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obscuring the real lives and troubles of the artists involved, one of the roles of theatre-fiction is to provide access not just to a backstage dimension that may chronologically overlap with the creative process or the performance itself but also to a broader historical awareness that embraces the multitude of agents, from living beings to material entities, that contribute to what is shown in front of the audience."
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refers to novels and stories that focus on theatre - its people, practices and industries. Characters often include actors, playwrights, directors, prompters, understudies, set designers, critics, or casting agents. Common settings may include theatre auditoriums, dressing rooms, rehearsal spaces,
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Critics such as Lisa
Jackson-Schebetta and Stefano Boselli have discussed the value of theatre-fiction in contributing to our understanding of theatre's histories and medial complexities. As Boselli writes, "Since theatre tends to give more weight to the expressive sphere, often deliberately
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or other places in which theatre is created and performed. Theatre-fiction may engage with and represent many different varieties of theatre, from performances of
Shakespearean tragedy to Kabuki theatre to pantomime.
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Jackson-Schebetta, Lisa (2023). "Theatre-Fiction-History: The
Personal and Professional Industry of Theatre in Rojas's
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L'actrice et ses doubles: figures et représentations de la femme de spectacle à la fin de XIXe siècle
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Oxford
History of the Novel in English, vol. 2, English and British Fiction 1750-1820
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Theatre-Fiction in
Britain from Henry James to Doris Lessing: Writing in the Wings
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Theatre-Fiction in
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Theater
Figures: The Production of the Nineteenth-Century British Novel
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Boselli, Stefano (2023). "Echoes of
Theatre Past: Blasco Ibañez's
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Wolfe, Graham. "Theatrical
Extraneity: John Irving’s
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The Victorian Actress in the Novel and on the Stage
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