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the scene, but Max, Pierrot, and Riton gun them down and take their car to chase Angelo. A shootout ensues, during which Riton is wounded and Angelo's car crashes. Angelo attempts to throw a grenade at Max's group, but he gets shot and the grenade blows him up and sets his car on fire. As a truck approaches, Max is forced to leave the gold in the hotly-burning wreck.
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Pierrot's help interrogating him, but Fifi does not seem to know anything useful. Angelo, alerted to Max's location by a henchman staking out the nightclub, telephones and proposes to trade Riton for the gold, and Max agrees. He, Marco, and
Pierrot arm themselves, get the gold, and head out in Fifi's car.
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in the autumn of 1953. The principal crew were formed of individuals whom Becker knew well; Jean d’Eaubonne for décors, Pierre
Montazel, Colette Crochot on the script and Marguerite Renoir for editing. Marc Maurette, former assistant to Becker at the start of his career, returned, as well as Becker's
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Wiener had followed the shooting of the film with care and had decided with Becker to concentrate on two themes for the soundtrack: one for Max and another for the comradeship of Max and Riton. After Renoir had given him the first cut of the film's sequences she explained that Becker was thinking of
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is Becker's only gangster film, where he took the genre forward by combining "a pensive meditation on age, friendship, and lost opportunities" with traditional elements "double-crossings, violence, kidnappings, gun battles", and was influential on French police dramas in the future with its "mood of
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Back at
Pierrot's, Riton is patched up by a mob doctor. Riton urges Max to go about his normal routine to avoid suspicion that he was involved in the previous night's carnage, so Max takes Betty to Madame Bouche's for lunch. Everyone is talking about the recovery of the stolen gold from the wreck of
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in the trunk of a car parked in the building's garage. Upstairs, the two friends eat a simple meal, during which Max tells Riton about Josy and Angelo and gets Riton to admit he had hinted to Josy about the big score to impress her. Max surmises Josy told Angelo, who planned to kidnap Max and Riton
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On the way back to his apartment, Max notices he is being followed by two of Angelo's men in an ambulance. He gets the drop on them and chases them away, after which he calls Riton and warns him not to go with Angelo, who has just asked Riton to do a job with him. Max takes Riton to an apartment no
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On a deserted country road, Riton is returned unharmed, and Max hands over the gold. After Angelo's car drives away, Riton warns Max that Angelo had traveled with a second car, which appears in the distance. Angelo's henchmen blow up Fifi's car with hand grenades, killing Marco, and come to mop up
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who tells Max he needs some time to gather enough money to buy the gold. Max returns to his apartment and finds Riton has left, so he calls the Hotel
Moderna, at which both Josy and Riton live, and is told by the porter that Riton was there, but was just taken away in an ambulance. Assuming Riton
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Max gets Marco, and the pair go to the Hotel
Moderna, where Max roughly, but unsuccessfully, interrogates Josy and the porter about where Angelo could be hiding Riton, while Marco captures Fifi, one of Angelo's henchmen, who was watching for Max to come by. They take Fifi to the nightclub to get
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Max, a principled middle-aged
Parisian gangster, has dinner at Madame Bouche's restaurant, a hangout for criminals, with his longtime-associate Riton, their much younger burlesque-dancer girlfriends, and Max's protege Marco. The group then goes to crime-boss Pierrot's nightclub, where the girls
29:
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as the main instrument, having recently been impressed by the playing of a Jean Wetzel. The song 'The Touch/Le Grisbi' became the biggest money-spinner of Wiener's career and soon began an existence outside the film, in recordings by among others
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The screenwriters toned down the violence, racism and general sordid nature of the original
Simonin novel, and Becker "gave French film noir a hugely successful new twist, creating the French gangster film... Grisbi encapsulates the genre".
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engages lightly with regular themes such as hoodlums, nightclubs, gangsters’ girls and gunfights. Becker adds to this an attention to "everyday rituals" particularly in a scene where they take wine and pâté on toast at a secret apartment.
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and beat the location of the gold out of them that night. He reveals he is sick of the criminal lifestyle and plans to retire with the money from the airport heist, and tells Riton to leave Josy to the younger Angelo.
