470:"I wanted a commentary on the use of human relationships and sexual manipulation in the lives of two hired killers. It was supposed to be a chess game between the older assassin and his young apprentice. The younger man sees that he can use his sexuality to find the Achilles heel that he needs to win. There was a fascinating edge to it, though, because toward the end the younger man began to fall in love, and this fought with his desire to beat the master and take his place as number one ... The picture was supposed to be a real investigation into this situation, and it turned into a pseudo
1189:
268:, known as a "mechanic", who works exclusively for a secretive international criminal organization that has very strict rules. His occupation affords him a lavish lifestyle - he regularly listens to classical music, has an art collection, and is a connoisseur of fine wines. However, he is forced to live alone - he cannot show emotions or trust people. Bishop is under constant emotional pressure, so much so that he is prescribed
697:
292:
Bishop teaches Steve that "every person has a weakness, and that once this weakness is found, the target is easy to kill". However, Bishop failed to get his superiors' prior consent for the arrangement. Following a messy assassination conducted by Bishop and Steve, the organization warns Bishop that his irresponsible choice to involve Steve has been interpreted as selfish behavior.
311:. When Bishop realizes that he has been poisoned, Steve taunts Bishop, saying "You said every man has his jelly spot. Yours was you just couldn't cut it alone". When Bishop asks Steve if it was because Bishop had killed Steve's father, Steve responds that he had not realized his father was murdered. Steve goes on to reveal that he was not acting on orders to kill Bishop.
31:
291:
At Big Harry's funeral, Bishop runs into Harry's narcissistic, ruthless and ambitious son Steve. Steve is intrigued by Bishop and seeks to find out more about him. Bishop is also intrigued. He realizes that Steve has a personality suited for being a hit man, and plays along. As part of his training,
230:
The story follows Arthur Bishop (Bronson), a top assassin who takes under his wing Steve McKenna (Vincent), the ruthless and ambitious son of Harry McKenna (Wynn), the former head of the secret organization for which Bishop works. It is noted for its opening, which features no dialogue for the first
287:
When Bishop is assigned one of the organization's heads, "Big Harry" McKenna, he shoots at Big Harry while making him think that the shots are being fired by a hidden sniper. Harry, who Bishop knows has a weak heart, runs up a steep incline, which triggers a heart attack. Bishop then finishes Harry
590:
as a "solemn, rather spurious action melodrama". Noting the "father son rivalry" between Arthur and Steve and picking up on the "latent homosexual bond" between the two, Canby concluded that the film was "non-stop, mostly irrelevant physical spectacle" and pondered what a different director might
295:
The organization then gives Bishop an urgent mission, this time in Italy. Once again, Bishop involves Steve in the new plan, but just before they leave Bishop happens to find among Steve's belongings a file containing information about Bishop. This file is identical in format to the target files
601:
gave the film 2.5 stars out of 4 and praised
Bronson's performance, noting that he appears to be truly listening to Vincent rather than simply waiting for him to stop for Bronson's next line. While finding the plot twists "neat", Ebert found that director Winner failed to squarely address the
322:, which reads: "Steve, if you read this it means I didn't make it back. It also means you've broken a filament controlling a 13-second delay trigger. End of game. Bang! You're dead". As Steve frantically reaches for the door handle, the car explodes, killing him.
502:
who also appears in the film. The shooting required 65 camera setups. The scenes were cut short in the final edit, because, according to associate producer Henry Gellis, their inclusion made the film seem like an installment in the James Bond series.
299:
In Italy, Bishop and Steve approach a boat where their intended victim is supposed to be, but it becomes apparent that this was a trap and they are the real targets. Bishop and Steve are ambushed, but they manage to kill all their would-be assassins.
478:
In
November 1971 it was announced Charles Bronson would star under the direction of Michael Winner for producers Chartoff and Winkler. Filming was to begin December 6, 1971. Jan Michael Vincent's casting was announced early December 1971.
612:
gave the film only 1 star out of 4 and wrote, "The entirely unoriginal production moves at a numbing pace with
Bronson mirroring the directorial lethargy with his silent, 'don't I have strong cheekbones' demeanor".
633:
wrote, "It's a predictable, expendable piece of formula moviemaking, and the men responsible for it seem considerably more proficient at manufacturing thrills than generating and sustaining dramatic interest".
