436:,' complete with vicious, rebellious cop who doesn't care how much property he busts up during the really spectacular chase sequence? Plus added mafiosi, junkies, hippies and all manner of bizarre New York and California locales to keep the plot just weird and complicated enough? Then see 'The Stone Killer.'" Tom Zito of
386:
During the shootout in the parking garage at the film's climax, stunt
Coordinator Alan Gibbs' seat-belt snapped and his head struck the steering wheel, causing him to sustain serious injuries in one of the numerous car crashes that take place. The cars were rentals from Hertz, who were so concerned
460:
must have seemed a masterful compendium of the chief elements from every major gangster/thriller movie of recent years ... But in
Michael Winner's less-than-masterful hands the generic is unfailingly reduced to the formularly; and the plot's near total lack of structure makes the movie seem like
292:
Bronson plays a gritty, independent detective who stumbles across the plot when a washed-up former hit man is killed under circumstances that make it clear that it was an inside job and that Mafia were involved. He then slowly uncovers the clues that point to a seemingly impossible plot.
29:
418:
wrote, "Anyone suspected of liking a
Michael Winner movie may be assumed guilty until proven innocent. Since there is no way in which I can be proven innocent, I might as well confess to liking Winner's latest, 'The Stone Killer,' very much indeed." Arthur D. Murphy of
387:
with damage that they sent a representative to the set to reclaim them. Winner supposedly told the rep, "You should be glad we're crashing your (expletive) awful cars. You'll be able to write them off completely and get nice new ones."
281:) to avenge the killings of a group of Mafia dons back in 1931 ("The Night of Sicilian Vespers") with a bold nationwide counter-strike against most of the current Italian and Jewish syndicate heads, by using teams of
425:
called the film "a confused, meandering crime potboiler", explaining, "The story and direction reach for so many bases that the end result is a lot of cinema razzle-dazzle without substance." Fredric
Milstein of the
633:
A. H. WEILER. (May 13, 1973). "Ah, To Be 18 and a Movie Mogul!: ALSO OPENING THIS WEEK SUSPENSEFUL PERRY SELECTED SHORTS FINAL CURTAIN MORE WHITMORE WHERE'S WINNER? To Be 18 and a Mogul!".
404:
gave the film three stars out of four and called it "a superior example of its type – tough cop against the mob – and probably the best violent big-city police movie since '
408:.' It's not much more, nor does it mean to be; it offers stylish escapism at breakneck speed, and it gives us a chase and a gun battle that surpass themselves."
442:
stated, "Unfortunately the direction of
Michael Winner doesn't bail 'The Stone Killer' out. Winner has recently been responsible for movies like 'Dealing' and '
446:,' films that were closer to bad television than good cinema. Like the new one, they were competently assembled without inspiration, craft without art."
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called it a "message novel, only slightly pretentious, relevant but under paced." The novel was greatly changed in the adaptation.
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265:-type films featuring rogue cops who don't "play by the rules" that were released in the wake of that film's success.
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Milstein, Fredric (August 31, 1973). "Vicious Cop, Chase, Mafiosi in 'Killer'".
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237:(1974), all three of which teamed up actor/director Bronson and Winner.
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Murphy, Arthur D. (August 22, 1973). "Film
Reviews: The Stone Killer".
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wrote, "Want a fast, slick, violent, entertaining minor spinoff of '
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Zito, Tom (October 1, 1973). "Insubstantial Cops-and-Robbers".
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Greenspun, Roger (August 30, 1973). "Film: 'The Stone Killer".
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appear as cops in this film, not too long before the TV series
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clips from a dozen others, strung arbitrarily together."
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by John
Gardner writing under the name Derek Torry. The
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instead of Mafia hit men. ("Stone killer" means a Mafia
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603:
ALLEN J. HUBIN (Oct 5, 1969). "Criminals At Large".
764:Rayns, Tony (February 1974). "The Stone Killer".
273:The film involves a plot by a present-day (1973)
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255:plays a significant role; he also appeared in
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289:who is not himself a member of the Mafia.)
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655:. Frederick Muller Limited. p. 100.
123:De Laurentiis International Manufacturing
1018:Won Ton Ton, the Dog Who Saved Hollywood
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1257:English-language action thriller films
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1252:English-language crime thriller films
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370:The film was based on the 1969 novel
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676:Ebert, Roger (October 19, 1973).
1242:Films produced by Michael Winner
1197:Films directed by Michael Winner
383:Filming took place in May 1973.
