Wassily Kandinsky - Knowledge

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well as a painter. The number of his existing paintings increased at the beginning of the 20th century; much remains of the landscapes and towns he painted, using broad swaths of colour and recognisable forms. For the most part, however, Kandinsky's paintings did not feature any human figures; an exception is

267: 495:(1907) depicts a man on horseback, holding a woman as they ride past a Russian town with luminous walls across a blue river. The horse is muted while the leaves in the trees, the town, and the reflections in the river glisten with spots of colour and brightness. This work demonstrates the influence of 3296:

The city of Amsterdam purchased the Kandinsky works that were stolen by the Germans at auction in October 1940, just six months after the occupation began. De Volkskrant expects to reconsider the issue of returning the painting after Friday's government decision. Before the Nazi robbery, the painting

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Kandinsky's analyses on forms and colours result not from simple, arbitrary idea-associations but from the painter's inner experience. He spent years creating abstract/sensorially rich paintings, working with form and colour, tirelessly observing his own paintings (along with those of other artists)

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But eventually, Kandinsky went further, rejecting pictorial representation with more synesthetic swirling hurricanes of colours and shapes, eliminating traditional references to depth and laying out bare and abstracted glyphs; however, what remained consistent was his spiritual pursuit of expressive

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with pastel tones cover a large maroon mass which seems to float in the upper-left corner of the canvas. In Kandinsky's work, some characteristics are obvious, while certain touches are more discreet and veiled; they reveal themselves only progressively to those who deepen their connection with his

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Wassily Kandinsky's art has a confluence of music and spirituality. With his appreciation for music of his times and kinesthetic disposition, Kandinsky's artworks have a marked style of expressionism in his early years. But he embraced all types of artistic styles of his times and his predecessors

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forms with supple, non-geometric outlines appear in his paintings—forms which suggest microscopic organisms but express the artist's inner life. Kandinsky used original colour compositions, evoking Slavic popular art. He also occasionally mixed sand with paint to give a granular, rustic texture to

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illustrates Kandinsky's inclination toward an art in which colour is presented independently of form, and in which each color is given equal attention. The composition is more planar; the painting is divided into four sections: the sky, the red tree, the yellow tree, and the blue mountain with the

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to join him at his summer painting classes just south of Munich in the Alps. She accepted the offer and their relationship became more personal than professional. Art school, usually considered difficult, was easy for Kandinsky. It was during this time that he began to emerge as an art theorist as

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That it was a haystack the catalogue informed me. I could not recognise it. This non-recognition was painful to me. I considered that the painter had no right to paint indistinctly. I dully felt that the object of the painting was missing. And I noticed with surprise and confusion that the picture

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A few years later, he first likened painting to composing music in the manner for which he would become noted, writing "Colour is the keyboard, the eyes are the harmony, the soul is the piano with many strings. The artist is the hand which plays, touching one key or another, to cause vibrations in

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and the treatise "On the Spiritual in Art" (which was released in 1910) were both a defence and promotion of abstract art and an affirmation that all forms of art were equally capable of reaching a level of spirituality. He believed that colour could be used in a painting as something autonomous,

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nature; it does not try to represent the exterior world, but expresses the inner feelings of the soul in an immediate way. Kandinsky sometimes used musical terms to identify his works; he called his most spontaneous paintings "improvisations" and described more elaborate works as "compositions."

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Kandinsky's paintings from this period are large, expressive coloured masses evaluated independently from forms and lines; these serve no longer to delimit them, but overlap freely to form paintings of extraordinary force. Music was important to the birth of abstract art since it is abstract by

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illustrates his synesthetic concept of a universal correspondence of forms, colors and musical sounds. In 1928, the stage production premiered at a theater in Dessau. In 2015, the original designs of the stage elements were animated with modern video technology and synchronized with the music

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The sun melts all of Moscow down to a single spot that, like a mad tuba, starts all of the heart and all of the soul vibrating. But no, this uniformity of red is not the most beautiful hour. It is only the final chord of a symphony that takes every colour to the zenith of life that, like the

353:. Kandinsky learned from a variety of sources while in Moscow. He studied many fields while in school, including law and economics. Later in life, he would recall being fascinated and stimulated by colour as a child. His fascination with colour symbolism and psychology continued as he grew. 1575:

today (and understood only by the few) is common knowledge tomorrow. The modern artist–prophet stands alone at the apex of the pyramid, making new discoveries and ushering in tomorrow's reality. Kandinsky was aware of recent scientific developments and the advances of modern artists who had

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Emotional harmony is another salient feature in the later works of Kandinsky. With diverse dimensions and bright hues balanced through a careful juxtaposition of proportion and colours, he substantiated the universality of shapes in his artworks thus paving the way for further abstraction.

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From 1918 to 1921, Kandinsky was involved in the cultural politics of Russia and collaborated in art education and museum reform. He painted little during this period, but devoted his time to artistic teaching with a program based on form and colour analysis; he also helped organize the

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In 1916, he met Nina Nikolaevna Andreevskaya (1899–1980), whom he married on 11 February 1917 when she was 17 or 18 and he was 50 years old. At the end of 1917, they had a son, Wsevolod, or Lodya as he was called in the family. Lodya died in June 1920 and there were no more children.

1560:, Russian folktales and the common mythological experiences of death and rebirth. Never attempting to picture any one of these stories as a narrative, he used their veiled imagery as symbols of the archetypes of death–rebirth and destruction–creation he felt were imminent in the pre- 1571:(see below), Kandinsky felt that an authentic artist creating art from "an internal necessity" inhabits the tip of an upward-moving pyramid. This progressing pyramid is penetrating and proceeding into the future. What was odd or inconceivable yesterday is commonplace today; what is 2535: 1134:; he also conducted painting classes and a workshop in which he augmented his colour theory with new elements of form psychology. The development of his works on forms study, particularly on points and line forms, led to the publication of his second theoretical book ( 329:" and helped establish the Museum of the Culture of Painting. However, by then, "his spiritual outlook... was foreign to the argumentative materialism of Soviet society" and opportunities beckoned in Germany, to which he returned in 1920. There, he taught at the 3183: 747:(Munich New Artists' Association), becoming its president in 1909. However, the group could not integrate the radical approach of Kandinsky (and others) with conventional artistic concepts and the group dissolved in late 1911. Kandinsky then formed a new group, 1835:

He returned to Moscow in 1914 when the first World War broke out. The relationship between Kandinsky and Münter worsened due to mutual tensions and disappointments over his lack of commitment to marriage. Their relationship formally ended in 1916 in Stockholm.

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to join him at his summer painting classes just south of Munich in the Alps. She accepted the offer and their relationship became more personal than professional. In 1911, the German expressionist painter was one of several artists joining Kandinsky in his

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in Moscow (of which he was its first director). His spiritual, expressionistic view of art was ultimately rejected by the radical members of the institute as too individualistic and bourgeois. In 1921, Kandinsky was invited to go to Germany to attend the

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This period corresponds to a synthesis of Kandinsky's previous work in which he used all elements, enriching them. In 1936 and 1939, he painted his final two major compositions, the type of elaborate canvases he had not produced for many years.

529:, Kandinsky shows the rider more as a series of colours than in specific detail. This painting is not exceptional in that regard when compared with contemporary painters, but it shows the direction Kandinsky would take only a few years later. 1624:

on a brassy trumpet; black is the colour of closure, and the end of things; and that combinations of colours produce vibrational frequencies, akin to chords played on a piano. In 1871 the young Kandinsky learned to play the piano and cello.

391:, fervor of spirit and spiritual desire "inner necessity"; it was a central aspect of his art. Some art historians suggest that Kandinsky's passion for abstract art began when one day, coming back home, he found one of his own paintings 1877:

in Switzerland since 1960 and was sold to a European collector by the Volkart Foundation, the charitable arm of the Swiss commodities trading firm Volkart Brothers. Before this sale, the artist's last record was set in 1990 when

449:. Theosophical theory postulates that creation is a geometrical progression, beginning with a single point. The creative aspect of the form is expressed by a descending series of circles, triangles, and squares. Kandinsky's book 1706:

can be further defined and divided into three categories over the course of his art career: Impressions (representational element), Improvisations (spontaneous emotional reaction) and Compositions (ultimate works of art).

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Kandinsky also developed a theory of geometric figures and their relationships, claiming (for example) that the circle is the most peaceful shape and represents the human soul. These theories are explained in

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and noting their effects on his sense of colour. This subjective experience is something that anyone can do—not scientific/objective observations, but inner/subjective ones, referred to by French philosopher

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Kandinsky and Münter became engaged in the summer of 1903 while he was still married to Anja and travelled extensively through Europe, Russia and North Africa until 1908. He separated from Anja in 1911.

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Kandinsky made more studies for this composition than for any other – over thirty drawings, watercolours and sketches. However, according to Gabriele Münter, the final version was painted in just three

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After the Russian Revolution, he had opportunities in Germany, to which he returned in 1920. There, he taught at the Bauhaus school of art and architecture from 1922 until the Nazis closed it in 1933.

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As Kandinsky started moving away from his early inspiration from Impressionism, his paintings became more vibrant, pictographic and expressive with more sharp shapes and clear linear qualities.

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has highly contrasted, powerful diagonals whose central form gives the impression of an embryo in the womb. Small squares of colours and coloured bands stand out against the black background of

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and the couple happily entertained colleagues there. The property is still known as Russenhaus and she would later use the basement to hide many works (by Kandinsky and others) from the

888: 506: 1268: 1008: 1536:, Kandinsky created paintings in the years immediately preceding World War I showing a coming cataclysm which would alter individual and social reality. Having a devout belief in 1662:("deluge" or "flood") and focus on its sound rather than its meaning. Repeating this word like a mantra, Kandinsky painted and completed the monumental work in a three-day span. 1357: 337:

closed it in 1933. He then moved to France, where he lived for the rest of his life, becoming a French citizen in 1939 and producing some of his most prominent art. He died in

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Kandinsky's creation of abstract work followed a long period of development and maturation of intense thought based on his artistic experiences. He called this devotion to

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originally purchased the painting directly from the artist in 1936, but it was not exhibited after 1949; it was then sold at auction to a private collector in 1964 by the

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was owned by Hedwig Loewenstein-Feigerman, who inherited it from her husband, the Jewish art collector, Emmanuel Albert Lowenstein, who had owned the painting since 1923.

