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and his leg appears. The artist attempts to reveal human naturalism. The room is lavishly ornamented with gold. The painting features exuberant patterns, radiant colors, and ostentatious costumes. The artist creates a three-dimensional scene filled with majestic splendor. A soldier peaks into a
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The work of art is made of egg tempera on wood. The height is 39.7 cm (15.6 in) and the width is 49.5 cm (19.4 in). The orientation of the painting illustrates the artist's comfort with painting works similar to French and
Flemish engravings. He used the same method in his
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doorway inlaid with ancient Greek columns. The soldier is dressed in lavish attire. Two other figures appear to our right outside of a second doorway. Multiple structures emerge in the background beneath a beautiful blue sky. On the ceiling of the room, the
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appears a second time within a celestial aura holding the infant Jesus. The aura also features a three-dimensional layer of clouds. The different objects spread around the room demonstrate the artist's attempt to create a multi-dimensional environment.
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162:. He settled on the island of Corfu. He was a famous teacher. He signed a six-year contract to teach painting to Marinos Damistras son Tzorzi. The contract stipulated that his student had to follow him to Venice.
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frequently traveled all over the
Venetian Empire. During one period of his life, he stayed in Venice for over 13 years. He was very active within the painting community. He was also involved with the prestigious
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206:. Poulaki depicted the holy belt in his painting. Poulaki's paintings were heavily influenced by French and Flemish engravings circulating the Venetian Empire. Most of the Greek community embraced
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275:. The crowned Virgin is the central figure. She is pregnant. Joseph is also crowned. He is kneeling before her. Two children hold the traditional religious
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529:, Vol. 30, No. 2 (1991), pp. 91–99, The University of Chicago Press on behalf of the International Center of Medieval Art,
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525:"Cassidy (1991)": Cassidy, Brendan, "A Relic, Some Pictures and the Mothers of Florence in the Late Fourteenth Century",
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or
Venetian painting. The artist absorbed the stylistic characteristic of Flemish and French painting.
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154:. He was a Greek painter originally from the village of Chania, Crete. He was associated with the
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missed the post-resurrection of the holy spirit and he was doubting the event. He also missed the
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670:
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397:]. Athens: Center for Modern Greek Studies, National Research Foundation. pp. 304–317.
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Greek
Painters after the Fall of Constantinople (1450–1830). Volume 2: Kavallaros – Psathopoulos
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39.7 cm × 49.5 cm (15.6 in × 19.4 in)
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also referred to as the miracle of the holy belt is a sacred relic located at
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390:Έλληνες Ζωγράφοι μετά την Άλωση (1450–1830). Τόμος 2: Καβαλλάρος – Ψαθόπουλος
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and a candle. Three religious figures are present, a priest is handing the
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is an example of the artist's knowledge of both styles. He also integrated
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158:. He eventually migrated to the Ionian Islands. He was a member of the
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According to legend, a knotted textile cord fell from the heavens to
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511:. Athens, Greece: Leventis Gallery & Benaki Museum. p. 302.
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Working
Drawings of Icon Painters after the Fall of Constantinople
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Saint
Spyridon, John the Baptist, Saint Peter, and Saint George
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Rylands, Philip, "Palma
Vecchio's 'Assumption of the Virgin'",
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484:Ο Αγιογράφος Θεόδωρος Πουλάκης και η Φλαμανδική Χαλκογραφία
428:"Poulakis (Pulachi, Pulaki) Theodoros (Theodoro, Thodoro)"
489:
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council. One hundred thirty of his work survived. The
259:'s tiled floors. An example of floor tiling is in his
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The
Andreas Xyngopoulos Portfolio at the Benaki Museum
543:, Vol. 119, No. 889, (Apr., 1977), pp. 244–250,
491:]. Athens, Greece: Ekdoseis Grēgorē. p. 139.
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481:Rēgopoulos, Iōannēs K; Poulakis, Theodore (1979).
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387:Hatzidakis, Manolis; Drakopoulou, Evgenia (1997).
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265:. The style was also adopted by Greek painter
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255:. The artist also reveals his knowledge of
238:painting. The work of art is housed at the
869:Virgin Glykofilousa with the Akathist Hymn
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949:A Scene from the Life of John Chrysostom
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448:Rylands, 249; Cassidy (1991), 93, 98
430:. Institute for Neohellenic Research
426:Eugenia Drakopoulou (June 7, 2022).
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1024:Paintings of the Heptanese school
993:Institute of Neohellenic Research
893:Angel Holding the Body of Christ
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941:Entry of Christ into Jerusalem
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458:Staff Writers (June 7, 2022).
