265:, although was forced to quit when his alcohol and illegal drug intake got out of control. He would later comment that in London during these years he had "a lovely time. It was like going out for a night and it carried on for three years." However, it was during the 1980s that the HIV/AIDS epidemic hit the gay population and with little education or medical treatments, several of his friends' contracted and died of the virus; "people started to drop like flies. In our early twenties, we were losing our friends similarly to people of pension age." Partly because of the epidemic, Hoyle decided to leave London, moving back up north and settling down in Manchester.
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705:, where they could keep each other company until such time as it was deemed appropriate for them to be dispatched." Nonetheless, Hoyle remains highly critical of the mainstream gay culture in Britain, believing it to be "off-the-peg" and generic, and describing it as "the biggest suicide cult in history". In his work he has attempted to fight against the idea that gay people are "not socialist, not political, not left-field, just as pathetic and ridiculous as anybody else, that we couldn't give a fuck about anything as long as we can listen to
547:, a "boyish porn actor" who had collaborated with Hoyle in some of his stage shows). The film explored the relationship between the two characters, with the action unfolding over a couple of days, with one reviewer writing that "Suspense and dread accumulate as the low-key naturalism and the characters' obvious affection for one another play-off against the enormity of what looms ahead." In November of that year, Hoyle and Ryder were awarded a shared Best Actor Award for their roles in the film at
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the notice of a London audience via his weekly performances at Duckie, from 1995 onwards. Soon after, Louise Gray published the first national press interview with Hoyle ('David versus
Goliath', 29 November 1996). He also performed at the Queer Up North festival and the Leeds conceptual art club 'Freakshow'. Hoyle began appearing as a character whom he called 'The Divine David', which would later be described by reporter Ben Walters as "a sort of anti-drag act caustically lamenting the
231:, and he sang in the local church choir, however he had a problem with those Christians who were "very quick to seize on the Bible to condemn you". His parents recognised his sexuality, but had difficulty accepting it, although Hoyle has remarked that they did so out of "kindness and concern" for how he would develop as an adult. Hoyle gained some relief from the persecution he faced however by visiting the comedians and performers that used to appear at Blackpool every summer, such as
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of the bullying that he faced, they did nothing to stop it, believing that "by subjecting me to violence it would make me heterosexual." The stress led him to suffer a mental breakdown when he was fourteen, although the doctors who treated him "pathologised my natural behaviour and tried to give me tablets for it", something which he thought caused him even greater suffering.
469:"We really need to celebrate our very vibrant LGBTQ community here in this particular geo-political zone. There's far too little homosexuality on television... on the radio, in CDs and DVDs. We need to be showing films that promote homosexuality 24 hours a day, on every channel,... and I'm talking quite biological films, that really show what goes on."
122:, Lancashire, Hoyle was heavily bullied for his homosexuality as a child, leading to a mental breakdown aged fourteen. He began performing at a local working men's club before moving to London and then Manchester. It was here that he began performing at gay clubs in the city in the early 1990s, eventually developing the character known as
396:"If it is a comeback then it's David Hoyle who's coming back, not the Divine David. I'm convinced that the Divine David's definitely got rigor mortis. Even though I died on ice, I think the body's gone in the lime pit... At 43 I just thought, well, maybe you should just try being David Hoyle, see how it goes."
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noted that it was "something of a departure" from Hoyle's earlier work, and that he was "almost sanitised" in his behaviour, providing "a healthy dialogue with his audience", discussing his "progressive views on education and a tongue-in-cheek dissection of avant-garde performance art, but mostly the
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constituency in south London. Standing as a representative of the Avant-Garde
Alliance Party, he proclaimed that, should he come into power, he would advocate killing local priests and other authority figures to bring about "a new way, a new way of being, a new way of living, a new way of responding.