1765:. While impressions are based on an external reality that serves as a starting point, improvisations and compositions depict images emergent from the unconscious, though 1944:

In 2017, Robert Colin Lewenstein, Francesca Manuela Davis and Elsa Hannchen Guidotti filed suit against Bayerische Landesbank (BLB) for the restitution of Kandinsky's

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He then moved to France with his wife, where he lived for the rest of his life, becoming a French citizen in 1939 and producing some of his most prominent art.

7684: 2747: 672: 7619: 972: 1414: 6308: 406:. He was not immediately granted admission and began learning art on his own. That same year, before leaving Moscow, he saw an exhibit of paintings by 282:

4 December] 1866 – 13 December 1944) was a Russian painter and art theorist. Kandinsky is generally credited as one of the pioneers of

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and later paintings are primarily concerned with evoking a spiritual resonance in viewer and artist. As in his painting of the apocalypse by water (

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is also apparent in these early works. Colours are used to express Kandinsky's experience of subject matter, not to describe objective nature.

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Kandinsky was born in Moscow, the son of Lidia Ticheeva and Vasily Silvestrovich Kandinsky, a tea merchant. One of his great-grandmothers was

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in his studio and he stared at it for a while before realizing it was his own work, suggesting to him the potential power of abstraction.

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Watercolours by Kandinsky at the Guggenheim Museum: a selection from the Solomon R. Guggenheim Museum and the Hilla von Rebay Foundation

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Spencer Frederick Gore, "The Allied Artists' Exhibition at the Royal Albert Hall (London)", in "The Art News," 4 August 1910, p.254.

1873:, a 1909 view of a man wielding a broadsword in a rainbow-hued village, for $ 23 million. The painting had been on loan to the 491:(1904), in which Kandinsky recreates a highly colourful (and fanciful) view of peasants and nobles in front of the walls of a town. 7614: 3309: 3179: 7644: 7634: 7624: 7699: 7694: 7609: 3971: 1616:

indicate, Kandinsky also expressed the communion between artist and viewer as being available to both the senses and the mind (

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From 1906 to 1908, Kandinsky travelled across Europe. In 1909, Münter bought a summerhouse in the small Bavarian town of

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Kandinsky often used black in his paintings to heighten the impact of brightly coloured forms while his forms were often

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Sadleir's interest in Kandinsky also led to Kandinsky's first works entering a British art collection; Sadleir's father,

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These ideas had an almost-immediate international impact, particularly in the English-speaking world. As early as 1912,

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not only gripped me, but impressed itself ineradicably on my memory. Painting took on a fairy-tale power and splendour.

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which, he felt, pushed the limits of music and melody beyond standard lyricism. He was also spiritually influenced by

310:(today Tartu, Estonia). Kandinsky began painting studies (life-drawing, sketching and anatomy) at the age of 30. 7101: 3750: 3737: 3730: 3717: 3703: 3689: 3675: 3654: 3631: 3609: 3595: 3550: 3536: 3522: 3508: 3473: 3459: 3438: 3430: 3416: 3055: 2925: 2445:

Michael Sadleir, Review of Uber da Geistige an der Kunst by Wassily Kandinsky, in "The Art News," 9 March 1912, p.45.

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Lindsay, Kenneth and Peter Vergo. "Introduction". Kandinsky: Complete Writings on Art. New York: Da Capo Press, 1994.

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in 1913 following a visit by father and son to meet Kandinsky in Munich that year. These works were displayed in

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From 1906 to 1908, Kandinsky spent a great deal of time travelling across Europe (he was an associate of the

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In 1896, at the age of 30, Kandinsky gave up a promising career teaching law and economics to enroll in the

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work. He intended his forms (which he subtly harmonised and placed) to resonate with the observer's soul.

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The Life of Vasilii Kandinsky in Russian Art: A Study of "On the Spiritual in Art" by Wassily Kandinsky

1938: 1259: 792: 555: 31: 5661: 4747: 4157: 4066: 3798: 1642: 1506: 302:, studying law and economics. Successful in his profession, he was offered a professorship (chair of 170: 4128: 2191:

Lindsay, Kenneth; Vergo, Peter (1994). Kandinsky: Complete Writings on Art. New York: Da Capo Press.

1960: 6282: 5828: 5220: 5129: 3231:"A Jewish family sold this Kandinsky painting to survive the Nazis. Amsterdam is keeping it anyway" 1501:), a Nazi raid on the Bauhaus in the 1930s resulted in the confiscation of Kandinsky's first three 412: 4921: 2436:

See Michael Paraskos, "English Expressionism," MRes Thesis, University of Leeds, Leeds 1997, p103f

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After graduating in 1892, Kandinsky married his cousin, Anja Chimiakina, and became a lecturer in

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Writing that "music is the ultimate teacher", Kandinsky embarked upon the first seven of his ten

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Kandinsky taught the basic design class for beginners and the course on advanced theory at the

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Tom Steele, "Alfred Orage and the Leeds Arts Club 1893–1923" (Mitcham, Orage Press, 2009) 218f

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of the stage production of "Pictures at an Exhibition" by Kandinsky in 1928 in Dessau, 2015.

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stems perhaps more from his theoretical works than from his paintings. He helped found the

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artistic periods. For complete detailed references in French, see the original version at

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and signed the "Founding Proclamation of the Union of Progressive International Artists".

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He died in Neuilly-sur-Seine on 13 December 1944, three days prior to his 78th birthday.

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according to the preparatory notes of Kandinsky and the director's script of Felix Klee.

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in 1914 ended these plans and sent Kandinsky back to Russia via Switzerland and Sweden.

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In addition to painting, Kandinsky was an art theorist; his influence on the history of

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Note: Several sections of this article have been translated from its French version:

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and the perception of a coming New Age, a common theme among Kandinsky's first seven

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Living in an apartment in Paris, Kandinsky created his work in a living-room studio.

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fortissimo of a great orchestra, is both compelled and allowed by Moscow to ring out.

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Interest in Kandinsky grew quickly when Sadleir published an English translation of

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Perhaps the most important of his paintings from the first decade of the 1900s was

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Susan B. Hirschfeld, Solomon R. Guggenheim Museum, Hilla von Rebay Foundation,

2424: 2296:. translated by Michael T. H. Sadler (2004). Kessinger Publishing. p. 32. 1343: 1108: 1097: 1029: 432: 105: 6080: 5737: 5402: 5012: 4893: 3885: 3762: 2810:"Discover the Famous Works of Wassily Kandinsky, the Artist Who Painted Music" 2657: 1779:, 1920, 110.3 cm × 91.8 cm (43.4 in × 36.1 in), 1199:

in 1925. Following a Nazi smear campaign, the Bauhaus left Dessau in 1932 for

7573: 7492: 7457: 7350: 7032: 6976: 6962: 6809: 6670: 6565: 6558: 6544: 6254: 6135: 6003: 5898: 5856: 5807: 5640: 5633: 5598: 5563: 5514: 5486: 5409: 5005: 4935: 4907: 4879: 4782: 4698: 4642: 4628: 4621: 4607: 4515: 4495: 4413: 4385: 4294: 4220: 4138: 3337:"Amsterdam to Restitute Kandinsky Painting to Heirs After Years-Long Dispute" 2809: 2613: 2330: 1996: 1887: 1866: 1792: 1541: 1192: 1153: 499:

in the way the depth of field is collapsed into a flat, luminescent surface.

181: 5765: 4670: 4433: 4289: 2785:"How Music Motivated Artists from Matisse to Kandinsky to Reinvent Painting" 314: 7287: 7125: 7018: 6990: 6925: 6893: 6865: 6830: 6823: 6816: 6781: 6747: 6663: 6621: 6472: 6461: 6451: 6198: 6170: 6108: 6101: 6087: 6059: 6031: 5996: 5989: 5961: 5947: 5933: 5912: 5821: 5779: 5772: 5612: 5584: 5535: 5521: 5395: 5360: 5255: 5241: 5178: 5105: 4998: 4956: 4754: 4579: 4260: 4255: 4215: 3583: 2692:, Twentieth Century masters series, Random House Incorporated, 1987, p. 7, 1915: 1879: 1735: 1688: 1675: 1549: 848: 838: 766: 758: 551: 407: 388: 283: 185: 5500: 3411:. (New York: MFA Publications and London: Tate Publishing, 2001). 192pp. 2223: 7499: 7380: 7239: 7230: 7046: 6969: 6010: 5975: 5891: 5884: 5626: 5528: 5416: 5346: 5283: 5160: 5026: 4886: 4844: 4796: 4733: 4712: 4705: 4677: 4593: 4536: 4376: 3205: 3017: 2942:"Wassily Kandinsky – Articles – Biomorphic themes from "Parisian period"" 2219: 1722: 1684: 1617: 1561: 1326: 1147: 1066:(1919) by Kandinsky, exhibited at the 19th State Exhibition, Moscow, 1920 918: 843: 796: 778: 740: 701: 644: 587: 496: 357: 287: 2902: 2338: 1576:

contributed to radically new ways of seeing and experiencing the world.

777:) and held two exhibits. More of each were planned, but the outbreak of 7429: 6983: 6754: 6677: 6656: 6537: 6205: 6191: 5940: 5926: 5863: 5786: 5675: 5542: 5479: 5339: 5169: 4970: 4928: 4865: 4522: 4199: 3531:(New York: The Jewish Museum, and London: Scala Publishers Ltd, 2003). 2886: 1692: 1529: 1514: 1347: 762: 457:(1926) echoed this theosophical tenet. Illustrations by John Varley in 42: 1847:"Portrait de Nina Kandinsky" by German photographer Hugo Erfurth, 1927 266: 7478: 7436: 7301: 7011: 6094: 5849: 5716: 5437: 5388: 5353: 4914: 4341: 4250: 1510: 1312: 1180: 303: 3931: 3904: 3837: 3444: 3407:

Wassily Kandinsky, M. T. Sadler (Translator), Adrian Glew (Editor).