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91:The Miracle of the Holy Belt,
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925:The Deposition from the Cross
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16:Painting by Theodore Poulakis
837:The Miracle of the Holy Belt
232:The Miracle of the Holy Belt
148:The Miracle of the Holy Belt
22:The Miracle of the Holy Belt
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581:Heptanese school (painting)
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210:. Poulaki's works such as
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861:Adoration of the Shepherds
845:Virgin and Child on Bronze
460:"The Miracle of Holy Life"
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983:Hellenic Institute Venice
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502:Vassilaki, Maria (2015).
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864:(Tzangarolas, 1688–1700)
289:Saint Thomas the Apostle
198:and the Virgin sent the
184:Saint Thomas the Apostle
912:(N. Doxaras, 1725–1775)
671:Konstantinos Kontarinis
540:The Burlington Magazine
318:The Nativity of Christ
186:around the time of the
1014:17th-century paintings
968:(Kantounis, 1790–1834)
965:Lamentation of Christ
960:(Koutouzis, 1750–1813)
928:(Stavrakis, 1729-1786)
920:(Stavrakis, 1750–1800)
904:(Stavarkis, 1729–1786)
848:(E. Moskos, 1650–1687)
840:(Poulakis, 1640–1692))
832:(E. Moskos, 1664–1666)
808:(Poulakis, 1640–1692))
800:(I. Moskos, 1665–1721)
767:Christodoulos Kalergis
742:Georgios Kastrofylakas
715:Outside Ionian Islands
253:The Nativity of Christ
901:Vision of Constantine
856:(Poulakis, 1660–1692)
797:Constantine and Helen
792:(Poulakis, 1640–1692)
789:The Archangel Michael
681:Stephanos Tzangarolas
202:as proof to doubting
179:in Tuscany, Italy.
29:Θαύμα της Aγίας Ζώνης
646:Gerasimos Pitsamanos
588:Principal proponents
348:tiled floor example
333:tiled floor example
269:in his portrayal of
1019:Paintings in Greece
885:Virgin Glykofilousa
872:(Tzangarolas, 1700)
732:Dionysios of Fourna
666:Demetrios Stavrakis
661:Stylianos Stavrakis
651:Spyridon Sperantzas
625:Efstathios Karousos
222:were influenced by
988:Manolis Hatzidakis
909:Assumption of Mary
888:(Karantinos, 1723)
880:(P. Doxaras, 1700)
824:(E. Tzanes, 1662))
816:(E. Tzanes, 1659))
772:Defterevon Sifnios
762:Antonios Skordilis
757:Emmanuel Skordilis
641:Andreas Karantinos
620:Spyridon Ventouras
615:Nikolaos Kallergis
610:Nikolaos Koutouzis
605:Nikolaos Kantounis
595:Panagiotis Doxaras
257:Michael Damaskinos
236:Cretan Renaissance
196:Assumption of Mary
188:Assumption of Mary
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1000:
952:(Ventouras, 1797)
917:The Prophet Jonah
896:(Kallergis, 1732)
701:Theodore Poulakis
691:Demetrios Nomikos
656:Stylianos Devaris
368:Mérode Altarpiece
219:In Thee Rejoiceth
152:Theodore Poulakis
150:was completed by
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54:Theodore Poulakis
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944:(Karousos, 1780)
933:The Holy Trinity
821:Saint Onuphrius
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262:The Last Supper
213:The Fall of Man
200:Girdle of Thomas
173:Girdle of Thomas
160:Heptanese School
140:Official Website
113:, Athens, Greece
93:Girdle of Thomas
82:Heptanese School
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277:thymiaterion
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192:Saint Thomas
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63:c. 1642–1692
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28:
781:Major works
403:10442/14088
363:Holy Girdle
281:Virgin Mary
246:Description
1008:Categories
853:Noah's Ark
374:References
335:Damaskinos
272:Saint Mark
99:Dimensions
285:holy belt
169:quarantia
128:Accession
33:Italian:
737:Makarios
357:See also
320:Poulakis
164:Poulakis
107:Location
77:Movement
976:Related
466:June 7,
434:June 7,
305:Gallery
136:Website
131:ΓΕ 3027
88:Subject
27:Greek:
409:
350:Tzanes
298:Virgin
293:Virgin
204:Thomas
68:Medium
50:Artist
545:JSTOR
531:JSTOR
527:Gesta
487:[
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118:Owner
468:2022
436:2022
407:ISBN
283:the
216:and
60:Year
399:hdl
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190:.
31:,
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