1330: 1322: 1313: 1299: 1297: 1280: 1267: 1259:, p. 155; 1255: 1251: 1241: 1239: 1224: 1223: 1219: 1209: 1207: 1192: 1191: 1187: 1182: 1177: 1176: 1171: 1167: 1162: 1117: 1092: 1091:(equivalent to 1086: 1085: 1066: 1016: 977: 972: 962: 912:"Pattu Poo Poo" 816:"Adi Pandalile" 760: 742:Hindustani raga 706: 663: 595: 477: 472: 467: 450:Y. G. Mahendran 434:as Rajamanikkam 428:as Harichandran 379: 345:to earn money. 330: 323: 215:and written by 209:romantic comedy 200: 166: 159: 152: 150: 143: 136: 131: 129: 93: 89: 70:by P. Satyanand 69: 36: 17: 12: 11: 5: 3312: 3302: 3301: 3296: 3291: 3286: 3281: 3276: 3271: 3266: 3261: 3256: 3251: 3246: 3241: 3236: 3231: 3226: 3221: 3204: 3203: 3201: 3200: 3192: 3184: 3176: 3167: 3165: 3161: 3160: 3158: 3157: 3148: 3146: 3142: 3141: 3139: 3138: 3130: 3122: 3113: 3111: 3107: 3106: 3104: 3103: 3095: 3087: 3079: 3071: 3063: 3055: 3047: 3039: 3031: 3023: 3019:Dharma Chakram 3015: 3007: 2999: 2991: 2982: 2980: 2976: 2975: 2973: 2972: 2964: 2956: 2948: 2940: 2932: 2924: 2916: 2908: 2900: 2892: 2884: 2876: 2868: 2860: 2852: 2844: 2835: 2833: 2829: 2828: 2825:Suresh Krissna 2820: 2819: 2812: 2805: 2797: 2791: 2790: 2777: 2776:External links 2774: 2773: 2772: 2755: 2749: 2727: 2721: 2702: 2696: 2676: 2673: 2670: 2669: 2637: 2604: 2572: 2539: 2506: 2504:, p. 100. 2494: 2462: 2460:, p. 130. 2450: 2417: 2389: 2377: 2345: 2313: 2281: 2249: 2247:, p. 157. 2232: 2196: 2159: 2157:, p. 162. 2147: 2145:, p. 152. 2135: 2099: 2097:, p. 140. 2084: 2082:, p. 139. 2072: 2042: 2030: 2018: 1988: 1956: 1924: 1903:"Veera (1994)" 1891: 1858: 1825: 1813: 1795:Film Companion 1780: 1747: 1735: 1723: 1711: 1699: 1687: 1675: 1663: 1661:, p. 103. 1651: 1639: 1637:, p. 129. 1624: 1593: 1591:, p. 108. 1581: 1579:, p. 128. 1569: 1552: 1540: 1528: 1516: 1504: 1489: 1471:Cinema Express 1456: 1431:(3 May 2017). 1420: 1418:, p. 124. 1408: 1406:, p. 101. 1391: 1389:, p. 155. 1372: 1328: 1326:, p. 156. 1311: 1292:. p. 24. 1265: 1263:, p. 114. 1249: 1217: 1184: 1183: 1181: 1178: 1175: 1174: 1164: 1163: 1161: 1158: 1116: 1113: 1109:G. Dhananjayan 1065: 1062: 1015: 1012: 976: 973: 969: 968: 965: 959: 958: 955: 952: 949: 946: 942: 941: 938: 933: 930: 927: 923: 922: 919: 916: 913: 910: 906: 905: 902: 899: 896: 893: 889: 888: 885: 879: 874: 871: 867: 866: 863: 858: 855: 852: 848: 847: 844: 839: 836: 833: 829: 828: 825: 820: 817: 814: 810: 809: 806: 801: 796: 793: 789: 788: 785: 782: 779: 776: 765: 726:Carnatic ragas 705: 702: 662: 659: 594: 591: 575:Ramya Krishnan 495:Suresh Krissna 476: 473: 471: 468: 466: 465: 459: 453: 447: 441: 435: 429: 423: 417: 411: 405: 404:as Viswanathan 399: 393: 387: 380: 378: 375: 322: 319: 213:Suresh Krissna 187: 186: 183: 179: 178: 175: 171: 170: 167: 164: 161: 160: 158: 157: 146: 144: 141: 138: 137: 134: 132: 127: 124: 123: 118: 114: 113: 110: 106: 105: 102: 101:Cinematography 