3256:"Dutch Court Rules Against Jewish Heirs on Claim for Kandinsky Work" 3154:"Son of El Lissitzky files for return of another war loot Kandinsky" 5318: 5185: 4543: 4504: 4488: 4474: 4365: 4149: 3925: 3841: 1497:

While studies, sketches, and improvisations exist (particularly of

7077: 6115: 5577: 5192: 4481: 4465: 4451: 3094: 2510: 1131: 1089: 537: 500: 361: 330: 325:, Kandinsky "became an insider in the cultural administration of 50: 3636:

Julian Lloyd Webber. "Seeing red, looking blue, feeling green",

3043:

Hoberg, Annegret (2005). "The Life and Work of Gabriel Münter".

4399: 1965: 1200: 1196: 1158: 1093: 334: 291: 1103: 807:

apart from the visual description of an object or other form.

410:. He was particularly taken with the impressionistic style of 3712:(éd. Albin Michel, les grands maîtres de l'art contemporain) 2603:, Continuum, 2009, p. 38–45 (The disclosure of pictoriality). 2317:

Ashmore, Jerome (1962). "The Theoretical Side of Kandinsky".

1829: 1545: 875: 4310: 826:

in 1914. Extracts from the book were published that year in

4872: 4406: 3362:"Case 1:17-cv-01600 Document 1 Filed 03/03/17 Page 1 of 23" 2752: 2074: 2042: 375:

Kandinsky was also the uncle of Russian-French philosopher

3310:"Amsterdam to restore disputed Kandinsky to Jewish family" 1142:(1925), where Kandinsky illustrates his distance from the 2062: 2050: 2036: 2030: 870:, acquired several wood-prints and the abstract painting 536:

symbolist group of Moscow) until he settled in the small

431:

Kandinsky was similarly influenced during this period by

3928:– 500 paintings, 60+ photos, biography, quotes, articles 3771:. The Getty Research Institute, Los Angeles, California. 3503:. (Newtonville, MA.: Oriental Research Partners, 1984). 2748:"Kandinsky: The Path to Abstraction, room guide, room 6" 1636:

Kandinsky's legendary stage design for a performance of

313:

In 1896, Kandinsky settled in Munich, studying first at

3604:. (New York: Harry N Abrams Inc, 1997). (Illustrated). 3487:

Wassily Kandinsky 1866–1944: The Journey to Abstraction

2372:

Wassily Kandinsky, 1866–1944: A Revolution in Painting

1871:

Studie für Improvisation 8 (Study for Improvisation 8)

3543:

Wassily Kandinsky 1866–1944: A Revolution in Painting

3158:

The Art Newspaper – International art news and events

2726:. Germany: h.f.ullmann publishing GmbH. p. 262. 2240:

Wassily Kandinsky 1866–1944: a Revolution in Painting

2107: 2083: 2071: 2068: 2065: 2053: 2047: 2033: 1886:(1914) for $ 20.9 million. On 16 November 2016, 3380:"Heirs Claim Kandinsky Painting Was Looted by Nazis" 3048:

Gabriele Münter: The Search for Expression 1906–1917

2059: 2039: 2027: 1817:) group, which ended with the onset of World War I. 6309:

A Sunday Afternoon on the Island of La Grande Jatte

3647:

Kandinsky in Munich: The Formative Jugendstil Years

3281:""Recovery is more than just returning an object."" 2056: 2024: 1650:In another episode with Münter during the Bavarian 333:school of art and architecture from 1922 until the 3793:Kandinsky's Introspective Path to Abstract Reality 3743:Kandinsky. Œuvres de Vassily Kandinsky (1866–1944) 1589: 1179:), which was a group that was formed in 1923 with 878:, either in the university or the premises of the 2414:. Baden-Baden: Woldemar Klein Verlag. p. 12. 2236: 2118:[vɐˈsʲilʲɪjvɐˈsʲilʲjɪvʲɪtɕkɐnʲˈdʲinskʲɪj] 1933:filed a claim for the restitution of Kandinsky's 7571: 3799:"2021 French stamps featuring Kandinsky's works" 3499:John E. Bowlt and Rose-Carol Washton Long, eds. 1451: 709: 30:"Kandinsky" redirects here. For other uses, see 7675:Burials at Neuilly-sur-Seine community cemetery 3649:(Princeton: Princeton University Press, 1979). 1914:In July 2001, Jen Lissitzky, the son of artist 1769:is developed from a more formal point of view. 1054: 3562:Sabine Flach. "Through the Looking Glass", in 3433:. or: Lightning Source Inc Publ. (Paperback). 3421:Wassily Kandinsky, M. T. Sadler (Translator). 3115: 3113: 1745:Published in Munich in 1911, Kandinsky's text 1728: 1540:, Kandinsky drew upon the biblical stories of 1320: 476:Munich-Schwabing with the Church of St. Ursula 341:in 1944, three days before his 78th birthday. 4326: 4165: 3947: 2672:"The Bauhaus Group: Six Masters of Modernism" 2095: 1509:and were then destroyed (along with works by 1505:. They were displayed in the state-sponsored 1125:International Congress of Progressive Artists 7685:Emigrants from the Russian Empire to Germany 7248: 7237: 4431: 4420: 4374: 4363: 3527:Esther da Costa Meyer, Fred Wasserman, eds. 3012: 3010: 3008: 3006: 2164: 1738:as "absolute subjectivity" or the "absolute 1157:House of Paul Klee and Wassily Kandinsky in 1015:Color Study: Squares with Concentric Circles 402:where his teachers would eventually include 290:. Born in Moscow, he spent his childhood in 27:Russian painter and art theorist (1866–1944) 7620:Emigrants from the Russian Empire to France 4502: 3377: 3110: 2237:Düchting, Hajo; Kandinsky, Wassily (2000). 1725:approaches to bring surrealism in his art. 1104:Back in Germany and the Bauhaus (1922–1933) 4333: 4319: 4172: 4158: 3954: 3940: 3922:, Kandinsky's compositions with commentary 3580:. (New York: Harry N. Abrams, Inc., 1958). 3517:. (New York: Museum of Modern Art, 2002). 3082: 72: 3529:Schoenberg, Kandinsky, and the Blue Rider 3072:Christie's Sells Monet for $ 43.8 Million 3018:"WASSILY KANDINSKY (1866–1944) Biography" 3003: 2915: 2409: 2289: 2283: 1802:In the summer of 1902, Kandinsky invited 1164:The two-metre-wide (6 ft 7 in) 482:In the summer of 1902, Kandinsky invited 3479: 2985: 2560: 2533: 2504: 2369: 2363: 2271:McMullen, Roy Donald (20 January 2024). 2270: 1918:, filed a restitution claim against the 1842: 1771: 1674:"Portrait de Kandinsky" by photographer 1669: 1593: 1466: 1462: 1152: 1107: 1058: 783: 719: 505: 470: 445:(1831–1891), the best-known exponent of 7660:Russian Orthodox Christians from Russia 3660: 3425:. Dover Publ. (Paperback). 80 pp. 2884: 2721: 2394: 2316: 2165:Lindsay, Kenneth; Vergo, Peter (1994). 14: 7670:Watercolorists from the Russian Empire 7572: 4104:Aleksey Ivanovich Kandinsky (grandson) 3119: 3042: 2836:"Vasily Kandinsky Replaces the Object" 2658:"Kandinsky: Master of the Mystic Arts" 2655: 2527: 2353:"What drove Kandinsky to abstraction?" 1922:in Basel, Switzerland for Kandinsky's 1458:List of paintings by Wassily Kandinsky 356:In 1889, at age 23, he was part of an 7174:Six Characters in Search of an Author 4314: 4153: 3961: 3935: 3401: 3334: 2760:from the original on 26 February 2013 2209: 2116: 1687:(sinuous organic forms), Fauvism and 360:research group that travelled to the 4179: 3916:, Wassily Kandinsky at ArtCyclopedia 3788:Art Detective Podcast, 19 April 2017 3378:Buffenstein, Alyssa (6 March 2017). 1926:. A settlement was reached in 2002. 1612:essays and theorising with composer 789:Improvisation 27 (Garden of Love II) 7665:Printmakers from the Russian Empire 7600:Academy of Fine Arts, Munich alumni 3829:Works by or about Wassily Kandinsky 3769:Wassily Kandinsky papers, 1911–1940 3670:(Presses Universitaires de France) 3619:(Munich: Museum Villa Stuck, 2006). 3466:Kandinsky, Complete Writings on Art 3447:. Verlag R. Piper & Co., Munich 2887:"The Theoretical Side of Kandinsky" 2782: 2540:modernistarchitecture.wordpress.com 2397:Kandinsky: Complete Writings on Art 2216:Books and Writers (kirjasto.sci.fi) 2168:Kandinsky: Complete Writings on Art 1753:) defines three types of painting: 1150:movements influential at the time. 757:) with like-minded artists such as 382: 24: 6369:Nude Descending a Staircase, No. 2 3588:Seeing the Invisible: On Kandinsky 3335:Villa, Angelica (30 August 2021). 2980:Seeing the invisible, on Kandinsky 2967:Seeing the invisible, on Kandinsky 2601:Seeing the invisible, on Kandinsky 2399:. G.K. Hall & Co. p. 363. 1909: 1665: 795:, New York. Exhibited at the 1913 317:'s private school and then at the 25: 7721: 7690:20th-century Russian male artists 3888:Improvisation 28 (second version) 3854:"Concerning the Spiritual in Art" 3756: 3120:Pobric, Pac (15 September 2016). 1406:Kunstsammlung Nordrhein-Westfalen 773:. The group released an almanac ( 7710:20th-century French male artists 7650:Painters from the Russian Empire 7556: 7555: 4114:Neue Künstlervereinigung München 3880: 3845: 3578:Wassily Kandinsky: Life and Work 3454:. Dover Publications, New York. 3180:"Kandinsky painting row settled" 2020: 1786: 1654:years, Kandinsky was working on 1432: 1413: 1394: 1375: 1356: 1301: 1286: 1267: 1248: 1227: 1208: 1039: 1022: 1007: 990: 971: 956: 941: 926: 907: 887: 745:Neue Künstlervereinigung München 690: 671: 652: 633: 614: 595: 576: 466: 463:(1901) influenced him visually. 265: 214: 7615:Immigrants to the German Empire 3668:Voir l'invisible. Sur Kandinsky 3626:(Paris: Pierre Terrail, 1992). 3423:Concerning the Spiritual in Art 3409:Concerning the Spiritual in Art 3371: 3354: 3328: 3302: 3273: 3248: 3223: 3198: 3172: 3146: 3064: 3036: 2972: 2959: 2934: 2909: 2878: 2853: 2828: 2802: 2776: 2740: 2715: 2702: 2682: 2664: 2649: 2631: 2606: 2593: 2579: 2554: 2498: 2482: 2466: 2457: 2448: 2439: 2430: 2418: 2403: 2388: 2345: 2293:Concerning the Spiritual in Art 2109:Vasiliy Vasil'yevich Kandinskiy 1751:Concerning the spiritual in art 1590:Artistic and spiritual theorist 1569:Concerning the Spiritual in Art 1554:four horsemen of the Apocalypse 1534:Concerning the Spiritual in Art 544:. In 1908, he bought a copy of 451:Concerning the Spiritual in Art 235: 210: 7645:Russian Expressionist painters 7635:Moscow State University alumni 7625:Naturalized citizens of France 7323:Grosvenor School of Modern Art 7316:Fourth dimension in literature 4027:Improvisation No. 30 (Cannons) 3566:(London: Koenig Books, 2012). 3070:Kelly Crow (7 November 2012), 2916:Kandinsky, W. (October 2008). 2310: 2264: 2230: 2222:Public Library. Archived from 2203: 2194: 2185: 2158: 2010: 1747:Über das Geistige in der Kunst 999:Landscape with Red Spots, No 2 726:Landscape with Factory Chimney 276:Wassily Wassilyevich Kandinsky 94:Wassily Wassilyevich Kandinsky 13: 1: 7700:French Expressionist painters 7695:20th-century Russian painters 7610:Academic staff of the Bauhaus 4340: 4124:Institute of Artistic Culture 3182:. 3 July 2002. Archived from 2639:"Lost Art: Wassily Kandinsky" 2127: 2097:Василий Васильевич Кандинский 1860: 1452:Kandinsky's conception of art 1368:Museum Boijmans Van Beuningen 1123:In May 1922, he attended the 1085:Institute of Artistic Culture 841:'s weekly cultural newspaper 710:Blue Rider Period (1911–1914) 607:Museum Boijmans Van Beuningen 344: 79: 39:Eastern Slavic naming customs 7705:20th-century French painters 3858:Guggenheim Internet Archives 3624:Kandinsky and the Blue Rider 2969:, Continuum, 2009, pp. 5–11. 