476:. He noted that "I just said, 'No, no, no. We'll carry on. I'll just stop eating.' I was completely purged during the making of that film. Afterwards, during the edit, I started to feel a lot calmer." Hoyle felt that the process of making the film had been cathartic, noting that "When I was 14, I had – let's call it an existential crisis. I wondered if was a case of me destroying that part of me. If you do have a breakdown that young, for the rest of your life you're very aware of it. It can make you feel your foundations are a little bit shaky. It's a devastating experience but we revisited it. I just went with my instincts and intuition."
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Hoyle's ability to portray a paedophile grooming a young man in a way that was both "pathetic and truly sinister all at once". Rather than falling into "tasteless exploitation", Willis thought that the film was saved by a lack of sensationalism. Praising the exterior scenes as "beautifully atmospheric" and the music as "fitting the laconic mood and sense of ill-foreboding well", he considered the film to be a good example of low-key filmmaking, akin to that produced in
Britain during the early 1980s.
568:, who suggested to Reich and Hoyle that they produce a theatrical adaptation of the film. They initially showed an interest in the project; Reich commented that "It was a very mischievous concept, doing an upbeat, life-affirming song-and-dance musical with that storyline and subject matter." However, the theatrical adaptation never surfaced, something Thomas attributed to the difficulty in obtaining funding for a musical on such a "dark subject." Instead, Hoyle and Thomas teamed up to produce
296:
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filming; he felt that it was "quite hectic but a great atmosphere". Throughout filming, Hoyle and Ryder remained in character, improvising their scenes around a basic narrative structure rather than using a script. Hoyle told a reporter that they "wanted everything to feel like real time... As soon as you woke up, the cameras would be on you. I look knackered." During filming, he contracted
38:
282:. He proceeds to give him a third and final injection, which he remarks will make Ashley lose consciousness and suffer organ failure. As Ashley dies, David professes that he has never loved anyone else as much before. The next morning, he goes onto the beach to place his nephew's body in a shallow grave, tearfully kissing the body goodbye before it is swept away by the sea.
452:(1974). He also said that the filming budget of under £1000 was a homage to "the spirit of John Waters." All the extras featured in the film were real inhabitants of Sheppey, and to film a scene in a local cafe, they walked in and asked the proprietors if they could shoot there. Although they had planned to tell any enquirers who approached them that they were shooting a
572:, an "alternative Christmas celebration" that appeared at the Soho Theatre in December 2012. A two-man cabaret that differed every night, it featured Thomas on a piano, accompanying Hoyle's rendition of various songs about Christmas and Britain's societal problems; Thomas described it as "David Hoyle at Christmas – the Musical". One of the songs featured in
228:. Ashley confides in his uncle that his mother has been physically abusing him by stubbing cigarettes out on his hand. David lambasts the mother and society in general; the two embrace in a kiss before going to bed together. The next morning, they awake and have breakfast in bed before David bathes Ashley in the bathtub, telling him a story about an unhappy
189:, a young man with a childlike mind named Ashley (Ryder) arrives to stay with his Uncle David (Hoyle). Escaping from his abusive mother, Ashley enters into a sexual relationship with his uncle who offers his insights into the world and the nature of reality. Eventually Ashley tells David that he wants to die, and David agrees to carry out the killing.
