5173:
325:. This attribution is demonstrably fraudulent, or mistaken, as there is unambiguous evidence that the play was written in 1622, six years after Shakespeare's death. It is unlikely that Shakespeare and Rowley would have written together, as they were both chief dramatists for rival playing companies. The play has been called "funny, colourful, and fast-paced", but critical consensus follows Henry Tyrrell's conclusion that the play "does not contain in it one single trace of the genius of the bard of Avon", supplemented by C. F. Tucker Brooke's suggestion that Rowley was consciously imitating Shakespeare's style.
1183:. This is recorded in several variant forms in the 17th and 18th centuries, usually with the story that Shakespeare composed it extempore at a party with Combe present. Shakespeare is said to have written another, more flattering, epitaph after Combe died in 1614. It praises Combe for giving money in his will to the poor. This was said to be affixed to his tomb, which is close to Shakespeare's. However, there is no sign of it in the surviving tomb. The first epitaph, in variations, has also been attributed to other writers, addressed to other alleged usurers.
4778:
3921:
4567:
1137:
157:
27:
3427:
4577:
4953:
1033:
124:
1272:, mostly already superseded plays, for "Shakespeare was disposed to release his own popular early version for acting and printing because his own masterly revision would soon be forthcoming". Sams believed that Shakespeare in his retirement was revising his oeuvre "for definitive publication". The "apprentice plays" which had been reworked were naturally omitted from the Folio.
646:. A few pages are written by an author ("Hand D") whom many believe to be Shakespeare, as the handwriting and spellings, as well as the style, seem a good match. The attribution is not accepted by everyone, however, especially since six signatures on legal documents are the only verified authentic examples of Shakespeare's handwriting.
1220:(1926–2004), who wrote two books on Shakespeare, edited two early plays, and published over a hundred papers, argued that "Shakespeare was an early starter who rewrote nobody's plays but his own", and that he "may have been a master of structure before he was a master of language". Shakespeare found accusations of plagiarism (e.g.
393:. In general, critics have accepted that the last three-fifths are mostly Shakespeare's, following Gary Taylor's claim that by the middle of the Jacobean decade, "Shakespeare's poetic style had become so remarkably idiosyncratic that it stands out—even in a corrupt text—from that of his contemporaries."
600:
is an anonymous play printed in 1592 that has occasionally been claimed for
Shakespeare. Its writing style and subject matter, however, are very different from those of Shakespeare's other plays. Full attribution is not supported by mainstream scholarship, though stylistic analysis has revealed that
308:
that are believed to be collaborative, according to modern stylistic analysis). Another explanation for the origins of any or all of the plays is that they were not written for the King's Men, were perhaps from early in
Shakespeare's career, and thus were inaccessible to Heminges and Condell when
289:
Scholars have suggested various reasons for the existence of these plays. In some cases, the title page attributions may be lies told by fraudulent printers trading on
Shakespeare's reputation. In other cases, Shakespeare may have had an editorial role in the plays' creation, rather than actually
427:
was published anonymously in 1596. It was first attributed to
Shakespeare in a bookseller's catalogue published in 1656. Various scholars have suggested Shakespeare's possible authorship, since a number of passages appear to bear his stamp, among other sections that are remarkably uninspired. In
409:, the young playwright who took over Shakespeare's job as chief playwright of the King's Men. Mainstream scholarship agrees with this attribution, and the play is widely accepted as a worthy member of the Shakespeare canon, despite its collaborative origins. It is included in its entirety in the
3430:
1144:
Shakespeare has been identified as the author of two epitaphs to John Combe, a
Stratford businessman, and one to Elias James, a brewer who lived in the Blackfriars area of London. Shakespeare certainly knew Combe and is likely to have known James. A joking epitaph is also supposed to have been
944:
Several poems published anonymously have been attributed by scholars to
Shakespeare. Others were attributed to him in 17th century manuscripts. None have received universal acceptance. The authorship of some poems published under Shakespeare's name in his lifetime has also been questioned.
590:
A number of anonymous plays have been attributed to
Shakespeare by more recent readers and scholars. Many of these claims are supported only by debatable ideas about what constitutes "Shakespeare's style". Nonetheless, some of them have been cautiously accepted by mainstream scholarship.
440:, which received positive reviews for the endeavour. A consensus is emerging that the play was written by a team of dramatists including Shakespeare early in his career—but exactly who wrote what is still open to debate. William Montgomery edited the play for the Second Edition of the
757:, and a scrap of paper (apparently from a bookseller), both list this title among Shakespeare's then-recently published works, but no copy of a play with this title has survived. It may have become lost, or it may represent an alternative title of an existing play, such as
521:, an extremely popular play; it was first printed in 1598 and went through several editions despite the text's manifestly corrupt nature. As it is a King's Men play, Shakespeare may have had a minor role in its creation or revision, but its true author remains a mystery;
1235:, Sams re-assessed Shakespeare's early and 'missing' years, and argued through detailed textual analysis that Shakespeare began writing plays from the mid-1580s, in a style not now recognisably Shakespearean. The so-called 'Source Plays' and 'Derivative Plays' (
629:
survives only in manuscript. It is a play that was written in the 1590s and then revised, possibly as many as ten years later. The play is included in the Second
Edition of the Complete Oxford Shakespeare (2005), which attributes the original play to
254:
contains genuine poems by
Shakespeare along with poems known to have been written by other authors, along with some of unknown authorship. Unattributed poems have also been assigned by some scholars to Shakespeare at various times. See below.
452:
was printed in 1605 under
Shakespeare's name. As it is a King's Men play, Shakespeare may have had a minor role in its creation, but according to Tucker Brooke, "Shakespeare's catholicity and psychological insight are conspicuously absent".
1257:, are (printers' errors aside) his own first versions of famous later plays. As many of the Quarto title-pages proclaim, Shakespeare was an assiduous reviser of his own work, rewriting, enlarging and emending to the end of his life. He "
1546:
855:
calling it a play by Shakespeare and Fletcher, adapted by Theobold, thus including it officially in Shakespeare's canon for the first time. In 2013 the Royal Shakespeare Company published an edition also attributing
1040:"To the Queen" is a short poem praising Queen Elizabeth, probably recited as an epilogue to a royal performance of a play. It was first attributed to Shakespeare by American scholars William Ringler and
972:. Though the title page attributes the content to Shakespeare, many of the poems were written by others. Some are of unknown authorship and could be by Shakespeare. Jaggard issued an expanded edition of
887:
was one of Shakespeare's first plays, that the theme of the Prince of Denmark was one to which he returned constantly throughout his career and that he continued to revise it even after the canonical
312:
C. F. Tucker Brooke lists forty-two plays conceivably attributable to Shakespeare, many in his own lifetime, but dismisses the majority, leaving only most of those listed below, with some additions.
813:], which he claimed to have adapted from three manuscripts of a lost play by Shakespeare that he did not name. Counter to that, a professional handwriting expert, Charles Hamilton, claimed that
1093:, previously ascribed only to "W.S.", to William Shakespeare, based on an analysis of its grammatical patterns and idiosyncratic word usage. The attribution received extensive press attention from
290:
writing them, or they may simply be based on a plot outline by Shakespeare. Some may be collaborations between Shakespeare and other dramatists (although the First Folio includes plays such as
992:(1612), writing that Shakespeare was "much offended" with Jaggard for making "so bold with his name." Jaggard withdrew the attribution to Shakespeare from unsold copies of the 1612 edition.
684:, some scholars have attributed the play to Shakespeare or suggested that it influenced Shakespeare's own play. Few of its editors, however, have supported the attribution to Shakespeare.
1268:
by forgetful actors as "wrong-headed". "Authorial revision of early plays is the only rational alternative." The few unofficial copies referred to in the preamble to the Folio were the
980:, announced on the title page ("Whereunto is newly added two Love Epistles, the first from Paris to Hellen, and Hellen's answere back again to Paris"). These were in fact by
722:
suggests that portions may have been revised by Shakespeare. In 2013 the Royal Shakespeare Company published an edition attributing the play, in part, to William Shakespeare.
2577:... were performed in Shakespeare's heyday, by actors and companies well known to him; he must have known who had written them. On any objective economical appraisal,
533:, first published in 1608. As it is a King's Men play, Shakespeare may have had a minor role in its creation, but the play's style bears no resemblance to Shakespeare.
501:
of anonymous plays and labelled them "Shakespeare, vol. 1". As a seventeenth-century attribution, this decision warrants some consideration. The three plays are:
1297:, the plays were solely his, though many were only partly revised. By Sams' authorship- and dating-arguments, Shakespeare wrote not only the earliest "modern"
869:
is believed by a few scholars to be an early work by Shakespeare himself. The theory was first postulated by the academic Peter Alexander and is supported by
4221:
4906:
2139:
1659:
Autobiographical and mostly written c. 1590–1594; earliest (no. 145) from early 1580s, latest (nos. 107, 126) written 1603 & 1605.
5245:
3374:
The doubtful plays of Shakspere, revised from the original editions with historical and analytical introductions and notes critical and explanatory
621:
has argued that it was written by Shakespeare, arguing that it is his earliest extant work, but has convinced few, if any, Shakespearean scholars.
