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The inaugural show at the Hélène-de-Champlain
Restaurant was unjuried like all the following shows and consisted of 51 works, mostly paintings, by 29 artists. It was the first time the abstract artists of Montreal were shown as a recognized and identifiable group. Critical response was positive.
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as well as semi-abstractionists and over time, numbered almost all of the abstract artists in
Montreal, extending over many media. Its purpose as a society was to exhibit Montreal non-figurative painters, sculptors, and printmakers in Society shows or elsewhere and to focus the attention of the
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177:. Afterward, the Non-Figurative Artists Association of Montreal disappeared, largely due to the increase in opportunity to exhibit in commercial galleries. However, it had a critical function for a time in Quebec's cultural evolution.
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288:"The Non-figurative Artists' Association of Montreal = L'Association des artistes non-figuratifs de Montréal , 1960-1961"
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provided the impetus for the organization by its 20 founding members. The three members of the provisional council were
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was a
Canadian art group in Quebec that existed from 1956 to 1961. It had a diverse membership formed from both
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205:"L'Association des Artistes Non Figuratifs de Montréal / The Non-Figurative Artists Association of Montreal"
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L'Association des artistes non figuratifs de Montréal = The Non-Figurative
Artists' Association of Montréal
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323:. Montreal: Sir George Williams Art Galleries/Galeries d'art Sir George Williams. 1983.
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and online is a photo of 18 of the 20 founding members holding up their work in 1957 in
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The last show of the NFAAM was a circulating exhibition organized by the
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146:. Leduc was elected president for the first three and a half years.
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Professional Native Indian
Artists Inc. (Indian Group of Seven)
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conservative public and staff of museums on abstract art.
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was appointed as advisor. Among the founding members was
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L'Association des artistes non figuratifs de Montréal
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454:Intermedia
181:References
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24:Formation
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70:Montreal
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58:Purpose
53:Charity
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