600:, a UK based film distributor of art house, gay and lesbian, independent and world cinema. The release contained several extras, including the three preparatory shorts detailing the relationship between the characters of Ashley and Uncle David and a cast commentary track voiced by Hoyle, Ryder, Reich and Nicholls. Reviewing the DVD release for the
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was filmed over five days in
October 2009 on the Isle of Sheppey, a location chosen for its proximity to London. Hoyle commented that the profusion of barbed wire fences there made him wonder if they were "keeping people out or keeping people in?". Reich said that he had been "obsessed" with Sheppey,
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a rating of 0.5 out of 5, describing it as "terrible". Believing that the film simply intended to shock viewers with its taboo subject matter, he felt offended by the story's "sheer inelegance". Opining that it reminded him of "the very worst attempt of a first-year film student", he questioned the
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The caravan park was largely empty at the time, and closed for winter several days after filming ended. Both actors and crew slept in the same caravan in which the film was set. Ryder later commented on the extreme cold and the crowded nature of the caravan, which had eight people inside it during
710:
website. Believing that the film was a "pleasant surprise", he praised the improvised nature of the work, believing that it created believable scenes and allowed the viewer to get to know the characters "almost without realising." He considered the acting to be very good, and particularly praised
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to Hoyle's earlier stage work, he felt that the two were "consistent", but that in the film Hoyle abandoned the "fireworks of his performance persona", opting for a "controlled, beguiling style". He believed that Ryder's familiarity with being filmed meant that he carried a "disarmingly ingenuous
415:
Reich – who had known Hoyle since the late 1990s – was in the audience, and enjoyed the chemistry between the two actors, suggesting that they appear in a feature film together. Over the course of a day, he filmed three shorts starring Hoyle and Ryder, in which they explored some of the
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website, awarding the film one out of five stars. He questioned the purpose of the film, arguing that it will only serve to alienate the gay population by portraying them as "sad, perverted and ultimately lonely individuals." More positively, he praised the appearance of the film with its "muted
498:, while a wig worn by Ashley in one scene was purchased from a Dalston wig store. Knowing that he would appear nude in several scenes, Ryder went to the gym regularly in the weeks proceeding filming to gain greater muscle tone. He decided to include footage from one of his pornographic videos in
523:, agreed to produce a musical score for the film, having long been a fan of Hoyle's work. After the cast and crew listened to a Muse album while driving between locations, they decided to include the band's work as they felt it was "empowering". They had also planned to include a song by
632:. Reich expressed surprise at the Erotic Award, because he did not consider the film to be a work of erotica, but discovered that they'd won because they had explored "an extreme fetish that to be honest we'd not actually heard of nor knew we were exploring."
604:
website, Stuart Willis noted that the disc contained periods of "murkiness or softness in the picture" and a few "(infrequent) instances of muffling", all of which he put down to the original production values of the film. British gay magazine
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232:. Going to a local café and then a park bench, David continues to explain his anti-establishment opinions about society. Ashley reveals that he wants to die, and the two express their love for one another.
420:. In these shorts Hoyle wore a wig and makeup, which were omitted from the later feature. The two actors continued to develop their characters through a series of text messages and phone conversations.
278:. Once there, David gives Ashley a second injection, as they sit and look out at the shore. After dark, David places his near-catatonic nephew in a dog bed, showing him a copy of a picture book titled
662:, Ben Walters noted that "suspense and dread accumulate as the low-key naturalism and the characters' obvious affection for one another play off against the enormity of what looms ahead." Comparing
432:
a place he had considered "a truly
Godforsaken wasteland" since working on a television show there ten years previously. He remarked that the "trailer trash setting" of the film was influenced by
1188:
313:" who combined "lacerating social commentary" with "breathtaking instances of self-recrimination and even self-harm." Taking this character to television, Hoyle produced two shows for
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event, after which the former asked Ryder if he would appear in one of his stage shows. Ryder was busy at the time, but agreed to the request several years later. Staged at the
1361:
309:, Hoyle became "something of a legend" on the British cabaret circuit during the 1990s, initially under the alter-ego of "The Divine David". The Divine David was an "anti-
697:, in that in all of them, the viewers' sympathy for the characters eclipses moral judgement of their actions. Walters would follow this with another review published in
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performance." Criticising the acting, he said that Ryder "shouldn't quit his porn day job any time soon" and that Hoyle's character was simply a "marriage of wannabe
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it won the best film award and Hoyle and Ryder shared the best actor award. It also won best film at the 2011 Berlin Porn Film
Festival, and best film at the 2011
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266:. When Ashley's drunken mother phones, demanding to know where her son is, Uncle David feigns ignorance, telling her that he himself is not in Sheppey but in
706:"Not to everyone's taste, granted, is nevertheless an original and disturbing take on modern love stories" was the view of Stuart Willis writing for the
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166:
under the banner of the Avant-Garde
Alliance, it was filmed in October 2009. Created without a script, every scene was improvised and filmed in a single
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celebrated the DVD's release with a competition to win one of three copies; they described the film as "a bit surreal, but totally amazing."