5085:
4324:
1337:
revised Shakespeare canon and chronology (including plays by some considered apocryphal, and including plays dismissed by some as 'Bad Quartos'):
1124:
drew attention to the attribution, leading to widespread scholarly discussion of it. The attribution is not widely accepted. Michael Dobson and
5037:
4377:
3167:
369:
was published in 1608 as the work of Shakespeare. Although a minority of readers support this claim, the weight of stylistic evidence supports
2418:
3463:
3189:
1120:
This nine-verse love lyric was ascribed to Shakespeare in a manuscript collection of verses probably written in the late 1630s. In 1985
4671:
3942:
3879:
3874:
2402:
1824:
1717:
1662:
1006:
This poem was published as an appendix to Shakespeare's sonnets in 1609. Its authorship has been disputed by several scholars. In 2007
4279:
2448:
1754:
2512:
544:
Some plays were attributed to "W.S." in the seventeenth century. These initials could refer to Shakespeare, but could also refer to
91:
932:.) The play was initially accepted by the literary community—albeit not on sight—as genuine. The play was eventually presented at
63:
4555:
4233:
1276:
4997:
381:
was published under Shakespeare's name. Its uneven writing suggests that the first two acts are by another playwright. In 1868,
4899:
4681:
4676:
4666:
4395:
4294:
178:
44:
2349:
4390:
3822:
3399:
3265:
3235:
3203:
3175:
3152:
474:
333:
was originally published anonymously in 1600 (STC 18796). In 1619, a second edition was attributed to Shakespeare as part of
70:
4763:
4686:
4613:
3891:
1203:
5078:
4468:
3971:
3830:
1666:
1044:, who discovered the poem in 1972 in the notebook of Henry Stanford, who is known to have worked in the household of the
270:
during the seventeenth century bear Shakespeare's name on the title page or in other documents, but do not appear in the
432:
became the first major publisher to produce an edition of the play under Shakespeare's name, and shortly afterward, the
3333:
2622:, 'newly revised'; 1623, the First Folio, where each of the eighteen plays already published now has textual variants (
2460:
1450:
1249:
573:, "hardly anyone has thought that Shakespeare was even in the slightest way involved in the production of these plays."
217:
In his own lifetime, Shakespeare saw only about half of his plays enter print. Some individual plays were published in
77:
4978:
4892:
4580:
4334:
4304:
3456:
2375:
1179:
are different. One is a satirical comment on Combe's money-lending at 10 per cent interest. The verse says that
204:
110:
1186:
An anecdote recorded in the mid-17th century has Jonson beginning an epitaph to himself with the conventional "
658:, is an anonymous late-sixteenth or early-seventeenth century play depicting the events leading up to the murder of
539:
186:
4372:
4367:
4299:
1103:
1007:
5172:
1060:. The attribution has since been challenged by Michael Hattaway, who argued that the poem is more likely to be by
59:
4863:
4347:
4342:
4262:
1898:
1880:
1871:
1511:
1344:
1237:
238:
139:, but whose attribution is questionable for various reasons. The issue is not to be confused with the debate on
5268:
5219:
5071:
5020:
4314:
4086:
3901:
3861:
815:
581:
was published in 1607 and attributed to "W.S." This play is now generally believed to be by Middleton or Smith.
461:
280:) are believed by most scholars of Shakespeare to have been written by him (at least in part). Others, such as
261:
182:
48:
4929:
457:
hypothesized that Shakespeare wrote a rough outline or plot and left another playwright to the actual writing.
4215:
921:
901:
4961:
4696:
4570:
4437:
4253:
3906:
3554:
3498:
3449:
3227:
1815:
1743:
765:
522:
4884:
2036:
2004:
1960:
4243:
4204:
4191:
4065:
3597:
3144:
2020:
1976:
1932:
1702:
529:
465:
survives only in manuscript. Three crossed-out attributions in seventeenth century hands attribute it to
5108:
2278:
Helen Hackett (2012). "'As The Diall Hand Tells Ore': the case for Dekker, not Shakespeare, as Author".
5224:
5063:
4411:
4129:
3957:
3896:
3856:
3547:
3526:
3359:
The Shakespeare Apocrypha: being a collection of fourteen plays which have been ascribed to Shakespeare
1843:
1809:
1683:
1567:
1157:
784:
650:
406:
4848:
4815:
4795:
4737:
4430:
4425:
4382:
4258:
4056:
3245:
3217:
3209:
2280:
1221:
1176:
1172:, where it is ascribed to Shakespeare. The epitaph is a conventional statement of James' godly life.
1153:
1086:
1057:
933:
749:
735:
672:
survives only as an anonymous and untitled manuscript lacking its final page (or pages), part of the
510:
437:
433:
358:
237:. Heminges and Condell were in a position to do this because they, like Shakespeare, worked for the
4920:
4807:
4691:
4606:
4289:
4238:
4228:
4209:
4196:
3936:
3568:
2425:
1653:
1405:
Written by Shakespeare c. 1588 or earlier. Sams believes the manuscript is Shakespeare's hand.
1384:
1041:
377:
167:
140:
84:
1630:
Written early 1590s. "A version played in 1594", but "no reason to suppose it was the Folio text".
906:
The dream of discovering a new Shakespeare play has also resulted in the creation of at least one
4661:
4012:
3576:
3391:
3363:
1482:
1265:
1015:
787:, referred to in several documents, has not survived. It was probably an adaptation of a tale in
779:
771:
726:
570:
436:
performed the play (to mixed reviews). In 2001, the American professional premiere was staged by
276:
248:
In addition to plays, poems were published under Shakespeare's name. The collection published as
221:, a small, cheap format. Then, in 1623, seven years after Shakespeare's death, his fellow actors
171:
37:
4636:
4858:
4442:
4169:
4107:
4027:
3950:
3561:
3540:
3480:
3387:
3257:
1784:
1673:
1398:
1280:
1232:
1209:
1065:
1001:
956:
759:
639:
625:
613:
250:
5099:
4853:
4786:
4651:
4534:
4448:
4417:
4319:
3713:
3623:
3604:
3185:
2903:
2241:
2055:
1498:
Act I derives from an early version, written by Shakespeare c. 1589 (perhaps = the
1471:
1298:
1243:
1121:
1107:
911:
844:
697:
494:
483:. However, stylistic analysis very strongly indicates Thomas Middleton as the true author of
429:
415:
397:
4591:
1737:
Deposition scene added after 1598 (1608 Quarto), the Folio text being further revised.
730:. Hanspeter Born has argued that Shakespeare rewrote some scenes in the romantic subplot of
262:
Plays attributed to Shakespeare during the 17th century, but not included in the First Folio
5195:
5188:
4758:
4701:
4656:
4357:
4144:
4122:
3702:
3653:
3632:
3612:
3512:
3489:
3272:
1624:
1322:
A Pleasant Commodie of Fair Em the Millers Daughter, with the loue of William the Conqueror
916:
689:
561:
454:
390:
282:
601:
Shakespeare likely had a hand in at least scene VIII (the play is not divided into acts).
286:
are so atypically written that it is difficult to believe they really are by Shakespeare.
8:
5094:
4915:
4727:
4622:
4599:
4528:
4510:
4309:
4151:
4115:
4048:
4005:
3964:
3533:
3472:
3372:
1110:. Foster conceded to Monsarrat in an e-mail message to the SHAKSPER e-mail list in 2002.
788:
704:
659:
448:
365:
317:
136:
127:
The Third Folio of Shakespeare's plays, listing additional works attributed to the author
3357:
3293:
3125:
2618:, 'with new additions of the Parliament Scene, and the deposing of King Richard'; 1616,
1316:
Sams also argued, more briefly, that "there is some evidence of Shakespearean authorship
1106:
demonstrated Foster's attribution to be in error, and that the true author was probably
5031:
4873:
4522:
4480:
4362:
4100:
3998:
3803:
3325:
3195:
2260:
2082:
1637:
1521:
1095:
988:
which Jaggard had published in 1609. Heywood protested the unauthorized copying in his
928:
was the first play he attempted. (He later produced another pseudo-Shakespearean play,
673:
596:
540:
Plays attributed to "W.S." during the 17th century, and not included in the First Folio
410:
329:
143:, which questions the authorship of the works traditionally attributed to Shakespeare.
4868:
1778:"Corrected, augmented and amended" in Second Quarto, with minor revisions thereafter.
662:
and which occur immediately prior to the opening scenes of Shakespeare's history play
4970:
4942:
4722:
4627:
4492:
3810:
3737:
3729:
3420:
3395:
3348:
3329:
3261:
3231:
3199:
3171:
3148:
2456:
1727:
1578:
1531:
1292:
1287:
936:
on 2 April 1796, to immediate ridicule, and Ireland eventually admitted to the hoax.
848:
664:
423:
292:
2511:(unfinished, edited text published as e-book by the Centro Studi "Eric Sams", 2008)
1502:, Henslowe's 'Tittus & Vespacia', performed in 1592); rest revised c. 1592.
1331:
written mid-1580s and "newly set foorth, ouerseene and corrected, by W.S." in 1595.