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at the Royal
Vauxhall Tavern in London. Describing the show to a reporter, he commented that it was "loosely inspired by a psychiatric daycare centre, and all the activities that go on, from occupational therapy to hobbies to empowerment, group catharsis." Spread over a series of six Thursday nights,
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that was taken earlier that day, the first which he had had in twenty years. The result came out negative, but as reporter Lyn
Gardner remarked, "had it been positive, I am certain he would still have shown us the clip." That same year, Hoyle also worked with the experimental theatre troupe Victoria.
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of the gay mainstream... through song, dance, painting and whatever else took his fancy." Other elements of his performance included pole dancing, mural painting and even striptease. Meanwhile, Hoyle had begun indulging in large quantities of alcohol and illegal drugs, leading to a "lot of near-death
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that people found out about his sexuality whilst at secondary school. He was subsequently bullied, and felt that going to school was "like walking to your death on a daily basis. Knowing that you were going to get assaulted, knowing that you didn't have anybody to talk to." Although the teachers knew
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Temporarily abandoning his career and retreating to his
Manchester home, he spent several years in a period of reflection, later relating that he spent much of this time simply staring at his wallpaper, "just rocking to and fro, you know, the days merging, the seasons coming and going." Suffering a
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in the early 1990s, when club nights introduced performance elements to add to their experience. Hoyle was the host and compere at
Manchester's Paradise Factory nightclub, and was also involved in the early days of the superclub Manumission, when it started as a club night in Manchester. He came to
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In a way the Divine David became the patron saint of decadence and nihilism and all the rest of it, and it's hard for that not to affect your own actions... As much as I used to say, "Oh yes, you have to be very sure of your identity to be doing all this business," I don't think I actually was. If
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in his performances, relating that "It's one of the last great taboos. People who would rush to help someone with a broken leg run away when someone has a mental health problem." Hoyle is also a painter, often reflecting his own life in his work; one of his works was for instance titled "Hi, I'm
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cabaret artist, singer, actor, comedian and film director. His performances are known to combine many disparate elements, from satirical comedy to painting, surrealism and even striptease, much of which is aggressive in nature. Himself homosexual, Hoyle's work has often focused on themes in the
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It was when he was seventeen that he first went out on to the gay scene, but was put off when the first thing that anyone said to him was "you're not fuckable." It was around the same time that he began performing in the Belle Vue, a pub in
Blackpool, where he did comedy routines whilst in the
586:"The songs collectively tell some sort of story: from okay to devastation and back again. They illustrate a life lived – not an easy life, and I've sure been good at attracting trouble, perhaps both real and imagined. That is the beauty of song – uniting the fantasy with the grim reality, a
441:. Each week, Hoyle would deal with a different subject, examining such topics as immigration, crime and punishment, dogging, HIV/AIDS, women's issues and alcoholism. In doing so he hoped that he could get his audience thinking about intellectual topics, stating that "All I can provide with
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and encouraged more sex (including "inter-species love inter-generational sex"), believing that it would cut crime rates. Furthermore, he argued for an overhaul of the workplace system, encouraging people to adopt a "spiritual dimension" to their jobs, and called for the abolition of the
612:, during which he sang a medley of songs, some of which were covers and others which were his own creation. Directed by regular Hoyle collaborator Nathan Evans, the music was directed by Michael Roulston, and included a series of songs that had a "personal connection" to him; covers of
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is a microcosm of a macrocosm... But at the Royal
Vauxhall Tavern the truth will be revealed and it will be a shared experience and there will be a mass lifting of consciousness. That's all I can say." For the performance dealing with HIV/AIDS, Hoyle screened a short film of his own
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festival, during which he constructed a garden inside
Manchester's Contact Theatre. His garden project was a success, with the run having to be extended to meet demand. In June of that year he also appeared in a one-off informal show at Bush Hall, London, entitled
426:, which toured the UK in 2006. Considering it to be his most autobiographical show to date, Hoyle told a reporter that it was inspired by his childhood growing up in Blackpool, commenting that "you've got all that showbusiness seaside stuff going on" in it.
