22:
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240:, Charles Eglington and Addison Bright. Under their editorships the content of the magazine remained broadly as it had been under Scott, with a few minor innovations, although Scott's combative style was abandoned. The title of "Our Play-Box" was changed to "Plays of the Month", and "Our Omnlbus-Box" became "Notes of the Month". From May 1893 the magazine carried a series of interviews with leading theatre personalities at home, which were the forerunners of many such interviews in 20th-century periodicals.
88:
was published monthly. It provided topical articles, reviews of productions around the world, theatrical news, extracts from new novels and plays, and biographical sketches of theatrical celebrities of the time. From August 1878 sketches were illustrated with high quality
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premieres were reviewed in a section called "Our Play-Box". "Our
Omnibus Box" contained a miscellany and editorial comment. Musical matters, including operas, concerts and publications, were covered in "Our Musical-Box", seen in some but not all issues. Contributors to
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enjoyed what one historian has called "dominating prestige and influence". In the words of the ODNB, Scott used his editorship "to consolidate his own position as London's principal leader of dramatic taste and opinion". Scott did not shy away from controversy, and in
37:
It contained reviews of theatre productions around the world, theatrical news, short stories, verse and biographical sketches of important figures of the time, written by prominent critics, playwrights, managers and actors, and illustrated with
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216:. In addition to the reviews, articles ranged over diverse theatrical topics, from "The Immorality of French Comedy", to "The Old Globe Theatre", the reminiscences of
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for £1,000, and from
January 1880 to the end of 1889 Scott edited the magazine. He was widely seen as the most influential theatre critic of his time, and
168:
was not a highly profitable publication, and went through several financial crises under Scott and his successors before its closure at the end of 1897.
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he frequently provoked arguments, even feuds, with other writers. He also often published opinions disagreeing with his own. Despite its prestige
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77:, initially as a vehicle for his self-promotion. Its first editor was Frederick William Hawkins, best known for his biography of
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Under Scott the coverage of London theatre was expanded. Each issue would carry eight to ten reviews of new productions;
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The first issue came out in
January 1877, and from then until August 1878 it was a weekly publication. After that
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Contributors in the post-Scott era included Scott himself, Davenport Adams, Hollingshead, Beatty-Kingston,
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46:, the most influential British drama critic of his time, and under his editorship
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Among those writing for the magazine during
Hawkins's editorship were Irving,
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photographs. The first in this "Portraits" series was Irving's leading lady,
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536:, May 1892, p. 271; May 1897, p. 134; and December 1897, pp. 285 and 302
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Scott left in 1889, and for the remaining eight years of its existence
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583:
The Late
Victorian Theatre: as Reflected in 'The Theatre', 1878–1897
295:, Oxford University Press, 2008. Retrieved 15 August 2021
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was a magazine published in London between 1877 and 1897.
50:
was regarded as the leading
British theatre magazine.
131:
289:"Scott, Clement William (1841–1904), theatre critic"
208:; those contributing to the music section included
180:under Scott's editorship included Irving, Gilbert,
259:. The final issue was published in December 1897.
616:Defunct magazines published in the United Kingdom
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42:photographs. Its longest-serving editor was
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293:Oxford Dictionary of National Biography
66:Oxford Dictionary of National Biography
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586:(Thesis). Louisiana State University.
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224:", and W. S. Gilbert's autobiography.
16:Defunct magazines published in the UK
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484:Gilbert, W. S., "An Autobiography",
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333:, August 1878, pp. 15–17 and 43–45
132:Clement Scott, editor 1880 to 1889
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73:was founded by the actor-manager
626:Magazines disestablished in 1897
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641:Magazines published in London
631:Theatre of the United Kingdom
621:Magazines established in 1877
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580:Wong, Helene Harlin (1955).
562:English Literary Periodicals
475:, November 1881, pp. 271-276
439:, January 1879, pp. 399–402
355:, November 1878, pp. 284–286
299:UK public library membership
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565:. New York: Octagon Books.
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220:, "French Translations of
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488:, April 1883, pp. 216–224
559:Graham, Walter (1980) .
463:, August 1878, pp. 17–23
25:Cover of June 1885 issue
351:"Orders for the Play",
210:William Beatty-Kingston
427:Wong, pp. 22 and 26–27
263:References and sources
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26:
206:Herbert Beerbohm Tree
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249:William Henry Hudson
151:to the drama critic
147:In 1879 Irving sold
382:Wong, pp. 19 and 41
373:Graham, pp. 354–355
287:Emeljanow, Victor.
198:Arthur Wing Pinero
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102:W. Davenport Adams
27:
636:Theatre magazines
572:978-0-374-93230-5
297:(subscription or
194:Gilbert à Beckett
122:John Hollingshead
63:According to the
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228:1889 to 1897
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91:Woodburytype
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75:Henry Irving
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545:Wong, p. 44
534:The Theatre
524:Wong, p. 38
515:Wong, p. 40
506:Wong, p. 39
497:Wong, p. 41
486:The Theatre
473:The Theatre
461:The Theatre
449:The Theatre
437:The Theatre
418:Wong, p. 22
400:Wong, p. 30
391:Wong, p. 29
364:Wong, p. 14
353:The Theatre
342:Wong, p. 13
331:The Theatre
234:The Theatre
190:J. T. Grein
178:The Theatre
166:The Theatre
162:The Theatre
157:The Theatre
149:The Theatre
110:H. J. Byron
95:Ellen Terry
86:The Theatre
79:Edmund Kean
71:The Theatre
59:Early years
48:The Theatre
31:The Theatre
610:Categories
320:Wong, p. 5
311:Wong, p. 6
268:References
126:Tom Taylor
597:15 August
301:required)
592:10804838
173:West End
81:(1869).
69:(ODNB),
553:Sources
143:in 1885
54:History
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222:Hamlet
599:2021
588:OCLC
567:ISBN
255:and
212:and
204:and
124:and
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575:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