2918:The Art of Spiritual Harmony 2783:Arn, Jackson (30 May 2019). 2614:"Wassily Kandinsky – Quotes" 2395:Lindsay, Kenneth C. (1982). 2151: 1904:Solomon R. Guggenheim Museum 1444:Musée national d'art moderne 1425:Solomon R. Guggenheim Museum 1387:Musée national d'art moderne 1279:Solomon R. Guggenheim Museum 1117:Musée National d'Art Moderne 1055:Return to Russia (1914–1921) 872:Fragment for Composition VII 730:Solomon R. Guggenheim Museum 664:Solomon R. Guggenheim Museum 225:Nina Nikolaevna Andreevskaya 144:Academy of Fine Arts, Munich 7: 7416:List of avant-garde artists 6393:The Cabinet of Dr. Caligari 4300:Der Blaue Reiter (painting) 4043:Auf Weiss II (Sur blanc II) 3844:(public domain audiobooks) 2997:mediation.centrepompidou.fr 2410:Kandinsky, Wassily (1955). 2290:Kandinsky, Wassily (1911). 2171:. New York: Da Capo Press. 2134:Theoretical writings on art 2108: 1953: 1729:Theoretical writings on art 1517:and other modern artists). 1321:Great Synthesis (1934–1944) 1220:National Gallery of Denmark 364:region north of Moscow. In 78:Kandinsky by Adolf Elnain, 10: 7726: 7274:Classical Hollywood cinema 3838:Works by Wassily Kandinsky 3820:Works by Wassily Kandinsky 3745:(Centre Georges Pompidou) 2722:Fiedler, Jeannine (2013). 1455: 1260:Philadelphia Museum of Art 1096:by its founder, architect 964:Landscape With Two Poplars 793:Metropolitan Museum of Art 713: 698:Murnau, train & castle 556:Charles Webster Leadbeater 294:, where he graduated from 37:In this name that follows 36: 32:Kandinsky (disambiguation) 29: 7537: 7215: 7056: 6924: 6764: 6513: 6502: 6345:Les Demoiselles d'Avignon 6299: 6125: 5685: 5168: 5159: 5036: 4820: 4562: 4553: 4348: 4284: 4208: 4187: 4109:Gabriele Münter (partner) 4096: 4077: 3978: 3969: 3879: 3874: 2982:, Continuum, 2009, p. 27. 2473:First Abstract Watercolor 2096: 1643:Pictures at an Exhibition 1507:Degenerate Art exhibition 1047:Painting with a Red Stain 934:Study for Improvisation V 896:First Abstract Watercolor 882:, between 1913 and 1923. 724:Wassily Kandinsky, 1910, 558:. In 1909, he joined the 264: 259: 248: 191: 177: 157: 149: 139: 131: 112: 101:4 December] 1866 89: 71: 64: 5130:The Master and Margarita 4003:Landscape with Red Spots 3723:Kandinsky. Rétrospective 3046:Exhibition catalogue for 2946:www.wassilykandinsky.net 2885:Ashmore, Jerome (1962). 2618:www.wassilykandinsky.net 2003: 1548:and the whale, Christ's 7423:List of modernist poets 7309:Fourth dimension in art 6485:Meshes of the Afternoon 3622:Annette and Luc Vezin. 3452:Point and Line to Plane 2565:. Taschen. p. 68. 2561:Düchting, Hajo (2013). 2505:Duchting, Hajo (2007). 2489:Mit Dem Schwarzen Boden 2374:. Taschen. p. 94. 2370:Düchting, Hajo (2000). 1987:List of Russian artists 1977:Kandinsky and Theosophy 1695:(mystery) and Bauhaus ( 1631:Point and Line to Plane 1136:Point and Line to Plane 979:Mit Dem Schwarzen Boden 824:On the Spiritual in Art 812:On the Spiritual in Art 455:Point and Line to Plane 278:(16 December [ 7507:Second Viennese School 7249: 7238: 5142:The Sound and the Fury 5046:In Search of Lost Time 4503: 4432: 4421: 4375: 4364: 4129:Bibliothèque Kandinsky 4035:Ein Zentrum (A Centre) 3899:Paintings by Kandinsky 3694:Jéléna Hahl-Fontaine. 3564:Intellectual Birdhouse 3515:Kandinsky Compositions 3485:Ulrike Becks-Malorny. 2676:Columbia College Today 1961:Bibliothèque Kandinsky 1890:auctioned Kandinsky's 1875:Kunstmuseum Winterthur 1869:auctioned Kandinsky's 1848: 1783: 1679: 1652:abstract expressionist 1602: 1479: 1342:as star fragments (or 1191:at the instigation of 1161: 1120: 1080: 1067: 857:Spencer Frederick Gore 804:The Blue Rider Almanac 799: 775:The Blue Rider Almanac 732: 516: 479: 429: 97:16 December [ 7486:Reactionary modernism 7409:List of art movements 4276:Marianne von Werefkin 3698:(Marc Vokar éditeur) 3513:Magdalena Dabrowski. 3480:References in English 2587:"Kleine Welten, 1922" 2542:. Ross Lawrence Wolfe 1900:Solomon R. Guggenheim 1846: 1775: 1740:phenomenological life 1673: 1597: 1538:Orthodox Christianity 1522:Christian eschatology 1470: 1463:The artist as prophet 1364:Brown with supplement 1171:Kandinsky was one of 1156: 1111: 1069: 1062: 787: 723: 590:, Kunstarealm, Munich 509: 474: 418: 298:. He enrolled at the 135:Russian, later French 7330:Hanshinkan Modernism 7186:The Threepenny Opera 7102:Pelléas et Mélisande 4246:Alexej von Jawlensky 3926:Wassilykandinsky.net 3909:Museum of Modern Art 3814:Writing by Kandinsky 3725:(Foundation Maeght) 3708:François le Targat. 3661:References in French 3615:Margarita Tupitsyn. 2688:François Le Targat, 2534:van Doesburg, Theo. 2226:on 26 February 2015. 2146:fr:Vassily Kandinsky 1935:Painting with Houses 1924:Improvisation No. 10 1797:University of Moscow 1691:(shocking colours), 1472:Composition VII 1189:Alexej von Jawlensky 818:in the London-based 683:Von der Heydt Museum 603:Sunday (Old Russian) 560:Theosophical Society 351:Princess Gantimurova 319:Academy of Fine Arts 308:University of Dorpat 300:University of Moscow 213: 1892; 7640:Artists from Moscow 7388:International Style 7138:Afternoon of a Faun 6417:Battleship Potemkin 6321:Mont Sainte-Victoir 4226:Heinrich Campendonk 3776:Yellow – Red – Blue 3639:The Daily Telegraph 3590:(Continuum, 2009). 3545:. (Taschen, 2000). 3464:Wassily Kandinsky. 3450:Wassily Kandinsky. 3443:Wassily Kandinsky. 3134:on 12 February 2017 3076:Wall Street Journal 2993:"Vassily Kandinsky" 2656:Rabinovich, Yakov. 2273:"Wassily Kandinsky" 2212:"Wassily Kandinsky" 2142:The great synthesis 1992:Russian avant-garde 1781:Ohara Museum of Art 1346:), while enigmatic 1256:Circles in a Circle 1166:Yellow – red – blue 1140:Yellow – red – blue 828:Percy Wyndham Lewis 641:Couple on Horseback 493:Couple on Horseback 393:hanging upside down 327:Anatoly Lunacharsky 7680:Artists from Odesa 7267:Buddhist modernism 7224:American modernism 7150:The Rite of Spring 5118:The Sun Also Rises 5094:The Magic Mountain 4241:Natalia Goncharova 3600:Thomas M. Messer. 3559:. (Prestel, 2008). 3402:Books by Kandinsky 3098:. 17 November 2016 2905:– via JSTOR. 2840:Lapham's Quarterly 2816:. 13 December 2020 2210:Liukkonen, Petri. 1920:Beyeler Foundation 1849: 1784: 1680: 1603: 1558:book of Revelation 1480: 1162: 1121: 1068: 800: 733: 517: 489:Sunday, Old Russia 480: 323:Russian Revolution 7655:Gantimurov family 7595:Abstract painters 7580:Wassily Kandinsky 7567: 7566: 7295:Experimental film 7211: 7210: 7198:Waiting for Godot 6498: 6497: 5155: 5154: 5058:The Metamorphosis 4308: 4307: 4271:Arnold Schoenberg 4195:Wassily Kandinsky 4147: 4146: 3972:List of paintings 3963:Wassily Kandinsky 3914:Artcyclopedia.com 3905:Wassily Kandinsky 3896: 3895: 3824:Project Gutenberg 3684:(éd. Flammarion) 3617:Against Kandinsky 3572:978-3-86335-118-2 3557:Wassily Kandinsky 3495:978-3-8228-3564-7 3489:(Taschen, 2007). 3468:. Da Capo Press. 