196:$ 1,300,000 (US/ Canada rentals)
1232:American police detective films
938:I'll Never Forget What's'isname
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1227:Films about the American Mafia
1177:American action thriller films
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471:List of American films of 1973
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1202:Films based on British novels
1182:American crime thriller films
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1192:1970s English-language films
589:"Big Rental Films of 1973",
569:AFI Catalog of Feature Films
565:"The Stone Killer – Details"
538:AFI Catalog of Feature Films
534:"The Stone Killer – History"
503:AFI Catalog of Feature Films
498:"The Stone Killer – Credits"
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1167:1970s action thriller films
653:The Films of Michael Winner
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16:1973 film by Michael Winner
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1217:Films set in New York City
1172:1970s crime thriller films
622:. Jan 31, 1977. p. 8.
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767:The Monthly Film Bulletin
571:. American Film Institute
540:. American Film Institute
453:The Monthly Film Bulletin
372:A Complete State of Death
225:. It came out in between
217:produced and directed by
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61:A Complete State of Death
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33:Theatrical release poster
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1222:Films scored by Roy Budd
1212:Films set in Los Angeles
150:August 8, 1973
1237:American neo-noir films
1187:Columbia Pictures films
1090:A Chorus of Disapproval
508:American Film Institute
306:as Detective Lou Torrey
296:
268:
1082:Appointment with Death
618:"Back to the Bunker".
593:, 9 January 1974 p. 60
348:as Lionel Henry Jumper
434:The French Connection
259:. It was one of many
1247:1970s American films
922:You Must Be Joking!
751:The Washington Post
439:The Washington Post
207:is a 1973 American
841:Films directed by
706:The New York Times
678:"The Stone Killer"
456:wrote: "On paper,
415:The New York Times
251:. Character actor
1207:Films set in 1973
1149:
1148:
882:Some Like It Cool
874:Out of the Shadow
866:Climb Up the Wall
739:. Part IV, p. 18.
736:Los Angeles Times
429:Los Angeles Times
401:Chicago Sun-Times
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136:Columbia Pictures
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1002:The Stone Killer
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637:. p. 127.
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890:Play It Cool
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687:. Retrieved
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620:The Guardian
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511:. Retrieved
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228:The Mechanic
226:
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166:Running time
143:Release date
66:John Gardner
60:
406:Dirty Harry
396:Roger Ebert
352:John Ritter
346:Jack Colvin
342:as Lawrence
328:Ralph Waite
322:Norman Fell
262:Dirty Harry
243:John Ritter
239:Norman Fell
231:(1972) and
72:Produced by
39:Directed by
1162:1973 films
1156:Categories
1010:Death Wish
930:The Jokers
914:The System
774:(481): 35.
477:References
448:Tony Rayns
366:Production
336:as Langley
334:Paul Koslo
330:as Mathews
257:Death Wish
234:Death Wish
193:Box office
170:95 minutes
154:1973-08-08
115:Production
1098:Bullseye!
1042:Firepower
954:The Games
391:Reception
275:Mafia don
175:Countries
117:companies
850:Features
806:AllMovie
651:(1978).
465:See also
212:neo noir
185:Language
108:Roy Budd
104:Music by
80:Starring
57:Based on
1133:Old Mac
994:Scorpio
906:West 11
721:Variety
689:May 26,
591:Variety
575:May 26,
544:May 26,
513:May 26,
422:Variety
398:of the
354:as Hart
287:hit man
188:English
152: (
1142:(1962)
1136:(1961)
1125:Shorts
1117:(1999)
1109:(1993)
1101:(1990)
1093:(1989)
1085:(1988)
1077:(1985)
1069:(1984)
1061:(1983)
1053:(1982)
1045:(1979)
1037:(1978)
1029:(1977)
1021:(1976)
1013:(1974)
1005:(1973)
997:(1973)
989:(1972)
981:(1972)
973:(1971)
965:(1971)
962:Lawman
957:(1970)
949:(1969)
941:(1967)
933:(1967)
925:(1965)
917:(1964)
909:(1963)
901:(1963)
893:(1962)
885:(1961)
877:(1961)
869:(1960)
861:(1960)
659:
209:action
754:. B4.
724:. 12.
709:. 26.
178:Italy
795:IMDb
691:2019
657:ISBN
577:2019
546:2019
515:2019
297:Cast
269:Plot
241:and
804:at
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450:of
412:of
64:by
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277:(
156:)
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