518:, were recorded at CTS (Cine-Tele Sound) Studios in London, England, between August 7 and 11, 1972. The orchestrations were by Lennie Niehaus And Greg McRitchie. The Recording Engineer was Dick Lewzey.
238:
Upon its release, the film received generally mixed reviews from critics but it was praised for its action scenes, acting and writing, although Winner's direction and the storytelling was criticized.
627:
dismissed the film as "a banal expedition into slaughter and sadism and stupid dialogue". Any hint of authenticity, she wrote, was obliterated by Winner's "bang-bang-bang approach". Gary Arnold of
434:
was about "professionals who dispassionately murder people by contract" and was "a look at the nature of violence and counter-violence in our society". In April 1969 it was announced
458:
In
Carlino's original script, the relationship between Arthur Bishop and Steve McKenna was explicitly gay. Producers had difficulty securing financing and several actors, including
407:(1968). Producer Ted Dubin, a New York entrepreneur, put up some development money so that Carlino could write it. Carlino called it, "a sort of existential statement on the
441:
Filming was delayed. Eventually the film was sold to
Chartoff-Winkler who had a deal with United Artists. Carlino was paid $ 100,000 plus one-third of 50% of the profits.
597:
called it an "action-drenched gangster yarn which has all the makings of a heavy b.o. grosser, but simultaneously is burdened with an overly-contrived plot development".
730:
1811:
1593:
871:
1831:
1826:
1568:
958:
1801:
1751:
842:
1776:
1684:
303:
His apprenticeship apparently complete, Steve shares a celebratory bottle of wine with Bishop, having coated the latter's glass with
1806:
1412:
1332:
1227:
1781:
1746:
681:
taking the lead role. The remake opened in the United States on
January 28, 2011, making $ 11,500,000 on its opening weekend. A
401:
The film was based on an original story by Lewis John
Carlino. He said he came up with the idea while researching his script for
1756:
1132:
1766:
1761:
1736:
1741:
872:"'Mechanic,' About a Professional Killer:Bronson Plays Role in Winner Movie; Director Concentrates on Chase Spectacles".
1075:
1060:
623:
praised the film as "A hard-edged, brutal yet absorbing contemporary gangster movie" with "top-notch" performances.
1791:
1676:
1561:
526:
1771:
1316:
1484:
710:
1821:
1786:
1476:
1268:
455:
worked on the script for several weeks before producers switched studios and hired
Michael Winner to direct.
231:
16 minutes, as
Bronson's character prepares to kill his current target. The title refers to a euphemism for
1796:
1220:
1008:
735:
1816:
1644:
1554:
1452:
1193:
506:"It's pretty violent", said Vincent. "Bronson is totally nonverbal. So I can't say that much about him".
403:
276:. One day he is temporarily hospitalized after he loses consciousness due to the stress. Bishop pays a
1125:
614:
1500:
1428:
1252:
408:
1708:
1692:
1420:
1164:
664:
411:
and what is occurring in our society, how legalized murder is occurring through our institutions".
239:
1213:
740:
861:
Nature Boy
Vincent Gets It Together at Disney CARTNAL, ALAN. Los Angeles Times 27 Aug 1972: v16.
1404:
1308:
1172:
682:
462:, flatly refused to consider the script until the homosexuality was removed. Carlino described
252:
426:, about a wealthy man whose search for meaning leads him to start a revolution in Africa, and
1492:
1118:
847:
823:
Peter Fonda Set for Film Los Angeles Times (1923-1995); Los Angeles, Calif. 11 Nov 1971: h23.
787:
MOVIE CALL SHEET: Cliff Robertson Role Set Martin, Betty. Los Angeles Times 29 Apr 1969: h13.
418:. In February 1969 Carlino announced he had written two films that would be made by producer
281:
1660:
994:
652:
522:
200:
8:
1731:
1636:
1628:
1284:
980:
629:
338:
273:
216:
82:
1578:
908:
890:
875:
593:
582:
452:
371:
247:
208:
54:
1601:
1276:
1260:
1094:
1071:
1056:
944:
913:
619:
1099:
1668:
1436:
1396:
1348:
1205:
540:
319:
269:
92:
30:
1460:
1372:
1364:
1340:
1292:
1105:
929:
608:
499:
459:
435:
383:
365:
332:
265:
212:
78:
64:
1700:
1388:
1237:
544:
515:
377:
296:
provided to Bishop. Nevertheless, Bishop allows Steve to go with him to Italy.
