676:
664:
35:
302:
There is one exception – Modigliani. I have included this gifted wastrel as a specimen of the effects of
Bohemianism on the artist. Modigliani was a real artist but not a great one. He had talent and charm, but was incapable of self-discipline. I have used him as a symbol of the multitudes of young
313:, he says, "There was no burlesque in the picture, no satire, no sophisticated fooling. It was conceived in reverence and spiritual understanding, and executed with an honesty of purpose that is all too rare in any art."
205:
in 1908. He was described as "a red-haired Kansan, as unassuming in private conversation as he is dogmatic on the printed page. He has been a reporter in Denver, a schoolmaster in
California and Porto Rico
218:. He married Aileen St. John-Brenon on August 25, 1923 and they were divorced in 1947. He summered in West Tisbury, on Martha's Vineyard and moved there permanently in 1949. He died in
316:
Thomas Craven’s impact on the art world was significant. Any literature discussing the
Regionalist painters makes reference to Mr. Craven’s work. He is discussed in
246:
reached the bestseller list and was re-issued several times. In addition he contributed essays, articles and criticisms to numerous periodicals including,
307:
However, despite the fact that he could be caustic, he was equally capable of providing praise. In describing John
Steuart Curry's painting
737:
727:
467:
Thomas Hart Benton, a descriptive catalogue of the works of Thomas Hart Benton...with an examination of the artist and his work
210:), a deckhand in the West Indies, an unsuccessful painter and poet." He was friends with numerous artists of his day including
585:
514:
460:
550:
Kansas
Biographical Dictionary: People of All Times and Places Who Have Been Important to the History and Life of the State
447:
A Treasury of
American Prints: a Selection of One hundred Etchings and Lithographs by the Foremost Living American Artists
732:
173:(January 6, 1888 – February 27, 1969) was an American author, critic and lecturer, who promoted the work of American
479:
Cartoon
Calvalcade, A Collection of the Best American Humorous Cartoons from the Turn of the Century to the Present
668:
189:, among others. He was known for his caustic comments and being the "leading decrier of the School of Paris."
698:
613:
284:
215:
178:
537:
202:
17:
680:
248:
239:
699:"John Steuart Curry Papers, Correspondence and Project Files: Craven, Thomas, circa 1935-1946"
599:
87:
722:
717:
328:
by Henry Adams. His influence is best described by the Time magazine’s review of his book,
278:
254:
675:
34:
8:
488:
182:
581:
510:
456:
309:
290:
174:
272:
198:
69:
711:
326:
Tom and Jack: The
Intertwined Lives of Thomas Hart Benton and Jackson Pollock
294:. An example of his "no holds barred" writing comes from the Introduction to
647:
Catalog of a Loan
Exhibition of Drawings and Paintings by John Steuart Curry
211:
40:
201:, the son of Richard Price and Virginia Bates Cravens. He graduated from
491:
and Walter Pater, edited by Herman J Wechsler. Pocket Books, Inc., 1949.
684:
453:
A Treasury of Art
Masterpieces: from the Renaissance to the Present Day
266:
244:
A Treasury of Art Masterpieces: from the Renaissance to the Present Day
186:
689:
600:"In Print: Benton, Pollock, and their Martha's Vineyard connection,"
455:, New York: Simon & Schuster, 1939; Simon & Schuster, 1977,
614:"Detailed description of the Thomas Craven papers, 1919-1949, 1975"
260:
611:
663:
538:"Thomas Craven, Author, Dead; Caustic Art Critic and Lecturer,"
219:
230:
He wrote numerous books, several were very popular including,
222:, Massachusetts, on February 27, 1969, at the age of 81.
473:
The Story of Painting, From Cave Pictures to Modern Art
336:
Today the entire U. S. art world pays attention to him.
509:, World Publishing Company, 1956; World Pub., 1972,
616:. Archives of American Art, Smithsonian Institution
703:Archives of American Art, Smithsonian Institution
552:, Somerset Publishers, 2nd Edition, 2000, page 86
709:
635:Modern Art, the Men, the Movements, the Meaning,
580:University of California Press, 1998, page 298,
441:Modern Art: the Men, the Movements, the Meaning
296:Modern Art; the Men, the Movements, the Meaning
236:Modern Art: the Men, the Movements, the Meaning
121:Modern Art: the Men, the Movements, the Meaning
303:men who go to the dogs in the slums of Paris.
