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Her face bears elements of idealisation, although for the most part she is presented as a real woman. Her expression, near identical to the 1508 drawing, is difficult to interpret, as it contains none of the passivity, chastity, or sly sidelong glances usually associated with contemporary depictions
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Her wound is not at the center of her belly, as in the 1508 drawing, but below her right breast, echoing Christ's lance wound. Critics have mentioned how the act is bloodless, without any of the spatterings on bed sheets usually associated with similar treatments from the time. However the painting
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The feminist scholar Linda Hults observes how "there is a mechanical quality to
Lucretia's suicidal gesture; it seems to operate apart from her facial expression, and it does not seem to require the assistance of her other arm, which is oddly placed behind her back."
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Lucretia stands in front of a cramped and harshly lit room containing the bridal bed on which she was raped. She looks to the sky as if asking the gods to witness her suicide. Her face betrays feelings of disgrace as she stabs herself with a sword to the belly.
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was executed with finesse, with the brush strokes representing the cloths especially detailed, and composed of a variety of red, blue, and green pigments. The white drapery around her hips is a later addition from around 1600.
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The panel is Dürer's second treatment of
Lucretia, following a very similar 1508 drawing. The earlier composition, drawn in ink with wash on paper, is in the
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Art historians tend not to view it as one of his best paintings, and it is often compared, unfavourably, to a similar work by
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pose. The painting has been described as one of Dürer's most unpopular works, with many art historians, including
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She is given a monumental and statuesque pose, but without the sense of pagan sensuality present in his 1507
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Carluccio, Luigi. "Giacometti: A Sketchbook of
Interpretive Drawing". New York: H.N. Abrams, 1967. 68
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described her as "a parody rather than an exaltation of the classical feminine figure."
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Hults, Linda. "Dürer's "Lucretia": Speaking the
Silence of Women".
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Alte
Pinakothek Munich: An explanatory guide to the Alte Pinakothek
58:
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113:, 1508, brush and gray and black ink, gray wash, 42.3 × 22.6 cm.
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Reframing
Albrecht Dürer: The Appropriation of Art, 1528-1700
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The Virgin and Child with a Flower on a Grassy Bench
45:, signed and dated 1518, in the collection of the
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1148:Portrait of the Artist's Mother at the Age of 63
437:. Frankfurt: Städel Museum & Prestel, 2013.
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993:Joachim and Anne Meeting at the Golden Gate
208:, 1525–30 (before 1537). Private collection
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433:Sander, Jochen. "Dürer in Frankfurt". In:
879:Portrait of the Artist Holding a Thistle
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578:Hercules Killing the Stymphalian Birds
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28:, 168 × 75 cm. Alte Pinakothek Munich
287:. Munich: Bruckmann, 1992. 101-102.
1285:Collection of the Albertina, Vienna
510:Portrait of Frederick III of Saxony
502:Portrait Diptych of Dürer's Parents
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263:List of paintings by Albrecht Dürer
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929:The Holy Family with the Dragonfly
721:Portrait of Hieronymus Holzschuher
626:Portrait of a Young Venetian Woman
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430:. Princeton University Press, 1945
428:The Life and Art of Albrecht Dürer
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1301:
1290:Collection of the Alte Pinakothek
1210:Albrecht Dürer the Elder (father)
953:Saint Michael Fighting the Dragon
377:Durer: 201 Paintings and Drawings
937:The Holy Family with Three Hares
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674:Portrait of Emperor Maximilian I
666:Virgin and Child with Saint Anne
533:Portrait of Dürer's Father at 70
420:, Volume 16, No. 2, Winter, 1991
194:
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122:
103:
1237:Alte Pinakothek (Self-Portrait)
697:Portrait of Bernhart von Reesen
382:
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164:using ball-point pen on paper.