5234:
4706:
4516:
4504:
4498:
4093:
4020:
3920:
3794:
3787:
3779:
3756:
3749:
3722:
3695:
3681:
2289:
2250:
2209:
2077:
2072:
2064:
1863:
1858:
1791:
1769:
1712:, contemporaneous with the Sonnets, written by Shakespeare post-1594. Sams follows
1610:
1600:
1588:
1558:
1492:
1461:
1049:
1045:
824:
820:
803:
370:
354:
298:
230:
4777:
3250:
565:
was published in 1602 and attributed to "W.S." Except for a few scholars, such as
5229:
4742:
4732:
4272:
3884:
3772:
3688:
3221:
3131:
1897:
First Quarto is Shakespeare's 'middle' version, written 1590s (reworked from his
965:
677:
545:
382:
350:
342:
334:
304:
242:
680:. Because the play describes the events immediately prior to those set forth in
5015:
3765:
3505:
3295:
A List of Masques, Pageants, &c. Supplementary to "A List of English Plays"
3284:
3281:
The first part of the reign of King Richard the Second; or, Thomas of Woodstock
3121:
1890:
1828:
1758:
981:
843:
at the 2100 Square Foot Theater in Los Angeles, as well as a production at the
798:
643:
631:
470:
386:
346:
322:
3416:
2307:
5262:
4540:
4486:
4248:
3590:
3317:
3308:
1125:
1053:
977:
874:
754:
693:
635:
226:
222:
218:
3191:
The Tragedy of Richard II: a Newly Authenticated Play by William Shakespeare
877:, although mainstream Shakespearean scholarship believes it to have been by
5051:
4914:
4843:
4474:
4176:
3840:
2237:, epilogues and prayers, and the problems of "As the Dial Hand Tells O'er""
1569:
Thomas of Woodstock, or The first Part of the Reign of King Richard II
1261:/ upon the Muses' anvil," as Ben Jonson put it in the Folio verse tribute.
1213:
1027:
870:
840:
566:
466:
557:
was published in 1595 as "Newly set forth, overseen and corrected by W.S."
477:
attempted to argue that the play was Shakespeare's manuscript of the lost
5045:
4267:
4079:
3835:
3583:
3298:. Printed for the Bibliographical Society , by Blades, East & Blades.
2293:
1750:
1713:
1269:
1228:
1083:
969:
835:
has been revived on the stage, it is sometimes performed under the title
793:
585:
577:
338:
271:
234:
5093:
2264:
1160:. The memorial no longer exists but was recorded in the 1633 edition of
497:
library, an unknown seventeenth-century person had bound together three
4937:
4838:
4352:
3639:
2255:
2232:
2086:
1775:
First Quarto is Shakespeare's early version, written c. 1594–1595.
1254:
1146:
1079:
1061:
878:
719:
709:
685:
602:
389:
as this unknown collaborator; a century later, F. D. Hoeneger proposed
3441:
1753:'s suggestion that this was played at the wedding in May 1594 of
1197:
5239:
5129:
5121:
4284:
4136:
4072:
3660:
3519:
1790:
Sams accepts the suggestion that this was written in 1596, after the
1434:
1425:
1374:
1363:
1217:
1192:
who while he lived was a slow thing / And now being dead is no thing.
1181:
he lent money at one-in-ten, and it's ten-to-one he'll end up in hell
1161:
1136:
1128:
state that Shakespeare's authorship "cannot be regarded as certain".
865:
618:
517:
135:
is a group of plays and poems that have sometimes been attributed to
2068:
1305:, c. 1588, but also "the earliest known modern comedy and tragedy",
1264:
Sams dissented from 20th-century orthodoxy, rejecting the theory of
444:(2005), where it is attributed to "William Shakespeare and Others"'.
156:
26:
3436:
2204:
1190: ...", and Shakespeare completing it with the words "...
479:
1644:
First Quarto is Shakespeare's early version, written c. 1593.
1353:
Released for printing c.1598 as Shakespeare nearing completion of
1168:. The text is also present in the same manuscript which preserves
1140:
The tomb of John Combe in Holy Trinity church, Stratford-upon-Avon
5116:
4041:
4034:
3866:
3674:
3667:
1390:
Written by Shakespeare late 1580s, as Jonson and Dryden reported.
1326:
1320:
553:
505:
4952:
1849:
First Quarto is Shakespeare's early version, written late 1590s.
1433:
Written by Shakespeare c. 1588 or earlier; substantially =
1224:'s "beautified with our feathers") offensive (Sonnets 30, 112).
3646:
2172:
Hanspeter, Born (2012). "Why Greene was Angry at Shakespeare".
1012:
Shakespeare, "A Lover's Complaint", and John Davies of Hereford
883:
714:
498:
402:
267:
258:
The apocrypha can be categorized under the following headings.
2140:"Further Proof of Shakespeare's Hand in 'The Spanish Tragedy'"
1416:
withdrawn because anti-clerical & completely rewritten as
1032:
123:
4621:
2871:
Shakespeare's Edward III: An Early Play Restored to the Canon
2537:
Shakespeare's Edward III: An Early Play Restored to the Canon
2155:
2153:
2710:
The Real Shakespeare: Retrieving the Later Years, 1594–1616
2706:
The Real Shakespeare: Retrieving the Early Years, 1564–1594
2509:
The Real Shakespeare: Retrieving the Later Years, 1594–1616
2497:
The Real Shakespeare: Retrieving the Early Years, 1564–1594
1879:
Apologetic altering of Sir John Oldcastle (buffoon in
907:
696:
as a possible author in 2001. Later scholars, most notably
509:, written c. 1590. Another candidate for its authorship is
2606:, containing early versions of Sonnets 138 and 144; 1602,
1720:, Valentine = Shakespeare, Silvia = Dark Lady of Sonnets).
1018:. Other scholars continue to attribute it to Shakespeare.
914:
claimed to have found a lost play of Shakespeare entitled
2150:
1216:, E. B. Everitt, Seymour Pitcher and others, the scholar
809:
2881:
2879:
2673:
2671:
3061:, c. 1586, appears unfinished. Sams 2008, pp. 221–223.)
1538:
Written by Shakespeare c. 1589, revised 1593–1594.
2614:, 'enlarged to almost as much again as it was'; 1608,
2354:
SHAKSPER: The Global Electronic Shakespeare Conference
1912:
Volume two was unfinished at the time of Sams' death.
700:, have tried to revive the attribution to Shakespeare.
586:
Plays attributed to Shakespeare after the 17th century
3322:
William Shakespeare & Others: Collaborative Plays
2876:
2668:
2373:
976:
in 1612, containing additional poems on the theme of
321:
was published in 1662 as the work of Shakespeare and
964:
is a collection of poems first published in 1599 by
2999:
2997:
2652:
2650:
2446:
1198:
A counter-orthodox Shakespeare canon and chronology
881:. Bloom's hypothesis is that this early version of
405:in 1634 as a collaboration between Shakespeare and
233:collection of his complete plays, now known as the
51:. Unsourced material may be challenged and removed.
3249:
3057:Sams 2008, pp. 234–242. (Chapter relating this to
2897:
2598:, 'newly corrected, augmented and amended'; 1599,
2376:"A scholar recants on his 'Shakespeare' discovery"
1275:Sams also rejected 20th century orthodoxy on
1052:and Juliet Dusinberre. It was included in 2007 by
995:
2048:
5260:
2994:
2647:
2230:
1102:Later analyses by scholars Gilles Monsarrat and
605:is often considered to be the author of much of
1350:Written by Shakespeare c. 1586 or earlier.
1036:The manuscript of "To the Queen by the Players"
2776:
2480:
2416:
1852:Substantially revised and enlarged for Folio.
5246:The Masque of the Inner Temple and Gray's Inn
5079:
4900:
4607:
3457:
3315:
3141:Thomas of Woodstock: or, Richard II, Part One
2865:
2863:
2747:
2745:
2602:, 'newly corrected by W. Shakespeare'; 1599,
2277:
2202:
2159:
1870:Written c. 1597–1598 (reworked from his
1064:, and by Helen Hackett, who attributes it to
734:, tentatively attributed by some scholars to
609:, but still other writers have been proposed.
3139:Corbin, Peter; Sedge, Douglas, eds. (2002).
2347:
2100:Jackson, Macdonald P (2001). "Shakespeare's
1056:in his complete Shakespeare edition for the
506:Fair Em, the Miller's Daughter of Manchester
16:Works questionably attributed to Shakespeare
4404:
3279:Frijlinck, Wilhelmina Paulina, ed. (1929).
3164:William Shakespeare and the Birth of Merlin
3127:Shakespeare: a Survey of Facts and Problems
1021:
185:. Unsourced material may be challenged and
5086:
5072:
4907:
4893:
4614:
4600:
3464:
3450:
2860:
2742:
2485:. Oxford University Press. pp. 42–46.
2348:Foster, Don; Abrams, Rick (12 June 2002).
2137:
1906:The Folio text revised and enlarged 1599.
1590:The True Tragedie of Richard Duke of Yorke
1541:Omitted from Folio because anti-Scottish.
1227:Trusting the early 'biographical' sources
245:that produced all of Shakespeare's plays.
3432:The Introduction to Shakespeare Apocrypha
3252:Author Unknown: On the Trail of Anonymous
2594:, 'newly corrected and augmented'; 1599,
2419:"Education: Shall I Die? Shall I Fly ..."
2254:
2196:
2171:
2110:Medieval and Renaissance Drama in England
2076:
1755:Mary Wriothesley, Countess of Southampton
1616:Written by Shakespeare c. 1590–1591.
1595:Written by Shakespeare c. 1589–1590.
1553:Written by Shakespeare c. 1589–1590.
1517:Written by Shakespeare c. 1589–1590.
948:
712:, is a play with elements reminiscent of
205:Learn how and when to remove this message
111:Learn how and when to remove this message
2819:Shakespeare's Lost Play, Edmund Ironside
2806:Shakespeare's Lost Play, Edmund Ironside
2753:Shakespeare's Lost Play, Edmund Ironside
2524:Shakespeare's Lost Play, Edmund Ironside
2350:"Abrams and Foster on "A Funeral Elegy""
2310:A Funeral Elegy for Master William Peter
1444:, the Folio text being further revised.