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went to see Josy and was caught by Angelo's men, Max considers leaving his friend in the lurch, even going to see Betty, his wealthy girlfriend, when she calls, but, by that night, he has decided to save Riton.
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perform and Max gets Marco a job as a drug dealer working for
Pierrot. After the show, Max discovers Riton's girlfriend, Josy, making out with Angelo, another gangster, but he does not tell Riton.
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au
Festival de Cannes that year. Becker was then seeking to be back in favour with cinema audiences and thus with producers after the lack of commercial success of his two most recent films.
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Angelo's car, and some other diners ask Max if he believes Angelo was really the thief. Max calls to check on Riton and learns Riton has died. He plays his favorite song on the
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The film is the first installment of the so-called "Max le
Menteur trilogy", which are all based on novels by Simonin, but feature different characters; it was followed by
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was first offered the role of Max, but he turned it down, seeing himself as too young for the part. Despite his admiration for Gabin - especially in
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Ginette Vincendeau. How the French birthed film noir. (Sight & Sound magazine features - Deep Focus, 7 May 2019.
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one knows about and shows Riton that he has been storing the eight gold bars they stole during a recent heist at
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for the 'juke-box' theme. To forestall this Wiener worked overnight, and was convinced that he should use a
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Rue Victor Massé, 9th arrondissement of Paris, where the nightclub scene at the start of the film was shot.
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in 1953, and felt that it would be interesting subject for film-goers. He had been taken by his friend
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as Henri Ducros, known as "Riton" (a diminutive form of "Henri"), Max's best friend and accomplice
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revived it and led him into the success in older roles in the latter part of his career.
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Touchez pas au Grisbi – Jacques Becker (1954), Mon cinema a moi, 25 February 2018
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The film was the fourth-most popular release at the French box office in 1954.
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Paul Barge as Eugène, the man who helps Max carry the gold up to Oscar's office
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The next morning, Max leaves early to take the gold to his uncle, a
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as Max, known as Max "le Menteur" ("the liar"), a Parisian criminal
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DVD/Blu-ray: Touchez Pas au Grisbi - Arts Desk, 29 August 2017
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as Angelo Fraiser, an ambitious criminal with his own gang
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Denise Clair as Madame Bouche, the owner of a restaurant
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as Marinette, Pierrot's wife and the manager of his club
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A restored edition of the film was published in 2017.
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655:gave Becker his first big box-office success since
314:. The film was screened in competition at the 1954
410:as Pierrot, a night club owner and underworld boss
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675:rating based on reviews from 25 critics, with a
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485:Lucilla Solivani as Nana, Pierrot's secretary
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937:Touchez pas au grisbi: A Neglected Master
734:Lambert, Gavin. In the picture - Venice.
250:for "Don't touch the loot"), released as
1181:Films with screenplays by Albert Simonin
807:. Pierre Belfond, Paris, 1978, p141-144.
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1206:Films based on works by Albert Simonin
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464:Paul Oettly as Oscar, Max's uncle and
333:, both of which are more comedic than
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455:as Bastien, one of Angelo's henchmen
318:where Gabin won a best actor award.
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404:as Lola, a dancer who is seeing Max
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930:movie review at The New York Times
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428:as Betty, Max's wealthy girlfriend
422:as Ramon, one of Angelo's henchmen
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839:Ebert, Roger (February 1, 2004).
1176:Films directed by Jacques Becker
740:, October to December 1954, p58.
679:score of 8.30/10. It is also on
940:an essay by Philip Kemp at the
854:
536:ironic, existential fatalism".
278:crime film based on a novel by
1102:The Adventures of Arsène Lupin
1094:Ali Baba and the Forty Thieves
841:"Touchez Pas au Grisbi (1954)"
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818:"Touchez Pas au Grisbi (1954)"
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476:as Huguette, Oscar's secretary
1:
1186:Italian black-and-white films
689:
496:
440:Alain Bouvette as Taxi Driver
225:4,710,496 admissions (France)
1156:French black-and-white films
932:Last accessed: July 3, 2014.