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in each show Hoyle collaborated with a different performer to explore a variety of topics; for instance with burlesque comedian Fancy Chance he dealt with nationalism and immigration whilst with Dickie Beau he looked into the theme of childhood.
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Retreating from his public appearances, Hoyle returned to his home in
Manchester where he suffered from a mental breakdown that lasted several years. In 2005 he returned to television, appearing as the character Doug Rocket on Channel 4 sitcom
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No longer are we going to look to others to tell us how to be." These "pseudo-faux-adult parental figures", Hoyle claimed, "have had a jolly good run for their money and it's now time for them to fuck off". He further went on to advocate
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Aged twenty-one, he then left Blackpool and moved south to London, where he began to actively socialise in the city's gay scene. Here he temporarily gained a job playing the role of hunchbacked butler Riff-Raff in a stage production of
686:"I would ban capitalism – the cruellest, most insulting system any so-called civilisation could choose to impose upon itself. I would declare every sentient being legally equal, i.e. plankton is equal to someone educated at
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A fierce and vocal supporter of LGBTQ rights, Hoyle has publicly stated that should he ever be in a position of political power, "I would remove anyone who's vaguely homophobic to a concentration camp outside the
495:, North London. Describing the use of such an artefact, Hoyle told a journalist that "The couch will be electrically charged with the vibration of Freud's voice. I plan to have a relationship with it."
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was more critical, noting that many would be "put off by his reliance on lavatorial humour and random avant-garde style", believing that he was destined to appeal "to a cult audience only".
130:" who combined "lacerating social commentary" with "breathtaking instances of self-recrimination and even self-harm." Eventually taking his character to television, he appeared on the BBC's
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mentions nervous breakdowns, saying "it induced the first of many nervous breakdowns, all of which I've chosen to ignore", talking about the fictional group The Veryphonics.
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chit-chat is either friendly or amiably abusive." Whilst noting that "Hoyle's anecdotes and wit were in full flow from the start", the reporter Jamie Fisher of the
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383:, which only ran for one series, Hoyle played an ageing popstar named Doug Rocket, a founding member of a band named The Veryphonics (thereby being a parody of
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covers the dark side of the Christmas holidays set against melodies disjointed from the reality of subject covered within the show, with Thomas, who scored
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551:, Paris Gay, Lesbian, Trans, Film Festival. Meanwhile, in December of that year he filmed a special Christmas message for the socially liberal newspaper
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and directed by Nathan Evans, it involved Hoyle interviewing audience members whilst sitting on a couch that once belonged to pioneering psychoanalyst
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Aside from his performances as the Divine David, Hoyle also acted in various other roles; in 1998, he appeared prominently in the music video for
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you're used to creating aliases and camouflage and all that sort of palaver, eventually you have to peel it all away and work out who you are.
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And every new born individual would be issued with a global share portfolio which they may then choose to re-invest in their own education."
1281:"This Is My Fucking Truth" – Performance at the Project Arts Centre, Dublin on 26 June 2009 as part of the Dublin LGBTQ Pride Festival 2009.
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239:, and he particularly adored the circus, later relating that "I thought its performers were the most glamorous people. Beyond beautiful."
255:. He found that many of the punters enjoyed his performances, although was unnerved that some of them made sexual advances toward him.
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community, attacking what he sees as dominant trends in "bourgeois Britain and the materialistic-hedonistic gay scene". According to
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of emotion. However, there's also a sense of reflection, pausing to perhaps embrace a different tempo for what remains of my life."
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Pride London 2009 – Appearance on the stage in Leicester Square, featuring a duet with Boy George, "Spoiling it for the Others"
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The Independent, Interview by Nancy Groves: Observations: Freud family sofa's takes a starring role in Theatre of Therapy
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Timeout London, Interview by Ben Walters: ’Magazine‘ star David Hoyle plans to raise our consciousness through dogging'
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Hoyle suffers from mental breakdowns, something which he blames on his abusive childhood. He often raises the issue of
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In 2009, Hoyle publicly proclaimed that he was intending to stand for election as a member of parliament in the
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David and 48 and Returning to Psychiatric Help Which Is in the Public Interest". His character, Doug Rocket in
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which was held at Streatham Ice Rink in London; at the end of the show, the character died to the soundtrack
668:, covering a variety of topics raging from 'Gays in the Military' to the scandals of the BBC over the ages.
