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Wagner-Martin writes that the poem is typical of Plath's pre-Cambridge period and is "more about the poetic imagination than the two lovers of the title". Wagner-Martin praises the work's formal qualities but says that it is "wordy and convoluted", has an "aura of starched neatness", does not display
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wrote that the poem was an example of Plath "anticipat herself" and "seems to belong quite a bit later". The Plath scholar Linda Wagner-Martin mentions this poem as an example of why more attention should be given to Plath's "juvenilia", saying that "Plath was a serious writer throughout her college
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According to Jon
Rosenblatt, the poem's reference to "fractured Venus" and its tension between "the desire to reclaim a lost, dead love and the simultaneous recognition that the dead cannot be recovered" hint at themes that are explored more fully in Plath's later poetry collection
214:, his margin notes appear to compare the poem's last line "And that is that, is that, is that" with Joyce's repetition in the line "showed me her next year in drawers return next in her next her next".
193:'s work about imagination, as reflected in Plath's lines "The imagination / shuts down its fabled summer house", while Philip Gardner says that the poem's title is also reminiscent of Stevens.
143:. But Plath later came to be critical of the poem; in 1958 she mentioned it as an example of the "old crystal-brittle and sugar-faceted voice" that she wanted to move past.
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An abstract poem about an absent lover, it uses clear, vivid language to describe seaside scenery, with "a grim insistence" on reality rather than romance and imagination.
159:. The regularity of the four-line stanzas, according to Linda Wagner-Martin, serves to suggest "a grim insistence". The poem's literary allusions include references to
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405:"Crossing the Voice, Crisscrossing the Text: Writing at the Intersection of Prose and Poetry in Sylvia Plath's "Sunday at the Mintons'""
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Plath used "Two Lovers and a
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As "Two Lovers and a
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Annotating
Modernism: Marginalia and Pedagogy from Virginia Woolf to the Confessional Poets
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years, beginning in 1950" and "her poetry should be considered 'mature' long before 1956".
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Johnny Panic and the Bible of Dreams: Short
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any distinctive voice, and is typical of 1950s poems like those of
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The scholar Keith M. Sagar called it one of Plath's finest poems.
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Wagner-Martin, Linda (1999). "Plath's
Triumphant Women Poems".
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that was first published in 1955, the year she graduated from
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189:. Jon Rosenblatt draws a connection to the modernist poet
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Wagner-Martin, Linda (2003). "The
Journey Toward Ariel".
210:. In a manuscript held in the Sylvia Plath Collection at
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in August 1955, accompanying an article about the prize.
245:. According to Wagner-Martin, "nothing about the poem
326:. Palgrave Macmillan UK. pp. 83–94, 152–154.
651:. Knopf Doubleday Publishing Group. p. 194.
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732:Plath, Sylvia (March 12, 2015). "Introduction".
681:"'The Bland Granta': Sylvia Plath at Cambridge"
502:"Moore, Plath, Hughes, and "The Literary Life""
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894:Two Lovers and a Beachcomber by the Real Sea
614:The Laughter of Foxes: A Study of Ted Hughes
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775:. Palgrave Macmillan UK. pp. 106–118.
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434:"Sylvia Plath's Days of Hope"
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323:Sylvia Plath: A Literary Life
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940:The Colossus and Other Poems
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648:The Journals of Sylvia Plath
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332:10.1057/9780230505926_8
101:" is a poem written by
1086:Poetry by Sylvia Plath
880:The Munich Mannequins
815:Full text of the poem
738:. Faber & Faber.
915:Mad Girl's Love Song
685:The Dalhousie Review
1055:Sylvia Plath effect
375:. UNC Press Books.
288:www.u-s-history.com
198:Alfred Young Fisher
171:William Shakespeare
954:Crossing the Water
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518:10.1093/alh/aji004
472:. Hachette Books.
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794:. Retrieved
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1051:(2003 film)
202:James Joyce
181:T. S. Eliot
176:The Tempest
157:slant rhyme
66:slant rhyme
1076:1955 poems
1070:Categories
1035:Otto Plath
1025:(daughter)
1017:Ted Hughes
267:References
223:Ted Hughes
1019:(husband)
580:0734-6018
526:0896-7148
219:juvenilia
166:Moby Dick
1043:(mother)
1037:(father)
49:Language
1010:Related
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414:. 15–16
207:Ulysses
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947:Ariel
908:Ennui
873:Daddy
866:Ariel
858:Poems
584:JSTOR
530:JSTOR
408:(PDF)
88:Lines
798:2022
785:ISBN
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