258:
22:
226:. It has information on the provincial theatres, and biographies of the principal actors from the time of Shakespeare and of dramatic writers subsequent to 1660. It was illustrated with portraits and other engravings, and dedicated to the Prince of Wales. Although Knight called it "of little merit", it has been cited in recent scholarship on the history of English theatre.
230:
The Trap, a Moral, Philosophical, and
Satirical Work, delineating the Snares in which Kings, Princes, and their Subjects have been caught since the days of Adam; including Reflections on the Present Causes of Conjugal Infidelity. Dedicated to the
196:
Diamond cut
Diamond: Observations on a Pamphlet entitled "A Review of the Conduct of His Royal Highness the Prince of Wales", comprising a free and impartial View of Mr. Jefferys as a Tradesman, Politician, and Courtier. By Philo
105:, until Gilliland helped arrange a deal to buy and destroy the publishers' copies. Many attacks on the Duke were published the same year and erroneously rumoured to have been Clarke's memoirs. In 1810 Gilliland collaborated on
553:
The 'Rendelsham' and 'Crooks' portraits also belong to the category of capital paintings representing some one other than
Shakespeare; and the same may be hazarded of ... the 'Gilliland portrait' (an old man's head impudently
241:
called
Gilliland "my worthy friend" and "author of the celebrated pamphlet of 'Diamond cut Diamond,' and, I believe, about sixteen or seventeen others in defence and support of the English government".
156:
A Dramatic
Synopsis, containing an Essay on the Political and Moral Use of a Theatre, involving Remarks on the Dramatic Writers of the Present Day and Strictures on the Performers of the two Theatres
691:
Nollekens and His Times: A Life of that
Celebrated Sculptor and Memoirs of Several Contemporary Artists, from the Time of Roubiliac, Hogarth and Reynolds to that of Fuseli, Flaxman and Blake
271:
184:
Jack in Office, containing
Remarks on Mr. Braham's Address to the Public, with a full and impartial consideration of Mr. Kemble's conduct with regard to the above gentleman
205:
290:
208:, with a view to obtain Money from His Royal Highness the Prince of Wales; with Observations thereon, including Remarks on his Letter to
547:
98:
537:
728:
568:
204:
The
Diamond New Pointed; being a Supplement to "Diamond cut Diamond:" containing Three Letters which Mr. Jefferys sent to
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748:
723:
369:
280:
175:
78:
45:
592:
501:
A supplement to An inquiry into the history, authenticity, & characteristics of the
Shakspeare portraits,
738:
733:
359:
238:
536:
167:
Elbow Room, a
Pamphlet containing Remarks on the shameful Increase of the Private Boxes of Covent Garden
26:
219:
The Dramatic Mirror, containing the History of the Stage from the Earliest Period to the Present Time
62:
516:
496:
121:
695:
120:
of £400, formalised by a contract of June 1817. In 1827, Gilliland bought what he claimed was a
43:
1804–1837) was a combative British journalist and theatre critic. According to attack pieces in
659:
50:
635:
425:
387:
8:
291:"Desperately Seeking Mary Anne Clarke: Scandal, Suppression, and Problems in Attribution"
188:
127:
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Literary Anecdotes and Contemporary Reminiscences of Professor Porson and Others
364:
275:
94:
717:
542:
309:
262:
139:
54:
187:, London, n.d. (1804). Another satire on Kemble, referencing opera singer
551:. Vol. 24 (11th ed.). Cambridge University Press. p. 791.
113:
58:
233:, London, 1808, 2 vols., a satire Knight calls "dull and indecorous".
261: This article incorporates text from a publication now in the
21:
117:
89:'s attack, for which the Prince gave him 500 guineas. In 1809,
69:
and other actors complained he was spying for scandalmonger
538:"Shakespeare, William/The Portraits of Shakespeare"
40:
134:
includes several he heard from Gilliland when both were
109:, a response to the attacks published in Clarke's name.
637:
A Catalogue of Books Lately Published by C. Chapple
593:"Monthly Catalogue, Art. 38: [Review of]
573:. Vol. I. London: J.R. Smith. pp. 88–91
424:Manners, George; Jerdan, William (January 1808).
179:called it "very scurrilous, and very ridiculous".