646:
7:
1201:Films scored by Jean Wiener
1161:1950s French-language films
707:"1954 Box Office in France"
482:as one of Angelo's henchmen
10:
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178:9 September 1954
1000:
570:marked the film debut of
243:[tu.ʃepɑoɡʁiz.bi]
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863:, accessed 8 March 2024.
683:'s "Great Movies" list.
461:as Marco, Max's protégé
382:
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1151:Italian gangster films
1046:Antoine and Antoinette
1030:It Happened at the Inn
794:accessed 8 March 2024.
780:accessed 8 March 2024.
765:accessed 8 March 2024.
593:Shooting began in the
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379:and sits down to eat.
330:Les tontons flingueurs
167:3 March 1954
1166:French gangster films
1086:Touchez pas au grisbi
906:Touchez pas au grisbi
895:Touchez pas au grisbi
878:Touchez pas au grisbi
653:Touchez pas au grisbi
588:
568:Touchez pas au grisbi
533:Touchez pas au grisbi
520:Le Salaire de la peur
515:Henri-Georges Clouzot
507:Touchez pas au grisbi
282:. It was directed by
237:Touchez pas au grisbi
69:Touchez pas au grisbi
22:Touchez pas au grisbi
957:Criterion Collection
942:Criterion Collection
316:Venice Film Festival
253:Honour Among Thieves
229:(2003 US re-release)
1191:1950s Italian films
1062:Edward and Caroline
923:at Box Office Story
805:Allegro Appasionato
595:Billancourt studios
33:Italian film poster
1196:1950s French films
1078:Rue de l'Estrapade
1054:Rendezvous in July
1006:Life Belongs to Us
992:Films directed by
658:Goupi mains rouges
619:, The Commanders,
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559:La Grande Illusion
324:Le cave se rebiffe
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820:. Rotten Tomatoes
671:, the film has a
666:review aggregator
602:eldest son Jean.
523:, which won the (
480:Umberto Silvestri
420:Vittorio Sanipoli
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133:Marguerite Renoir
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1146:1954 crime films
1014:Cristobal's Gold
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633:Larry Adler
621:Harry James
580:Gaby Basset
474:Delia Scala
432:Gaby Basset
143:Jean Wiener
79:Produced by
39:Directed by
1141:1954 films
1135:Categories
911:Metacritic
690:References
525:Palme d'or
497:Background
390:Jean Gabin
288:Jean Gabin
286:and stars
222:Box office
199:94 minutes
182:1954-09-09
171:1954-03-03
93:Jean Gabin
921:Film page
661:of 1943.
647:Reception
629:Ted Heath
625:Sy Oliver
612:harmonica
576:René Dary
501:Director
402:Dora Doll
396:René Dary
308:Dora Doll
292:René Dary
227:$ 131,548
204:Countries
129:Edited by
101:Dora Doll
97:René Dary
900:AllMovie
824:June 17,
517:'s film
214:Language
139:Music by
89:Starring
65:Based on
1118:Le Trou
955:at the
846:May 20,
377:jukebox
290:, with
276:Italian
266:in the
256:in the
180: (
169: (
1121:(1960)
1113:(1958)
1105:(1957)
1097:(1954)
1089:(1954)
1081:(1953)
1073:(1952)
1065:(1951)
1057:(1949)
1049:(1947)
1041:(1945)
1033:(1943)
1025:(1942)
1017:(1940)
1009:(1936)
928:Grisbi
885:
564:Grisbi
540:Grisbi
335:Grisbi
310:, and
272:French
263:Grisbi
248:French
217:French
207:France
466:fence
360:fence
209:Italy
883:IMDb
848:2016
826:2022
639:and
599:Nice
556:and
383:Cast
341:Plot
327:and
260:and
909:at
898:at
881:at
664:On
509:by
71:by
1137::
785:^
770:^
745:^
709:.
698:^
643:.
635:,
631:,
627:,
623:,
337:.
306:,
302:,
298:,
294:,
246:,
985:e
978:t
971:v
850:.
828:.
713:.
274:-
240:(
184:)
173:)
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