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If the determination of the authorship of an individual work of art most certainly is not the ultimate and highest task of artistic erudition; even if it were no path to the goal: nevertheless, without a doubt, it is a school for the eye, since there is no formulation of a question which forces us to
139:
During his lifetime he took high quality photographs of artwork wherever he travelled. His personal archive with approximately 15,000 photos and reproductions of 15th- and 16th-century paintings from the North and South
Netherlands are often accompanied with notes including such things as the
123:, typical of Berlin. He tended to emphasize the Germanic character of Early Netherlandish art, a term he helped to invent, rather than either its links to French-speaking territories, or its individual local character. This at times took him into tropes on racial character typical of
115:
penetrate so deeply the essence of an individual work as that concerning the identity of the author. The individual work, rightly understood, teaches us what a comprehensive knowledge universal artistic activity is incapable of teaching us.
1084:
140:
provenance, attribution, relative condition, and location of the paintings. The majority of his work has been transcribed and digitised in the RKDimages database of the Dutch
National Institute of Art History (
968:
20:
430:
Annick Born: Antwerp
Mannerism: a fashionable style? in: ExtravagANT. A forgotten chapter of Antwerp painting 1500–1530. Catalogue Maastricht and Antwerp 2005, pp. 10–19.
1109:
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110:. He gave priority to a critical reading based on sensitivity rather than on grand artistic and or aesthetic theories. He described it as follows:
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76:(privy councillor) under the German Empire. He also donated several works to the collection and worked in the art trade as an advisor, to
72:. In 1933 he was dismissed as a "non-Aryan" and in 1939 had to move to Amsterdam because he was Jewish. He attained the rank and title of
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62:' old master paintings and sculpture) under Bode in 1904 and became director himself from 1924 to 1932, working on his history
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took him on as his assistant in 1896 for the paintings division. He was appointed deputy director of the
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30:(5 July 1867 in Berlin – 11 October 1958 in Amsterdam) was a German-Jewish museum curator and
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284:. Translated from German by Ruth S. Magurn. London: Evelyn, Adams & Mackay. p. 109.
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Knights
Commander of the Order of Merit of the Federal Republic of Germany
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Meisterwerke der niederländischen
Malerei des 15. und 16. Jahrhunderts
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Masterpieces of
Netherlandish painting of the 15th and 16th centuries
73:
344:
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for undocumented artists in this style, and others of the period.
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144:) and forms an important open access archive for art historians.
94:
He should not be confused with the German-American art historian
88:
106:
Friedländer's approach to art history was essentially that of a
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in the decades around 1900. His later writings, in particular
131:
to some extent climbed down from the positions taken earlier.
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and the 14-volume (printed in 16, with supplements) survey
329:"Flemish versus Netherlandish: A Discourse of Nationalism"
399:
141:
280:
Friedlander, Max J. (1969). Rudolf M. Heilbrunn (ed.).
1031:
1110:Emigrants from Nazi Germany to the Netherlands
508:
438:Verzeichnis der Schriften Max J. Friedländers
878:Master of the Amsterdam Death of the Virgin
786:Master of the Legend of St. Ursula (Bruges)
279:
119:His career was marked by a disdain for the
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101:
18:
1080:Directors of the Gemäldegalerie, Berlin
304:
190:; his major work, printed in 16 volumes
1032:
246:
244:
242:
240:
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256:: "Friedländer, Max J[acob]""
226:, vol. VII, Leiden and Brussels, 1972
959:Arts in the court of Philip the Good
949:Works by Early Netherlandish masters
791:Master of the Legend of the Magdalen
488:: "Friedländer, Max J[acob]"
326:
776:Master of the Legend of St. Barbara
237:
13:
969:Members of the Guild of Saint Luke
781:Master of the Legend of Saint Lucy
440:. Berlin: Walter de Gruyter, 1927.
408:
214:Essays über die Landschaftsmalerei
14:
1121:
771:Master of the Embroidered Foliage
444:
821:Master of the View of Ste-Gudule
462:
450:
134:
50:. On Lippmann's recommendation,
16:German curator and art historian
1070:German male non-fiction writers
883:Master of the Figdor Deposition
811:Master of the Morrison Triptych
766:Master of the Antwerp Adoration
147:
382:
320:
298:
273:
181:Die altniederländische Malerei
1:
1095:Scholars of Netherlandish art
868:Jacob Cornelisz van Oostsanen
796:Master of the Lille Adoration
282:Reminiscences and Reflections
230:
944:Early Netherlandish painting
806:Master of the Mansi Magdalen
486:Dictionary of Art historians
307:"On art and connoisseurship"
254:Dictionary of Art historians
224:Early Netherlandish Painting
218:Essays on landscape painting
187:Early Netherlandish Painting
168:From Jan van Eyck to Bruegel
164:Von Jan van Eyck bis Bruegel
129:Early Netherlandish Painting
121:Vienna School of Art History
69:Early Netherlandish Painting
36:Early Netherlandish painting
7:
83:He invented the style term
10:
1126:
816:Master of the Prodigal Son
801:Master of the Lübeck Bible
389:Max J. Friedlander project
208:On art and connoisseurship
204:Von Kunst und Kennerschaft
87:, and created many of the
44:Kupferstichkabinett Berlin
989:Netherlandish Renaissance
936:
895:
829:
542:
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98:; they were not related.
