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Thomas of Woodstock (play)

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1683: 2329: 488:. The 'Shakespearian' characteristics of the play may be summarised as follows: a sophisticated handling of chronicle material; a careful and fruitful juxtaposition of low life scenes over and against court life; the sense of England as a significant 'character' throughout the play; a sure handling of dramatic technique as in the economical and engaging exposition; the careful drawing of effective female characters (specifically Anne O' Beame ); Nimble's 458:, Shakespeare's authorship has been suggested, although few of the play's earlier editors supported this speculation. The Malone Society editor makes no reference to the Shakespeare theory. A.P. Rossiter states "There is not the smallest chance that he was Shakespeare", citing the drabness of the verse, while acknowledging that the play's aspirations indicate that "There is something of a simplified Shakespeare" in the author. 2339: 540:
also challenged Egan's attribution, arguing that the verbal links that he had found were often tenuous. Egan wagered £1,000 that he could prove "by clear, convincing and irrefutable evidence" that Shakespeare wrote the play. In 2011, a panel of three independent Shakespeare scholars concluded that he
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There is no confirmed recorded production of the play during Shakespeare's lifetime, although the well-worn state of the Egerton manuscript, the presence of notations referencing specific actors' names, and the inclusion of instructions within the text's margins suggesting censorship by the
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and provides context for the behaviour of many of Shakespeare's characters. However, this title has been criticised as "going too far", because it makes the play's relationship to Shakespeare's play seem definitive when it is only speculative. Moreover, events depicted in
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s contractions and linguistic forms, expletives, metrical features and vocabulary all point independently to composition in the first decade of the seventeenth century", a conclusion which would make the play's relationship with
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was written by an author of "considerable range and competence", but they regard any attribution to Shakespeare "or any other author" as "highly speculative". Nonetheless, they note that:
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The 1929 Malone Society editor states that most scholars place its composition between 1591 and 1595. Ule and Baker date it more precisely to about 1582; they believe it was written by
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in Act III. There is no instance of a character dying twice in the validated works of Shakespeare. There are, however, inconsistencies in Shakespeare, such as the claim at the end of
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edition, which includes a book-length authorship analysis. His evidence consists for the most part in what he suggests are thousands of verbal parallels. Egan claimed that
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since Woodstock is the play's protagonist, not Richard. Corbin and Sedge argue that Shakespeare was familiar with the play, drew inspiration from it (especially in
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was written, and perhaps staged, some time before 1595." Egan dates the play to 1592–1593, while dating the manuscript to 1605.
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in 1929, and in fully edited texts by A. P. Rossiter in 1946, Peter Corbin and Douglas Sedge in 2002, and Michael Egan in 2003.
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analysis on the manuscript's text, which he claimed discounts Egan's attribution. In a review of Egan's treatise for the
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The play survives only as an anonymous, untitled and incomplete manuscript, part of a collection of fifteen plays in the
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Shakespeare is perhaps the one known dramatist in the 1590s whose dramatic style most closely resembles that of
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was a 10-play series of Shakespeare's history plays staged chronologically over four seasons by the
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in 1999. Local writer Frederick Carrigg supplied an ending to cover the missing manuscript page(s).
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while he was at Cambridge, shortly after he had completed other plays they attribute to him such as
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or by similar titles do so because the play describes events immediately prior to Shakespeare's
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In 2020, the Beyond Shakespeare Company released online a play-reading and discussion of
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period. Significantly, it is not known which acting company owned or performed the play.
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have been nearly universally rejected, and it does not appear in major editions of the
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offered a case for Shakespeare's authorship of the play in a four volume (2,100-page)
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are two names for an untitled, anonymous and apparently incomplete manuscript of an
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is arguably a different one in the history plays than the character encountered in
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An argument against Shakespeare's authorship is the fact that the character of
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from 2001 to 2004, which included the American professional premieres of both
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The Tragedy of Richard II: A Newly Authenticated Play by William Shakespeare
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in 2010 with director Michael Kahn's incorporation of a significant part of
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supported the attribution of the play to Shakespeare in a 1988 publication,
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The play covers the events leading up to the murder of Richard II's uncle,
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There is a full chapter about this anonymous play in Kevin De Ornellas,
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http://shaksper.net/archive/2011/304-august/28082-thomas-of-woodstock
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The First Part of the Reign of King Richard II or Thomas of Woodstock
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The collection was compiled by a seventeenth century actor in the
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Courtiers, Masquers, Gentlemen, Servants, Maids, Soldiers, Archers
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The Hampshire Shakespeare Company, a non-professional theatre in
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Given the play's close relationship to the subject matter of
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all suggest that the play enjoyed heavy use even during the
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The Real Shakespeare: Retrieving the Later Years, 1594–1616
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had not done so, and that the play was not Shakespearean.