288:. At one time he was the art critic for the
602:Martha's Vineyard Times, December 8, 2010.
33:
43:from the cover of the September 30, 1939
595:
593:
533:
531:
242:club selections. Another of his books,
449:, New York: Simon & Schuster, 1939.
443:, New York: Simon & Schuster, 1934.
437:, New York: Simon & Schuster, 1931.
322:John Steuart Curry's Pageant of America
146:
106:Author, lecturer, critic, art historian
710:
612:Smithsonian Archives of American Art.
560:
558:
481:, Simon & Schuster, 1943 (editor).
416:, The American Mercury, December 1941.
356:, The American Mercury, December 1925.
590:
528:
392:, The American Spectator, April 1933.
380:, The American Mercury, October 1927.
637:Simon & Schuster, 1934, page xx.
571:
469:, Associated American Artists, 1939.
431:, Harcourt, Brace and Company, 1923.
374:, The American Mercury, August 1927.
372:The Criticism of Painting in America
555:
368:, The American Mercury, March 1927.
13:
738:20th-century American male writers
14:
749:
728:Kansas Wesleyan University alumni
656:
225:
674:
662:
384:Daumier, The Fighting Cartoonist
324:by Laurence E. Schmeckebier and
150:
649:, Lakeside Press, 1939, page 5.
578:George Grosz: An Autobiography,
497:, New York: Pocket Books, 1949.
495:Famous Artists and their Models
142:
16:For the English cricketer, see
640:
628:
605:
543:
540:New York Times, March 1, 1969.
485:The Pocket Book of Old Masters
1:
521:
475:, Simon & Schuster, 1943.
45:Saturday Review of Literature
694:Dictionary of Art Historians
501:The Pocket Book of Greek Art
7:
386:, The Forum, September 1932
378:The Decline of Illustration
39:Sketch of Thomas Craven by
10:
754:
733:People from Salina, Kansas
362:, The Dial, February 1926.
354:Men of Art: American Style
203:Kansas Wesleyan University
15:
410:, Scribner's, April 1938.
398:, Scribner’s, March 1934.
160:
126:
110:
102:
94:
76:
51:
32:
25:
18:Thomas Craven (cricketer)
414:Our Decadent Art Museums
340:
197:He was born in 1888, in
404:, The Forum, June 1936.
192:
564:Books: Outline of Art,
338:
305:
132:Aileen St. John-Brenon
503:, Pocket Books, 1950.
408:Double-Dealers in Art
334:
318:Renegade Regionalists
300:
88:Boston, Massachusetts
56:Thomas Jewell Cravens
671:at Wikimedia Commons
366:Have Painters Minds?
320:by James M. Dennis,
279:The American Mercury
507:Rainbow Book of Art
489:W. Somerset Maugham
238:both of which were
679:Works by or about
402:Nationalism in Art
396:Art and Propaganda
390:In Behalf of Boors
216:Thomas Hart Benton
183:John Steuart Curry
179:Thomas Hart Benton
667:Media related to
586:978-0-520-21327-2
568:, April 27, 1931.