42:, who volunteered at the
34:. He was a specialist in
1055:19th-century German Jews
1019:Nativity of Jesus in art
305:Friedländer, Max Jakob.
64:From Van Eyck to Bruegel
1050:Curators from Amsterdam
524:Early Netherlandish art
479:German National Library
102:Approach to art history
56:Kaiser Friedrich Museum
853:Geertgen tot Sint Jans
711:Vrancke van der Stockt
467:Quotations related to
184:, 1924–37. In English
117:
24:
1090:Scholars of Dutch art
1065:German art historians
1014:Adoration of the Magi
721:Rogier van der Weyden
716:Goswin van der Weyden
475:Max Jakob Friedländer
469:Max Jakob Friedländer
333:Renaissance Quarterly
112:
58:(then containing the
28:Max Jakob Friedländer
23:Max Jakob Friedländer
22:
984:Northern Renaissance
979:International Gothic
858:Jan Joest van Calcar
833:Northern Netherlands
830:Active mainly in the
701:Aert van den Bossche
546:Southern Netherlands
543:Active mainly in the
459:at Wikimedia Commons
60:Berlin State Museums
40:Northern Renaissance
1100:German art curators
1060:Writers from Berlin
1009:Ghent-Bruges school
964:Guild of Saint Luke
836:(mostly present-day
596:Melchior Broederlam
549:(mostly present-day
533:Early Netherlandish
327:Deam, Lisa (1998).
1105:Dutch art curators
994:Northern Mannerism
954:Flemish Primitives
761:Master of Affligem
661:Cornelis Liefrinck
656:Adriaen Isenbrandt
457:Max J. Friedländer
125:German Nationalism
96:Walter Friedländer
48:Friedrich Lippmann
25:
1075:Jewish historians
1027:
1026:
999:Antwerp Mannerism
974:Netherlandish art
891:
890:
873:Master of Alkmaar
756:Jacob van Utrecht
751:Bernard van Orley
746:Lieven van Lathem
706:Hugo van der Goes
581:Lancelot Blondeel
455:Media related to
419:Friedländer, Max.
415:Friedrich Winkler
85:Antwerp Mannerism
1117:
863:Lucas van Leyden
848:Hieronymus Bosch
726:Jan van Dornicke
646:Gerard Horenbout
576:Ambrosius Benson
566:Alexander Bening
540:
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526:(c. 1420s–1530s)
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258:. Archived from
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52:Wilhelm von Bode
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741:Justus van Gent
731:Hubert van Eyck
691:Joachim Patinir
666:Lambert Lombard
651:Lucas Horenbout
636:Colijn de Coter
611:Pierre Coustain
606:Petrus Christus
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409:Further reading
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394:2013-02-22 at
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46:in 1891 under
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601:Robert Campin
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586:Aelbert Bouts
584:
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561:Luís Alimbrot
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396:archive.today
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291:0-238-78921-7
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262:on 2010-11-27
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135:Photo archive
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32:art historian
29:
21:
896:Main centres
736:Jan van Eyck
696:Jan Provoost
681:Hans Memling
641:Jan Gossaert
626:Jean Delemer
621:Gerard David
591:Dieric Bouts
571:Simon Bening
485:
471:at Wikiquote
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422:
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372:. Retrieved
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310:. Retrieved
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264:. Retrieved
260:the original
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148:Publications
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63:
27:
26:
1045:1958 deaths
1040:1867 births
839:Netherlands
631:Jan de Beer
339:(1): 1–33.
108:connoisseur
1034:Categories
266:2010-01-25
231:References
928:The Hague
913:Brussels
481:catalogue
369:191393770
353:0034-4338
74:geheimrat
392:Archived
216:, 1947 (
206:, 1946 (
196:, 1929 (
174:A. Dürer
166:, 1916 (
156:, 1903 (
89:notnames
38:and the
937:General
923:Tournai
903:Antwerp
552:Belgium
535:artists
477:in the
398:at the
361:2901661
312:20 June
908:Bruges
367:
359:
351:
288:
176:, 1923
918:Ghent
374:6 Jan
365:S2CID
357:JSTOR
421:In:
376:2021
349:ISSN
314:2012
286:ISBN
424:NDB
400:RKD
341:doi
142:RKD
1036::
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363:.
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347:.
337:51
335:.
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239:^
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841:)
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
