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Uchide no kozuchi

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186:(1179), the mallet is a "wonderful treasure", such that when one goes out into a wide open field, it can be used to tap out a mansion, amusing men and women, useful servants, horse and cattle, food, and articles of clothing. However, all the items wished for reputed disappear at the sound of the bell tolling (hence the necessity of using it in a vacant field), and the moral of this 263:
traveling to Onigashima island. Tametomo discovers that the islanders claimed to be descendants of oni, and named their now-lost treasures as the "cloak of invisibility, the hat of invisibility, floating shoes, sinking shoes, and sword" in some texts, and in older variant texts (Nakai codex group)
241:, which states that the priest was blowing on the embers in an earthenware container to keep it from going out, and when he did the straws on his head would illuminate and appear like silver needles. If this was a historical event, it happened sometime before or around the time when 148:, he then shakes out opulent riches with the mallet and becomes a court favorite. In the better-known modernized versions, the princess uses the power of the mallet to grow him to full size. At the end of the story, Issun-bōshi and the princess are married. 252:
It has been observed that the treasures of the oni in the later tale of Momotarō incorporated this older lore about treasures the ogres possessed. It has been observed that the same set of treasures as Momotarō's oni, or practically so, are described in
230:, a figure is witnessed seemingly with hair like a bed of silver needles, and something glowing in his hand, which people feared to be an ogre, carrying the uchide no kozuchi for which these demon-kind beings are famous. The imperial guardsman 234:
was ordered to investigate, and he discovered it was just a priest trying to illuminate a light in the chapel. The priest had put straws in his head to prevent getting damp. The same anecdote also occurs in the
142:, who deals with pesky Issun-boshi by swallowing him. He defeats the Oni by pricking him from within with his needle/sword. The Oni spits out Issun-boshi and drops the 'Uchide-no-Kozuchi as he runs away. In the 136:, whose daughter is an attractive princess. Although scorned for his height, he is given the job of accompanying the princess. While traveling together, they are attacked by an 165:
literally translates to "striking-out hammer", or "hammer that strikes anything out ". In plainer speech it is understood that the hammer is to be shaken or swung.
414:
Antoni, Klaus (1991). "Momotarō (The Peach Boy) and the Spirit of Japan: Concerning the Function of a Fairy Tale in Japanese Nationalism of the Early Shōwa Age".
42:" which can "tap out" anything wished for. This treasure is also rendered into English as "magic wishing mallet", "lucky hammer", "the mallet of fortune", etc. 237: 249:, and Kiyomori's putative father Tadamori being the guardsman sent on the oni-hunt; but the tale is likely a "fable about Kiyomori's royal parentage". 216: 174: 676: 626: 342:, p. 167 renders the others as "the magical cloak, the cap of invisibility" which is redundant; perhaps for the latter "cap". 211:, attesting to the belief even then that this was a treasure reputedly owned by the ogres. The anecdote occurs in scroll 6 of 26: 483:
We Japanese : being descriptions of many of the customs, manners, ceremonies, festivals, arts and crafts of the Japanese
591: 763: 538: 491: 130:
In the legend, the one-inch tall Issun-boshi, after leaving his parents’ home, comes under the employ of a wealthy
718: 91:
The notion that ogres possessed this prized mallet dates much earlier than the tales, which are part of the