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as a "black comedy", arguing that it wasn't at all funny, instead labelling it "the most vapid, transparent attempt at shock this side of a
667:
presence, by turns determined and naive." Walters opined that the film's "menacing" use of
British seaside locations was similar to that in
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1436:
1204:
531:. After the film was screened for Boy George, the first person outside the Avant-Garde Alliance to see it, he commented "well it ain't
270:. Taking Ashley to an abandoned military bunker, he injects an unknown substance into his nephew's vein as they kiss. Ashley enters an
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259:, David encourages him to kill himself, telling him that he is "too nice for this Earth" and needs to escape the world's problems.
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in central London. Reviews were mixed, but the film won several awards at international film festivals. It was released on
193:
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472:, but insisted that all he needed was a 30-minute break before filming, attributing his ability to continue acting to
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while Ryder portrayed a misbehaving nine-year-old. The performance ended in Hoyle's Santa character pulling
Christmas
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Late one night, Ashley (Ashley Ryder) – a young man with a childlike mentality – arrives at the
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which he did not complete; from there he worked in retail, first for
Prowler and then for the designer
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398:, South London, the duo constructed a piece in which Ryder played the role of Hoyle's nephew in an
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255:", while same-sex pornography starring Ashley plays on the television set. While Ashley puts on
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before playing in the local entertainment arcade. Returning to the caravan, they engage in
8:
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456:, during the shoot none of the locals expressed any interest in the crew's activities.
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158:, Gary Reich, and Mike Nicholls. It was produced by Reich and stars Hoyle, an English
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The film received a number of awards at international film festivals. At the 2010
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162:, in the title role alongside English pornographic actor Ashley Ryder. Developed
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in central London. Attending the screening was Steve
Marmion, the boss of
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20:
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1287:"Merrie Hell: David Hoyle and Richard Thomas do Christmas the Weird Way"
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247:. Putting on make-up, they then drink wine and dance to a remix of the
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379:, he was also running his own weekly gay wrestling night in London.
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Ryder had hoped to be a fashion designer, undertaking a course at
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Hoyle, David; Ryder, Ashley; Reich, Gary; Nicholls, Mike (2011).
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in the film, but this was scrapped, to be replaced by a track by
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236:
42:
Poster advertising film's premiere at the
British Film Institute.
19:
This article is about the British film. For the Indian film, see
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325:(2000), before killing off the character at a farewell show at
738:
Cleaver Patterson was similarly critical in his review on the
484:
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375:, winning numerous awards for his work. By the time he made
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colours of the shingle beaches and piercing blue skies".
274:, and David guides him back to the caravan as they smoke
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Other reviewers were far more critical. Writing for the
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screened pornography throughout the day in their home.
502:, inspired to do so after learning that serial killers
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The next morning, Ashley plays on the beach and builds
1412:"Welcome Back David Hoyle: You're a Divine Director"
644:Ashley playing on the beach; the distinctive muted
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The film premiered at the BFI Southbank (pictured).
356:. Subsequently, appearing in gay pornography as a
333:(2000). Independently, Hoyle appeared in the film
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1316:Honolulu Gay & Lesbian Cultural Foundation
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483:camcorders. Costumes had been purchased at an
367:and UK Naked Men, he starred in such films as
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412:from the child's anus before strangling him.
404:performance. Hoyle played a department store
299:Hoyle performing at the Royal Vauxhall Tavern
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648:helped to create the atmosphere of the film.
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192:The film premiered on 25 March 2010 at the
110: (London Lesbian and Gay Film Festival)
1537:British avant-garde and experimental films
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463:Boy George contributed a song to the film.
36:
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735:-style outsider and mincing paedophile."
1582:2010s avant-garde and experimental films
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639:
544:
458:
294:
416:scenarios and themes that made it into
1519:
1312:"Say "Uncle" with Director Gary Reich"
626:Paris International LGBT Film Festival
1181:"Attention! Uncle David Comes to DVD"
679:, while he also drew comparisons to
558:London Lesbian and Gay Film Festival
194:London Lesbian and Gay Film Festival
1435:Walters, Ben (8–14 December 2011).