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148:(2000). That year, he decided to bring an end to The Divine David character, performing a farewell show at
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Gay Icons at the National Portrait Gallery – Promenade Performance with Escalator Finale 11 September 2009
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Nobody Got The Z-Man's Back – Spoken word piece on the life and career of former professional wrestler
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In December 2012 Hoyle returned to the Soho Theatre with a stage show collection of songs written with
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Revelations (2012) – a DVD comprising the short films of David Hoyle and Nathan Evans published by
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648:'s "How Can I Entertain?", as well as a new song, "A Return to Trauma". Journalist Paul Vale of
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Hoyle found it difficult growing up as a homosexual in Blackpool, later telling a reporter from
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He subsequently met theatre director Sarah Frankcom, who helped him to produce a show known as
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his performances have led him to become "something of a legend" on the London cabaret circuit.
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170:. Over the next few years he continued with a string of shows, most of which were held at the
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and during which he chatted and shared music with transgender American cabaret performer
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featured Hoyle in the title role as a man living with his adolescent nephew (played by
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340:". Commenting on the reason for killing off The Divine David, Hoyle would relate that:
166:, and the next year he returned to the stage, performing as himself in a show entitled
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Emerging from five years as a recluse, in 2005 Hoyle appeared in the Channel 4 sitcom
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David Hoyle first came to prominence through the clubbing scene around Manchester's
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Featuring two guest performers each week, including Al Pillay & Andi Fraggs.
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In October–November 2009, Hoyle presented a piece of performance art at London's
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1419:, (interview with David Hoyle), in Dance Theatre Journal, Vol. 23, No. 1, 2008.
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The Skinny, Posted by Paul Mitchell: David Hoyle – Still Really Rather Divine
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https://web.archive.org/web/20120330150100/http://theavantgardealliance.com/
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1271:(2007) – a DVD with some of these performances has been published by Duckie
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2456:"Blackpool pleasures in Soho: David Hoyle Unplugged at the Soho Theatre"
2053:"Blackpool pleasures in Soho: David Hoyle Unplugged at the Soho Theatre"
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In 2000, Hoyle publicly killed off the Divine David in a show entitled
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https://web.archive.org/web/20110805144011/http://www.davidhoyle.info/
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The Times, Interview by Nancy Durrant: Comedian David Hoyle is no drag
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Rules and Regulations – an art Installation as Artist in Residence at
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Featuring guests Lois Weaver, Mara Vujic, Lucy Hutson and Katy Baird.
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Hoyle appeared regularly as The Divine David in the BBC's sketch show
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Blackpool, the coastal town in north-west England where Hoyle grew up.
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external links, and converting useful links where appropriate into
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313:(1998) and achieved national prominence with his 1998 arts TV show
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1992:"Freud family sofa's takes a starring role in Theatre of Therapy"
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Featuring guest performers each week and an appearance from Pam.
1700:, Manchester: Manchester District Music Archive, archived from
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David Hoyle's Aural Assault – Four Thursdays in September 2009.
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National Tour and culimating at Queen's Hall Southbank, London
676:, helping bring levity alongside reflection and filthy humour.
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Hoyle announced his support for fellow queer-identified figure
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In 2006 he finally returned to the stage, taking part in the
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Produced by Fittings Multimedia Arts for Cultural Olympiad
100:(born 19 September 1962) is an English performance artist,
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Milazzo, Franco; Hoyle, David (subject) (5 August 2011).
294:", whilst that same year, he also appeared as a cameo in
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Chéries-Chéris, Paris Gay, Lesbian, Trans, Film Festival
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Five different shows, each one performed on a Thursday.