113: 743: 201:
is an anecdote whereby a strangely outfitted person moving about in the night, is mistaken for an ogre (
70:) and amass wealth, while in modern embellishments, he even transforms himself into full adult-size. In 713: 708: 738: 105:(ca. 1240), or, if the instance of use in the work has any historicity, datable to before ca. 1118. 758: 45:
In popular belief, the magic wooden hammer is a standard item held in the hand of the iconic deity
733: 221: 581: 481: 395: 723: 260: 255: 8: 753: 439: 431: 181: 670: 620: 587: 534: 487: 443: 308: 281: 246: 242: 231: 198: 102: 35: 748: 728: 562: 423: 98: 311:, is that of a hand-mill that can produce infinite amounts of at least some goods. 528: 461: 367: 314: 144: 125: 93: 58: 702: 658: 610: 227: 109: 511: 46: 463:
Japan in a Nutshell: Japanese psychology, tradition, customs and manners
72: 460:
Sakai, Atsuharu (1952), "(237) Uchide-no-kozuchi or Aladdin's Mallet",
435: 287: 77: 566: 293: 245:(born 1118) was conceived by the Lady Nyogo, who was then mistress to 427: 132: 187: 191: 50: 510:平康頼 (Taira no Yasunori) (1919), "宝物集(平康頼撰)", in 足立, 四郎吉 (ed.), 304: 297: 284:. "Aladdin's Mallet" is one rendition of uchide-no-kozuchi. 203: 138: 67: 76:("Peach Boy"), the mallet is captured from the ogres in 509: 368:"A Type and Motif-Index of Japanese Folk-Literature" 520: 49:, who is often represented as figurines, statues, 66:"), the hero gains the mallet defeating an ogre ( 700: 497:(Yamagata press, 1935, 1936, 1937; 富士屋ホテル 1940) 268:(shoes of wishing), a likely scribal error for 652: 650: 648: 24: 112:, the uchide no kozuchi is catalogued in the 56:It is also a stock item in popular tales. In 675:: CS1 maint: multiple names: authors list ( 625:: CS1 maint: multiple names: authors list ( 505: 503: 645: 604: 602: 586:, Stanford University Press, p. 292, 207:), and his kindling wood mistaken for the 116:scheme under "magic hammer, D 1470.1.46". 500: 389: 387: 385: 194:) is that this is no treasure after all. 599: 409: 407: 639: 579: 573: 533:, vol. 3, 小学館, 1985, p. 142, 475: 473: 455: 453: 400:, CUP Archive, pp. 85, 199, note 4 393: 361: 359: 701: 612:紀記の神話と桃太郎 (Kiki no shinwa to momotarō) 466:, Yamagata Print. Company, p. 162 413: 382: 339: 479: 459: 404: 365: 101:. It can be traced at as far back as 16:Legendary object in Japanese folklore 663:日本の伝説と童話 (Nihon no densetsu to dōwa) 470: 450: 356: 326: 13: 689: 656: 608: 583:Eccentric Spaces, Hidden Histories 552: 14: 775: 683: 633: 516:, vol. 第1輯, pp. 342–3 84:(raincoat of invisibility) and 657:志田, 義秀 (Shida, Gishū) (1941), 546: 397:The Japanese Family Storehouse 333: 168: 119: 1: 349: 226:(Lady Gion). One night, near 480:Garis, Frederic de (2013) , 321: 156: 7: 609:井乃, 香樹 (Ino, Kōju) (1941), 486:, Routledge, p. 566–, 275: 10: 780: 580:Bialock, David T. (2007), 303:One interpretation of the 151: 123: 114:Stith Thompson motif index 29:, lit. "Tap-Appear Mallet" 659:"桃太郎概論 (momotarō gairon)" 247:Retired Emperor Shirakawa 25: 764:Shinto religious objects 317:(Dungeons & Dragons) 665:, 大東出版社, pp. 305–6 555:無名草子における引用関連文献の総合的調査と研究 394:Sargent, G.W. (1969) , 272:according to scholars. 215:, under the chapter on 53:, and in architecture. 416:Asian Folklore Studies 366:Ikeda, Hiroko (1952). 88:(hat of invisibility) 290:, the horn of plenty. 