3186:on 2 October 2002 3127:The Art Newspaper 2865:philosophynow.org 2733:978-3-8480-0275-7 2572:978-3-8365-3146-7 2381:978-3-8365-3146-7 2303:978-1-4191-1377-2 2250:978-3-8228-5982-7 2106: 1971:Theory of Colours 1931:Lewenstein family 1702:His signature or 1614:Arnold Schoenberg 1476:Tretyakov Gallery 1440:Circle and Square 1077:Wassily Kandinsky 853:Royal Albert Hall 568:The Blue Mountain 564:The Blue Mountain 426:Wassily Kandinsky 366:Looks on the Past 339:Neuilly-sur-Seine 296:Odessa Art School 273: 272: 124:Neuilly-sur-Seine 66:Wassily Kandinsky 16:(Redirected from 7717: 7559: 7558: 7530: 7528:Vulgar modernism 7523: 7521:Underground film 7516: 7509: 7502: 7495: 7488: 7481: 7474: 7467: 7460: 7453: 7446: 7439: 7432: 7425: 7418: 7411: 7404: 7397: 7390: 7383: 7374: 7367: 7360: 7353: 7346: 7344:Hippie modernism 7339: 7332: 7325: 7318: 7311: 7304: 7297: 7290: 7283: 7276: 7269: 7262: 7260:Bloomsbury Group 7255: 7254: 7244: 7243: 7233: 7226: 7204: 7203: 7192: 7191: 7180: 7179: 7168: 7167: 7156: 7155: 7144: 7143: 7132: 7131: 7120: 7119: 7108: 7107: 7096: 7095: 7084: 7083: 7072: 7071: 7049: 7042: 7035: 7028: 7021: 7014: 7007: 7000: 6993: 6986: 6979: 6972: 6965: 6958: 6951: 6944: 6937: 6917: 6910: 6903: 6896: 6889: 6882: 6875: 6868: 6861: 6854: 6847: 6840: 6833: 6826: 6819: 6812: 6805: 6798: 6791: 6784: 6777: 6757: 6750: 6743: 6736: 6729: 6722: 6715: 6708: 6701: 6694: 6687: 6680: 6673: 6666: 6659: 6652: 6645: 6638: 6631: 6624: 6617: 6610: 6603: 6596: 6589: 6582: 6575: 6568: 6561: 6554: 6547: 6540: 6533: 6526: 6511: 6510: 6491: 6490: 6479: 6478: 6467: 6466: 6457: 6456: 6447: 6446: 6441:Un Chien Andalou 6435: 6434: 6423: 6422: 6411: 6410: 6405:Ballet Mécanique 6399: 6398: 6387: 6386: 6375: 6374: 6363: 6362: 6351: 6350: 6339: 6338: 6333:The Starry Night 6327: 6326: 6315: 6314: 6292: 6285: 6278: 6271: 6264: 6257: 6250: 6243: 6236: 6229: 6222: 6215: 6208: 6201: 6194: 6187: 6180: 6173: 6166: 6159: 6152: 6145: 6138: 6118: 6111: 6104: 6097: 6090: 6083: 6076: 6069: 6062: 6055: 6048: 6041: 6034: 6027: 6020: 6013: 6006: 5999: 5992: 5985: 5978: 5971: 5964: 5957: 5950: 5943: 5936: 5929: 5922: 5915: 5908: 5901: 5894: 5887: 5880: 5873: 5866: 5859: 5852: 5845: 5838: 5831: 5824: 5817: 5810: 5803: 5796: 5789: 5782: 5775: 5768: 5761: 5754: 5747: 5740: 5733: 5726: 5719: 5712: 5705: 5698: 5678: 5671: 5664: 5662:Toulouse-Lautrec 5657: 5650: 5643: 5636: 5629: 5622: 5615: 5608: 5601: 5594: 5587: 5580: 5573: 5566: 5559: 5552: 5545: 5538: 5531: 5524: 5517: 5510: 5503: 5496: 5489: 5482: 5475: 5468: 5461: 5454: 5447: 5440: 5433: 5426: 5419: 5412: 5405: 5398: 5391: 5384: 5377: 5370: 5363: 5356: 5349: 5342: 5335: 5328: 5321: 5314: 5307: 5300: 5293: 5286: 5279: 5272: 5265: 5258: 5251: 5244: 5237: 5230: 5223: 5216: 5209: 5202: 5195: 5188: 5181: 5166: 5165: 5148: 5147: 5136: 5135: 5124: 5123: 5112: 5111: 5100: 5099: 5088: 5087: 5076: 5075: 5064: 5063: 5052: 5051: 5029: 5022: 5015: 5008: 5001: 4994: 4987: 4980: 4973: 4966: 4959: 4952: 4945: 4938: 4931: 4924: 4917: 4910: 4903: 4896: 4889: 4882: 4875: 4868: 4861: 4854: 4847: 4840: 4833: 4813: 4806: 4799: 4792: 4785: 4778: 4771: 4764: 4757: 4750: 4743: 4736: 4729: 4722: 4715: 4708: 4701: 4694: 4687: 4680: 4673: 4666: 4659: 4652: 4645: 4638: 4631: 4624: 4617: 4610: 4603: 4596: 4589: 4582: 4575: 4560: 4559: 4546: 4539: 4532: 4525: 4518: 4509: 4508: 4498: 4491: 4484: 4477: 4468: 4461: 4454: 4445: 4438: 4437: 4427: 4426: 4423:Der Blaue Reiter 4416: 4409: 4402: 4395: 4388: 4381: 4380: 4370: 4369: 4359: 4335: 4328: 4321: 4312: 4311: 4236:Lyonel Feininger 4181:Der Blaue Reiter 4174: 4167: 4160: 4151: 4150: 4119:Der Blaue Reiter 4086:The Yellow Sound 3956: 3949: 3942: 3933: 3932: 3884: 3883: 3872: 3871: 3868: 3866: 3864: 3849: 3848: 3833:Internet Archive 3809: 3807: 3805: 3682:Kandinsky et moi 3680:Nina Kandinsky. 3602:Vasily Kandinsky 3395: 3394: 3392: 3390: 3375: 3369: 3368: 3366: 3358: 3352: 3351: 3349: 3347: 3332: 3326: 3325: 3323: 3321: 3316:. 27 August 2021 3306: 3300: 3299: 3293: 3291: 3277: 3271: 3270: 3268: 3266: 3252: 3246: 3245: 3243: 3241: 3227: 3221: 3220: 3218: 3216: 3202: 3196: 3195: 3193: 3191: 3176: 3170: 3169: 3167: 3165: 3160:. 31 August 2001 3150: 3144: 3143: 3141: 3139: 3130:. 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Montreal. 2022 3014: 3001: 3000: 2989: 2983: 2976: 2970: 2963: 2957: 2956: 2954: 2952: 2938: 2932: 2931: 2913: 2907: 2906: 2882: 2876: 2875: 2873: 2871: 2857: 2851: 2850: 2848: 2846: 2832: 2826: 2825: 2823: 2821: 2806: 2800: 2799: 2797: 2795: 2780: 2774: 2773: 2767: 2765: 2756:. 13 June 2012. 2744: 2738: 2737: 2719: 2713: 2706: 2700: 2686: 2680: 2679: 2668: 2662: 2661: 2653: 2647: 2646: 2635: 2629: 2628: 2626: 2624: 2610: 2604: 2597: 2591: 2590: 2583: 2577: 2576: 2558: 2552: 2551: 2549: 2547: 2531: 2525: 2524: 2502: 2496: 2486: 2480: 2470: 2464: 2461: 2455: 2452: 2446: 2443: 2437: 2434: 2428: 2422: 2416: 2415: 2407: 2401: 2400: 2392: 2386: 2385: 2367: 2361: 2360: 2349: 2343: 2342: 2314: 2308: 2307: 2287: 2281: 2280: 2268: 2262: 2261: 2259: 2257: 2234: 2228: 2227: 2207: 2201: 2198: 2192: 2189: 2183: 2182: 2162: 2121: 2120: 2115: 2111: 2101: 2099: 2098: 2090: 2086: 2081: 2080: 2077: 2076: 2073: 2070: 2067: 2064: 2061: 2058: 2055: 2052: 2049: 2045: 2044: 2041: 2038: 2035: 2032: 2029: 2026: 2019: 2014: 1939:Stedelijk Museum 1892:Rigide et courbé 1814:Der Blaue Reiter 1704:individual style 1608:Der Blaue Reiter 1567:As he stated in 1436: 1417: 1398: 1379: 1360: 1305: 1290: 1271: 1252: 1231: 1212: 1185:Lyonel Feininger 1078: 1043: 1026: 1011: 994: 975: 960: 945: 930: 911: 891: 814:was reviewed by 754:Der Blaue Reiter 716:Der Blaue Reiter 694: 679:Houses in Munich 675: 656: 637: 618: 599: 580: 443:Madame Blavatsky 427: 383:Artistic periods 377:Alexandre Kojève 269: 239: 237: 218: 216: 212: 171:Der Blaue Reiter 160: 119: 116:13 December 1944 84: 81: 76: 62: 61: 21: 18:Vasily Kandinsky 7725: 7724: 7720: 7719: 7718: 7716: 7715: 7714: 7570: 7569: 7568: 7563: 7554: 7546: 7533: 7526: 7519: 7514:Structural film 7512: 7505: 7498: 7491: 7484: 7477: 7470: 7465:New Objectivity 7463: 7456: 7451:Neo-romanticism 7449: 7444:Neo-primitivism 7442: 7435: 7428: 7421: 7414: 7407: 7400: 7393: 7386: 7379: 7370: 7363: 7356: 7349: 7342: 7335: 7328: 7321: 7314: 7307: 7300: 7293: 7286: 7279: 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4962: 4955: 4948: 4941: 4936:Lowell (Robert) 4934: 4927: 4920: 4913: 4906: 4899: 4892: 4885: 4878: 4871: 4864: 4857: 4850: 4843: 4836: 4829: 4816: 4809: 4802: 4795: 4788: 4781: 4774: 4767: 4760: 4753: 4746: 4739: 4732: 4725: 4718: 4711: 4704: 4697: 4690: 4683: 4676: 4669: 4662: 4655: 4648: 4641: 4634: 4627: 4620: 4613: 4606: 4599: 4592: 4585: 4578: 4571: 4549: 4542: 4535: 4528: 4521: 4514: 4501: 4494: 4487: 4480: 4473: 4464: 4457: 4450: 4441: 4430: 4419: 4412: 4405: 4398: 4391: 4384: 4373: 4362: 4355: 4344: 4339: 4309: 4304: 4280: 4266:Gabriele Münter 4231:Robert Delaunay 4204: 4183: 4178: 4148: 4143: 4134:Kandinsky Prize 4092: 4073: 4019:Composition VII 3995:Das Bunte Leben 3974: 3965: 3960: 3881: 3875:External videos 3862: 3860: 3852: 3846: 3803: 3801: 3797: 3759: 3663: 3576:Will Grohmann. 3555:Hajo Düchting. 3541:Hajo Düchting. 3482: 3404: 3399: 3398: 3388: 3386: 3376: 3372: 3364: 3360: 3359: 3355: 3345: 3343: 3333: 3329: 3319: 3317: 3308: 3307: 3303: 3289: 3287: 3279: 3278: 3274: 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404:Franz von Stuck 385: 347: 253:Gabriele Münter 244: 241: 238: 1917) 233: 229: 226: 220: 217: 1911) 208: 204: 201: 200:Anja Chimiakina 158: 127: 121: 117: 108: 102: 96: 95: 85: 82: 67: 58: 35: 28: 23: 22: 15: 12: 11: 5: 7723: 7713: 7712: 7707: 7702: 7697: 7692: 7687: 7682: 7677: 7672: 7667: 7662: 7657: 7652: 7647: 7642: 7637: 7632: 7630:Modern artists 7627: 7622: 7617: 7612: 7607: 7602: 7597: 7592: 7587: 7582: 7565: 7564: 7547: 7539: 7538: 7535: 7534: 7532: 7531: 7524: 7517: 7510: 7503: 7496: 7489: 7482: 7475: 7472:Poetic realism 7468: 7461: 7454: 7447: 7440: 7433: 7426: 7419: 7412: 7405: 7402:Late modernity 7398: 7395:Late modernism 7391: 7384: 7377: 7376: 7375: 7368: 7361: 7347: 7340: 7337:High modernism 7333: 7326: 7319: 7312: 7305: 7298: 7291: 7284: 7281:Degenerate art 7277: 7270: 7263: 7256: 7251:Ballets Russes 7245: 7234: 7227: 7219: 7217: 7213: 7212: 7209: 7208: 7206: 7205: 7193: 7181: 7169: 7157: 7145: 7133: 7121: 7109: 7097: 7085: 7073: 7060: 7058: 7054: 7053: 7051: 7050: 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4855: 4848: 4841: 4834: 4826: 4824: 4818: 4817: 4815: 4814: 4807: 4800: 4793: 4786: 4779: 4772: 4765: 4758: 4751: 4744: 4737: 4730: 4723: 4716: 4709: 4702: 4695: 4688: 4681: 4674: 4667: 4660: 4653: 4646: 4639: 4632: 4625: 4618: 4611: 4604: 4597: 4590: 4583: 4576: 4568: 4566: 4557: 4551: 4550: 4548: 4547: 4540: 4533: 4526: 4519: 4512: 4511: 4510: 4492: 4485: 4478: 4471: 4470: 4469: 4455: 4448: 4447: 4446: 4439: 4428: 4410: 4403: 4396: 4393:Constructivism 4389: 4382: 4371: 4360: 4352: 4350: 4346: 4345: 4338: 4337: 4330: 4323: 4315: 4306: 4305: 4303: 4302: 4297: 4292: 4285: 4282: 4281: 4279: 4278: 4273: 4268: 4263: 4258: 4253: 4248: 4243: 4238: 4233: 4228: 4223: 4218: 4212: 4210: 4206: 4205: 4203: 4202: 4197: 4191: 4189: 4185: 4184: 4177: 4176: 4169: 4162: 4154: 4145: 4144: 4142: 4141: 4136: 4131: 4126: 4121: 4116: 4111: 4106: 4100: 4098: 4094: 4093: 4091: 4090: 4081: 4079: 4075: 4074: 4072: 4071: 4063: 4055: 4051:Three Elements 4047: 4039: 4031: 4023: 4015: 4011:Composition VI 4007: 3999: 3991: 3987:The Blue Rider 3982: 3980: 3976: 3975: 3970: 3967: 3966: 3959: 3958: 3951: 3944: 3936: 3930: 3929: 3923: 3917: 3911: 3901: 3900: 3894: 3893: 3892:, Smarthistory 3877: 3876: 3870: 3869: 3850: 3835: 3826: 3816: 3815: 3811: 3810: 3795: 3790: 3780:Janina Ramirez 3774:Discussion of 3772: 3766: 3758: 3757:External links 3755: 3754: 3753: 3740: 3720: 3706: 3692: 3678: 3666:Michel Henry. 