221:"The basic nova technique is very simple: Always create as many insoluble conflicts as possible and always aggravate existing conflicts—This is done by dumping on the same planet life forms with incompatible conditions of existence—There is of course nothing "wrong" about any given life form since "wrong" only has reference to conflicts with other life forms—The point is these life forms should not be on the same planet—Their conditions of life are basically incompatible in present time form and it is precisely the work of the nova mob to see that they remain in present time form, to create and aggravate the conflicts that lead to the explosion of a planet, that is to nova—"
175:, and other means. Passages from the other two books and even from this book show up in rearranged form and are often repeated. This work is significant for fans of Burroughs, in that it describes his idea of language as a virus and his philosophy of the cut-up technique. It also features the cut-up technique being used by characters within the story.
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continues the adventures of Agent Lee in his mission to investigate and subvert the methods of mind control being used by The Nova Mob, a gang of intergalactic criminals intent on destroying Earth.
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The revised edition published in 1967 was 50% longer than the original, as
Burroughs added more material and an appendix. In 2014, a 'Restored' edition was published by Grove Press, edited by
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lays the groundwork for
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William S. Burroughs and the
Language of Cyberpunk by Brent Wood Science Fiction Studies #68 = Volume 23, Part 1 = March 1996
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William S. Burroughs and Love: Cutting Up The Ticket That
Exploded (1962 and 1967) by Katharine Streip Concordia University
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song, "Language is a Virus from Outer Space - William S. Burroughs", originally composed for her performance work,
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Last Words: The Final
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