515:978-0-529-04616-1
461:978-0-671-22776-0
310:Baptism in Kansas
291:New York American
240:Book-of–the-Month
168:
167:
80:February 27, 1969
745:
690:"Craven, Thomas"
678:
666:
650:
644:
638:
632:
626:
625:
623:
621:
609:
603:
597:
588:
575:
569:
562:
553:
547:
541:
535:
273:The New Republic
154:
152:
148:
144:
113:
83:
65:
63:
37:
23:
22:
753:
752:
748:
747:
746:
744:
743:
742:
708:
707:
659:
654:
653:
645:
641:
633:
629:
619:
617:
610:
606:
598:
591:
576:
572:
563:
556:
548:
544:
536:
529:
524:
347:Selected essays
343:
228:
195:
156:
153: 1947)
140:
136:
133:
111:
90:
85:
81:
72:
67:
66:January 6, 1888
61:
59:
58:
57:
47:
28:
21:
12:
11:
5:
751:
741:
740:
735:
730:
725:
720:
706:
705:
696:
687:
672:
658:
657:External links
655:
652:
651:
639:
627:
604:
589:
570:
554:
542:
526:
525:
523:
520:
519:
518:
504:
498:
492:
482:
476:
470:
464:
450:
444:
438:
432:
418:
417:
411:
405:
399:
393:
387:
381:
375:
369:
363:
360:George Bellows
357:
342:
339:
227:
226:Writing career
224:
199:Salina, Kansas
194:
191:
166:
165:
162:
158:
157:
138:
134:
131:
130:
128:
124:
123:
114:
108:
107:
104:
100:
99:
96:
92:
91:
86:
84:(aged 81)
78:
74:
73:
70:Salina, Kansas
68:
55:
53:
49:
48:
38:
30:
29:
26:
9:
6:
4:
3:
2:
750:
739:
736:
734:
731:
729:
726:
724:
721:
719:
716:
715:
713:
704:
700:
697:
695:
691:
688:
686:
682:
681:Thomas Craven
677:
673:
670:
669:Thomas Craven
665:
661:
660:
648:
643:
636:
631:
615:
608:
601:
596:
594:
587:
583:
579:
574:
567:
561:
559:
551:
546:
539:
534:
532:
527:
516:
512:
508:
505:
502:
499:
496:
493:
490:
486:
483:
480:
477:
474:
471:
468:
465:
462:
458:
454:
451:
448:
445:
442:
439:
436:
433:
430:
427:
426:
425:
424:
423:
415:
412:
409:
406:
403:
400:
397:
394:
391:
388:
385:
382:
379:
376:
373:
370:
367:
364:
361:
358:
355:
352:
351:
350:
349:
348:
337:
333:
331:
327:
323:
319:
314:
312:
311:
304:
299:
297:
293:
292:
287:
286:
281:
280:
275:
274:
269:
268:
263:
262:
257:
256:
251:
250:
245:
241:
237:
233:
223:
221:
217:
213:
209:
204:
200:
190:
188:
184:
180:
176:
172:
171:Thomas Craven
163:
159:
129:
125:
122:
118:
115:
109:
105:
103:Occupation(s)
101:
97:
93:
89:
79:
75:
71:
54:
50:
46:
42:
36:
31:
27:Thomas Craven
24:
19:
702:
693:
646:
642:
634:
630:
618:. Retrieved
607:
577:
573:
565:
549:
545:
506:
500:
494:
484:
478:
472:
466:
452:
446:
440:
434:
428:
421:
420:
419:
413:
407:
401:
395:
389:
383:
377:
371:
365:
359:
353:
346:
345:
344:
335:
329:
325:
321:
317:
315:
308:
306:
301:
295:
289:
283:
277:
271:
265:
259:
253:
247:
243:
235:
231:
229:
212:George Grosz
207:
196:
170:
169:
120:
116:
112:Notable work
82:(1969-02-27)
44:
41:George Grosz
723:1969 deaths
718:1888 births
620:18 December
175:Regionalist
95:Nationality
712:Categories
685:Wikisource
522:References
435:Men of Art
330:Men of Art
267:The Nation
232:Men of Art
187:Grant Wood
177:painters,
149:;
117:Men of Art
62:1888-01-06
285:The Forum
249:Scribners
261:The Dial
161:Children
98:American
487:. With
255:Harpers
164:Richard
155:
139:
135:
584:
513:
459:
282:, and
220:Boston
145:
127:Spouse
429:Paint
422:Books
341:Works
141:(
137:
622:2011
582:ISBN
566:Time
511:ISBN
457:ISBN
234:and
214:and
193:Life
185:and
151:div.
147:1923
119:and
77:Died
52:Born
683:at
208:sic
714::
701:,
692:,
592:^
557:^
530:^
332::
298::
276:,
270:,
264:,
258:,
252:,
181:,
143:m.
624:.
517:.
463:.
206:(
64:)
60:(
20:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.