204:
128:
118:
108:
96:
44:
1546:
1725:
1508:
1444:
1356:
678:
602:
relationship between the leads in favor of too many boring action sequences.
577:
444:
359:
243:
68:
533:
1609:
1468:
648:
624:
491:
350:
315:
224:
1009:"West gives 'Mechanic' an overhaul - Entertainment News, Film News, Media"
832:
McQueen Stars in 'Getaway' Murphy, Mary. Los Angeles Times 4 Dec 1971: a8.
904:
702:
603:
598:
419:
415:
344:
220:
1088:
1324:
670:
471:
778:
More and More Malamud By A. H. WEILER. New York Times 2 Feb 1969: D13.
277:
250:
as McKenna. The film was a financial success, and spawned a sequel,
438:
would star with Ted Dubin to produce alongside Poll for Universal.
308:
1527:
1300:
304:
1110:
674:
232:
466:
as "one of the great disappointments of my life", continuing:
942:
Thomas, Kevin (November 22, 1972). "Humanizing an Assassin".
651:
credited to screenwriter Lewis John Carlino was published by
495:
414:
Carlino formed a partnership with Dubin and producer
1235:
692:
16:
1972 American action thriller film by Michael Winner
1032:
La-La Land Records Album, LLLCD1191, released 2012.
927:Siskel, Gene (November 28m 1972). "La Salamandre".
318:he had left there. He finds a note affixed to the
284:, including her writing fake love letters to him.
1053:The Celluloid Closet: Homosexuality in the Movies
978:Arnold, Gary (November 9, 1972). "Manufactured".
282:simulated romantic social and sexual relationship
1723:
564:for the first time on Blu-ray on June 10, 2014.
521:The source music consists of pieces composed by
487:Filming took place in Los Angeles and in Italy.
1576:
669:On May 7, 2009, it was announced that director
591:have done with the same material. A review in
314:Steve returns to Bishop's home to pick up the
1562:
1221:
1126:
1812:Films with screenplays by Lewis John Carlino
1594:The Sailor Who Fell from Grace with the Sea
560:Screen Archives Entertainment has released
215:, in his second collaboration with Winner,
1569:
1555:
1228:
1214:
1133:
1119:
1045:The screenwriter looks at the screenwriter
29:
1413:Won Ton Ton, the Dog Who Saved Hollywood
1055:(rev. ed). New York: Harper & Row.
1832:English-language action thriller films
1724:
1827:English-language crime thriller films
1550:
1209:
1114:
1042:
903:
870:Canby, Vincent (November 18, 1972).
572:
957:Crist, Judith (November 27, 1972).
494:scenes were shot in one day at the
13:
1685:I Never Promised You a Rose Garden
14:
1843:
1802:Films produced by Robert Chartoff
1752:American adventure thriller films
1082:
1068:Monte Hellman: His Life and Films
655:to accompany the film's release.
1777:Films directed by Michael Winner
1188:
1187:
1140:
695:
1807:Films produced by Irwin Winkler
1677:Where Have All the People Gone?
1333:I'll Never Forget What's'isname
1001:
987:
972:
951:
936:
921:
897:
882:
864:
855:
835:
826:
642:
514:The score and source music, by
242:was released in 2011, starring
1782:Films scored by Jerry Fielding
1747:American action thriller films
888:"Film Reviews: The Mechanic".
843:"Hey Sensei! Wanna Be a Star?"
817:
808:
799:
790:
781:
772:
763:
754:
723:
711:List of American films of 1972
637:
396:
256:, which was released in 2016.
1:
1757:American crime thriller films
1036:
685:was released in August 2016.
555:
391:
1767:Films about contract killing
1762:1970s English-language films
736:AFI Catalog of Feature Films
567:
7:
1737:1970s action thriller films
688:
543:'s famous Neapolitan song "
143:November 17, 1972
10:
1848:
1742:1970s crime thriller films
959:"Bang! Bang! You're Dead".
662:
550:
482:
1620:
1585:
1519:
1244:
1183:
1148:
851:. March 1973. p. 15.
