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157:'To encourage the taste of visiting the lakes by furnishing the traveller with a Guide; and for that purpose, the writer has here collected and laid before him, all the select stations and points of view, noticed by those authors who have last made the tour of the lakes, verified by his own repeated observations. '
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To this end he included various 'stations' or viewpoints around the lakes, from which tourists would be encouraged to appreciate the views in terms of their aesthetic qualities. Published in 1778 the book was a major success. As well as being the first guidebook to the lakes, West was amongst the
194:'s interpretation of it in 1698 as the 'wildest, the most barren and frightful' place he had ever seen. Despite criticism and satirical spoofs of both the prose of the guides and the attitudes of the tourists they attracted to the Lakes from the likes of
190:. West's book was the beginning of the era of 'true tourism' in the Lake District. It followed on from Dr John Brown's assessment in 1753 that the 'perfection' of the area rested on 'Beauty, horror and immensity', and challenged
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A Map of the Lakes in
Cumberland, Westmorland and Lancashire, scale about 3.5 miles to 1 inch, engraved by Paas, 53 Holborn, London, about 1784. Inserted in Thomas West's Guide to the Lakes, 11th edition,
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West had travelled widely throughout continental Europe, and after accompanying various parties visiting the lakes, decided to write a detailed account of the scenery and landscape. Fellow Lakes resident
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priest. He visited Europe, and received at least some of his education there, specialising in various branches of natural philosophy. He returned to
Britain in his later life, moving to
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may have been a contributing factor in this decision. West set out to create a guide that would be of particular use to artists, writing in his introduction that he aimed
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in 1774 and residing at the seventeenth century Tytup Hall. West dedicated his remaining years to learning and writing about the area's landscape and history, publishing
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It was to be West's last work. He collected material for the second edition, but died a year after the book was first published, on 10 July 1779 at
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were popular, as West claimed the Lakes contained much of the scenery that could be enjoyed on the continent, likening it to the
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first writers to challenge the view of the wild and savage north, and his book was one of the first to stress the notion of the
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vision of the scenery and wilderness of the north of
England took hold, ushering in a period of continued tourism in the Lakes.
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A Guide to the Lakes in
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Majestic
Indolence: English Romantic Poetry and the Work of Art
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environment. It was particularly influential at a time when
539:"Development of tourism in the Lake District National Park"
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299:"Development of tourism in the Lake District National Park"
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541:. Lake District UK. Archived from
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75:(1720 – 10 July 1779) was a
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217:chapel, at
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168:Grand Tours
164:picturesque
139:picturesque
73:Thomas West
64:Antiquarian
53:Westmorland
22:Thomas West
584:Categories
492:185058821X
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435:1854375660
410:References
397:Dimbleby.
364:Dimbleby.
176:Apennines
81:antiquary
569:LibriVox
346:Gilroy.
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66:, author
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