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The Silver Swan (madrigal)

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or, more generally, on the loss of the late Elizabethan musical tradition. The English madrigal school flourished from the late 1580s and lasted into the 1620s, long after it had become unfashionable in the rest of Europe. But things were already in decline by the time
91:. By Gibbons' own account, he used Hatton's London house as a place to compose. Hatton appears to have selected the texts used in the collection: the authors of only some of the songs have been identified. 126:
was published in 1612. The last line could be taken as a biting condemnation of contemporary madrigal composers – though Gibbons himself was only in his thirties.
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are largely silent in life (or at least unmusical), and sing beautifully only just before their deaths (see
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Though composed as a madrigal, "The Silver Swan" is, in modern times, often performed as a song for
458: 644: 570: 340: 118: 256:, vol. 124, no. 1689, 1983, pp. 707–709. Accessed via JSTOR 18 June 2020 (subscription required) 402: 88: 8: 685: 548: 282: 161:
The words to this madrigal have been set to music by the following composers and groups:
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had a set of madrigals dedicated to him the following year by his composer in residence
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Oliver Tarney (2018), for SSA and piano from the secular upper-voices anthology
216:(2007), for voice and piano, or voice, flute and piano. Recordings available on 621: 542: 664: 536: 146: 135: 76: 55: (B), although some specify SSATB instead) and presents the legend that 425: 416: 213: 150: 187: 170: 249: 197: 139: 60: 344: 48: 28: 450: 36: 613: 401:, Oxford University Press: 1978, with co-issued recording by 203: 44: 266:'Orlando Gibbons: The Silver Swan (1612)', A Tune a Day blog 113: More Geese than Swans now live, more Fools than Wise." 56: 40: 94:
The anonymous lyrics of "The Silver Swan" are as follows:
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Ferris, Neil; Tomlinson, Joanna, eds. (10 August 2018).
79:). Gibbons dedicated this collection to his patron, Sir 371:. Songbird. Oxford, New York: Oxford University Press. 368:
As you sing: 9 secular concert works for upper voices
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The last line may be a comment on the demise of the
110:"Farewell, all joys! O Death, come close mine eyes! 101:when Death approached, unlocked her silent throat. 184:(for voice and piano, voice and guitar, or SATB). 149:. It is also performed as a song for soprano and 662: 364: 107:thus sang her first and last, and sang no more: 35:. It is scored for 5 voices (in most sources, 645: 466: 156: 277: 275: 273: 73:First Set of Madrigals and Motets of 5 parts 421:"Poem of the week: The Silver Swan by Anon" 285:. The Lied, Art Song, and Choral Texts Page 104:Leaning her breast against the reedy shore, 652: 638: 473: 459: 98:The silver Swan, who, living, had no Note, 71:The song was first published in Gibbons's 270: 194:for high voice or medium voice and piano. 311: 305:"Garth Baxter | Vocal Compositions" 663: 415: 454: 608: 398:The Oxford Book of English Madrigals 321:. Peer Music, The Global Independent 576:List of Westminster Abbey organists 480: 66: 13: 409: 14: 697: 434: 200:(1949), for high voice and piano. 