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Four different shows, each one performed on a Thursday.
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Continuing stage work and the Avant Garde Alliance: 2009
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character of Paul Munnery-Vain (the name being a pun on
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Six different shows, each one performed on a Thursday.
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Six different shows, each one performed on a Thursday.
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Six different shows, each one performed on a Thursday.
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In August 2011, Hoyle produced his first musical show,
190:(2011). In 2010 he also released his own feature film,
2584:"Interview: David Hoyle 'Philosopher King Of Cabaret'"
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Gay Icons Performance at the National Portrait Gallery
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playing Freddi, a member of Brian Slade's entourage.
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Poultan, Lindsay; Tait, Michael (24 December 2010).
2433:"Welcome back David Hoyle: you're a divine director"
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Poultan, Lindsay; Tait, Michael (24 December 2010).
1482:"Welcome back David Hoyle: you're a divine director"
531:, which he had both directed and starred in, at the
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in London, produced by fellow avant-garde performer
429:In 2007, Hoyle launched a new ten-part show at the
2492:"Welcome to the World of the Avant Garde Alliance"
1966:"Welcome to the World of the Avant Garde Alliance"
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1274:"David's Debatables" (2007 – ) monthly column for
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2031:"Hazel Must Go: General Election Campaign Launch"
1342:may not follow Knowledge's policies or guidelines
948:17, 24 November and 01, 08, 15, 22 December 2011
527:In 2010, Hoyle premiered his first feature film,
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903:06, 13, 20, 27 January and 03, 10 February 2011
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695:David Hoyle discussing his political views, 2009
371:, written by television satirists and comedians
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571:Salford and Eccles (UK Parliament constituency)
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634:You Made Me Love You (I Didn't Want to Do It)
474:Part of David Hoyle's election pledges, 2009.
387:, the founding member of 1980s synthpop band
118:Born into a lower-middle-class background in
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1050:City of Women Festival, Ljubljana, Slovenia
459:In 2009, Hoyle also opened a new show named
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1846:, Time Out, 29 October 2010, archived from
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871:07, 14, 21, 28 January and 4 February 2010
483:as a part of their SACRED season. Entitled
2639:Gay Times - David Hoyle at the Royal Court
2336:"David Hoyle – Still Really Rather Divine"
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1772:YouTube – Faith No More – I Started a Joke
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970:Featuring two guest performers each week.
573:by hosting the "Hazel Must Go" campaign's
535:. Set in and around a caravan park in the
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1378:Learn how and when to remove this message
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491:(1856–1939) when the latter had lived in
196:, in which he both directed and starred.
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1983:
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2286:"David Hoyle: and now for my HIV test"
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1670:, UK National Archives, archived from
1563:"David Hoyle: and now for my HIV test"
579:Trade Unionist and Socialist Coalition
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247:), the illegitimate offspring of the
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559:2010 United Kingdom general election
533:London Lesbian and Gay Film Festival
523:and further stage work: 2010–present
361:and a return to the stage: 2005–2008
1990:Groves, Nancy (25 September 2009),
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1037:Featuring a musical act each week.
793:Sydney Opera House, Studio, Sydney
83:Performance artist, actor, comedian
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2379:"David Hoyle aka the Divine David"
1938:. London: Time Out. Archived from
1741:"David Hoyle aka the Divine David"
778:Royal Exchange Theatre, Manchester
136:(1998) and produced two shows for
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2261:Gardner, Lyn (5 September 2007).
2221:"Comedian David Hoyle is no drag"
1894:Gardner, Lyn (5 September 2007).
1521:"Comedian David Hoyle is no drag"
2734:21st-century English LGBT people
2729:20th-century English LGBT people
2284:Gardner, Lyn (3 November 2010).
2242:Fisher, Jamie (10 August 2011).
2219:Durrant, Nancy (21 April 2009).
2130:Fisher, Jamie (10 August 2011).
1561:Gardner, Lyn (3 November 2010).
