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148:(1875–1974) was an American actress. Although little known in her own country, she became a major figure in the history of the Australian stage, achieving the peak of her career during an Antipodean tour from 1904 to 1909. She is also notable for being the only known link between two notable acting families of different centuries, having worked in 19th-century America with
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down the street, to have men looking at me and speculating about me. I hate to hear them say, "That’s
Tittell Brune" and I feel their eyes boring into my back when I’m past. It makes me feel common and I loathe it. If I can’t disguise myself I’ve got to put up with it. But that kind of publicity revolts me. It really does, because I am religious – I’m half a nun.
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I’m an actress…but I’m also religious; I can’t help it. I can justify my actress self to my religious self: but I can’t justify the things that you can’t separate from the actress, the publicity, the feeling of being considered public property even off the stage. I hate that. I don’t like when I walk
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and Gaston
Mervale. The performance was a huge success and led to her becoming one of the most popular actresses on the Australian and New Zealand stage. She received lyrical reviews for her performance as "Peter Pan" in the play's first season in Australia in 1908, produced by J. C. Williamson. She
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in June 1904. Minnie was unhurt, but she took a philosophical view of such incidents. She later told an interviewer "I was not alarmed about the wreck, though I fully realised the danger of it. If it was to have been that I should be drowned – well, that’s all about it. It would have happened so. As
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Minnie's husband, Clarence Marion Brune (born
Clarence Marion Browne), was an attorney and a theatre producer who earned several degrees from such universities as Harvard, Wesleyan, Université Laval (Quebec), University of Chicago Law School, Catholic University of America and Columbia College (New
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Married by 1899 to
Clarence Marion Brune (née Browne) (1867–1935), an adventurous attorney from whom she took her stage name, the couple were immediately sued repeatedly in the state of Washington for land speculation fraud and legal scandals continued to dog her husband in Australia. Despite this
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Little noticed in her own country, and lacking even a press obituary, she was nevertheless a major figure in the history of the
Australian stage where, for a period, she had been a household name in both Australia and in New Zealand.
399:(1916). In 1916, Minnie was also credited as being in six other films directed by Hal Roach, starring Harold Lloyd. In 1917 she was singing at London's Coliseum, before she returned to her home country.
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Minnie
Tittell Brune’s five-year sojourn in Australia ended in 1909. She decided to try her luck in London but met with limited success. She received only mediocre reviews in her first piece,
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at the Grand Opera House, New York in 1901 and they toured together continuously in the United States for nearly a decade before leaving for
Australia in 1904. But it was only in the
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York City). Clarence was also the author of works on topics such as Modern
Theatre, Greek Tragedy, Shakespearean Legal Terminology, the Romantic Movement, and English Poetry.
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at the
Coronet theatre. The New York Times reported in August, in addition to a report that ostrich feathers were making a comeback, that she had returned on the
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Nothing further is known of her career. She became widowed when her husband
Clarence died in 1935, and was living in obscurity as a member of the
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faith seriously and was often conflicted about her roles as a Catholic and an actress, describing herself in one Australian interview as "
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at Her Majesty's Theatre. Minnie played Sunday, "the whole-hearted lovable girl at a miners camp." She was supported by
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Minnie made her first stage appearance as a child of four and a half when she played Little Jim in
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when she died in her 100th year in Los Angeles in September 1974. She was interred with a Catholic service.
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for about a year, perhaps in a parental attempt to discourage her from a career in theatre. Working as a
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It is recorded that she appeared with her husband Clarence (whose name she took) in a revival of
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after an absence of nine years to appear in New York, billed as Minnie Tittell-Brune at the
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they remained together until his death. With a strong religious upbringing, Minnie took her
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Minnie had few London appearances in 1911, her major role being in a play called
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Quinquennial Catalogue of the Officers and Graduates of Harvard University, 1915
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of her home town. After her childhood appearances on stage, she was placed in a
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J C Williamson Co -Miss Tittell Brune souvenir. (Inside front page. 1905).
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The NY Times subscriber search for Minnie Tittell-Brune, 15 September 1912
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The NY Times subscriber search for Minnie Tittel- Brune, 1 September 1901
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The NY Times subscriber search for Minnie Tittel- Brune, 8 August 1912
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The NY Times subscriber search for Esther Tittell, 7 July 1934
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in press interviews. One magazine quoted her as saying:
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Minnie Tittell Brune was born Minnie Tittle in 1875 in
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174:half a nun
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