132:Literary Anecdotes and Contemporary Reminiscences
715:
620:
618:
419:
417:
382:
380:
503:. London: Simpkin and Marshall. pp. 12–15
373:. Vol. 21. London: Smith, Elder & Co.
284:. Vol. 21. London: Smith, Elder & Co.
615:
601:The Critical Review, or, Annals of Literature
423:
414:
377:
222:, London, 1808, 2 vols., an expansion of the
124:, an identification not otherwise supported.
535:Spielmann, Marion Harry Alexander (1911).
523:. Philadelphia: R. M. Lindsay. p. 210
288:
163:said it "contains some sensible opinions".
633:
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99:Prince Frederick, Duke of York and Albany
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25:Thomas Gilliland, 1807 engraving by
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402:(iv): 532–540: 534. December 1808
112:In 1816 the Prince of Wales, now
634:MacCallum, Pierre Franc (1810).
370:Dictionary of National Biography
281:Dictionary of National Biography
256:
101:was about to publish scandalous
681:
652:
627:
585:
434:The Satirist, or Monthly Meteor
396:The Satirist, or Monthly Meteor
46:The Satirist, or Monthly Meteor
559:
515:Norris, Joseph Parker (1885).
488:
479:
470:
461:
452:
1:
567:Barker, Edmund Henry (1852).
289:Breashears, Caroline (2012).
245:
729:19th-century British writers
521:The portraits of Shakespeare
357:Knight, John Joseph (1890).
324:
169:, London, 1804. A satire on
73:. Gilliland's 1806 pamphlet
7:
688:Smith, John Thomas (1829).
49:, he was "countenanced" by
10:
770:
754:People imprisoned for debt
603:. s3 v5 (1): 106. May 1805
250:
360:"Gilliland, Thomas"
517:"The Gilliland Portrait"
497:"The Gilliland Portrait"
495:Wivell, Abraham (1827).
145:
749:Inmates of Fleet Prison
724:British theatre critics
640:. pp. 10–11, No.44
611:– via HathiTrust.
548:Encyclopædia Britannica
467:Breashears 2012 pp.9–10
122:portrait of Shakespeare
116:, granted Gilliland an
565:Breashears 2012 p.10;
33:
624:Breashears 2012 fn.26
426:"[Review of]
388:"[Review of]
57:, and frequented the
24:
485:Breashears 2012 p.25
476:Breashears 2012 p.17
77:defended the future
51:Matthew "Monk" Lewis
739:19th-century deaths
734:18th-century births
694:. Colburn. p.
662:The Dramatic Mirror
458:Breashears 2012 p.9
440:(iii): 418–424: 420
428:The Dramatic Mirror
268:Knight, John Joseph
176:The Critical Review
136:imprisoned for debt
128:Edmund Henry Barker
75:Diamond cut Diamond
298:Script & Print
212:. By Philo Veritas
171:John Philip Kemble
161:John Joseph Knight
87:Nathaniel Jefferys
63:Drury Lane Theatre
34:
272:Gilliland, Thomas
239:John Thomas Smith
150:Gilliland wrote:
107:The Rival Princes
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173:'s management.
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83:Prince of Wales
71:Anthony Pasquin
67:Charles Mathews
31:Samuel De Wilde
27:Thomas Cheesman
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660:"Works citing
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304:(1): 5–26.
189:John Braham
718:Categories
702:7 December
673:8 December
644:6 December
607:8 December
595:Elbow Room
577:7 December
527:7 December
507:7 December
444:8 December
406:8 December
315:6 December
246:References
206:Earl Moira
85:, against
59:green room
744:George IV
554:advanced)
325:Citations
310:1834-9013
270:(1890). "
142:in 1837.
140:the Fleet
79:George IV
390:The Trap
224:Synopsis
29:, after
545:(ed.).
367:(ed.).
278:(ed.).
265::
251:Sources
214:, 1806.
200:, 1806.
197:Veritas
118:annuity
103:Memoirs
81:, then
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231:Ladies
93:, the
65:until
541:. In
363:. In
294:(PDF)
146:Works
704:2019
698:, fn
675:2019
646:2019
609:2019
579:2019
529:2019
509:2019
446:2019
408:2019
317:2019
306:ISSN
53:and
696:311
533:;
400:III
138:in
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97:of
61:of
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