186:(1179), the mallet is a "wonderful treasure", such that when one goes out into a wide open field, it can be used to tap out a mansion, amusing men and women, useful servants, horse and cattle, food, and articles of clothing. However, all the items wished for reputed disappear at the sound of the bell tolling (hence the necessity of using it in a vacant field), and the moral of this
263:
traveling to
Onigashima island. Tametomo discovers that the islanders claimed to be descendants of oni, and named their now-lost treasures as the "cloak of invisibility, the hat of invisibility, floating shoes, sinking shoes, and sword" in some texts, and in older variant texts (Nakai codex group)
241:, which states that the priest was blowing on the embers in an earthenware container to keep it from going out, and when he did the straws on his head would illuminate and appear like silver needles. If this was a historical event, it happened sometime before or around the time when
148:, he then shakes out opulent riches with the mallet and becomes a court favorite. In the better-known modernized versions, the princess uses the power of the mallet to grow him to full size. At the end of the story, Issun-bōshi and the princess are married.
252:
It has been observed that the treasures of the oni in the later tale of
Momotarō incorporated this older lore about treasures the ogres possessed. It has been observed that the same set of treasures as Momotarō's oni, or practically so, are described in
230:, a figure is witnessed seemingly with hair like a bed of silver needles, and something glowing in his hand, which people feared to be an ogre, carrying the uchide no kozuchi for which these demon-kind beings are famous. The imperial guardsman
234:
was ordered to investigate, and he discovered it was just a priest trying to illuminate a light in the chapel. The priest had put straws in his head to prevent getting damp. The same anecdote also occurs in the
142:, who deals with pesky Issun-boshi by swallowing him. He defeats the Oni by pricking him from within with his needle/sword. The Oni spits out Issun-boshi and drops the 'Uchide-no-Kozuchi as he runs away. In the
136:, whose daughter is an attractive princess. Although scorned for his height, he is given the job of accompanying the princess. While traveling together, they are attacked by an
165:
literally translates to "striking-out hammer", or "hammer that strikes anything out ". In plainer speech it is understood that the hammer is to be shaken or swung.
414:
Antoni, Klaus (1991). "Momotarō (The Peach Boy) and the Spirit of Japan: Concerning the
Function of a Fairy Tale in Japanese Nationalism of the Early Shōwa Age".
42:" which can "tap out" anything wished for. This treasure is also rendered into English as "magic wishing mallet", "lucky hammer", "the mallet of fortune", etc.
237:
249:, and Kiyomori's putative father Tadamori being the guardsman sent on the oni-hunt; but the tale is likely a "fable about Kiyomori's royal parentage".
216:
174:
676:
626:
342:, p. 167 renders the others as "the magical cloak, the cap of invisibility" which is redundant; perhaps for the latter "cap".
211:, attesting to the belief even then that this was a treasure reputedly owned by the ogres. The anecdote occurs in scroll 6 of
26:
483:
We
Japanese : being descriptions of many of the customs, manners, ceremonies, festivals, arts and crafts of the Japanese
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In the legend, the one-inch tall Issun-boshi, after leaving his parents’ home, comes under the employ of a wealthy
718:
91:
The notion that ogres possessed this prized mallet dates much earlier than the tales, which are part of the
113:
743:
201:
is an anecdote whereby a strangely outfitted person moving about in the night, is mistaken for an ogre (
70:) and amass wealth, while in modern embellishments, he even transforms himself into full adult-size. In
713:
708:
738:
105:(ca. 1240), or, if the instance of use in the work has any historicity, datable to before ca. 1118.
758:
45:
In popular belief, the magic wooden hammer is a standard item held in the hand of the iconic deity
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Japan in a
Nutshell: Japanese psychology, tradition, customs and manners
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Sakai, Atsuharu (1952), "(237) Uchide-no-kozuchi or
Aladdin's Mallet",
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287:
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245:(born 1118) was conceived by the Lady Nyogo, who was then mistress to
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132:
187:
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50:
510:平康頼 (Taira no Yasunori) (1919), "宝物集(平康頼撰)", in 足立, 四郎吉 (ed.),
304:
297:
284:. "Aladdin's Mallet" is one rendition of uchide-no-kozuchi.