1378:, the Folio text being further revised.
1135:
1091:A Funeral Elegy for Master William Peter
1031:
839:, as in the 2002 production directed by
638:, with later revisions and additions by
122:
3471:
2476:
2474:
2472:
2398:
2396:
2138:Schuessler, Jennifer (12 August 2013).
2099:
968:, later the publisher of Shakespeare's
5261:
2374:William S. Niederkorn (20 June 2002).
1393:Acts III–V rewritten for Quarto.
5067:
4888:
4595:
4216:Complete Works of William Shakespeare
3445:
3223:Elegy by W.S.: a Study in Attribution
2440:
2403:Dobson, M., Wells, S, "Shall I die",
2049:F. David Hoeniger (1957). "Review of
2469:
2393:
2051:Studies in the Shakespeare Apocrypha
1639:The Tragedy of King Richard III
1574:Written by Shakespeare c. 1590.
1523:The Tragedy of King Richard III
1477:Written by Shakespeare c. 1588.
1456:Written by Shakespeare c. 1588.
1369:Written by Shakespeare c. 1587.
924:he claimed were by Shakespeare, but
783:. This late play by Shakespeare and
183:adding citations to reliable sources
150:
49:adding citations to reliable sources
20:
4576:
2786:, vol. 4 (London 1905), pp. 55, 463
2557:Sams 1995, pp. 182–183: "The early
2453:The Oxford Companion to Shakespeare
2405:The Oxford Companion to Shakespeare
1693:, contemporaneous with the Sonnets.
1156:was on a memorial in the church of
1048:. The attribution was supported by
939:
753:. A late sixteenth-century writer,
13:
4391:Shakespeare's influence on Tolkien
3356:Tucker Brooke, C. F., ed. (1908).
3343:Rossiter, Arthur Percival (1964).
3305:A Shakespeare Companion, 1564–1964
2205:"Are Those Shakespeare's "Balls"?"
1451:The Troublesome Reign of King John
1328:The Lamentable Tragedie of Locrine
1250:The Troublesome Reign of King John
1071:
920:. Ireland had previously released
860:, in part, to William Shakespeare.
819:(generally considered the work of
473:. Professional handwriting expert
14:
5280:
5039:The Pattern of Painful Adventures
4979:The Pattern of Painful Adventures
3410:
3355:
2016:
1972:
1928:
1647:Folio text revised and enlarged.
1204:Chronology of Shakespeare's plays
617:is an anonymous manuscript play.
5171:
4951:
4776:
4575:
4566:
4565:
3919:
3425:
3138:
1900:Famous Victories of Henry V
1873:Famous Victories of Henry V
1734:Written c. 1595 or earlier.
1677:also written for and about him.
1548:The First Part of the Contention
1014:, attributes the "Complaint" to
851:imprint published an edition of
155:
25:
3303:Halliday, Frank Ernest (1964).
3100:
3091:
3082:
3073:
3064:
3051:
3042:
3033:
3024:
3015:
3006:
2985:
2976:
2967:
2958:
2949:
2940:
2931:
2922:
2913:
2888:
2851:
2842:
2833:
2824:
2811:
2798:
2789:
2767:
2758:
2733:
2724:
2721:Sams 2008, pp. 149–150, 198–211
2715:
2698:
2689:
2680:
2659:
2638:
2629:
2584:
2571:The Famous Victories of Henry V
2551:
2542:
2529:
2516:
2502:
2489:
2417:Otto Friedrich (21 June 2005).
2410:
2367:
2341:
2326:
2300:
2271:
2224:
2184:
2165:
2131:
2120:
2093:
1512:The True Tragedy of Richard III
1345:The Famous Victories of Henry V
1238:The Famous Victories of Henry V
491:The "Charles II Library" plays:
345:records that it was written by
309:they compiled the First Folio.
274:. Some of these plays (such as
36:needs additional citations for
4396:Works titled after Shakespeare
3417:Works by Shakespeare apocrypha
3278:
2539:(New Haven & London, 1996)
2447:Dobson, M.; Wells, S. (2003).
2203:Ron Rosenbaum (12 June 2008).
2174:Medieval and Renaissance Drama
2042:
2026:
2010:
1994:
1982:
1966:
1950:
1938:
1922:
1716:'s identifications (Proteus =
1325:, written before 1586, and of
1113:
1:
4556:Shakespeare and other authors
3342:
3302:
3244:
3216:
3120:
3059:The Weakest Goeth to the Wall
2499:(New Haven & London 1995)
2336:
2332:
2190:
2032:
1915:
1440:Rewritten and enlarged as Q2
1080:stylometric computer analysis
902:Ireland Shakespeare forgeries
831:. On the rare occasions when
742:
146:
4438:Shakespeare Birthplace Trust
3370:
3292:Greg, Walter Wilson (1902).
3228:University of Delaware Press
3161:
1956:
1944:
1876:, c. 1586 – see above).
1696:Later revised and enlarged.
1505:Scene added for Folio text.
847:in 2004. In March 2010, the
827:manuscript of the lost play
7:
5220:Shakespeare's late romances
5021:Shakespeare's late romances
4244:English Renaissance theatre
4087:The Second Maiden's Tragedy
4066:The Merry Devil of Edmonton
3598:The Two Gentlemen of Verona
3435:public domain audiobook at
3382:Warren, Roger, ed. (2003).
3381:
3145:Manchester University Press
2784:A History of English Poetry
2610:, 'newly augmented'; 1604,
2455:. Oxford University Press.
2314:. Shakespeareauthorship.com
1988:
1703:The Two Gentlemen of Verona
1277:Shakespeare's collaboration
1253:, etc.), and the so-called
1131:
833:The Second Maiden's Tragedy
816:The Second Maiden's Tragedy
530:The Merry Devil of Edmonton
485:The Second Maiden's Tragedy
462:The Second Maiden's Tragedy
442:Complete Oxford Shakespeare
266:Several plays published in
10:
5285:
4412:Folger Shakespeare Library
3958:The Phoenix and the Turtle
3548:The Merry Wives of Windsor
3345:Woodstock, a moral history
3273:Chapter 1 available online
3113:
3030:Sams 2008, pp. 71, 165–174
2908:Richard II & Woodstock
2590:Sams 1995, p. 169: "1598,
1844:The Merry Wives of Windsor
1201:
1158:St. Andrew-by-the-Wardrobe
1025:
999:
954:
899:
801:produced a play he called
5207:
5180:
5169:
5107:
5008:
4989:
4960:
4949:
4928:
4826:
4785:
4774:
4751:
4715:
4644:
4635:
4550:
4461:
4431:Royal Shakespeare Theatre
4426:Royal Shakespeare Company
4333:
4190:
4161:
3990:
3981:
3928:
3917:
3849:
3821:
3712:
3622:
3555:A Midsummer Night's Dream
3499:All's Well That Ends Well
3488:
3479:
3291:
3184:
2281:Review of English Studies
2231:Michael Hattaway (2009).
2160:Rasmussen & Bate 2013
2126:
2000:
1816:All's Well That Ends Well
1744:A Midsummer Night's Dream
1078:In 1989, using a form of
1058:Royal Shakespeare Company
895:
863:The lost play called the
766:All's Well That Ends Well
438:Pacific Repertory Theatre
434:Royal Shakespeare Company
4998:Pericles, Prince of Tyre
4921:Pericles, Prince of Tyre
3569:Pericles, Prince of Tyre
2626:has a whole new scene)."
2449:"Epitaph on Elias James"
1885:) to Sir John Falstaff.
1385:Pericles, Prince of Tyre
1372:Rewritten as the Quarto
1279:: with the exception of
1208:Building on the work of
654:, sometimes also called
548:, an obscure dramatist.
378:Pericles, Prince of Tyre
341:. In fact, the diary of
141:Shakespearean authorship
4662:Edward the Black Prince
3577:The Taming of the Shrew
3392:Oxford University Press
3364:Oxford University Press
3130:. Vol. 1. Oxford:
3106:Sams 2008, pp. 199, 224
2848:Sams 2008, pp. 117, 164
2481:Schoenbaum, S. (1991).
2078:2027/mdp.39015010211442
1831:, Lafew = Shakespeare).
1759:Sir Thomas Heneage
1483:The Taming of the Shrew
1266:memorial reconstruction
1082:, scholar and forensic
780:The History of Cardenio
772:The Taming of the Shrew
732:A Knack to Know a Knave
727:A Knack to Know a Knave
571:August Wilhelm Schlegel
525:is sometimes suggested.
60:"Shakespeare apocrypha"
4859:Battle of Halidon Hill
4816:Holinshed's Chronicles
4796:Froissart's Chronicles
4759:King David of Scotland
4723:King John II of France
4259:Lord Chamberlain's Men
4170:The Passionate Pilgrim
3943:comparison to Petrarch
3562:Much Ado About Nothing
3541:The Merchant of Venice
3388:The Oxford Shakespeare
3371:Tyrell, Henry (1800).
3258:Henry Holt and Company
3162:Dominik, Mark (1991).
3079:Sams 2008, pp. 261–267
3070:Sams 2008, pp. 234–242
2991:Sams 2008, pp. 183–197
2955:Sams 1995, pp. 103–113
2946:Sams 2008, pp. 159–164
2885:Sams 1995, pp. 154–162
2857:Sams 2008, pp. 114–125
2795:Sams 1995, pp. 136–145
2773:Sams 1995, pp. 146–153
2764:Sams 1995, pp. 120–135
2739:Sams 2008, pp. 302–312
2695:Sams 1995, pp. 163–166
2677:Sams 2008, pp. 117–118
2665:Sams 1995, pp. 185–188
2604:The Passionate Pilgrim
1837:revised c. 1602.