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Cynthia, prologue to the masque representing the Moon
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The Shakespeare Theatre in Washington, D.C., staged
751:Oxford: Clarendon Press, 1918; Kozlenko, William, 713:gave a rehearsed reading of the play at London's 524:, but he cited no other adherents to this view. 2919: 1197:Full text of Richard II: Thomas of Woodstock at 657:, staged the first known American production of 72:Dramatis Personae after Corbin and Sedge (2002) 1091:. Hampshire Shakespeare Company. Archived from 1180:, Fairleigh Dickinson University Press, 2013. 906: 904: 717:in the context of its ongoing performances of 385:A transcript of the text was published by the 2369: 1219: 1199:Internet archive www.american-shakespeare.com 778:Thomas of Woodstock: or, Richard II, Part One 2993:Cultural depictions of Edward III of England 2953:Cultural depictions of Richard II of England 461:Other authors have been suggested. In 2001, 2166: 901: 399:Thomas of Woodstock, 1st Duke of Gloucester 392: 78:Thomas of Woodstock, 1st Duke of Gloucester 2376: 2362: 1226: 1212: 1114:Pacific Repertory Theatre website archives 1067:A Concordance to the Shakespeare Apocrypha 872:(London: Chatto & Windus, 1946), p. 26 635:that of a "prequel" rather than a source. 1178:The Horse in Early Modern English Culture 920:Medieval and Renaissance Drama in England 776:Corbin, Peter, and Douglas Sedge. (2002) 564:, yet is alive again at the beginning of 114:, supporter of Woodstock and his brothers 2963:Biographical plays about English royalty 1032: 1030: 1233: 665:Royal Blood: The Rise and Fall of Kings 2920: 753:Disputed Plays of William Shakespeare, 142:– favourite of Richard and Sheriff of 96:Richard FitzAlan, 11th Earl of Arundel 80:– uncle to the king and Lord Protector 16:Play attributed by some to Shakespeare 2467:The Life and Death of King Richard II 2357: 1978:Complete Works of William Shakespeare 1207: 1124: 1027: 549:planned for the second volume of his 1125:Ehren, Christine (14 October 2001). 943: 924:http://www.jstor.org/stable/24322987 755:New York: Hawthorne Publishers, 1974 84:John of Gaunt, 1st Duke of Lancaster 2338: 337:. The collection was discovered by 324: 152:– favourite of Richard, Sheriff of 90:Edmund of Langley, 1st Duke of York 13: 2153:Shakespeare's influence on Tolkien 793:Sams, Eric. (1986). Shakespeare's 568:until his execution is ordered by 106:Thomas Holland, 1st Duke of Surrey 14: 3004: 1191: 1089:"Thomas of Woodstock: Title Page" 1078:Corbin and Sedge, 2002, pp. 4, 8. 910:Macd. P. Jackson, "Shakespeare's 189:Fleming, law officer to Tresilian 34:depicting events in the reign of 2337: 2328: 2327: 1681: 846:Corbin and Sedge, 2002, pp. 3–4. 642:The First Part of the Contention 186:Crosby, law officer to Tresilian 166:– favourite of Richard, Earl of 2815:The Famous Victories of Henry V 1144: 1118: 1107: 1081: 1072: 1059: 1046: 1015: 1004: 988: 937: 928: 888: 875: 862: 648: 615:The Famous Victories of Henry V 560:is killed fighting in Act V of 528:reported that he had performed 364:poet/dramatist of the same name 283:Soldiers of the Calais garrison 192:Master Ignorance, the Baily of 158:Speaker of the House of Commons 2158:Works titled after Shakespeare 849: 840: 828: 816: 807: 797:: The Lost Play. Wildwood Ho. 787: 770: 758: 741: 316:A Maid-in-waiting to the Queen 38:. Attributions of the play to 1: 2948:Plays set in the 14th century 2318:Shakespeare and other authors 934:Corbin and Sedge, 2002, p. 4. 