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1304:, 25 January 2011, Northampton
1278:(Gay Times) Magazine since 2007
1043:Gender Trouble with David Hoyle
2454:Walters, Ben (1 August 2011).
2431:Walters, Ben (24 March 2010).
2244:"STAGE: David Hoyle Unplugged"
2197:Dow, Steve (2 February 2007).
2132:"STAGE: David Hoyle Unplugged"
2051:Walters, Ben (1 August 2011).
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1694:"Manumission The Resurrection"
1597:Dow, Steve (2 February 2007).
1417:Gavin Butt: ‘Hoyle’s Humility’
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1034:Royal Vauxhall Tavern, London
1018:Royal Vauxhall Tavern, London
967:Royal Vauxhall Tavern, London
951:Royal Vauxhall Tavern, London
921:Royal Vauxhall Tavern, London
906:Royal Vauxhall Tavern, London
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874:Royal Vauxhall Tavern, London
858:Royal Vauxhall Tavern, London
842:Royal Vauxhall Tavern, London
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806:Royal Vauxhall Tavern, London
174:in London, and which included
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2490:Avant Garde Alliance (2009).
2404:Walters, Ben (30 July 2007).
2334:Mitchell, Paul (6 May 2009).
1964:Avant Garde Alliance (2009).
1928:Walters, Ben (30 July 2007).
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1112:Directed and starring Hoyle.
1005:Written with Richard Thomas.
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2552:"A Divine Christmas Message"
2377:Walters, Ben (3 July 2006).
2354:Vale, Paul (9 August 2011).
2101:Vale, Paul (9 August 2011).
1739:Walters, Ben (3 July 2006).
1635:"A Divine Christmas Message"
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867:David Hoyle's Licking Wounds
763:Streatham Ice Arena, London
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37:Hoyle licking an axe at his
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2664:British performance artists
1692:Payne, Chris (April 1994),
1313:Live Art Development Agency
944:David Hoyle's Winter Warmer
851:David Hoyle's Aural Assault
269:The Divine David: 1990–2000
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2709:Male actors from Blackpool
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2512:"At Home with David Hoyle"
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989:Lead Artist and performer
2739:Comedians from Lancashire
2204:The Sydney Morning Herald
1843:David Hoyle Stripped Down
1783:David Hoyle – Other works
1667:Manchester Local Archives
1604:The Sydney Morning Herald
1403:19 September 2009 at the
1243:
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1205:The Divine David Presents
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740:
674:Jerry Springer: The Opera
315:The Divine David Presents
142:The Divine David Presents
87:
79:
50:
30:
23:
2482:
2464:. London. Archived from
2414:. London. Archived from
2406:"David Hoyle: interview"
2387:. London. Archived from
2356:"David Hoyle: Unplugged"
2263:"David Hoyle's Magazine"
2103:"David Hoyle: Unplugged"
2061:. London. Archived from
1930:"David Hoyle: interview"
1896:"David Hoyle's Magazine"
1749:. London. Archived from
2644:Gay Times - Merrie Hell
2307:Lippiatt, Matt (2006).
2155:Lippiatt, Matt (2006).
1820:The Divine David on Ice
756:The Divine David on Ice
595:David Hoyle discussing
330:The Divine David on Ice
154:The Divine David on Ice
2699:English LGBT comedians
2674:English male comedians
2620:David Hoyle on Twitter
2530:Evans, Nathan (2011).
2510:Evans, Nathan (2009).