98: 97: 84: 80: 79: 76: 72: 71: 62: 58: 57: 52: 48: 47: 45:Suresh Krissna 42: 38: 37: 34: 26: 25: 15: 9: 6: 4: 3: 2: 3311: 3300: 3297: 3295: 3292: 3290: 3287: 3285: 3282: 3280: 3277: 3275: 3272: 3270: 3267: 3265: 3262: 3260: 3257: 3255: 3252: 3250: 3247: 3245: 3242: 3240: 3237: 3235: 3232: 3230: 3227: 3225: 3222: 3220: 3217: 3216: 3214: 3198: 3197: 3193: 3190: 3189: 3185: 3182: 3181: 3177: 3174: 3173: 3169: 3168: 3166: 3162: 3155: 3154: 3150: 3149: 3147: 3143: 3136: 3135: 3131: 3128: 3127: 3123: 3120: 3119: 3115: 3114: 3112: 3108: 3101: 3100: 3096: 3093: 3092: 3088: 3085: 3084: 3080: 3077: 3076: 3072: 3069: 3068: 3064: 3061: 3060: 3056: 3053: 3052: 3048: 3045: 3044: 3040: 3037: 3036: 3032: 3029: 3028: 3024: 3021: 3020: 3016: 3013: 3012: 3008: 3005: 3004: 3000: 2997: 2996: 2992: 2989: 2988: 2984: 2983: 2981: 2977: 2970: 2969: 2965: 2962: 2961: 2957: 2954: 2953: 2949: 2946: 2945: 2941: 2938: 2937: 2933: 2930: 2929: 2925: 2922: 2921: 2917: 2914: 2913: 2909: 2906: 2905: 2901: 2898: 2897: 2893: 2890: 2889: 2885: 2882: 2881: 2877: 2874: 2873: 2869: 2866: 2865: 2861: 2858: 2857: 2853: 2850: 2849: 2845: 2842: 2841: 2837: 2836: 2834: 2830: 2826: 2818: 2813: 2811: 2806: 2804: 2799: 2798: 2795: 2789: 2785: 2784: 2780: 2779: 2769: 2765: 2761: 2756: 2752: 2746: 2742: 2741:Penguin Books 2738: 2737: 2732: 2728: 2724: 2718: 2714: 2710: 2709: 2703: 2699: 2693: 2689: 2688: 2683: 2679: 2678: 2657: 2653: 2652: 2647: 2641: 2625: 2621: 2620: 2615: 2608: 2592: 2588: 2587: 2582: 2576: 2560: 2556: 2555: 2550: 2543: 2527: 2523: 2522: 2517: 2510: 2503: 2498: 2482: 2478: 2477: 2472: 2466: 2459: 2454: 2438: 2434: 2433: 2428: 2421: 2405: 2404: 2399: 2393: 2386: 2381: 2373: 2361: 2360: 2355: 2349: 2341: 2329: 2328: 2323: 2317: 2309: 2297: 2296: 2291: 2285: 2277: 2265: 2264: 2259: 2253: 2246: 2241: 2239: 2237: 2220: 2216: 2215: 2210: 2203: 2201: 2192: 2180: 2179: 2170: 2163: 2156: 2151: 2144: 2139: 2123: 2119: 2118: 2113: 2109: 2103: 2096: 2091: 2089: 2081: 2076: 2060: 2056: 2052: 2046: 2039: 2034: 2027: 2022: 2006: 2002: 1998: 1992: 1976: 1972: 1971: 1966: 1960: 1944: 1940: 1939: 1934: 1928: 1912: 1908: 1904: 1898: 1896: 1879: 1875: 1874: 1869: 1862: 1846: 1842: 1841: 1836: 1829: 1823:, p. 74. 1822: 1817: 1801: 1797: 1796: 1791: 1784: 1768: 1764: 1763: 1758: 1751: 1744: 1739: 1732: 1727: 1720: 1715: 1708: 1703: 1696: 1691: 1684: 1679: 1672: 1667: 1660: 1655: 1649:, p. 15. 1648: 1643: 1636: 1631: 1629: 1612: 1608: 1604: 1597: 1590: 1585: 1578: 1573: 1565: 1559: 1557: 1549: 1544: 1537: 1532: 1525: 1520: 1513: 1508: 1501: 1496: 1494: 1477: 1473: 1472: 1467: 1460: 1444: 1440: 1439: 1434: 1430: 1424: 1417: 1412: 1405: 1400: 1398: 1396: 1388: 1383: 1381: 1379: 1377: 1368: 1356: 1353:. p. 6. 