855:Wilhelmina P. Frijlinck, ed. 813:Corbin and Sedge, 2002, p. 1. 735: 449: 313:, the King's former favourite 299:, wife of Thomas of Woodstock 67: 2200:Shakespeare Birthplace Trust 859:. Malone Society, 1929, p.v. 476:Corbin and Sedge argue that 7: 2973:Works published anonymously 2006:English Renaissance theatre 1849:The Second Maiden's Tragedy 1828:The Merry Devil of Edmonton 1360:The Two Gentlemen of Verona 782:Manchester University Press 767:at 842, 2000 (2nd ed. 1997) 27:Richard the Second Part One 10: 3009: 2850:The Merry Wives of Windsor 2174:Folger Shakespeare Library 1720:The Phoenix and the Turtle 1310:The Merry Wives of Windsor 1001:Retrieved 29 November 2013 870:Woodstock: A Moral History 706:at the start of the play. 593:The Merry Wives of Windsor 2983:Ghosts in written fiction 2938:English Renaissance plays 2880: 2841: 2799: 2704: 2625: 2593:Henry the Fourth, Part II 2566: 2507: 2440: 2433: 2397: 2312: 2223: 2193:Royal Shakespeare Theatre 2188:Royal Shakespeare Company 2095: 1952: 1923: 1752: 1743: 1690: 1679: 1611: 1583: 1474: 1384: 1317:A Midsummer Night's Dream 1261:All's Well That Ends Well 1250: 1241: 765:The Riverside Shakespeare 749:The Shakespeare Apocrypha 711:Royal Shakespeare Company 669:Pacific Repertory Theatre 534:Times Literary Supplement 339:James Halliwell-Phillipps 98:, Lord Admiral of England 2933:Fiction set in the 1390s 1331:Pericles, Prince of Tyre 997:Richard II and Woodstock 709:On 20 December 2013 the 522:Richard II and Woodstock 393:Title and subject matter 2534:Henry the Fouth, Part I 2475:King Richard the Second 1339:The Taming of the Shrew 976:. London. 26 March 2008 599: 428:are covered as well in 264:Edward the Black Prince 2808:Holinshed's Chronicles 2021:Lord Chamberlain's Men 1932:The Passionate Pilgrim 1705:comparison to Petrarch 1324:Much Ado About Nothing 1303:The Merchant of Venice 999:, Brynmill Press, 1988 948:. Edwin Mellen Press. 944:Egan, Michael (2006). 747:Brooke, C. F. Tucker, 655:Amherst, Massachusetts 582:will be seen again in 473:as a possible author. 409:, but some entitle it 183:A Servant to Tresilian 170:, Treasurer of England 135:– favourite of Richard 2943:Shakespeare apocrypha 2211:Shakespeare Institute 2180:Shakespeare Quarterly 1699:Shakespeare's sonnets 1367:The Two Noble Kinsmen 297:Duchess of Gloucester 270:Edward III of England 128:Richard II of England 44:Shakespeare apocrypha 2988:Fiction about murder 2067:Spelling of his name 1907:Vortigern and Rowena 1885:Thomas Lord Cromwell 1465:Troilus and Cressida 1395:Antony and Cleopatra 1289:Love's Labour's Lost 1275:The Comedy of Errors 1011:SHAKSPER 2005: Wager 970:"Last weeks letters" 624:MacDonald P. Jackson 551:The Real Shakespeare 545:, in an appendix on 469:analysis to propose 463:MacDonald P. Jackson 415:Richard II, Part