658:
307:, a colorless and deadly
240:A remake of the same name
184:
176:
168:
158:
134:
124:
114:
102:
88:
74:
60:
50:
40:
35:Theatrical release poster
28:
23:
731:"The Mechanic - Details"
716:
665:The Mechanic (2011 film)
509:
447:was scheduled to direct
356:Linda Ridgeway as Louise
1792:Films set in California
1485:A Chorus of Disapproval
1043:Froug, William (1991).
894:. November 1, 1972. 20.
741:American Film Institute
325:
288:off by smothering him.
264:Arthur Bishop is a top
259:
1772:Films about friendship
1477:Appointment with Death
1173:Mechanic: Resurrection
1066:Stevens, Brad (2003).
814:Quoted in Russo, p. 91
476:
451:. He and screenwriter
253:Mechanic: Resurrection
1047:. Silman-James press.
907:(November 30, 1972).
468:
207:from a screenplay by
1822:1970s American films
1787:United Artists films
1661:A Reflection of Fear
1051:Russo, Vito (1987).
523:Ludwig van Beethoven
422:the following year:
201:action thriller film
1797:Films set in Naples
1317:You Must Be Joking!
1090:The Mechanic (1972)
981:The Washington Post
673:would be helming a
630:The Washington Post
539: — as well as
339:Jan-Michael Vincent
217:Jan-Michael Vincent
199:is a 1972 American
83:Jan-Michael Vincent
1817:The Mechanic films
1579:Lewis John Carlino
1236:Films directed by
933:. Section 2, p. 4.
876:The New York Times
583:The New York Times
453:Lewis John Carlino
386:as The Mark's Girl
209:Lewis John Carlino
55:Lewis John Carlino
1719:
1718:
1602:The Great Santini
1544:
1543:
1277:Some Like It Cool
1269:Out of the Shadow
1261:Climb Up the Wall
1203:
1202:
948:. Part IV, p. 12.
945:Los Angeles Times
914:Chicago Sun-Times
620:Los Angeles Times
573:Critical response
192:
191:
1839:
1571:
1564:
1557:
1548:
1547:
1397:The Stone Killer
1230:
1223:
1216:
1207:
1206:
1191:
1190:
1135:
1128:
1121:
1112:
1111:
1048:
1025:
1024:
1022:
1020:
1005:
999:
998:
991:
985:
976:
970:
955:
949:
940:
934:
925:
919:
918:
901:
895:
886:
880:
868:
862:
859:
853:
852:
839:
833:
830:
824:
821:
815:
812:
806:
803:
797:
794:
788:
785:
779:
776:
770:
767:
761:
758:
752:
751:
749:
747:
727:
705:
700:
699:
698:
541:Eduardo di Capua
347:as Harry McKenna
341:as Steve McKenna
335:as Arthur Bishop
320:rear-view mirror
270:anti-depressants
150:
148:
109:Arnold Crust Jr.
93:Richard H. Kline
33:
21:
20:
1847:
1846:
1842:
1841:
1840:
1838:
1837:
1836:
1722:
1721:
1720:
1715:
1645:The Brotherhood
1616:
1581:
1575:
1545:
1540:
1535:Behave Yourself
1515:
1461:Scream for Help
1453:The Wicked Lady
1365:The Nightcomers
1341:Hannibal Brooks
1293:The Cool Mikado
1240:
1234:
1204:
1199:
1179:
1144:
1139:
1106:Rotten Tomatoes
1085:
1039:
1029:
1028:
1018:
1016:
1015:. July 20, 2008
1007:
1006:
1002:
993:
992:
988:
977:
973:
956:
952:
941:
937:
930:Chicago Tribune
926:
922:
902:
898:
887:
883:
869:
865:
860:
856:
841:
840:
836:
831:
827:
822:
818:
813:
809:
804:
800:
795:
791:
786:
782:
777:
773:
768:
764:
759:
755:
745:
743:
729:
728:
724:
719:
701:
696:
694:
691:
667:
661:
645:
640:
609:Chicago Tribune
575:
570:
558:
553:
530:, Opus 18, No 6
512:
500:Takayuki Kubota
485:
460:George C. Scott
436:Cliff Robertson
409:licence to kill
404:The Brotherhood
399:
394:
389:
384:Celeste Yarnall
372:Patrick O'Moore
366:Takayuki Kubota
333:Charles Bronson
328:
266:contract killer
262:
213:Charles Bronson
161:
154:
151: (New York)
146:
144:
137:
107:
95:
81:
79:Charles Bronson
67:
65:Robert Chartoff
36:
17:
12:
11:
5:
1845:
1835:
1834:
1829:
1824:
1819:
1814:
1809:
1804:
1799:
1794:
1789:
1784:
1779:
1774:
1769:
1764:
1759:
1754:
1749:
1744:
1739:
1734:
1717:
1716:
1714:
1713:
1705:
1701:Haunted Summer
1697:
1689:
1681:
1673:
1665:
1657:
1649:
1641:
1633:
1624:
1622:
1618:
1617:
1615:
1614:
1606:
1598:
1589:
1587:
1583:
1582:
1574:
1573:
1566:
1559:
1551:
1542:
1541:
1539:
1538:
1532:
1523:
1521:
1517:
1516:
1514:
1513:
1505:
1497:
1489:
1481:
1473:
1465:
1457:
1449:
1441:
1433:
1425:
1417:
1409:
1401:
1393:
1385:
1377:
1369:
1361:
1353:
1345:
1337:
1329:
1321:
1313:
1305:
1297:
1289:
1281:
1273:
1265:
1257:
1248:
1246:
1242:
1241:
1238:Michael Winner
1233:
1232:
1225:
1218:
1210:
1201:
1200:
1198:
1197:
1184:
1181:
1180:
1178:
1177:
1169:
1161:
1152:
1150:
1146:
1145:
1138:
1137:
1130:
1123:
1115:
1109:
1108:
1097:
1084:
1083:External links
1081:
1080:
1079:
1064:
1049:
1038:
1035:
1034:
1033:
1027:
1026:
1000:
995:"The Mechanic"
986:
971:
950:
935:
920:
909:"The Mechanic"
896:
881:
863:
854:
834:
825:
816:
807:
805:Stevens, p. 93
798:
789:
780:
771:
762:
753:
721:
720:
718:
715:
714:
713:
707:
706:
690:
687:
663:Main article:
660:
657:
644:
641:
639:
636:
574:
571:
569:
566:
557:
554:
552:
549:
528:String Quartet
516:Jerry Fielding
511:
508:
484:
481:
398:
395:
393:
390:
388:
387:
381:
378:Enzo Fiermonte
375:
374:as The Old Man
369:
363:
357:
354:
348:
342:
336:
329:
327:
324:
261:
258:
246:as Bishop and
205:Michael Winner
190:
189:
186:
182:
181:
178:
174:
173:
170:
166:
165:
162:
159:
156:
155:
153:
152:
140:
138:
135:
132:
131:
129:United Artists
126:
125:Distributed by
122:
121:
119:Jerry Fielding
116:
112:
111:
106:Freddie Wilson
104:
100:
99:
97:Robert Paynter
90:
89:Cinematography
86:
85:
76:
72:
71:
62:
58:
57:
52:
48:
47:
45:Michael Winner
42:
38:
37:
34:
26:
25:
15:
9:
6:
4:
3:
2:
1844:
1833:
1830:
1828:
1825:
1823:
1820:
1818:
1815:
1813:
1810:
1808:
1805:
1803:
1800:
1798:
1795:
1793:
1790:
1788:
1785:
1783:
1780:
1778:
1775:
1773:
1770:
1768:
1765:
1763:
1760:
1758:
1755:
1753:
1750:
1748:
1745:
1743:
1740:
1738:
1735:
1733:
1730:
1729:
1727:
1711:
1710:
1706:
1703:
1702:
1698:
1695:
1694:
1690:
1687:
1686:
1682:
1679:
1678:
1674:
1671:
1670:
1666:
1663:
1662:
1658:
1655:
1654:
1650:
1647:
1646:
1642:
1639:
1638:
1634:
1631:
1630:
1626:
1625:
1623:
1619:
1612:
1611:
1607:
1604:
1603:
1599:
1596:
1595:
1591:
1590:
1588:
1584:
1580:
1572:
1567:
1565:
1560:
1558:
1553:
1552:
1549:
1536:
1533:
1530:
1529:
1525:
1524:
1522:
1518:
1511:
1510:
1509:Parting Shots
1506:
1503:
1502:
1501:Dirty Weekend
1498:
1495:
1494:
1490:
1487:
1486:
1482:
1479:
1478:
1474:
1471:
1470:
1466:
1463:
1462:
1458:
1455:
1454:
1450:
1447:
1446:
1445:Death Wish II
1442:
1439:
1438:
1434:
1431:
1430:
1429:The Big Sleep
1426:
1423:
1422:
1418:
1415:
1414:
1410:
1407:
1406:
1402:
1399:
1398:
1394:
1391:
1390:
1386:
1383:
1382:
1378:
1375:
1374:
1370:
1367:
1366:
1362:
1359:
1358:
1354:
1351:
1350:
1346:
1343:
1342:
1338:
1335:
1334:
1330:
1327:
1326:
1322:
1319:
1318:
1314:
1311:
1310:
1306:
1303:
1302:
1298:
1295:
1294:
1290:
1287:
1286:
1282:
1279:
1278:
1274:
1271:
1270:
1266:
1263:
1262:
1258:
1255:
1254:
1253:Shoot to Kill
1250:
1249:
1247:
1243:
1239:
1231:
1226:
1224:
1219:
1217:
1212:
1211:
1208:
1196:
1195:
1186:
1185:
1182:
1175:
1174:
1170:
1167:
1166:
1162:
1159:
1158:
1154:
1153:
1151:
1147:
1143:
1136:
1131:
1129:
1124:
1122:
1117:
1116:
1113:
1107:
1103:
1102:
1098:
1096:
1092:
1091:
1087:
1086:
1077:
1076:0-7864-1434-0
1073:
1070:. McFarland.
1069:
1065:
1062:
1061:0-06-096132-5
1058:
1054:
1050:
1046:
1041:
1040:
1031:
1030:
1014:
1010:
1004:
996:
990:
983:
982:
975:
968:
964:
960:
954:
947:
946:
939:
932:
931:
924:
916:
915:
910:
906:
900:
893:
892:
885:
878:
877:
873:
867:
858:
850:
849:
844:
838:
829:
820:
811:
802:
793:
784:
775:
766:
757:
742:
738:
737:
732:
726:
722:
712:
709:
708:
704:
693:
686:
684:
680:
679:Jason Statham
676:
672:
666:
656:
654:
650:
635:
632:
631:
626:
622:
621:
616:
611:
610:
605:
600:
596:
595:
589:
585:
584:
579:
578:Vincent Canby
565:
563:
548:
546:
542:
538:
536:
531:
529:
524:
519:
517:
507:
504:
501:
497:
493:
488:
480:
475:
473:
467:
465:
461:
456:
454:
450:
446:
445:Monte Hellman
442:
439:
437:
433:
429:
425:
421:
417:
412:
410:
406:
405:
385:
382:
379:
376:
373:
370:
367:
364:
361:
360:Frank de Kova
358:
355:
352:
349:
346:
343:
340:
337:
334:
331:
330:
323:
321:
317:
312:
310:
306:
301:
297:
293:
289:
285:
283:
279:
275:
271:
267:
257:
255:
254:
249:
245:
244:Jason Statham
241:
236:
234:
228:
226:
222:
218:
214:
210:
206:
202:
198:
197:
187:
183:
179:
175:
172:United States
171:
167:
163:
157:
142:
141:
139:
133:
130:
127:
123:
120:
117:
113:
110:
105:
101:
98:
94:
91:
87:
84:
80:
77:
73:
70:
69:Irwin Winkler
66:
63:
59:
56:
53:
49:
46:
43:
39:
32:
27:
22:
19:
1709:The Mechanic
1707:
1699:
1693:Resurrection
1691:
1683:
1675:
1667:
1659:
1653:The Mechanic
1652:
1651:
1643:
1635:
1627:
1621:Written only
1608:
1600:
1592:
1534:
1526:
1507:
1499:
1491:
1483:
1475:
1469:Death Wish 3
1467:
1459:
1451:
1443:
1435:
1427:
1421:The Sentinel
1419:
1411:
1403:
1395:
1387:
1381:The Mechanic
1380:
1379:
1373:Chato's Land
1371:
1363:
1355:
1347:
1339:
1331:
1323:
1315:
1307:
1299:
1291:
1285:Play It Cool
1283:
1275:
1267:
1259:
1251:
1192:
1171:
1165:The Mechanic
1163:
1157:The Mechanic
1156:
1155:
1142:The Mechanic
1141:
1101:The Mechanic
1100:
1089:
1067:
1052:
1044:
1017:. Retrieved
1012:
1003:
989:
979:
974:
966:
962:
953:
943:
938:
928:
923:
912:
905:Ebert, Roger
899:
889:
884:
874:
866:
857:
846:
837:
828:
819:
810:
801:
792:
783:
774:
765:
756:
744:. Retrieved
734:
725:
668:
653:Signet Books
649:novelization
646:
643:Novelization
628:
625:Judith Crist
618:
615:Kevin Thomas
607:
592:
588:The Mechanic
587:
581:
576:
562:The Mechanic
561:
559:
534:
527:
520:
513:
505:
492:martial arts
489:
486:
477:
469:
464:The Mechanic
463:
457:
449:The Mechanic
448:
443:
440:
432:The Mechanic
431:
428:The Mechanic
427:
424:The Catalyst
423:
413:
402:
400:
351:Jill Ireland
316:Ford Mustang
313:
302:
298:
294:
290:
286:
263:
251:
237:
229:
225:Jill Ireland
203:directed by
196:The Mechanic
195:
194:
193:
188:$ 10 million
160:Running time
136:Release date
24:The Mechanic
18:
703:Film portal
638:Other media
604:Gene Siskel
599:Roger Ebert
545:'O sole mio
535:Grosse Fuge
490:The film's
420:Martin Poll
416:Martin Poll
397:Development
380:as The Mark
353:as The Girl
345:Keenan Wynn
221:Keenan Wynn
211:. It stars
164:100 minutes
61:Produced by
41:Directed by
1732:1972 films
1726:Categories
1405:Death Wish
1325:The Jokers
1309:The System
1037:References
965:magazine,
848:Black Belt
796:Froug p 22
769:Froug p 21
760:Froug p 20
671:Simon West
586:described
556:Home media
537:: Opus 133
472:James Bond
430:. He said
392:Production
362:as The Man
280:to have a
274:depression
248:Ben Foster
147:1972-11-17
51:Written by
1669:Crazy Joe
1577:Films by
1493:Bullseye!
1437:Firepower
1349:The Games
568:Reception
368:as Yamoto
278:call girl
103:Edited by
1586:Directed
1245:Features
1194:Category
969:section.
963:New York
689:See also
525: —
309:alkaloid
177:Language
115:Music by
75:Starring
1637:The Fox
1629:Seconds
1528:Old Mac
1389:Scorpio
1301:West 11
1013:Variety
891:Variety
746:May 26,
617:of the
606:of the
594:Variety
551:Release
483:Filming
305:brucine
180:English
169:Country
145: (
1712:(2011)
1704:(1988)
1696:(1980)
1688:(1977)
1680:(1974)
1672:(1974)
1664:(1973)
1656:(1972)
1648:(1968)
1640:(1967)
1632:(1966)
1613:(1983)
1605:(1979)
1597:(1976)
1537:(1962)
1531:(1961)
1520:Shorts
1512:(1999)
1504:(1993)
1496:(1990)
1488:(1989)
1480:(1988)
1472:(1985)
1464:(1984)
1456:(1983)
1448:(1982)
1440:(1979)
1432:(1978)
1424:(1977)
1416:(1976)
1408:(1974)
1400:(1973)
1392:(1973)
1384:(1972)
1376:(1972)
1368:(1971)
1360:(1971)
1357:Lawman
1352:(1970)
1344:(1969)
1336:(1967)
1328:(1967)
1320:(1965)
1312:(1964)
1304:(1963)
1296:(1963)
1288:(1962)
1280:(1961)
1272:(1961)
1264:(1960)
1256:(1960)
1176:(2016)
1168:(2011)
1160:(1972)
1074:
1059:
1019:May 8,
984:. B17.
967:Movies
683:sequel
675:remake
659:Remake
474:film".
233:hitmen
223:, and
185:Budget
1610:Class
1149:Films
717:Notes
677:with
510:Music
1095:IMDb
1072:ISBN
1057:ISBN
1021:2009
748:2019
532:and
496:dojo
326:Cast
272:for
260:Plot
1104:at
1093:at
580:of
547:".
498:of
1728::
1011:.
961:,
911:.
845:.
739:.
733:.
647:A
235:.
227:.
219:,
1570:e
1563:t
1556:v
1229:e
1222:t
1215:v
1134:e
1127:t
1120:v
1078:.
1063:.
1023:.
997:.
917:.
879:.
750:.
149:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
.jpg)