1785:The Merchant of Venice
1313:( = the 1603 Quarto).
1259:struck the second heat
1141:
1099:and other newspapers.
1037:
974:The Passionate Pilgrim
962:The Passionate Pilgrim
957:The Passionate Pilgrim
950:The Passionate Pilgrim
760:Much Ado About Nothing
251:The Passionate Pilgrim
128:
5269:Shakespeare apocrypha
5215:Shakespeare apocrypha
5100:The Two Noble Kinsmen
5026:Shakespeare apocrypha
4834:Shakespeare apocrypha
4672:Countess of Salisbury
4449:Shakespeare Institute
4418:Shakespeare Quarterly
3937:Shakespeare's sonnets
3605:The Two Noble Kinsmen
2567:The Troublesome Reign
2242:Shakespeare Quarterly
2056:Shakespeare Quarterly
2053:by Baldwin Maxwell".
1798:, to which it refers.
1472:The Taming of a Shrew
1357:trilogy (see below).
1303:The Troublesome Reign
1244:The Taming of a Shrew
1139:
1035:
996:"A Lover's Complaint"
912:William Henry Ireland
845:Burton Taylor Theatre
430:Yale University Press
416:Riverside Shakespeare
398:The Two Noble Kinsmen
133:Shakespeare apocrypha
126:
5196:The Canterbury Tales
4682:Sir William Montague
4305:Spelling of his name
4145:Vortigern and Rowena
4123:Thomas Lord Cromwell
3703:Troilus and Cressida
3633:Antony and Cleopatra
3527:Love's Labour's Lost
3513:The Comedy of Errors
2973:Sams 2008, pp. 73–80
2964:Sams 2008, pp. 61–67
2592:Love's Labour's Lost
2017:Tucker Brooke (1908)
2005:Appendix II, p. lxiv
1973:Tucker Brooke (1908)
1929:Tucker Brooke (1908)
1810:Love's Labour's Lost
1684:Love's Labour's Lost
1625:The Comedy of Errors
1188:Here lies Ben Jonson
1010:, in his monograph,
917:Vortigern and Rowena
720:handwriting analysis
690:MacDonald P. Jackson
562:Thomas Lord Cromwell
283:Thomas Lord Cromwell
179:improve this section
45:improve this article
5095:William Shakespeare
4916:William Shakespeare
4764:Sir William Douglas
4623:William Shakespeare
4529:Richard Shakespeare
4511:Gilbert Shakespeare
4443:Shakespeare's Globe
4348:Authorship question
4343:Attribution studies
4310:Stratford-upon-Avon
4152:A Yorkshire Tragedy
4130:Thomas of Woodstock
4116:The Spanish Tragedy
4057:Love's Labour's Won
4049:The London Prodigal
4006:The Birth of Merlin
3965:The Rape of Lucrece
3951:A Lover's Complaint
3831:Quarto publications
3534:Measure for Measure
3473:William Shakespeare
2620:The Rape of Lucrece
2483:Shakespeare's Lives
2106:Thomas of Woodstock
1807:Written soon after
1674:A Lover's Complaint
1500:Titus and Vespasian
1339:
1002:A Lover's Complaint
823:) play is actually
789:Miguel de Cervantes
750:Love's Labour's Won
705:The Spanish Tragedy
670:Thomas of Woodstock
660:Thomas of Woodstock
651:Thomas of Woodstock
469:, Shakespeare, and
449:The London Prodigal
413:(1986), and in the
366:A Yorkshire Tragedy
318:The Birth of Merlin
137:William Shakespeare
5032:Apollonius of Tyre
4874:Battle of Poitiers
4854:Hundred Years' War
4808:Palace of Pleasure
4523:Edmund Shakespeare
4481:Hamnet Shakespeare
4378:Screen adaptations
4101:Sir John Oldcastle
3999:Arden of Faversham
3196:Edwin Mellen Press
2839:Sams, 2008, p. 449
2428:on 23 January 2008
2380:The New York Times
2294:10.1093/res/hgr046
2256:10.1353/shq.0.0074
2144:The New York Times
2104:and the Anonymous
1334:
1177:epitaphs for Combe
1142:
1096:The New York Times
1038:
990:Apology for Actors
686:Stylistic analysis
674:Egerton Collection
656:Richard II, Part I
642:, Shakespeare and
597:Arden of Faversham
411:Oxford Shakespeare
330:Sir John Oldcastle
129:
5256:
5255:
5189:The Knight's Tale
5061:
5060:
4971:Confessio Amantis
4882:
4881:
4772:
4771:
4667:Earl of Salisbury
4589:
4588:
4493:Elizabeth Barnard
4457:
4456:
4186:
4185:
3915:
3914:
3613:The Winter's Tale
3421:Project Gutenberg
3401:978-0-19-812932-5
3377:. London: Tallis.
3349:Chatto and Windus
3316:Rasmussen, Eric;
3267:978-0-8050-6357-8
3237:978-0-87413-335-6
3218:Foster, Donald W.
3205:978-0-7734-6082-9
3177:978-0-945088-03-5
3166:. Beaverton, OR:
3154:978-0-7190-1563-2
3097:Sams 2008, p. 200
3088:Sams 2008, p. 199
3048:Sams 2008, p. 247
3021:Sams 1995, p. 101
3012:Sams 2008, p. 150
3003:Sams 2008, p. 176
2982:Sams 1995, p. 116
2937:Sams 1995, p. 185
2919:Sams 1995, p. 115
2894:Sams 2008, p. 151
2830:Sams 1995, p. 164
2782:Courthope, W.J.,
2730:Sams 2008, p. 269
2686:Sams 1995, p. 152
2656:Sams 1995, p. 171
2644:Sams 2008, p. 271
2635:Sams 1995, p. 160
2548:Sams 1995, p. 146
2526:(Aldershot, 1986)
1910:
1909:
1813:and rewritten as
1288:Two Noble Kinsmen
1154:epitaph for James
986:Troia Britannica,
849:Arden Shakespeare
676:deposited in the
401:was published in
215:
214:
207:
121:
120:
113:
95:
5276:
5235:William Davenant
5175:
5088:
5081:
5074:
5065:
5064:
4955:
4909:
4902:
4895:
4886:
4885:
4780:
4738:Duke of Lorraine
4702:Robert of Artois
4642:
4641:
4616:
4609:
4602:
4593:
4592:
4579:
4578:
4569:
4568:
4517:Joan Shakespeare
4499:John Shakespeare
4402:
4401:
4383:Shakespeare and
4094:Sejanus His Fall
4061:
4021:Double Falsehood
3988:
3987:
3972:Venus and Adonis
3923:
3696:Titus Andronicus
3682:Romeo and Juliet
3486:
3485:
3466:
3459:
3452:
3443:
3442:
3429:
3428:
3405:
3378:
3367:
3352:
3339:
3312:
3299:
3288:
3271:
3255:
3241:
3213:
3208:. Archived from
3181:
3158:
3135:
3107:
3104:
3098:
3095:
3089:
3086:
3080:
3077:
3071:
3068:
3062:
3055:
3049:
3046:
3040:
3039:Sams 1995, p. xv
3037:
3031:
3028:
3022:
3019:
3013:
3010:
3004:
3001:
2992:
2989:
2983:
2980:
2974:
2971:
2965:
2962:
2956:
2953:
2947:
2944:
2938:
2935:
2929:
2928:Sams 2008, p. 69
2926:
2920:
2917:
2911:
2901:
2895:
2892:
2886:
2883:
2874:
2867:
2858:
2855:
2849:
2846:
2840:
2837:
2831:
2828:
2822:
2815:
2809:
2802:
2796:
2793:
2787:
2780:
2774:
2771:
2765:
2762:
2756:
2749:
2740:
2737:
2731:
2728:
2722:
2719:
2713:
2702:
2696:
2693:
2687:
2684:
2678:
2675:
2666:
2663:
2657:
2654:
2645:
2642:
2636:
2633:
2627:
2624:Titus Andronicus
2596:Romeo and Juliet
2588:
2582:
2555:
2549:
2546:
2540:
2533:
2527:
2520:
2514:
2506:
2500:
2493:
2487:
2486:
2478:
2467:
2466:
2444:
2438:
2437:
2435:
2433:
2424:. Archived from
2414:
2408:
2400:
2391:
2390:
2388:
2386:
2371:
2365:
2364:
2362:
2360:
2345:
2339:
2330:
2324:
2323:
2321:
2319:
2304:
2298:
2297:
2275:
2269:
2268:
2258:
2228:
2222:
2221:
2219:
2217:
2200:
2194:
2188:
2182:
2181:
2169:
2163:
2157:
2148:
2147:
2135:
2129:
2124:
2118:
2117:
2097:
2091:
2090:
2080:
2046:
2040:
2030:
2024:
2014:
2008:
1998:
1992:
1986:
1980:
1970:
1964:
1954:
1948:
1942:
1936:
1926:
1882:Famous Victories
1859:Henry IV, Part 1
1792:capture at Cadiz
1770:Romeo and Juliet
1668:Venus and Adonis
1611:Henry VI, Part 1
1601:Henry VI, Part 3
1559:Henry VI, Part 2
1493:Titus Andronicus
1418:Titus Andronicus
1355:Henry IV–Henry V
1340:
1333:
1166:Survey of London
1050:James S. Shapiro
1046:Lord Chamberlain
940:Apocryphal poems
858:Double Falsehood
853:Double Falsehood
821:Thomas Middleton
475:Charles Hamilton
371:Thomas Middleton
355:Richard Hathwaye
299:Henry VI, Part 1
210:
203:
199:
196:
190:
159:
151:
116:
109:
105:
102:
96:
94:
53:
29:
21:
5284:
5283:
5279:
5278:
5277:
5275:
5274:
5273:
5259:
5258:
5257:
5252:
5203:
5176:
5167:
5103:
5092:
5062:
5057:
5004:
4985:
4956:
4947:
4924:
4913:
4883:
4878:
4869:Battle of Crécy
4864:Siege of Calais
4822:
4781:
4768:
4747:
4743:King of Bohemia
4711:
4677:Earl of Warwick
4631:
4620:
4590:
4585:
4546:
4495:(granddaughter)
4453:
4400:
4329:
4295:Religious views
4273:Curtain Theatre
4194:
4182:
4157:
4108:Sir Thomas More
4054:
4028:Edmund Ironside
3977:
3924:
3911:
3885:Ghost character
3845:
3817:
3708:
3689:Timon of Athens
3618:
3475:
3470:
3426:
3413:
3408:
3402:
3336:
3320:, eds. (2013).