One 411:Richard II, Part One 341:, and also includes 122:Lord Mayor of London 2958:Plays in manuscript 2827:Thomas of Woodstock 2385:William Shakespeare 2291:Richard Shakespeare 2273:Gilbert Shakespeare 2205:Shakespeare's Globe 2110:Authorship question 2105:Attribution studies 2072:Stratford-upon-Avon 1914:A Yorkshire Tragedy 1892:Thomas of Woodstock 1878:The Spanish Tragedy 1819:Love's Labour's Won 1811:The London Prodigal 1768:The Birth of Merlin 1727:The Rape of Lucrece 1713:A Lover's Complaint 1593:Quarto publications 1296:Measure for Measure 1235:William Shakespeare 1095:on 30 November 2012 916:Thomas of Woodstock 726:Thomas of Woodstock 704:Thomas of Woodstock 687:Thomas of Woodstock 679:Thomas of Woodstock 659:Thomas of Woodstock 606:Christopher Marlowe 562:Thomas of Woodstock 486:Thomas of Woodstock 478:Thomas of Woodstock 403:Thomas of Woodstock 349:William Shakespeare 92:– uncle to the king 40:William Shakespeare 21:Thomas of Woodstock 2905:Suite from Henry V 2897:At the Boar's Head 2870:Falstaff's Wedding 2862:Sir John Oldcastle 2652:Chimes at Midnight 2585:Chimes at Midnight 2526:Chimes at Midnight 2483:Richard the Second 2285:Edmund Shakespeare 2243:Hamnet Shakespeare 2140:Screen adaptations 1863:Sir John Oldcastle 1761:Arden of Faversham 914:and the Anonymous 360:William Cartwright 307:Duchess of Ireland 289:, Queen of England 287:Queen Anne O'Beame 255:Governor of Calais 86:–uncle to the king 2915: 2914: 2700: 2699: 2351: 2350: 2255:Elizabeth Barnard 2219: 2218: 1948: 1947: 1677: 1676: 1375:The Winter's Tale 922:14 (2001) 17–65. 368:English Civil War 356:King's Revels Men 303:Philippa de Coucy 225:A Spruce Courtier 112:Sir Thomas Cheney 55:Henry IV, Parts 1 3000: 2978:Unfinished plays 2676:The Hollow Crown 2607:Henry IV, Part 2 2601:The Hollow Crown 2568:Henry IV, Part 2 2548:Henry IV, Part 1 2542:The Hollow Crown 2509:Henry IV, Part 1 2491:The Hollow Crown 2438: 2437: 2417:Henry IV, Part 2 2410:Henry IV, Part 1 2378: 2371: 2364: 2355: 2354: 2341: 2340: 2331: 2330: 2279:Joan Shakespeare 2261:John Shakespeare 2164: 2163: 2145:Shakespeare and 1856:Sejanus His Fall 1823: 1783:Double Falsehood 1750: 1749: 1734:Venus and Adonis 1685: 1458:Titus Andronicus 1444:Romeo and Juliet 1248: 1247: 1228: 1221: 1214: 1205: 1204: 1171: 1170: 1148: 1142: 1141: 1139: 1137: 1122: 1116: 1111: 1105: 1104: 1102: 1100: 1085: 1079: 1076: 1070: 1063: 1057: 1050: 1044: 1034: 1025: 1019: 1013: 1008: 1002: 992: 986: 985: 983: 981: 966: 960: 959: 941: 935: 932: 926: 908: 899: 892: 886: 879: 873: 866: 860: 853: 847: 844: 838: 832: 826: 820: 814: 811: 805: 791: 785: 774: 768: 762: 756: 745: 575:Henry IV, Part 2 376:Master of Revels 335:MS. Egerton 1994 325:Text and origins 293:Eleanor de Bohun 175:Robert Tresilian 133:Sir Henry Greene 32:Elizabethan play 3008: 3007: 3003: 3002: 3001: 2999: 2998: 2997: 2918: 2917: 2916: 2911: 2876: 2837: 2795: 2696: 2660:Henry the Fifth 2644:An Age of Kings 2621: 2577:An Age of Kings 2562: 2518:An Age of Kings 2503: 2459:An Age of Kings 2451:King Richard II 2429: 2393: 2382: 2352: 2347: 2308: 2257:(granddaughter) 2215: 2162: 2091: 2057:Religious views 2035:Curtain Theatre 1956: 1944: 1919: 