13:
1385:Urquhart, Donald (December 2011).
556:premiered on 25 March 2010 at the
517:, co-creator of the controversial
14:
1603:
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339:(1998) and the television series
1572:LGBTQ-related comedy-drama films
1285:Logan, Brian (3 December 2012).
479:The footage was captured on two
1122:
1110:
1095:
1410:Walters, Ben (24 March 2010).
1280:. London: Peccadillo Pictures.
1172:
1117:Berlin Porn Film Festival 2011
423:
363:for production companies like
272:altered state of consciousness
1:
1360:Ryan, Damien (27 July 2011).
1253:"Everyone's Favourite Nephew"
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583:
290:
285:
751:
614:
7:
1362:"Film Review – Uncle David"
1337:"DVD Review: 'Uncle David'"
1335:Patterson, Cleaver (2011).
1251:Gordon (29 November 2011).
10:
1608:
1552:British LGBT-related films
1542:British comedy-drama films
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1434:
1409:
1384:
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1284:
1278:Cast & Crew Commentary
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718:website, Damien Ryan gave
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1547:British independent films
1208:Berlin Porn Film Festival
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520:Jerry Springer: The Opera
382:Hoyle and Ryder met at a
319:The Divine David Presents
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127:
117:
93:
79:
69:
61:
47:
35:
30:
1445:. London. Archived from
1418:. London. Archived from
1293:. London. Archived from
1205:"And the Winners Are..."
16:2010 film by David Hoyle
1592:2010 LGBT-related films
1532:2010 comedy-drama films
1462:Willis, Stuart (2011).
694:The Talented Mr. Ripley
656:were mixed. Writing in
525:Antony and the Johnsons
331:The Divine David on Ice
329:, south London, titled
211:
102:25 March 2010
1234:. 2011. Archived from
1210:. 2011. Archived from
1187:. 2011. Archived from
649:
550:
464:
323:The Divine David Heals
300:
646:landscape photography
643:
548:
462:
388:Royal Vauxhall Tavern
350:Central Saint Martins
298:
1310:Matt (10 May 2011).
241:sexual strangulation
220:of his Uncle David (
1587:2010s British films
1577:Films about suicide
1263:on 28 November 2014
598:Peccadillo Pictures
596:DVD by the company
327:Streatham Ice Arena
206:Peccadillo Pictures
1562:Films about incest
1474:on 19 January 2012
1422:on 9 December 2011
1347:on 8 December 2011
1214:on 21 January 2012
1191:on 2 February 2013
1129:Erotic Awards 2011
1075:, 1:30:59–1:31:56.
676:London to Brighton
650:
592:was released as a
588:In December 2011,
551:
534:The Sound of Music
465:
301:
187:South East England
160:performance artist
150:is a 2010 British
1557:Films set in Kent
1073:Hoyle et al. 2011
1061:Hoyle et al. 2011
1049:Hoyle et al. 2011
1014:Hoyle et al. 2011
1002:Hoyle et al. 2011
990:Hoyle et al. 2011
978:Hoyle et al. 2011
966:Hoyle et al. 2011
954:Hoyle et al. 2011
942:Hoyle et al. 2011
930:Hoyle et al. 2011
918:Hoyle et al. 2011
887:Hoyle et al. 2011
373:Stretch that Hole
354:Vivienne Westwood
280:Is Britain Great?