719:Mythological objects 261:Minamoto no Tametomo 97:collection from the 744:Ceremonial weapons 190:sermon-type tale ( 163:uchi de no kozuchi 714:Japanese folklore 709:Buddhist folklore 372:FF Communications 327:Explanatory notes 309:Finnish mythology 270:uchide no kozuchi 256:The Tale of Hōgen 209:uchide no kozuchi 199:The Tale of Heike 173:According to the 103:The Tale of Heike 20:Uchide no kozuchi 771: 739:Honorary weapons 693: 687: 681: 680: 674: 666: 654: 643: 637: 631: 630: 624: 616: 606: 597: 596: 577: 571: 570: 550: 544: 543: 524: 518: 517: 507: 498: 496: 477: 468: 467: 457: 448: 447: 411: 402: 401: 391: 380: 379: 363: 343: 337: 296:, the Norse god 264:one treasure is 225: 185: 99:Muromachi period 80:, alongside the 33: 31: 30: 779: 778: 774: 773: 772: 770: 769: 768: 759:Shinto in Japan 699: 698: 697: 696: 688: 684: 668: 667: 655: 646: 638: 634: 618: 617: 607: 600: 594: 578: 574: 551: 547: 541: 526: 525: 521: 508: 501: 494: 478: 471: 458: 451: 428:10.2307/1178189 412: 405: 392: 383: 364: 357: 352: 347: 346: 338: 334: 329: 324: 300:'s magic hammer 278: 266:uchide no kutsu 219: 179: 171: 159: 154: 128: 122: 34:is a legendary 22: 17: 12: 11: 5: 777: 767: 766: 761: 756: 751: 746: 741: 736: 734:Ritual weapons 731: 726: 721: 716: 711: 695: 694: 682: 644: 632: 598: 593:978-0804767644 592: 572: 553:高橋, 亨 (2004). 545: 539: 519: 499: 492: 469: 449: 422:(1): 155–188. 403: 381: 354: 353: 351: 348: 345: 344: 331: 330: 328: 325: 323: 320: 319: 318: 315:Bag of Holding 312: 301: 291: 285: 282:Aladdin's lamp 277: 274: 238:Genpei jōsuiki 170: 167: 158: 155: 153: 150: 124:Main article: 121: 118: 15: 9: 6: 4: 3: 2: 776: 765: 762: 760: 757: 755: 752: 750: 747: 745: 742: 740: 737: 735: 732: 730: 727: 725: 722: 720: 717: 715: 712: 710: 707: 706: 704: 692:, p. 175 691: 686: 678: 672: 664: 660: 653: 651: 649: 642:, p. 294 641: 636: 628: 622: 614: 613: 605: 603: 595: 589: 585: 584: 576: 568: 564: 560: 559:科学研究費補助金 研究種目 556: 549: 542: 540:9784095260037 536: 532: 531: 523: 515: 514: 506: 504: 495: 493:9781136183676 489: 485: 484: 476: 474: 465: 464: 456: 454: 445: 441: 437: 433: 429: 425: 421: 417: 410: 408: 399: 398: 390: 388: 386: 377: 373: 369: 362: 360: 355: 341: 336: 332: 316: 313: 310: 306: 302: 299: 295: 292: 289: 286: 283: 280: 279: 273: 271: 267: 262: 258: 257: 250: 248: 244: 240: 239: 233: 229: 223: 218: 217:Gion no nyōgo 214: 210: 206: 205: 200: 195: 193: 189: 183: 178: 177: 166: 164: 149: 147: 146: 141: 140: 135: 134: 127: 117: 115: 111: 110:folkloristics 106: 104: 100: 96: 95: 89: 87: 83: 79: 75: 74: 69: 65: 61: 60: 54: 52: 48: 43: 41: 37: 28: 21: 685: 662: 640:Bialock 2007 635: 611: 582: 575: 558: 554: 548: 529: 522: 512: 482: 462: 419: 415: 396: 375: 371: 335: 269: 265: 259:, regarding 254: 251: 236: 212: 208: 202: 196: 175: 172: 162: 160: 143: 137: 131: 129: 107: 92: 90: 85: 81: 71: 64:One-Inch Boy 63: 57: 55: 44: 40:magic hammer 39: 19: 18: 724:Magic items 340:Antoni 1991 228:Gion Shrine 220: [ 180: [ 169:Early usage 145:otogi-zōshi 126:Issun-bōshi 120:Issun bōshi 94:otogi-zōshi 82:kakure mino 59:Issun-bōshi 47:Daikoku-ten 703:Categories 567:2237/13131 561:(Thesis). 350:References 288:Cornucopia 176:Hōbutsushū 86:kakurekasa 78:Onigashima 754:Talismans 444:165857235 322:Footnotes 161:The word 157:Etymology 671:citation 621:citation 615:, 建設社出版部 527:"吉備団子", 276:See also 243:Kiyomori 232:Tadamori 188:Buddhist 73:Momotarō 51:netsukes 36:Japanese 749:Amulets 729:Hammers 690:井乃 1941 530:日本大百科全書 513:大日本風教叢書 436:1178189 294:Mjölnir 192:setsuwa 152:History 590:  537:  490:  442:  434:  378:: 148. 133:daimyō 27:打ち出の小槌 440:S2CID 432:JSTOR 307:, in 305:Sampo 224:] 213:Heike 184:] 677:link 627:link 588:ISBN 535:ISBN 488:ISBN 298:Thor 563:hdl 424:doi 376:209 204:oni 197:In 139:oni 108:In 68:oni 705:: 673:}} 669:{{ 661:, 647:^ 623:}} 619:{{ 601:^ 557:. 502:^ 472:^ 452:^ 438:. 430:. 420:50 418:. 406:^ 384:^ 374:. 370:. 358:^ 222:ja 182:ja 62:(" 679:) 629:) 569:. 565:: 446:. 426:: 38:" 32:) 23:(

Index

打ち出の小槌
Japanese
Daikoku-ten
netsukes
Issun-bōshi
oni
Momotarō
Onigashima
otogi-zōshi
Muromachi period
The Tale of Heike
folkloristics
Stith Thompson motif index
Issun-bōshi
daimyō
oni
otogi-zōshi
Hōbutsushū
ja
Buddhist
setsuwa
The Tale of Heike
oni
Gion no nyōgo
ja
Gion Shrine
Tadamori
Genpei jōsuiki
Kiyomori
Retired Emperor Shirakawa

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