16:1518 painting by Albrecht Dürer
871:Self-Portrait at the Age of 13
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650:Martyrdom of the Ten Thousand
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162:Sketch after Durer's Lucretia
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729:Portrait of Johann Kleberger
518:St. Jerome in the Wilderness
70:Lucius Tarquinius Collatinus
7:
1265:Paintings by Albrecht Dürer
1025:Knight, Death and the Devil
256:
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1306:
1220:Anton Koberger (godfather)
395:
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1197:
1181:
1140:Wing of a European Roller
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1041:Saint Jerome in His Study
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862:
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705:Saint Jerome in His Study
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435:Dürer: His Art in Context
187:Sinebrychoffin taidemuseo
1065:Large Triumphal Carriage
852:Adoration of the Trinity
737:Portrait of Jakob Muffel
682:Portrait of Jakob Fugger
618:Christ Among the Doctors
268:
780:Seven Sorrows Polyptych
658:The Suicide of Lucretia
206:Lucas Cranach the Elder
183:Lucas Cranach the Elder
154:Lucas Cranach the Elder
111:The Suicide of Lucretia
34:The Suicide of Lucretia
26:The Suicide of Lucretia
1189:Albrecht Dürer's House
1110:Madonna of the Animals
795:Paumgartner Altarpiece
29:
1280:Paintings of Lucretia
602:Adoration of the Magi
586:Lamentation of Christ
562:Lamentation of Christ
547:Lot and His Daughters
24:
1215:Hans Dürer (brother)
610:Bagnacavallo Madonna
1102:Great Piece of Turf
1073:Portrait of Erasmus
895:Self-Portrait at 28
887:Self-Portrait at 26
825:Feast of the Rosary
406:. Routledge, 2013.
1205:Agnes Dürer (wife)
1009:Life of the Virgin
845:Matthias Grünewald
765:Dresden Altarpiece
366:Panofsky, 121, 201
158:Alberto Giacometti
37:is an oil on lime
30:
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1251:
1240:(2000 photograph)
833:Heller Altarpiece
810:Jabach Altarpiece
713:The Four Apostles
495:List of paintings
412:978-1-4094-3847-2
402:Bubenik, Andrea.
293:978-3-7654-2454-0
74:Sextus Tarquinius
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1156:Head of a Walrus
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961:The Four Witches
916:List of woodcuts
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222:Adam and Eve
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55:Ancient Rome
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1172: 1503
1133: 1508
1118: 1503
1012:(1510–1511)
1004:(1497–1510)
972:(1498–1500)
841: 1508
818: 1503
803: 1500
788: 1500
773: 1496
757:Altarpieces
690: 1520
595: 1500
571: 1498
564:(Nuremberg)
555: 1498
526: 1496
339:Sander, 206
91:Description
1259:Categories
1094:Young Hare
1057:Rhinoceros
985:Visitation
945:Apocalypse
922:engravings
908:engravings
388:Hults, 205
357:Hults, 208
348:Hults, 209
330:Hults, 226
312:Hults, 218
303:Bubenik, x
189:, Helsinki
66: 510
1084:Drawings,
487:Paintings
115:Albertina
81:Albertina
1275:Nude art
843:) (with
588:(Munich)
257:See also
216:of her.
202:Lucretia
185:, 1530,
179:Lucretia
134:, 1507,
117:, Vienna
83:museum,
59:Lucretia
57:heroine
1229:Related
1182:Museums
634:Avarice
396:Sources
225:in the
1198:Family
1159:(1514)
1151:(1514)
1143:(1512)
1105:(1503)
1097:(1502)
1076:(1526)
1068:(1522)
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964:(1497)
956:(1498)
948:(1498)
940:(1496)
932:(1495)
898:(1500)
890:(1498)
882:(1493)
855:(1511)
828:(1506)
820:–1504)
740:(1526)
732:(1526)
724:(1526)
716:(1526)
708:(1521)
700:(1521)
677:(1519)
669:(1519)
661:(1518)
653:(1508)
645:(1507)
637:(1507)
629:(1505)
621:(1506)
605:(1504)
581:(1500)
536:(1497)
513:(1496)
505:(1490)
441:
410:
291:
231:Madrid
140:Madrid
85:Vienna
61:(died
51:Munich
418:Signs
269:Notes
227:Prado
136:Prado
439:ISBN
408:ISBN
289:ISBN
241:and
41:by
1261::
1169:c.
1130:c.
1115:c.
919:,
838:c.
815:c.
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785:c.
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552:c.
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426:.
277:^
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63:c.
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458:v
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