154:film directed by
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1479:
1470:. Archived from
1468:Sex Gore Mutants
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1393:. Archived from
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1368:. Archived from
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1343:. Archived from
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1318:. Archived from
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1259:. Archived from
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1238:on 8 August 2011
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688:Bonnie and Clyde
602:Sex Gore Mutants
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1449:on 4 March 2016
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1228:"Film: Feature"
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1397:on 5 July 2012
1391:Beige Magazine
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1372:on 26 May 2024
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1387:"David Hoyle"
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1232:Erotic Awards
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627:
612:
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581:
579:
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562:BFI Southbank
559:
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513:The composer
511:
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508:Rosemary West
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346:
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342:Nathan Barley
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303:According to
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198:BFI Southbank
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95:Release dates
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57:Mike Nicholls
53:
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1506:
1495:
1476:. Retrieved
1472:the original
1467:
1451:. Retrieved
1447:the original
1440:
1424:. Retrieved
1420:the original
1416:The Guardian
1415:
1399:. Retrieved
1395:the original
1390:
1374:. Retrieved
1370:the original
1365:
1349:. Retrieved
1345:the original
1340:
1324:. Retrieved
1320:the original
1315:
1299:. Retrieved
1295:the original
1291:The Guardian
1290:
1277:
1265:. Retrieved
1261:the original
1256:
1240:. Retrieved
1236:the original
1231:
1216:. Retrieved
1212:the original
1207:
1193:. Retrieved
1189:the original
1184:
1124:
1112:
1102:
1097:
1090:Walters 2011
1068:
1056:
1044:
1009:
997:
985:
980:, 4:58–5:36.
973:
961:
956:, 2:00–2:30.
949:
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817:Walters 2010
739:
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659:The Guardian
657:
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623:
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589:
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569:
566:Soho Theatre
560:held in the
553:
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488:charity shop
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306:The Guardian
304:
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264:sand castles
261:
234:
218:caravan home
215:
196:held in the
191:
175:caravan park
172:
164:collectively
152:black comedy
146:
145:
144:
119:Running time
75:Ashley Ryder
25:
1507:Uncle David
1496:Uncle David
1267:24 December
1242:24 December
1218:24 December
1173:Works cited
840:Gordon 2011
780:Willis 2011
725:Uncle David
720:Uncle David
664:Uncle David
654:Uncle David
652:Reviews of
594:Region Free
590:Uncle David
578:Uncle David
574:Merrie Hell
570:Merrie Hell
554:Uncle David
500:Uncle David
496:East London
481:Sony HVR-Z1
454:horror film
444:John Waters
442:(1997) and
429:Uncle David
424:Development
418:Uncle David
406:Santa Claus
377:Uncle David
321:(1999) and
222:David Hoyle
156:David Hoyle
147:Uncle David
73:David Hoyle
62:Produced by
52:David Hoyle
48:Directed by
31:Uncle David
21:David Uncle
1527:2010 films
1521:Categories
1426:1 November
1376:1 November
1351:1 November
1195:13 January
1037:Logan 2012
747:References
584:Home media
529:Boy George
474:adrenaline
311:drag queen
291:Background
286:Production
268:Manchester
123:95 minutes
106:2010-03-25
88:Jon Opstad
65:Gary Reich
55:Gary Reich
1366:So So Gay
1148:Ryan 2011
875:Matt 2011
752:Footnotes
729:Lady Gaga
716:So So Gay
615:Reception
470:swine flu
390:(RVT), a
365:Eurocreme
315:Channel 4
276:marijuana
224:) on the
208:in 2011.
173:Set in a
1442:Time Out
1326:2 August
1185:Attitude
1103:Attitude
740:Cine-Vue
700:Time Out
682:Badlands
608:Attitude
396:Vauxhall
345:(2005).
253:Uprising
245:anal sex
80:Music by
70:Starring
1478:9 April
1401:30 July
1341:CineVue
1301:30 July
636:Reviews
541:Release
492:Dalston
392:gay bar
237:cocaine
177:on the
128:Country
104: (
1453:8 July
620:Awards
410:tinsel
401:ad-lib
361:bottom
251:song "
136:Budget
485:Oxfam
439:Gummo
358:twink
139:£4000
1501:IMDb
1480:2012
1455:2011
1428:2012
1403:2013
1378:2012
1353:2012
1328:2012
1303:2013
1269:2012
1257:Bent
1244:2012
1220:2012
1197:2013
1105:2011
691:and
673:and
506:and
504:Fred
371:and
257:drag
249:Muse
243:and
212:Plot
183:Kent
168:take
1510:at
1499:at
537:".
490:in
436:'s
394:in
204:by
202:DVD
181:in
1523::
1466:.
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1389:.
1364:.
1339:.
1314:.
1289:.
1255:.
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1183:.
1155:^
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108:)
23:.
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