1870:Sir Thomas More 1816: 1790:Edmund Ironside 1739: 1686: 1673: 1647:Ghost character 1607: 1579: 1470: 1451:Timon of Athens 1380: 1237: 1232: 1194: 1174: 1159: 1156:Wayback Machine 1149: 1145: 1135: 1133: 1123: 1119: 1112: 1108: 1098: 1096: 1087: 1086: 1082: 1077: 1073: 1064: 1060: 1051: 1047: 1035: 1028: 1020: 1016: 1009: 1005: 995:Robinson, Ian, 993: 989: 979: 977: 968: 967: 963: 956: 942: 938: 933: 929: 909: 902: 893: 889: 880: 876: 868:A.P. Rossiter, 867: 863: 854: 850: 845: 841: 833: 829: 821: 817: 812: 808: 795:Edmund Ironside 792: 788: 775: 771: 763: 759: 746: 742: 738: 715:Barbican Centre 651: 602: 558:Sir Henry Green 492:, anticipating 452: 395: 344:Edmund Ironside 331:British Library 327: 322: 244:The Shrieve of 180:Nimble, his man 70: 36:King Richard II 17: 12: 11: 5: 3006: 2996: 2995: 2990: 2985: 2980: 2975: 2970: 2965: 2960: 2955: 2950: 2945: 2940: 2935: 2930: 2913: 2912: 2910: 2909: 2901: 2893: 2884: 2882: 2878: 2877: 2875: 2874: 2866: 2858: 2845: 2843: 2839: 2838: 2836: 2835: 2823: 2811: 2803: 2801: 2797: 2796: 2794: 2793: 2791:Robert Shallow 2788: 2783: 2778: 2773: 2772: 2771: 2769:Owen Glendower 2761: 2760: 2759: 2749: 2744: 2739: 2734: 2732:Doll Tearsheet 2729: 2724: 2719: 2714: 2712:Ancient Pistol 2708: 2706: 2702: 2701: 2698: 2697: 2695: 2694: 2686: 2672: 2664: 2656: 2648: 2640: 2631: 2629: 2623: 2622: 2620: 2619: 2611: 2597: 2589: 2581: 2572: 2570: 2564: 2563: 2561: 2560: 2552: 2538: 2530: 2522: 2513: 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de Vere 300: 290: 284: 281: 278: 275: 272: 266: 257: 248: 246:Northumberland 242: 232: 229: 226: 223: 217: 214: 211: 210:A Schoolmaster 208: 202: 199: 196: 190: 187: 184: 181: 178: 171: 160: 146: 136: 130: 124: 118:Nicholas Exton 115: 109: 102:Earl of Surrey 99: 93: 87: 81: 74: 69: 66: 15: 9: 6: 4: 3: 2: 3005: 2994: 2991: 2989: 2986: 2984: 2981: 2979: 2976: 2974: 2971: 2969: 2966: 2964: 2961: 2959: 2956: 2954: 2951: 2949: 2946: 2944: 2941: 2939: 2936: 2934: 2931: 2929: 2926: 2925: 2923: 2907: 2906: 2902: 2899: 2898: 2894: 2891: 2890: 2886: 2885: 2883: 2881:Related music 2879: 2872: 2871: 2867: 2864: 2863: 2859: 2856: 2852: 2851: 2847: 2846: 2844: 2842:Related plays 2840: 2833: 2829: 2828: 2824: 2821: 2817: 2816: 2812: 2810: 2809: 2805: 2804: 2802: 2798: 2792: 2789: 2787: 2784: 2782: 2779: 2777: 2774: 2770: 2767: 2766: 2765: 2764:Owain Glyndŵr 2762: 2758: 2755: 2754: 2753: 2750: 2748: 2745: 2743: 2740: 2738: 2735: 2733: 2730: 2728: 2725: 2723: 2720: 2718: 2715: 2713: 2710: 2709: 2707: 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2231:Anne Hathaway 2229: 2228: 2226: 2222: 2212: 2209: 2206: 2203: 2201: 2198: 2194: 2191: 2190: 2189: 2186: 2182: 2181: 2177: 2176: 2175: 2172: 2171: 2169: 2165: 2159: 2156: 2154: 2151: 2149: 2148: 2143: 2141: 2138: 2136: 2133: 2131: 2128: 2126: 2123: 2121: 2118: 2116: 2113: 2111: 2108: 2106: 2103: 2102: 2100: 2098: 2094: 2088: 2085: 2083: 2080: 2078: 2075: 2073: 2070: 2068: 2065: 2063: 2060: 2058: 2055: 2053: 2050: 2048: 2045: 2043: 2040: 2036: 2033: 2031: 2028: 2027: 2026: 2022: 2019: 2017: 2014: 2012: 2011:Globe Theatre 2009: 2007: 2004: 2002: 1999: 1997: 1994: 1992: 1989: 1985: 1982: 1980: 1979: 1975: 