3268:
3238:
3212:on 6 July 2008.
3206:
3178:
3155:
3132:Clarendon Press
3122:Chambers, E. K.
3116:
3111:
3110:
3105:
3101:
3096:
3092:
3087:
3083:
3078:
3074:
3069:
3065:
3056:
3052:
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3043:
3038:
3034:
3029:
3025:
3020:
3016:
3011:
3007:
3002:
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2990:
2986:
2981:
2977:
2972:
2968:
2963:
2959:
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2936:
2932:
2927:
2923:
2918:
2914:
2902:
2898:
2893:
2889:
2884:
2877:
2868:
2861:
2856:
2852:
2847:
2843:
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2834:
2829:
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2816:
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2803:
2799:
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2763:
2759:
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2716:
2703:
2699:
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2589:
2585:
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2547:
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2517:
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2503:
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2470:
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2372:
2368:
2358:
2356:
2346:
2342:
2331:
2327:
2317:
2315:
2306:
2305:
2301:
2276:
2272:
2229:
2225:
2215:
2213:
2201:
2197:
2191:Halliday (1964)
2189:
2185:
2170:
2166:
2158:
2151:
2136:
2132:
2125:
2121:
2098:
2094:
2069:10.2307/2866972
2047:
2043:
2033:Chambers (1930)
2031:
2027:
2015:
2011:
1999:
1995:
1987:
1983:
1971:
1967:
1955:
1951:
1943:
1939:
1927:
1923:
1918:
1796:San Andrés
1729:Richard II
1665:the addressee;
1580:Richard II
1533:Edward III
1400:Edmund Ironside
1282:Sir Thomas More
1210:W. J. Courthope
1206:
1200:
1134:
1118:
1076:
1073:A Funeral Elegy
1030:
1024:
1004:
998:
966:William Jaggard
959:
953:
942:
922:other documents
904:
898:
804:Double Falshood
745:
678:British Library
626:Sir Thomas More
614:Edmund Ironside
588:
546:Wentworth Smith
542:
383:Nicolaus Delius
351:Michael Drayton
343:Philip Henslowe
335:William Jaggard
305:Timon of Athens
264:
243:playing company
211:
200:
194:
191:
176:
160:
149:
117:
106:
100:
97:
54:
52:
42:
30:
17:
12:
11:
5:
5282:
5272:
5271:
5254:
5253:
5251:
5250:
5242:
5237:
5232:
5227:
5222:
5217:
5211:
5209:
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5201:
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5184:
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5127:
5124:
5119:
5113:
5111:
5105:
5104:
5091:
5090:
5083:
5076:
5068:
5059:
5058:
5056:
5055:
5048:
5043:
5035:
5028:
5023:
5018:
5016:George Wilkins
5012:
5010:
5006:
5005:
5003:
5002:
4993:
4991:
4987:
4986:
4984:
4983:
4975:
4966:
4964:
4958:
4957:
4950:
4948:
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4851:
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4804:
4791:
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4773:
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4769:
4767:
4766:
4761:
4755:
4753:
4749:
4748:
4746:
4745:
4740:
4735:
4730:
4728:Prince Charles
4725:
4719:
4717:
4713:
4712:
4710:
4709:
4704:
4699:
4694:
4689:
4684:
4679:
4674:
4669:
4664:
4659:
4657:Queen Philippa
4654:
4648:
4646:
4639:
4633:
4632:
4619:
4618:
4611:
4604:
4596:
4587:
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4317:
4312:
4307:
4302:
4297:
4292:
4287:
4282:
4277:
4276:
4275:
4270:
4256:
4251:
4246:
4241:
4236:
4234:Collaborations
4231:
4226:
4225:
4224:
4219:
4207:
4201:
4199:
4188:
4187:
4184:
4183:
4181:
4180:
4173:
4165:
4163:
4159:
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4141:
4133:
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4069:
4062:
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4045:
4038:
4031:
4024:
4017:
4009:
4002:
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3985:
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3978:
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3968:
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3954:
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3945:
3932:
3930:
3926:
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3918:
3916:
3913:
3912:
3910:
3909:
3904:
3899:
3894:
3889:
3888:
3887:
3882:
3877:
3869:
3864:
3859:
3853:
3851:
3847:
3846:
3844:
3843:
3838:
3833:
3827:
3825:
3823:Early editions
3819:
3818:
3816:
3815:
3807:
3800:
3799:
3798:
3791:
3784:
3769:
3762:
3761:
3760:
3753:
3741:
3734:
3726:
3718:
3716:
3710:
3709:
3707:
3706:
3699:
3692:
3685:
3678:
3671:
3664:
3657:
3650:
3643:
3636:
3628:
3626:
3620:
3619:
3617:
3616:
3609:
3601:
3594:
3587:
3580:
3573:
3565:
3558:
3551:
3544:
3537:
3530:
3523:
3516:
3509:
3506:As You Like It
3502:
3494:
3492:
3483:
3477:
3476:
3469:
3468:
3461:
3454:
3446:
3440:
3439:
3423:
3412:
3411:External links
3409:
3407:
3406:
3400:
3379:
3368:
3353:
3340:
3335:978-1137271440
3334:
3318:Bate, Jonathan
3313:
3300:
3289:
3285:Malone Society
3276:
3266:
3242:
3236:
3214:
3204:
3182:
3176:
3159:
3153:
3136:
3117:
3115:
3112:
3109:
3108:
3099:
3090:
3081:
3072:
3063:
3050:
3041:
3032:
3023:
3014:
3005:
2993:
2984:
2975:
2966:
2957:
2948:
2939:
2930:
2921:
2912:
2896:
2887:
2875:
2859:
2850:
2841:
2832:
2823:
2810:
2797:
2788:
2775:
2766:
2757:
2741:
2732:
2723:
2714:
2697:
2688:
2679:
2667:
2658:
2646:
2637:
2628:
2583:
2550:
2541:
2528:
2515:
2501:
2488:
2468:
2462:978-0198117353
2461:
2439:
2409:
2392:
2366:
2340:
2325:
2299:
2288:(258): 34–57.
2270:
2249:(2): 154–167.
2235:As You Like It
2223:
2195:
2183:
2164:
2149:
2130:
2119:
2092:
2063:(2): 236–237.
