195:(Raidió Teilifís Éireann, 2012) was released. The album was compiled and produced by fiddle player Paddy Glackin and consisted of digitally re-mastered tapes held by the RTÉ Sound Archives. Recordings were sourced from three collections: tapes made by Potts for flute and fiddle-player Peadar O’Loughlin in 1962–3; studio and outside broadcast recordings made by producer Tony MacMahon in 1975 and 1977 for his RTÉ Radio programme The Long Note; and tapes made by Potts in c. 1982 that are in the possession of his nephew and former Chieftains whistle player Seán Potts.
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form rather than as music for dancing. This is particularly evident in his version of the hop jig "Top it Off", in which he deliberately adds occasional extra beats and slight pauses between phrases, taking away the rhythm needed for dance. The addition of occasional extra beats can also be found in the
Donegal fiddle tradition, though it is rare, for instance in the playing of
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Although Potts never received formal training, he was able to read and write music, giving his works structure and purposeful variation, rather than simply inventing them as he went along. One of the most notable aspects of Potts's style is the treatment of traditional Irish music as a creative art
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Despite his controversial approach, Potts is today acknowledged as a figure of vital importance to the evolution of Irish folk music. Many classical and folk music performers acknowledge him as an influence on their music, including
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who gained iconic status in traditional Irish music circles for his virtuoso musicianship. Potts' given name is also frequently spelled
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383:Ó Súilleabháin, Mícheál - 'Innovation and Tradition in the music of Tommy Potts', Ph.D. Thesis, Queen's University Belfast, 1987.
184:. His music has influences from jazz and classical music, making it a highly individualistic take on the Irish music tradition.
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Potts was a firefighter with Dublin
Corporation. Based at Tara Street fire station, he was injured in the
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At The
Vanguard of Antiquity: Seeking the Avant-Garde of the Irish Fiddle in C20th Performance Practices
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fire of
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Innovation and
Tradition in the music of Tommy Potts
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Tommie Potts - Traditional Fiddle Music from Dublin
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Tommie Potts – Traditional Fiddle Music from Dublin
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187:Only one commercial recording of his playing,
290:(Ph.D. thesis). Queen's University Belfast.
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378:The Companion to Traditional Irish Music
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362:Feldman, Allen and O'Doherty, Eamonn,
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380:. Cork University Press, Cork, 1999.
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305:(Ph.D. thesis). Cardiff University.
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239:. Potts was the subject of a 2009
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432:20th-century Irish folk musicians
333:. Journal of Music. October 2009
286:Ó Súilleabháin, Mícheál (1987).
371:Between the Jigs and the Reels
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18:Thomas Potts (disambiguation)
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417:Fiddlers from County Dublin
407:20th-century Irish fiddlers
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412:Claddagh Records artists
376:Vallely, Fintan (ed.),
245:Tommy Potts - Cérbh É?
47:Background information
357:The Irish Fiddle Book
317:"New Tommie Potts CD"
58:The Liberties, Dublin
427:Irish folk musicians
369:MacAoidh, Caoimhin,
364:The Northern Fiddler
301:Neff, Eogan (2012).
16:For other uses, see
422:Irish male fiddlers
169:(1912–1988) was an
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114:Years active
29:Tommie Potts
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402:1988 deaths
397:1912 births
251:Discography
118:1930s–1980s
89:firefighter
83:Occupations
391:Categories
270:References
147:John Potts
103:Instrument
60:, Ireland
95:composer
337:11 July
141:Parents
265:(2012)
259:(1972)
235:, and
214:Legacy
182:Tommie
178:Dublin
174:fiddle
123:Labels
107:Fiddle
73:Genres
171:Irish
339:2014
229:Danú
68:1988
65:Died
55:1912
52:Born
241:TG4
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