1974: 1973: 1970: 1968: 1965: 1964: 1962: 1960: 1955: 1951: 1941: 1940: 1936: 1934: 1933: 1929: 1928: 1926: 1922: 1916: 1915: 1911: 1909: 1908: 1904: 1901: 1900: 1896: 1894: 1893: 1889: 1887: 1886: 1882: 1880: 1879: 1875: 1872: 1871: 1867: 1865: 1864: 1860: 1858: 1857: 1853: 1851: 1850: 1846: 1844: 1843: 1839: 1837: 1836: 1832: 1830: 1829: 1825: 1821: 1820: 1815: 1813: 1812: 1808: 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1399: 1397: 1396: 1392: 1391: 1389: 1387: 1383: 1377: 1376: 1372: 1369: 1368: 1364: 1362: 1361: 1357: 1355: 1354: 1353:Twelfth Night 1350: 1348: 1347: 1343: 1341: 1340: 1336: 1333: 1332: 1328: 1326: 1325: 1321: 1319: 1318: 1314: 1312: 1311: 1307: 1305: 1304: 1300: 1298: 1297: 1293: 1291: 1290: 1286: 1284: 1283: 1279: 1277: 1276: 1272: 1270: 1269: 1265: 1263: 1262: 1258: 1257: 1255: 1253: 1249: 1246: 1244: 1240: 1236: 1229: 1224: 1222: 1217: 1215: 1210: 1209: 1206: 1200: 1196: 1195: 1189: 1187: 1183: 1179: 1168: 1167: 1162: 1157: 1153: 1147: 1132: 1128: 1121: 1115: 1110: 1094: 1090: 1084: 1075: 1068: 1062: 1055: 1049: 1042: 1039: 1033: 1031: 1023: 1018: 1012: 1007: 1000: 998: 991: 975: 971: 965: 957: 955:0-7734-6082-9 951: 947: 940: 931: 925: 921: 917: 913: 907: 905: 897: 891: 884: 878: 871: 865: 858: 852: 843: 836: 831: 824: 819: 810: 804: 803:0-7045-0547-9 800: 796: 790: 783: 779: 773: 766: 761: 754: 750: 744: 740: 733: 731: 727: 722: 720: 716: 712: 707: 705: 701: 700: 694: 692: 688: 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well as 51: 50: 45: 41: 37: 33: 29: 28: 23: 22: 2903: 2895: 2887: 2868: 2860: 2854: 2848: 2831: 2826: 2825: 2819: 2813: 2806: 2781:Nell Quickly 2727:Corporal Nym 2688: 2680: 2674: 2666: 2658: 2650: 2642: 2634: 2626: 2613: 2605: 2599: 2591: 2583: 2575: 2567: 2554: 2546: 2540: 2532: 2524: 2516: 2508: 2495: 2489: 2481: 2473: 2465: 2457: 2449: 2441: 2422: 2415: 2408: 2401: 2388: 2305:(son-in-law) 2299:(son-in-law) 2237:Susanna Hall 2178: 2167:Institutions 2146: 1991:Coat of arms 1984:Translations 1976: 1972:Bibliography 1939:To the Queen 1937: 1930: 1912: 1905: 1897: 1891: 1890: 1883: 1876: 1868: 1861: 1854: 1847: 1840: 1833: 1826: 1817: 1809: 1802: 1795: 1788: 1781: 1773: 1766: 1759: 1732: 1725: 1718: 1711: 1697: 1659:Performances 1603:Second Folio 1571: 1564: 1555: 1548: 1540: 1533: 1526: 1517: 1510: 1505: 1498: 1490: 1483: 1463: 1456: 1449: 1442: 1435: 1428: 1421: 1414: 1407: 1400: 1393: 1373: 1365: 1358: 1351: 1344: 1337: 1329: 1322: 1315: 1308: 1301: 1294: 1287: 1280: 1273: 1266: 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Index

Elizabethan play
King Richard II
William Shakespeare
Shakespeare apocrypha
Richard II
Henry IV, Parts 1
2
Thomas of Woodstock, 1st Duke of Gloucester
John of Gaunt, 1st Duke of Lancaster
Edmund of Langley, 1st Duke of York
Richard FitzAlan, 11th Earl of Arundel
Earl of Surrey
Thomas Holland, 1st Duke of Surrey
Sir Thomas Cheney
Nicholas Exton
Lord Mayor of London
Richard II of England
Sir Henry Greene
Edward Bagot
Leicester
William Bushy
Lincoln
Speaker of the House of Commons
Thomas Scroop
Wiltshire
Robert Tresilian
Dunstable
grazier
Plashy House
Shrieve

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