2041:
2025:
2009:
1993:
1981:
1965:
1957:Tyrrell (1800)
1949:
1945:Dominik (1991)
1937:
1920:
1919:
1917:
1914:
1908:
1907:
1904:
1895:
1887:
1886:
1877:
1868:
1854:
1853:
1850:
1847:
1839:
1838:
1832:
1829:Barnaby Barnes
1805:
1802:
1801:
1799:
1788:
1780:
1779:
1776:
1773:
1765:
1764:
1762:
1747:
1739:
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1735:
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1724:
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1706:
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1563:
1554:
1551:
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1542:
1539:
1536:
1528:
1527:
1518:
1515:
1507:
1506:
1503:
1496:
1488:
1487:
1478:
1475:
1467:
1466:
1457:
1454:
1446:
1445:
1438:
1431:
1422:
1421:
1406:
1403:
1395:
1394:
1391:
1388:
1380:
1379:
1370:
1367:
1359:
1358:
1351:
1348:
1299:chronicle play
1202:Main article:
1199:
1196:
1133:
1130:
1117:
1112:
1075:
1070:
1026:Main article:
1023:
1022:"To the Queen"
1020:
1000:Main article:
997:
994:
982:Thomas Heywood
955:Main article:
952:
947:
941:
938:
900:Main article:
897:
894:
893:
892:
861:
799:Lewis Theobald
776:
744:
741:
740:
739:
723:
701:
647:
644:Thomas Heywood
632:Anthony Munday
622:
610:
587:
584:
583:
582:
574:
558:
541:
538:
537:
536:
535:
534:
526:
514:
488:
471:George Chapman
458:
445:
420:
394:
387:George Wilkins
374:
362:
347:Anthony Munday
326:
323:William Rowley
263:
260:
213:
212:
163:
161:
154:
148:
145:
119:
118:
33:
31:
24:
15:
9:
6:
4:
3:
2:
5281:
5270:
5267:
5266:
5264:
5248:
5247:
5243:
5241:
5238:
5236:
5233:
5231:
5228:
5226:
5225:John Fletcher
5223:
5221:
5218:
5216:
5213:
5212:
5210:
5206:
5198:
5197:
5193:
5192:
5190:
5186:
5185:
5183:
5179:
5174:
5163:
5160:
5157:
5154:
5151:
5148:
5145:
5142:
5139:
5136:
5133:
5131:
5128:
5125:
5123:
5120:
5118:
5115:
5114:
5112:
5110:
5106:
5102:
5101:
5096:
5089:
5084:
5082:
5077:
5075:
5070:
5069:
5066:
5054:
5053:
5049:
5047:
5044:
5042:(2008; radio)
5041:
5040:
5036:
5034:
5033:
5029:
5027:
5024:
5022:
5019:
5017:
5014:
5013:
5011:
5007:
5000:
4999:
4995:
4994:
4992:
4988:
4981:
4980:
4976:
4973:
4972:
4968:
4967:
4965:
4963:
4959:
4954:
4944:
4941:
4939:
4936:
4935:
4933:
4931:
4927:
4923:
4922:
4917:
4910:
4905:
4903:
4898:
4896:
4891:
4890:
4887:
4875:
4872:
4870:
4867:
4865:
4862:
4860:
4857:
4855:
4852:
4850:
4849:Robert Greene
4847:
4845:
4842:
4840:
4837:
4835:
4832:
4831:
4829:
4825:
4818:
4817:
4813:
4810:
4809:
4805:
4802:
4798:
4797:
4793:
4792:
4790:
4788:
4784:
4779:
4765:
4762:
4760:
4757:
4756:
4754:
4750:
4744:
4741:
4739:
4736:
4734:
4733:Prince Philip
4731:
4729:
4726:
4724:
4721:
4720:
4718:
4714:
4708:
4707:Lord Montfort
4705:
4703:
4700:
4698:
4695:
4693:
4690:
4688:
4687:Earl of Derby
4685:
4683:
4680:
4678:
4675:
4673:
4670:
4668:
4665:
4663:
4660:
4658:
4655:
4653:
4650:
4649:
4647:
4643:
4640:
4638:
4634:
4630:
4629:
4624:
4617:
4612:
4610:
4605:
4603:
4598:
4597:
4594:
4582:
4574:
4572:
4564:
4563:
4559:
4557:
4553:
4552:
4549:
4542:
4541:Thomas Quiney
4539:
4536:
4533:
4531:(grandfather)
4530:
4527:
4524:
4521:
4518:
4515:
4512:
4509:
4506:
4503:
4500:
4497:
4494:
4491:
4488:
4487:Judith Quiney
4485:
4482:
4479:
4476:
4473:
4470:
4469:Anne Hathaway
4467:
4466:
4464:
4460:
4450:
4447:
4444:
4441:
4439:
4436:
4432:
4429:
4428:
4427:
4424:
4420:
4419:
4415:
4414:
4413:
4410:
4409:
4407:
4403:
4397:
4394:
4392:
4389:
4387:
4386:
4381:
4379:
4376:
4374:
4371:
4369:
4366:
4364:
4361:
4359:
4356:
4354:
4351:
4349:
4346:
4344:
4341:
4340:
4338:
4336:
4332:
4326:
4323:
4321:
4318:
4316:
4313:
4311:
4308:
4306:
4303:
4301:
4298:
4296:
4293:
4291:
4288:
4286:
4283:
4281:
4278:
4274:
4271:
4269:
4266:
4265:
4264:
4260:
4257:
4255:
4252:
4250:
4249:Globe Theatre
4247:
4245:
4242:
4240:
4237:
4235:
4232:
4230:
4227:
4223:
4220:
4218:
4217:
4213:
4212:
4211:
4208:
4206:
4203:
4202:
4200:
4198:
4193:
4189:
4179:
4178:
4174:
4172:
4171:
4167:
4166:
4164:
4160:
4154:
4153:
4149:
4147:
4146:
4142:
4139:
4138:
4134:
4132:
4131:
4127:
4125:
4124:
4120:
4118:
4117:
4113:
4110:
4109:
4105:
4103:
4102:
4098:
4096:
4095:
4091:
4089:
4088:
4084:
4082:
4081:
4077:
4075:
4074:
4070:
4068:
4067:
4063:
4059:
4058:
4053:
4051:
4050:
4046:
4044:
4043:
4039:
4037:
4036:
4032:
4030:
4029:
4025:
4023:
4022:
4018:
4015:
4014:
4010:
4008:
4007:
4003:
4001:
4000:
3996:
3995:
3993:
3989:
3986:
3984:
3980:
3974:
3973:
3969:
3967:
3966:
3962:
3960:
3959:
3955:
3953:
3952:
3948:
3944:
3941:
3940:
3939:
3938:
3934:
3933:
3931:
3927:
3922:
3908:
3905:
3903:
3900:
3898:
3895:
3893:
3890:
3886:
3883:
3881:
3878:
3876:
3873:
3872:
3870:
3868:
3865:
3863:
3862:Late romances
3860:
3858:
3857:Problem plays
3855:
3854:
3852:
3848:
3842:
3839:
3837:
3834:
3832:
3829:
3828:
3826:
3824:
3820:
3813:
3812:
3808:
3806:
3805:
3801:
3797:
3796:
3792:
3790:
3789:
3785:
3782:
3781:
3777:
3776:
3775:
3774:
3770:
3768:
3767:
3763:
3759:
3758:
3754:
3752:
3751:
3747:
3746:
3745:
3742:
3740:
3739:
3735:
3732:
3731:
3727:
3725:
3724:
3720:
3719:
3717:
3715:
3711:
3705:
3704:
3700:
3698:
3697:
3693:
3691:
3690:
3686:
3684:
3683:
3679:
3677:
3676:
3672:
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3654:Julius Caesar
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3591:Twelfth Night
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3309:Penguin Books
3307:. Baltimore:
3306:
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3297:
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3225:
3224:
3219:
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3207:
3201:
3197:
3193:
3192:
3187:
3186:Egan, Michael
3183:
3179:
3173:
3169:
3165:
3160:
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3142:
3137:
3133:
3129:
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3018:
3009:
3000:
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2979:
2970:
2961:
2952:
2943:
2934:
2925:
2916:
2910:(London 1988)
2909:
2905:
2904:Robinson, Ian
2900:
2891:
2882:
2880:
2872:
2866:
2864:
2854:
2845:
2836:
2827:
2821:, 1986, p. 30
2820:
2814:
2808:, 1986, p. 43
2807:
2801:
2792:
2785:
2779:
2770:
2761:
2754:
2748:
2746:
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2708:(1995) &
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2344:
2338:
2337:Foster (2000)
2334:
2333:Foster (1989)
2329:
2313:
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2295:
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2199:
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2156:
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2134:
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2057:
2052:
2045:
2038:
2034:
2029:
2022:
2018:
2013:
2006:
2002:
1997:
1990:
1989:Warren (2003)
1985:
1978:
1974:
1969:
1962:
1958:
1953:
1946:
1941:
1934:
1930:
1925:
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1827:, Parolles =
1826:
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1797:
1793:
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1749:Sams follows
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1626:
1622:
1621:
1618:
1615:
1613:
1612:
1608:
1607:
1603:
1602:
1598:Rewritten as
1597:
1594:
1592:
1591:
1587:
1586:
1582:
1581:
1577:Unpublished.
1576:
1573:
1571:
1570:
1566:
1565:
1561:
1560:
1556:Rewritten as
1555:
1552:
1550:
1549:
1545:
1544:
1540:
1537:
1535:
1534:
1530:
1529:
1526:(see below).