3662: 3659: 3658: 3657: 3643: 3634: 3620: 3613: 3598: 3581: 3574: 3560: 3553: 3539: 3525: 3511: 3497: 3481: 3478: 3477: 3476: 3462: 3448: 3441: 3419: 3403: 3400: 3397: 3396: 3370: 3353: 3327: 3301: 3272: 3247: 3222: 3197: 3171: 3145: 3109: 3081: 3063: 3056: 3035: 3002: 2984: 2978:Michel Henry, 2971: 2965:Michel Henry, 2958: 2933: 2926: 2920:. Read Books. 2908: 2877: 2852: 2827: 2801: 2775: 2739: 2732: 2714: 2701: 2681: 2663: 2648: 2630: 2605: 2599:Michel Henry, 2592: 2578: 2571: 2553: 2526: 2520:978-3836531467 2519: 2497: 2481: 2465: 2456: 2447: 2438: 2429: 2425:Sixten Ringbom 2417: 2402: 2387: 2380: 2362: 2344: 2325:(3): 175–185. 2309: 2302: 2282: 2263: 2249: 2229: 2202: 2193: 2184: 2177: 2156: 2155: 2153: 2150: 2129: 2126: 2123: 2122: 2008: 2007: 2005: 2002: 2000: 1999: 1994: 1989: 1984: 1979: 1974: 1963: 1957: 1955: 1952: 1911: 1908: 1896:Rigid and bent 1862: 1859: 1788: 1785: 1759:improvisations 1730: 1727: 1697:constructivism 1667: 1664: 1656:Composition VI 1599:Composition VI 1591: 1588: 1584:Composition VI 1580:Composition IV 1520:Fascinated by 1499:Composition II 1464: 1461: 1456:Main article: 1453: 1450: 1449: 1448: 1438: 1431: 1429: 1419: 1412: 1410: 1400: 1393: 1391: 1383:Composition IX 1381: 1374: 1372: 1362: 1355: 1336:Composition IX 1322: 1319: 1318: 1317: 1309:Inner Alliance 1307: 1300: 1298: 1292: 1285: 1283: 1273: 1266: 1264: 1262:, Philadelphia 1254: 1247: 1245: 1233: 1226: 1224: 1216:Small worlds I 1214: 1207: 1173:Die Blaue Vier 1144:constructivism 1105: 1102: 1098:Walter Gropius 1074: 1056: 1053: 1052: 1051: 1045: 1038: 1036: 1028: 1021: 1019: 1013: 1006: 1004: 996: 989: 987: 977: 970: 968: 962: 955: 953: 947: 940: 938: 932: 925: 923: 913: 906: 904: 893: 886: 868:Michael Sadler 851:) at London's 830:'s periodical 749:The Blue Rider 711: 708: 707: 706: 696: 689: 687: 677: 670: 668: 658: 651: 649: 639: 632: 630: 620: 613: 611: 601: 594: 592: 582: 575: 571:three riders. 527:The Blue Rider 522:The Blue Rider 512:The Blue Rider 468: 465: 433:Richard Wagner 423: 400:Munich Academy 384: 381: 346: 343: 271: 270: 262: 261: 257: 256: 250: 246: 245: 243: 242: 231: 227: 224: 223: 221: 206: 202: 199: 198: 195: 193: 189: 188: 179: 175: 174: 161: 155: 154: 151: 150:Known for 147: 146: 141: 137: 136: 133: 129: 128: 122: 120:(aged 77) 114: 110: 109: 106:Russian Empire 103: 93: 91: 87: 86: 77: 69: 68: 65: 26: 9: 6: 4: 3: 2: 7722: 7711: 7708: 7706: 7703: 7701: 7698: 7696: 7693: 7691: 7688: 7686: 7683: 7681: 7678: 7676: 7673: 7671: 7668: 7666: 7663: 7661: 7658: 7656: 7653: 7651: 7648: 7646: 7643: 7641: 7638: 7636: 7633: 7631: 7628: 7626: 7623: 7621: 7618: 7616: 7613: 7611: 7608: 7606: 7605:Art educators 7603: 7601: 7598: 7596: 7593: 7591: 7588: 7586: 7583: 7581: 7578: 7577: 7575: 7562: 7552: 7551: 7550:Postmodernism 7545: 7544: 7536: 7529: 7525: 7522: 7518: 7515: 7511: 7508: 7504: 7501: 7497: 7494: 7493:Metamodernism 7490: 7487: 7483: 7480: 7476: 7473: 7469: 7466: 7462: 7459: 7458:New Hollywood 7455: 7452: 7448: 7445: 7441: 7438: 7434: 7431: 7427: 7424: 7420: 7417: 7413: 7410: 7406: 7403: 7399: 7396: 7392: 7389: 7385: 7382: 7378: 7373: 7369: 7366: 7362: 7359: 7355: 7354: 7352: 7351:Impressionism 7348: 7345: 7341: 7338: 7334: 7331: 7327: 7324: 7320: 7317: 7313: 7310: 7306: 7303: 7299: 7296: 7292: 7289: 7285: 7282: 7278: 7275: 7271: 7268: 7264: 7261: 7257: 7253: 7252: 7246: 7242: 7241: 7235: 7232: 7228: 7225: 7221: 7220: 7218: 7214: 7200: 7199: 7194: 7188: 7187: 7182: 7176: 7175: 7170: 7164: 7163: 7158: 7152: 7151: 7146: 7140: 7139: 7134: 7128: 7127: 7122: 7116: 7115: 7110: 7104: 7103: 7098: 7092: 7091: 7086: 7080: 7079: 7074: 7068: 7067: 7062: 7061: 7059: 7055: 7048: 7044: 7041: 7037: 7034: 7030: 7027: 7023: 7020: 7016: 7013: 7009: 7006: 7002: 6999: 6995: 6992: 6988: 6985: 6981: 6978: 6974: 6971: 6967: 6964: 6960: 6957: 6953: 6950: 6946: 6943: 6939: 6936: 6932: 6931: 6929: 6927: 6923: 6916: 6912: 6909: 6905: 6902: 6898: 6895: 6891: 6888: 6884: 6881: 6877: 6874: 6870: 6867: 6863: 6860: 6856: 6853: 6849: 6846: 6842: 6839: 6835: 6832: 6828: 6825: 6821: 6818: 6814: 6811: 6807: 6804: 6800: 6797: 6793: 6790: 6786: 6783: 6779: 6776: 6772: 6771: 6769: 6767: 6763: 6756: 6752: 6749: 6745: 6742: 6738: 6735: 6731: 6728: 6724: 6721: 6717: 6714: 6710: 6707: 6703: 6700: 6696: 6693: 6689: 6686: 6682: 6679: 6675: 6672: 6668: 6665: 6661: 6658: 6654: 6651: 6647: 6644: 6640: 6637: 6633: 6630: 6626: 6623: 6619: 6616: 6612: 6609: 6605: 6602: 6598: 6595: 6591: 6588: 6584: 6581: 6577: 6574: 6570: 6567: 6563: 6560: 6556: 6553: 6549: 6546: 6542: 6539: 6535: 6532: 6528: 6525: 6521: 6520: 6518: 6516: 6512: 6509: 6507: 6501: 6487: 6486: 6481: 6475: 6474: 6469: 6463: 6459: 6453: 6449: 6443: 6442: 6437: 6431: 6430: 6425: 6419: 6418: 6413: 6407: 6406: 6401: 6395: 6394: 6389: 6383: 6382: 6377: 6371: 6370: 6365: 6359: 6358: 6353: 6347: 6346: 6341: 6335: 6334: 6329: 6323: 6322: 6317: 6311: 6310: 6305: 6304: 6302: 6298: 6291: 6287: 6284: 6280: 6277: 6273: 6270: 6266: 6263: 6259: 6256: 6252: 6249: 6245: 6242: 6238: 6235: 6231: 6228: 6224: 6221: 6217: 6214: 6210: 6207: 6203: 6200: 6196: 6193: 6189: 6186: 6182: 6179: 6178:Hundertwasser 6175: 6172: 6168: 6165: 6161: 6158: 6154: 6151: 6147: 6144: 6140: 6137: 6133: 6132: 6130: 6128: 6124: 6117: 6113: 6110: 6106: 6103: 6099: 6096: 6092: 6089: 6085: 6082: 6078: 6075: 6071: 6068: 6064: 6061: 6057: 6054: 6050: 6047: 6043: 6040: 6036: 6033: 6029: 6026: 6022: 6019: 6015: 6012: 6008: 6005: 6001: 5998: 5994: 5991: 5987: 5984: 5980: 5977: 5973: 5970: 5966: 5963: 5959: 5956: 5952: 5949: 5945: 5942: 5938: 5935: 5931: 5928: 5924: 5921: 5917: 5914: 5910: 5907: 5903: 5900: 5896: 5893: 5889: 5886: 5882: 5879: 5875: 5872: 5868: 5865: 5861: 5858: 5854: 5851: 5847: 5844: 5840: 5837: 5833: 5830: 5826: 5823: 5819: 5816: 5812: 5809: 5805: 5802: 5798: 5795: 5791: 5788: 5784: 5781: 5777: 5774: 5770: 5767: 5763: 5760: 5756: 5753: 5749: 5746: 5742: 5739: 5735: 5732: 5728: 5725: 5721: 5718: 5714: 5711: 5707: 5704: 5700: 5697: 5693: 5692: 5690: 5688: 5684: 5677: 5673: 5670: 5666: 5663: 5659: 5656: 5652: 5649: 5645: 5642: 5638: 5635: 5631: 5628: 5624: 5621: 5617: 5614: 5610: 5607: 5603: 5600: 5596: 5593: 5589: 5586: 5582: 5579: 5575: 5572: 5568: 5565: 5561: 5558: 5554: 5551: 5547: 5544: 5540: 5537: 5533: 5530: 5526: 5523: 5519: 5516: 5512: 5509: 5505: 5502: 5498: 5495: 5491: 5488: 5484: 5481: 5477: 5474: 5470: 5467: 5463: 5460: 5456: 5453: 5449: 5446: 5442: 5439: 5435: 5432: 5428: 5425: 5421: 5418: 5414: 5411: 5407: 5404: 5400: 5397: 5393: 5390: 5386: 5383: 5379: 5376: 5372: 5369: 5365: 5362: 5358: 5355: 5351: 5348: 5344: 5341: 5337: 5334: 5330: 5327: 5323: 5320: 5316: 5313: 5309: 5306: 5302: 5299: 5295: 5292: 5288: 5285: 5281: 5278: 5274: 5271: 5267: 