2089:Milazzo and Hoyle 2011
1225:The Divine David Heals
1135:Set the Thames on Fire
727:Filmography and resume
692:
592:
471:
398:
323:The Divine David Heals
214:
146:The Divine David Heals
2719:English gay musicians
2199:"David Hoyle's S.O.S"
1599:"David Hoyle's S.O.S"
1295:Battersea Arts Centre
1269:Magazine: The Reprint
1002:Soho Theatre, London
936:Soho Theatre, London
914:David Hoyle's Lives 2
780:Soho Theatre, London
684:
584:
467:
461:Dave's Drop-in Centre
431:Royal Vauxhall Tavern
413:When David met Justin
394:
338:Rock 'n' Roll Suicide
262:The Rocky Horror Show
212:
205:Early life: 1963–1989
172:Royal Vauxhall Tavern
74:, Lancashire, England
43:Royal Vauxhall Tavern
2694:English LGBT singers
1704:on 14 September 2011
1348:improve this article
1297:, 25 and 26 Sep 2009
1158:Spent the Day in Bed
557:. In the run up the
227:Hoyle's family were
2714:English gay artists
2669:English drag queens
2634:Gay Times interview
2468:on 19 December 2011
2065:on 19 December 2011
1850:on 9 September 2011
1823:, Duckie, July 2000
1611:on 19 February 2008
1527:. London: The Times
1360:footnote references
1186:
1149:Ben Charles Edwards
1065:
899:David Hoyle's Lives
737:
408:It's Queer Up North
150:Streatham Ice Arena
91:Early 1990s–present
16:British entertainer
2724:English gay actors
2679:English socialists
1185:
1181:Television credits
1064:
855:24 September 2009
736:
709:and go shopping."
563:David Joseph Henry
485:Theatre of Therapy
215:
41:show, held at the
2532:"Unplugged Promo"
2321:on 10 August 2009
2169:on 10 August 2009
1388:
1387:
1380:
1319:Reviews and press
1265:
1264:
1232:The Divine David
1212:The Divine David
1178:
1177:
1057:
1056:
933:6–20 August 2011
771:David Hoyle's SOS
577:standing for the
424:David Hoyle's SOS
401:David Hoyle, 2006
352:nervous breakdown
249:Duke of Edinburgh
168:David Hoyle's SOS
120:Layton, Blackpool
95:
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88:Years active
65:19 September 1962
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2317:. Archived from
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2256:on 2 April 2012.
2252:. Archived from
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2144:on 2 April 2012.
2140:. Archived from
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2037:. 20 March 2010.
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1607:. Archived from
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1525:The Times Online
1519:Durrant, Nancy.
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1118:The Psychiatrist
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815:Magazine Reprint
738:
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638:Stephen Sondheim
600:
565:running against
475:
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385:David A. Stewart
292:I Started a Joke
144:(1998) and then
124:The Divine David
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2418:on 15 July 2011
2411:Time Out London
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1997:The Independent
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1942:on 15 July 2011
1935:Time Out London
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1085:Velvet Goldmine
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1027:Heavenly Voices
976:The Ugly Spirit
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630:Joseph McCarthy
614:Nine Inch Nails
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588:Hadron Collider
537:Isle of Sheppey
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481:Chelsea Theatre
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301:Velvet Goldmine
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2591:. Retrieved
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2562:. Retrieved
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1060:Filmography
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670:Merrie Hell
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529:Uncle David
521:Uncle David
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417:Justin Bond
334:David Bowie
296:Todd Haynes
275:Gay Village
193:Uncle David
186:(2010) and
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102:avant-garde
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25:David Hoyle
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2137:Pink Paper
1450:References
1368:April 2020
960:Pandrogyna
732:Live shows
658:Pink Paper
626:True Faith
510:arms trade
389:Eurythmics
280:narcissism
128:drag queen
61:1962-09-19
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2588:Londonist
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1975:15 August
1877:11 August
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1455:Footnotes
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651:The Stage
622:New Order
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539:in Kent,
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319:Channel 4
220:The Times
200:Biography
152:entitled
138:Channel 4
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1401:Archived
1306:Derngate
1302:Tom Zenk
827:Magazine
799:Magazine
775:2006–07
505:polygamy
500:Vauxhall
448:HIV test
443:Magazine
439:Magazine
298:'s film
233:Ken Dodd
229:Anglican
182:(2009),
178:(2007),
176:Magazine
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2536:YouTube
2516:YouTube
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1970:YouTube
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