1525:
1524:
1520:Rewritten as
1519:
1516:
1514:
1513:
1509:
1508:
1504:
1501:
1497:
1495:
1494:
1490:
1489:
1485:
1484:
1480:Rewritten as
1479:
1476:
1474:
1473:
1469:
1468:
1464:
1463:
1459:Rewritten as
1458:
1455:
1453:
1452:
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1290:
1289:
1284:
1283:
1278:
1273:
1271:
1267:
1262:
1260:
1256:
1255:'Bad Quartos'
1252:
1251:
1246:
1245:
1240:
1239:
1234:
1233:Nicholas Rowe
1230:
1225:
1223:
1219:
1215:
1211:
1205:
1195:
1193:
1189:
1184:
1182:
1178:
1173:
1171:
1167:
1163:
1159:
1155:
1150:
1148:
1138:
1129:
1127:
1126:Stanley Wells
1123:
1116:
1111:
1109:
1105:
1104:Brian Vickers
1100:
1098:
1097:
1092:
1088:
1087:Donald Foster
1085:
1081:
1074:
1069:
1067:
1066:Thomas Dekker
1063:
1059:
1055:
1054:Jonathan Bate
1051:
1047:
1043:
1034:
1029:
1019:
1017:
1013:
1009:
1008:Brian Vickers
1003:
993:
991:
987:
983:
979:
978:Helen of Troy
975:
971:
967:
963:
958:
951:
946:
937:
935:
931:
927:
923:
919:
918:
913:
909:
903:
890:
886:
885:
880:
876:
875:Peter Ackroyd
872:
868:
867:
862:
859:
854:
850:
846:
842:
838:
834:
830:
826:
825:Shakespeare's
822:
818:
817:
812:
811:
806:
805:
800:
796:
795:
790:
786:
782:
781:
777:
774:
773:
768:
767:
762:
761:
756:
755:Francis Meres
752:
751:
747:
746:
737:
736:Robert Greene
733:
729:
728:
724:
721:
717:
716:
711:
707:
706:
702:
699:
695:
694:Samuel Rowley
691:
687:
683:
679:
675:
671:
667:
666:
661:
657:
653:
652:
648:
645:
641:
640:Thomas Dekker
637:
636:Henry Chettle
633:
628:
627:
623:
620:
616:
615:
611:
608:
604:
599:
598:
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593:
592:
580:
579:
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572:
568:
564:
563:
559:
556:
555:
551:
550:
549:
547:
532:
531:
527:
524:
523:Robert Greene
520:
519:
515:
512:
511:Robert Wilson
508:
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500:
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492:
489:
486:
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451:
450:
446:
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439:
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431:
426:
425:
421:
418:
417:
412:
408:
407:John Fletcher
404:
400:
399:
395:
392:
388:
384:
380:
379:
375:
372:
368:
367:
363:
360:
359:Robert Wilson
356:
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348:
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340:
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331:
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310:
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278:
273:
269:
259:
256:
253:
252:
246:
244:
241:, the London
240:
236:
232:
228:
227:Henry Condell
224:
223:John Heminges
220:
209:
206:
198:
188:
184:
180:
174:
173:
169:
164:This section
162:
158:
153:
152:
144:
142:
138:
134:
125:
115:
112:
104:
101:December 2013
93:
90:
86:
83:
79:
76:
72:
69:
65:
62: –
61:
57:
56:Find sources:
50:
46:
40:
39:
34:This article
32:
28:
23:
22:
19:
5244:
5214:
5194:
5098:
5052:The Porpoise
5050:
5038:
5030:
5025:
4996:
4977:
4969:
4919:
4844:George Peele
4833:
4814:
4806:
4800:
4794:
4626:
4543:(son-in-law)
4537:(son-in-law)
4475:Susanna Hall
4416:
4405:Institutions
4384:
4229:Coat of arms
4222:Translations
4214:
4210:Bibliography
4177:To the Queen
4175:
4168:
4150:
4143:
4135:
4128:
4121:
4114:
4106:
4099:
4092:
4085:
4078:
4071:
4064:
4055:
4047:
4040:
4033:
4026:
4019:
4011:
4004:
3997:
3982:
3970:
3963:
3956:
3949:
3935:
3897:Performances
3841:Second Folio
3809:
3802:
3793:
3786:
3778:
3771:
3764:
3755:
3748:
3743:
3736:
3728:
3721:
3701:
3694:
3687:
3680:
3673:
3666:
3659:
3652:
3645:
3638:
3631:
3611:
3603:
3596:
3589:
3582:
3575:
3567:
3560:
3553:
3546:
3539:
3532:
3525:
3518:
3511:
3504:
3497:
3431:
3383:
3373:
3358:
3344:
3321:
3304:
3294:
3280:
3251:
3222:
3210:the original
3190:
3168:Alioth Press
3163:
3140:
3126:
3102:
3093:
3084:
3075:
3066:
3058:
3053:
3044:
3035:
3026:
3017:
3008:
2987:
2978:
2969:
2960:
2951:
2942:
2933:
2924:
2915:
2907:
2899:
2890:
2870:
2853:
2844:
2835:
2826:
2818:
2813:
2805:
2800:
2791:
2783:
2778:
2769:
2760:
2752:
2735:
2726:
2717:
2709:
2705:
2700:
2691:
2682:
2661:
2640:
2631:
2623:
2619:
2615:
2611:
2607:
2603:
2599:
2595:
2591:
2586:
2578:
2574:
2570:
2566:
2562:
2558:
2553:
2544:
2536:
2535:Sams, Eric,
2531:
2523:
2522:Sams, Eric,
2518:
2508:
2504:
2496:
2495:Sams, Eric,
2491:
2482:
2452:
2442:
2430:. Retrieved
2426:the original
2421:
2412:
2404:
2383:. Retrieved
2379:
2369:
2357:. Retrieved
2353:
2343:
2328:
2316:. Retrieved
2309:
2302:
2285:
2279:
2273:
2246:
2240:
2234:
2226:
2214:. Retrieved
2208:
2198:
2193:, pp. 34–35.
2186:
2177:
2173:
2167:
2143:
2133:
2122:
2113:
2109:
2105:
2101:
2095:
2060:
2054:
2050:
2044:
2028:
2012:
1996:
1984:
1968:
1952:
1940:
1924:
1911:
1899:
1891:
1881:
1872:
1864:
1857:
1842:
1834:
1821:drame à clef
1820:
1814:
1808:
1795:
1783:
1768:
1742:
1728:
1710:drame à clef
1709:
1701:
1691:drame à clef
1690:
1682:
1672:
1667:
1652:
1638:
1623:
1609:
1599:
1589:
1583:the sequel.
1579:
1568:
1557:
1547:
1532:
1522:
1510:
1499:
1491:
1481:
1470:
1460:
1449:
1441:
1427:
1417:
1413:
1409:
1399:
1383:
1373:
1362:
1354:
1343:
1336:
1327:
1321:
1317:
1315:
1310:
1306:
1302:
1293:
1286:
1281:
1274:
1270:1619 quartos
1263:
1258:
1248:
1242:
1236:
1226:
1214:Hardin Craig
1207:
1191:
1187:
1185:
1180:
1174:
1169:
1165:
1151:
1145:created for
1143:
1119:
1114:
1101:
1094:
1090:
1077:
1072:
1039:
1028:To the Queen
1011:
1005:
989:
985:
973:
961:
960:
949:
943:
929:
925:
915:
905:
888:
882:
871:Harold Bloom
864:
857:
852:
841:James Kerwin
836:
832:
828:
814:
808:
802:
792:
778:
770:
764:
758:
748:
731:
725:
713:
703:
698:Michael Egan
681:
669:
663:
655:
649:
624:
612:
606:
595:
589:
576:
567:Ludwig Tieck
560:
552:
543:
528:
516:
504:
495:Charles II's
490:
484:
478:
467:Thomas Goffe
460:
447:
441:
422:
414:
396:
376:
364:
328:
316:
311:
303:
297:
291:
288:
281:
275:
265:
257:
249:
247:
216:
201:
192:
177:Please help
165:
132:
130:
107:
98:
88:
81:
74:
67:
55:
43:Please help
38:verification
35:
18:
5046:First water
4990:Adaptations
4692:Lord Audley
4581:WikiProject
4268:The Theatre
4254:Handwriting
4080:The Puritan
3871:Characters
3836:First Folio
3804:Richard III
3584:The Tempest
3246:Foster, Don
2608:Richard III
2318:27 February
2127:Egan (2006)
2001:Greg (1902)
1865:Part 2
1825:Southampton
1823:(Bertram =
1751:A. L. Rowse
1718:Southampton
1714:A. L. Rowse
1663:Southampton
1604:for Folio.
1562:for Folio.
1410:Hardicanute
1335:Eric Sams'
1309:and the Ur-
1229:John Aubrey
1170:Shall I Die
1122:Gary Taylor
1115:Shall I Die
1089:attributed
1016:John Davies
984:, from his
970:First Folio
797:. In 1727,
794:Don Quixote
692:to propose
578:The Puritan
339:False Folio
272:First Folio
235:First Folio
229:compiled a
5109:Characters
5001:(1984; TV)
4938:John Gower
4930:Characters
4839:Thomas Kyd
4697:Lord Percy
4652:Edward III
4637:Characters
4628:Edward III
4505:Mary Arden
4489:(daughter)
4477:(daughter)
4353:Bardolatry
4263:King's Men
4205:Birthplace
3892:Chronology
3811:Henry VIII
3738:Richard II
3730:Edward III
3640:Coriolanus
2616:Richard II
2600:1 Henry IV
2359:8 November
2180:: 133–173.
2102:Richard II
1916:References
1835:All's Well
1294:Henry VIII
1147:Ben Jonson
1062:Ben Jonson
1042:Steven May
934:Drury Lane
910:. In 1796
879:Thomas Kyd
807: [
743:Lost plays
710:Thomas Kyd
682:Richard II
665:Richard II
603:Thomas Kyd
424:Edward III
293:Henry VIII
239:King's Men
147:Background
71:newspapers
5240:Stoolball
5130:Pirithous
5122:Hippolyta
4535:John Hall
4525:(brother)
4513:(brother)
4445:(replica)
4385:Star Trek
4373:Memorials
4368:Influence
4358:Festivals
4300:Sexuality
4290:Portraits
4285:New Place
4137:Ur-Hamlet
4073:Mucedorus
3983:Apocrypha
3723:King John
3714:Histories
3661:King Lear
3624:Tragedies
3520:Cymbeline
2575:King Leir
2308:"Text of
1933:pp. ix–xi
1462:King John
1435:Hamlet Q1
1375:King Lear
1364:King Leir
1218:Eric Sams
1162:John Stow
1108:John Ford
926:Vortigern
866:Ur-Hamlet
718:. Recent
619:Eric Sams
607:Faversham
518:Mucedorus
385:proposed
195:June 2021
166:does not
5263:Category
5149:Valerius
5146:Artesius
4752:Scottish
4571:Category
4519:(sister)
4507:(mother)
4501:(father)
4013:Cardenio
3902:Settings
3850:See also
3773:Henry VI
3744:Henry IV
3490:Comedies
3437:LibriVox
3384:Pericles
3326:Palgrave
3248:(2000).
3220:(1989).
3188:(2006).
3124:(1930).
2432:24 March
2385:24 March
2265:40468403
2233:"Dating
2216:24 March
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