612: 589: 588: 134:Commenting on the musical form, 676:Compositions by Orlando Gibbons 620:This song-related article is a 138:notes that "in common with the 441:Free scores of The Silver Swan 358: 341:"Qntal V: Silver Swan – Qntal" 333: 297: 259: 242: 1: 389: 624:. You can help Knowledge by 445:Choral Public Domain Library 7: 10: 702: 607: 520:This Is the Record of John 157:Other settings of the poem 15: 584: 558: 529: 497: 488: 250:“Gibbons and His Patrons” 395:Philip Ledger (editor), 235: 129: 571:English Madrigal School 206:(2006), on their album 119:English madrigal form 27:" is the most famous 491:List of compositions 403:Pro Cantione Antiqua 208:Qntal V: Silver Swan 16:For other uses, see 218:Within These Spaces 566:Christopher Hatton 222:Living in the Body 81:Christopher Hatton 681:Songs about birds 671:English madrigals 633: 632: 602: 601: 319:"The Silver Swan" 283:"The Silver Swan" 254:The Musical Times 693: 654: 647: 640: 616: 609: 592: 591: 475: 468: 461: 452: 451: 430: 383: 382: 362: 356: 355: 353: 351: 337: 331: 330: 328: 326: 315: 309: 308: 301: 295: 294: 292: 290: 279: 268: 263: 257: 246: 67:History and text 51: (Bar) and 701: 700: 696: 695: 694: 692: 691: 690: 661: 660: 659: 658: 605: 603: 598: 580: 554: 525: 513:The Silver Swan 493: 484: 482:Orlando Gibbons 479: 437: 419:(6 July 2015). 412: 410:Further reading 392: 387: 386: 379: 363: 359: 349: 347: 339: 338: 334: 324: 322: 317: 316: 312: 303: 302: 298: 288: 286: 281: 280: 271: 264: 260: 247: 243: 238: 182:Three Madrigals 159: 132: 124:The Silver Swan 69: 33:Orlando Gibbons 25:The Silver Swan 21: 12: 11: 5: 699: 689: 688: 683: 678: 673: 657: 656: 649: 642: 634: 631: 630: 617: 600: 599: 597: 596: 585: 582: 581: 579: 578: 573: 568: 562: 560: 556: 555: 553: 552: 546: 540: 533: 531: 527: 526: 524: 523: 516: 509: 501: 499: 495: 494: 489: 486: 485: 478: 477: 470: 463: 455: 449: 448: 436: 435:External links 433: 432: 431: 411: 408: 407: 406: 391: 388: 385: 384: 377: 357: 332: 310: 296: 269: 258: 248:Vining, Paul. 240: 239: 237: 234: 233: 232: 225: 211: 201: 195: 185: 175: 158: 155: 131: 128: 115: 114: 111: 108: 105: 102: 99: 85:Henry Fanshawe 68: 65: 9: 6: 4: 3: 2: 698: 687: 684: 682: 679: 677: 674: 672: 669: 668: 666: 655: 650: 648: 643: 641: 636: 635: 629: 627: 623: 618: 615: 611: 610: 606: 595: 587: 586: 583: 577: 574: 572: 569: 567: 564: 563: 561: 557: 550: 547: 544: 541: 538: 535: 534: 532: 528: 521: 517: 514: 510: 508: 507: 503: 502: 500: 496: 492: 487: 483: 476: 471: 469: 464: 462: 457: 456: 453: 446: 442: 439: 438: 428: 427: 422: 418: 417:Rumens, Carol 414: 413: 404: 400: 399: 394: 393: 380: 378:9780193524217 374: 370: 369: 361: 346: 342: 336: 320: 314: 306: 300: 284: 278: 276: 274: 267: 262: 255: 251: 245: 241: 230: 226: 223: 219: 215: 212: 209: 205: 202: 199: 196: 193: 190:(1987), from 189: 186: 183: 179: 176: 173: 172: 167: 166:Gary Bachlund 164: 163: 162: 154: 152: 148: 147:chamber choir 143: 141: 137: 136:Philip Ledger 127: 125: 120: 112: 109: 106: 103: 100: 97: 96: 95: 92: 90: 86: 82: 78: 74: 64: 62: 58: 54: 50: 46: 42: 38: 34: 30: 26: 19: 626:expanding it 619: 604: 512: 504: 447:(ChoralWiki) 426:The Guardian 424: 396: 367: 360: 348:. Retrieved 335: 323:. Retrieved 313: 299: 287:. Retrieved 261: 244: 228: 221: 217: 214:Lori Laitman 207: 191: 181: 178:Garth Baxter 174:SATB chorus. 169: 168:(1966), for 160: 151:viol consort 144: 133: 123: 116: 93: 72: 70: 24: 22: 549:Christopher 229:As you sing 192:Canzonettas 47: (T), 43: (A), 39: (S), 18:Silver Swan 686:Song stubs 665:Categories 390:References 325:23 October 289:7 February 188:John Musto 171:a cappella 545:(brother) 539:(brother) 506:Parthenia 198:Ned Rorem 140:lute-song 89:John Ward 61:swan song 594:Category 345:AllMusic 49:baritone 29:madrigal 559:Related 443:in the 350:28 July 180:, from 37:soprano 543:Edward 530:Family 375:  551:(son) 537:Ellis 498:Music 236:Notes 204:Qntal 130:Music 57:swans 45:tenor 622:stub 373:ISBN 352:2016 327:2011 291:2011 220:and 77:1612 53:bass 41:alto 63:). 31:by 667:: 423:. 343:. 272:^ 252:. 153:. 653:e 646:t 639:v 628:. 522:" 518:" 515:" 511:" 474:e 467:t 460:v 429:. 405:. 381:. 354:. 329:. 307:. 293:. 231:. 224:. 210:. 75:( 23:" 20:.

Index

Silver Swan
madrigal
Orlando Gibbons
soprano
alto
tenor
baritone
bass
swans
swan song
1612
Christopher Hatton
Henry Fanshawe
John Ward
English madrigal form
Philip Ledger
lute-song
chamber choir
viol consort
Gary Bachlund
a cappella
Garth Baxter
John Musto
Ned Rorem
Qntal
Lori Laitman
“Gibbons and His Patrons”
The Musical Times
'Orlando Gibbons: The Silver Swan (1612)', A Tune a Day blog

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