203:
138:
67:
76:("Peach Boy"), the mallet is captured from the ogres in
509:
368:"A Type and Motif-Index of Japanese Folk-Literature"
520:
49:, who is often represented as figurines, statues,
66:"), the hero gains the mallet defeating an ogre (
700:
497:(Yamagata press, 1935, 1936, 1937; 富士屋ホテル 1940)
268:(shoes of wishing), a likely scribal error for
652:
650:
648:
24:
112:, the uchide no kozuchi is catalogued in the
56:It is also a stock item in popular tales. In
675:: CS1 maint: multiple names: authors list (
625:: CS1 maint: multiple names: authors list (
505:
503:
645:
604:
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586:, Stanford University Press, p. 292,
207:), and his kindling wood mistaken for the
116:scheme under "magic hammer, D 1470.1.46".
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389:
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194:) is that this is no treasure after all.
599:
409:
407:
639:
579:
573:
533:, vol. 3, 小学館, 1985, p. 142,
475:
473:
455:
453:
400:, CUP Archive, pp. 85, 199, note 4
393:
361:
359:
701:
612:紀記の神話と桃太郎 (Kiki no shinwa to momotarō)
466:, Yamagata Print. Company, p. 162
413:
382:
339:
479:
459:
404:
365:
101:. It can be traced at as far back as
16:Legendary object in Japanese folklore
663:日本の伝説と童話 (Nihon no densetsu to dōwa)
470:
450:
356:
326:
13:
689:
656:
608:
583:Eccentric Spaces, Hidden Histories
552:
14:
775:
683:
633:
516:, vol. 第1輯, pp. 342–3
84:(raincoat of invisibility) and
657:志田, 義秀 (Shida, Gishū) (1941),
546:
397:The Japanese Family Storehouse
333:
168:
119:
1:
349:
226:(Lady Gion). One night, near
480:Garis, Frederic de (2013) ,
321:
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7:
609:井乃, 香樹 (Ino, Kōju) (1941),
486:, Routledge, p. 566–,
275:
10:
780:
580:Bialock, David T. (2007),
303:One interpretation of the
151:
123:
114:Stith Thompson motif index
29:, lit. "Tap-Appear Mallet"
659:"桃太郎概論 (momotarō gairon)"
247:Retired Emperor Shirakawa
25:
764:Shinto religious objects
317:(Dungeons & Dragons)
665:, 大東出版社, pp. 305–6
555:無名草子における引用関連文献の総合的調査と研究
394:Sargent, G.W. (1969) ,
272:according to scholars.
215:, under the chapter on
53:, and in architecture.
416:Asian Folklore Studies
366:Ikeda, Hiroko (1952).
88:(hat of invisibility)
290:, the horn of plenty.
719:Mythological objects
261:Minamoto no Tametomo
97:collection from the
744:Ceremonial weapons
190:sermon-type tale (
163:uchi de no kozuchi
714:Japanese folklore
709:Buddhist folklore
372:FF Communications
327:Explanatory notes
309:Finnish mythology
270:uchide no kozuchi
256:The Tale of Hōgen
209:uchide no kozuchi
199:The Tale of Heike
173:According to the
103:The Tale of Heike
20:Uchide no kozuchi
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739:Honorary weapons
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300:'s magic hammer
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34:is a legendary
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734:Ritual weapons
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553:高橋, 亨 (2004).
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422:(1): 155–188.
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315:Bag of Holding
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282:Aladdin's lamp
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238:Genpei jōsuiki
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124:Main article:
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40:magic hammer
39:
19:
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724:Magic items
340:Antoni 1991
228:Gion Shrine
220: [
180: [
169:Early usage
145:otogi-zōshi
126:Issun-bōshi
120:Issun bōshi
94:otogi-zōshi
82:kakure mino
59:Issun-bōshi
47:Daikoku-ten
703:Categories
567:2237/13131
561:(Thesis).
350:References
288:Cornucopia
176:Hōbutsushū
86:kakurekasa
78:Onigashima
754:Talismans
444:165857235
322:Footnotes
161:The word
157:Etymology
671:citation
621:citation
615:, 建設社出版部
527:"吉備団子",
276:See also
243:Kiyomori
232:Tadamori
188:Buddhist
73:Momotarō
51:netsukes
36:Japanese
749:Amulets
729:Hammers
690:井乃 1941
530:日本大百科全書
513:大日本風教叢書
436:1178189
294:Mjölnir
192:setsuwa
152:History
590:
537:
490:
442:
434:
378:: 148.
133:daimyō
27:打ち出の小槌
440:S2CID
432:JSTOR
307:, in
305:Sampo
224:]
213:Heike
184:]
677:link
627:link
588:ISBN
535:ISBN
488:ISBN
298:Thor
563:hdl
424:doi
376:209
204:oni
197:In
139:oni
108:In
68:oni
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669:{{
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222:ja
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