1352: 1351: 1346: 1339: 1337: 1335: 1333: 1325: 1320: 1318: 1316: 1307: 1295: 1291: 1290: 1285: 1278: 1276: 1274: 1272: 1270: 1262: 1258: 1253: 1237: 1233: 1232: 1227: 1221: 1205: 1201: 1200: 1195: 1189: 1185: 1169: 1165: 1157: 1155: 1154: 1149: 1145: 1144: 1139: 1138:Allari Mogudu 1135: 1131: 1127: 1126: 1121: 1112: 1110: 1106: 1102: 1098: 1083: 1079: 1075: 1071: 1061: 1059: 1058: 1052: 1051: 1046: 1041: 1040: 1034: 1030: 1029: 1024: 1020: 1011: 1009: 1008: 1003: 1002: 997: 996: 991: 990: 985: 981: 966: 963:Total length: 960: 956: 953: 950: 947: 943: 939: 937: 934: 931: 928: 924: 920: 918:K. S. Chithra 917: 914: 911: 907: 903: 900: 897: 894: 890: 886: 884: 880: 878: 875: 872: 868: 864: 862: 859: 856: 853: 849: 845: 843: 842:K. S. Chithra 840: 837: 834: 830: 826: 824: 821: 818: 815: 811: 807: 805: 802: 800: 797: 794: 790: 771: 768:Track listing 764: 759: 755: 754:K. S. Chithra 751: 747: 743: 739: 735: 731: 727: 722: 719: 715: 711: 701: 698: 694: 693: 688: 687: 682: 678: 677:Allari Mogudu 674: 673: 668: 658: 656: 652: 651:J. Livingston 648: 644: 640: 635: 630: 628: 624: 623:Sriperumbudur 619: 617: 613: 609: 605: 604: 599: 590: 588: 584: 580: 576: 572: 571:Allari Mogudu 568: 564: 560: 559:Allari Mogudu 556: 552: 548: 544: 543:Allari Mogudu 539: 536: 532: 527: 525: 524:Allari Mogudu 521: 520:shot-for-shot 517: 516: 511: 510: 504: 503:Allari Mogudu 500: 496: 492: 491: 490:Allari Mogudu 486: 482: 463: 460: 457: 454: 451: 448: 446:as Chinnamani 445: 442: 440:as Rathnavelu 439: 436: 433: 430: 427: 424: 421: 420:J. Livingston 418: 415: 414:Vadivukkarasi 412: 409: 406: 403: 400: 397: 394: 391: 388: 385: 382: 381: 374: 371: 366: 362: 360: 354: 351: 346: 344: 339: 335: 328: 318: 316: 312: 308: 304: 300: 297: 293: 292: 287: 286:Allari Mogudu 282: 280: 279:marries twice 276: 272: 268: 264: 260: 256: 255:J. Livingston 252: 251:Vadivukkarasi 248: 244: 240: 236: 232: 228: 227: 226:Allari Mogudu 222: 218: 214: 210: 206: 201: Valour 195: 194: 184: 180: 176: 172: 168: 162: 148: 147: 145: 139: 133: 125: 122: 119: 115: 111: 107: 104:P. S. Prakash 103: 99: 96: 92: 88: 85: 81: 77: 73: 68: 67: 66:Allari Mogudu 63: 59: 56: 53: 51:Screenplay by 49: 46: 43: 39: 32: 27: 22: 19: 3194: 3186: 3178: 3170: 3151: 3132: 3124: 3116: 3097: 3089: 3081: 3073: 3065: 3057: 3049: 3041: 3033: 3025: 3017: 3009: 3001: 2993: 2985: 2966: 2958: 2950: 2942: 2934: 2926: 2918: 2910: 2902: 2894: 2886: 2879: 2878: 2870: 2862: 2854: 2846: 2838: 2782: 2759: 2735: 2707: 2686: 2675:Bibliography 2660:. Retrieved 2649: 2640: 2628:. 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Index


Suresh Krissna
Panchu Arunachalam
Allari Mogudu
Rajinikanth
Meena
Roja
Ilaiyaraaja
Tamil
romantic comedy
Suresh Krissna
Panchu Arunachalam
Telugu
Allari Mogudu
Rajinikanth
Meena
Roja
Janagaraj
Senthil
Vadivukkarasi
J. Livingston
Mahesh Anand
Vinu Chakravarthy
Ajay Rathnam
Vivek
Charuhasan
marries twice
Annaamalai
Puthandu
nonlinear narrative

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