5264: 5260: 5257: 5253: 5250: 5246: 5243: 5239: 5236: 5232: 5229: 5225: 5222: 5218: 5215: 5211: 5208: 5204: 5201: 5197: 5194: 5190: 5187: 5183: 5180: 5176: 5175: 5173: 5171: 5167: 5164: 5162: 5158: 5144: 5143: 5138: 5132: 5131: 5126: 5120: 5119: 5114: 5108: 5107: 5102: 5096: 5095: 5090: 5084: 5083: 5078: 5072: 5071: 5066: 5060: 5059: 5054: 5048: 5047: 5042: 5041: 5039: 5035: 5028: 5024: 5021: 5017: 5014: 5010: 5007: 5003: 5000: 4996: 4993: 4989: 4986: 4982: 4979: 4975: 4972: 4968: 4965: 4961: 4958: 4954: 4951: 4947: 4944: 4940: 4937: 4933: 4930: 4926: 4923: 4919: 4916: 4912: 4909: 4905: 4902: 4898: 4895: 4891: 4888: 4884: 4881: 4877: 4874: 4870: 4867: 4863: 4860: 4856: 4853: 4849: 4846: 4842: 4839: 4835: 4832: 4828: 4827: 4825: 4823: 4819: 4812: 4808: 4805: 4801: 4798: 4794: 4791: 4787: 4784: 4780: 4777: 4773: 4770: 4766: 4763: 4759: 4756: 4752: 4749: 4745: 4742: 4738: 4735: 4731: 4728: 4724: 4721: 4717: 4714: 4710: 4707: 4703: 4700: 4696: 4693: 4689: 4686: 4682: 4679: 4675: 4672: 4668: 4665: 4661: 4658: 4654: 4651: 4647: 4644: 4640: 4637: 4633: 4630: 4626: 4623: 4619: 4616: 4612: 4609: 4605: 4602: 4598: 4595: 4591: 4588: 4584: 4581: 4577: 4574: 4570: 4569: 4567: 4565: 4561: 4558: 4556: 4555:Literary arts 4552: 4545: 4541: 4538: 4534: 4531: 4527: 4524: 4520: 4517: 4513: 4507: 4506: 4500: 4499: 4497: 4496:Neoplasticism 4493: 4490: 4486: 4483: 4479: 4476: 4472: 4467: 4463: 4462: 4460: 4459:Functionalism 4456: 4453: 4449: 4444: 4440: 4436: 4435: 4429: 4425: 4424: 4418: 4417: 4415: 4414:Expressionism 4411: 4408: 4404: 4401: 4397: 4394: 4390: 4387: 4386:Ashcan School 4383: 4379: 4378: 4372: 4368: 4367: 4361: 4358: 4354: 4353: 4351: 4347: 4343: 4336: 4331: 4329: 4324: 4322: 4317: 4316: 4313: 4301: 4298: 4296: 4295:Expressionism 4293: 4291: 4287: 4286: 4283: 4277: 4274: 4272: 4269: 4267: 4264: 4262: 4259: 4257: 4254: 4252: 4249: 4247: 4244: 4242: 4239: 4237: 4234: 4232: 4229: 4227: 4224: 4222: 4221:David Burliuk 4219: 4217: 4214: 4213: 4211: 4207: 4201: 4198: 4196: 4193: 4192: 4190: 4186: 4182: 4175: 4170: 4168: 4163: 4161: 4156: 4155: 4152: 4140: 4139:Wassily Chair 4137: 4135: 4132: 4130: 4127: 4125: 4122: 4120: 4117: 4115: 4112: 4110: 4107: 4105: 4102: 4101: 4099: 4095: 4088: 4087: 4083: 4082: 4080: 4076: 4069: 4068: 4067:Composition X 4064: 4061: 4060: 4056: 4053: 4052: 4048: 4045: 4044: 4040: 4037: 4036: 4032: 4029: 4028: 4024: 4021: 4020: 4016: 4013: 4012: 4008: 4005: 4004: 4000: 3997: 3996: 3992: 3989: 3988: 3984: 3983: 3981: 3977: 3973: 3968: 3964: 3957: 3952: 3950: 3945: 3943: 3938: 3937: 3934: 3927: 3924: 3921: 3918: 3915: 3912: 3910: 3906: 3903: 3902: 3898: 3897: 3891: 3889: 3878: 3873: 3859: 3855: 3851: 3843: 3839: 3836: 3834: 3830: 3827: 3825: 3821: 3818: 3817: 3813: 3812: 3800: 3796: 3794: 3791: 3789: 3785: 3781: 3777: 3773: 3770: 3767: 3764: 3761: 3760: 3752: 3751:2-85850-262-5 3748: 3744: 3741: 3739: 3738:2-900923-27-1 3735: 3732: 3731:2-900923-26-3 3728: 3724: 3721: 3719: 3718:2-226-02830-7 3715: 3711: 3707: 3705: 3704:2-87012-006-0 3701: 3697: 3693: 3691: 3690:2-08-064013-5 3687: 3683: 3679: 3677: 3676:2-13-053887-8 3673: 3669: 3665: 3664: 3656: 3655:0-691-03934-8 3652: 3648: 3644: 3641: 3640: 3635: 3633: 3632:2-87939-043-5 3629: 3625: 3621: 3618: 3614: 3611: 3610:0-8109-1228-7 3607: 3603: 3599: 3597: 3596:1-84706-447-7 3593: 3589: 3585: 3582: 3579: 3575: 3573: 3569: 3565: 3561: 3558: 3554: 3552: 3551:3-8228-5982-6 3548: 3544: 3540: 3538: 3537:1-85759-312-X 3534: 3530: 3526: 3524: 3523:0-87070-405-2 3520: 3516: 3512: 3510: 3509:0-89250-131-6 3506: 3502: 3498: 3496: 3492: 3488: 3484: 3483: 3475: 3474:0-306-80570-7 3471: 3467: 3463: 3461: 3460:0-486-23808-3 3457: 3453: 3449: 3446: 3442: 3440: 3439:1-4191-1377-1 3436: 3432: 3431:0-486-23411-8 3428: 3424: 3420: 3418: 3417:0-87846-702-5 3414: 3410: 3406: 3405: 3385: 3381: 3374: 3363: 3357: 3342: 3338: 3331: 3315: 3311: 3305: 3298: 3286: 3285:lootedart.com 3282: 3276: 3261: 3260:lootedart.com 3257: 3251: 3236: 3232: 3226: 3211: 3210:lootedart.com 3207: 3201: 3185: 3181: 3175: 3159: 3155: 3149: 3133: 3129: 3128: 3123: 3116: 3114: 3097: 3096: 3091: 3085: 3078: 3077: 3073: 3067: 3059: 3057:1-903470-29-3 3053: 3049: 3045: 3039: 3023: 3019: 3013: 3011: 3009: 3007: 2998: 2994: 2988: 2981: 2975: 2968: 2962: 2947: 2943: 2937: 2929: 2927:9781443755474 2923: 2919: 2912: 2904: 2900: 2897:(3): 175–85. 2896: 2892: 2888: 2881: 2866: 2862: 2856: 2841: 2837: 2831: 2815: 2814:My Modern Met 2811: 2805: 2790: 2786: 2779: 2772: 2759: 2755: 2754: 2749: 2743: 2735: 2729: 2725: 2718: 2711: 2705: 2699: 2695: 2691: 2685: 2677: 2673: 2667: 2659: 2652: 2644: 2640: 2634: 2619: 2615: 2609: 2602: 2596: 2588: 2582: 2574: 2568: 2564: 2557: 2541: 2537: 2530: 2522: 2516: 2513:. p. 7. 2512: 2508: 2501: 2494: 2490: 2485: 2478: 2474: 2469: 2460: 2451: 2442: 2433: 2426: 2421: 2413: 2406: 2398: 2391: 2383: 2377: 2373: 2366: 2358: 2354: 2348: 2340: 2336: 2332: 2328: 2324: 2320: 2313: 2305: 2299: 2295: 2294: 2286: 2278: 2274: 2267: 2252: 2246: 2242: 2241: 2233: 2225: 2221: 2217: 2213: 2206: 2197: 2188: 2180: 2178:9780306805707 2174: 2170: 2169: 2161: 2157: 2149: 2147: 2143: 2139: 2135: 2119: 2110: 2104: 2093: 2092: 2079: 2013: 2009: 1998: 1997:Wassily Chair 1995: 1993: 1990: 1988: 1985: 1983: 1980: 1978: 1975: 1973: 1972: 1967: 1964: 1962: 1959: 1958: 1951: 1950: 1948: 1942: 1940: 1936: 1932: 1929:In 2013, the 1927: 1925: 1921: 1917: 1907: 1905: 1901: 1897: 1893: 1889: 1885: 1881: 1876: 1872: 1868: 1858: 1855: 1852: 1845: 1841: 1837: 1833: 1831: 1827: 1822: 1818: 1816: 1815: 1810: 1805: 1800: 1798: 1794: 1793:Jurisprudence 1787:Personal life 1782: 1778: 1774: 1770: 1768: 1764: 1760: 1756: 1752: 1748: 1743: 1741: 1737: 1726: 1724: 1719: 1715: 1711: 1708: 1705: 1700: 1698: 1694: 1690: 1686: 1677: 1672: 1663: 1661: 1657: 1653: 1648: 1645: 1644: 1639: 1634: 1632: 1626: 1623: 1619: 1615: 1611: 1609: 1600: 1596: 1587: 1585: 1581: 1577: 1574: 1570: 1565: 1563: 1559: 1555: 1551: 1547: 1543: 1539: 1535: 1531: 1527: 1523: 1518: 1516: 1512: 1508: 1504: 1500: 1495: 1493: 1492:Composition I 1489: 1485: 1477: 1473: 1469: 1459: 1445: 1441: 1435: 1430: 1426: 1422: 1416: 1411: 1407: 1403: 1402:Composition X 1397: 1392: 1388: 1384: 1378: 1373: 1369: 1365: 1359: 1354: 1353: 1352: 1349: 1345: 1341: 1340:Composition X 1337: 1331: 1328: 1314: 1310: 1304: 1299: 1295: 1289: 1284: 1280: 1276: 1270: 1265: 1261: 1257: 1251: 1246: 1242: 1238: 1237: 1230: 1225: 1221: 1217: 1211: 1206: 1205: 1204: 1202: 1198: 1194: 1193:Galka Scheyer 1190: 1186: 1182: 1178: 1177:The Blue Four 1174: 1169: 1167: 1160: 1155: 1151: 1149: 1145: 1141: 1137: 1133: 1128: 1126: 1118: 1114: 1110: 1101: 1099: 1095: 1091: 1086: 1073: 1065: 1061: 1048: 1042: 1037: 1033: 1032: 1031:Composition 6 1025: 1020: 1016: 1010: 1005: 1001: 1000: 993: 988: 984: 980: 974: 969: 965: 959: 954: 950: 944: 939: 935: 929: 924: 920: 916: 910: 905: 901: 898:, 1910–1913, 897: 890: 885: 884: 883: 881: 877: 873: 869: 864: 862: 858: 854: 850: 846: 845: 840: 836: 834: 829: 825: 821: 817: 813: 808: 805: 798: 794: 790: 786: 782: 780: 776: 772: 768: 764: 760: 756: 755: 750: 746: 742: 737: 731: 727: 722: 717: 703: 699: 693: 688: 684: 680: 674: 669: 665: 661: 660:Blue Mountain 655: 650: 646: 642: 636: 631: 627: 623: 617: 612: 608: 604: 598: 593: 589: 585: 579: 574: 573: 572: 569: 565: 561: 557: 553: 549: 548: 547:Thought-Forms 543: 539: 535: 530: 528: 524: 523: 514: 513: 508: 504: 502: 498: 494: 490: 485: 477: 473: 467:Metamorphosis 464: 462: 461: 460:Thought-Forms 456: 452: 448: 444: 440: 439: 434: 422: 417: 415: 414: 409: 405: 401: 396: 394: 390: 380: 379:(1902–1968). 378: 373: 369: 367: 363: 359: 354: 352: 342: 340: 336: 332: 328: 324: 320: 316: 311: 309: 305: 301: 297: 293: 289: 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Taschen. 2220:Kuusankoski 2218:. 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