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around her. Outside the circle, the landscape is bare and barren; a group of rooks or ravens and a frog – all symbols of evil associated with witchcraft – are excluded. But within its confines are flowers and the woman herself, objects of beauty. The picture's meaning is unclear, but its mystery and
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The woman in this picture appears to be a witch or priestess endowed with magic powers, possibly the power of prophecy. Her dress and general appearance are highly eclectic and are derived from several sources: she has the swarthy complexion of a woman of Middle-Eastern origin; her hairstyle is like
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In a style typical of
Waterhouse, the main character is a lone female figure placed centrally on the canvas. The surrounding landscape is hazy, as though it is not quite real, and the background figures are only discernible on close inspection, deliberately ensuring the witch is the only image of
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Waterhouse paid careful attention to the angles employed in this work, balancing the circle the figure is drawing around herself by using a triangle – her straight arm, extended by the straight stick, held out at 25 degrees to her erect body. The determined face emphasises the witch's power, her
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and that the image is only viewable at a specific required distance from the painting. The article also suggests that it may have been possible to achieve that distance by viewing the painting through reversed binoculars or opera glasses. An accompanying documentary,
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361:. An accompanying blog piece presents a detailed argument including evidence that the “face” emerging from the landscape in the painting is that of “Delphis,” the Sorceress’s lover, whom she is attempting to summon.
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exclusion of the ravens and frog – popular symbols representing magic – and her command over the smoke pillar. Instead of billowing outwards or being affected by the wind, it remains in a straight line. A live snake
675:"A Mirror of Poesy: New evidence for the inspiration behind John Waterhouse's The Magic Circle & Maurice Greiffenhagen's An Idyll: and the optical effect at the heart of Waterhouse's masterpiece"
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203:, 61.5 cm (24.2 in) high and 41.2 cm (16.2 in) wide, also held by a private collector. He initially sketched the composition in a sepia pen and ink version in 1880–1881.
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that of an early Anglo-Saxon; her dress is decorated with
Persian or Greek warrior. She holds a crescent-shaped sickle in her left hand, linking her with the moon and
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288:(1896, Manchester City Art Gallery). His oeuvre also includes several Middle Eastern subjects, in which he drew on the work of contemporary artists such as
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841:"Pre-Raphaelite art: the paintings that obsessed the Victorians [print version: Sex and death: The paintings that obsessed the Victorians]"
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measures 88 cm (34.6 in) high and 60 cm (23.6 in) wide. A private collector holds it. Waterhouse painted a c. 1886 study for
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is one of the paintings featured in The Great Hall at Miss Cackle’s
Academy for Witches in the set dressing of the 2005 children’s TV series,
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exoticism struck a chord with contemporary observers. When the picture was exhibited at the Royal
Academy in 1886, the critic for the
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296:(1836–1912), rather than on experience. This is one of Waterhouse's earlier works and reflects his fascination with the exotic.
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Miracles, magic, and the power of prophecy are common themes in
Waterhouse's art. More specifically, the notion of woman as
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A later PRS Review essay follows this by presenting evidence that the painting is directly inspired by
Theocritus’s
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653:"Inside the mystery of JW Waterhouse's The Magic Circle, Jennifer & Mark Williams: Web documentary"
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is one of the paintings with an occult theme featuring in the set dressing of the 2018-2020 TV series,
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A Converted
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134:. Two copies of the painting were produced. The two paintings and a study depict a
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in 1886, the year after
Waterhouse was elected an Associate member. Coming after
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858:"Pre-Raphaelites for a new generation: Letters, 17 June: Pre-Raphaelite revival"
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786:"Real witches and pagans break down Netflix's Chilling Adventures of Sabrina"
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192:. The painting was extremely successful with the critics and public alike.
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The Magic Circle, or There's
Nothing like a Lather by Soap-and-Waterhouse
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183 cm Ă— 127 cm (72 in Ă— 50 in)
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534:"John William Waterhouse, R.A. (1848-1917), Study for The Magic Circle"
871:"Waterhouse: The modern Pre-Raphaelite, at the Royal Academy – review"
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is similar in composition to
Waterhouse's later 1916 painting,
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357:” and in particular by CS Calverley’s 1866 translation of the
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94:, 88 cm x 60 cm (34.6 in x 23.6 in), in a private collection
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John William Waterhouse (The Art and Life of JW Waterhouse)
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305:. With the wand in her right hand, she draws a protective
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A study for the painting, c. 1886, in a private collection
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John William Waterhouse (Comprehensive Painting Gallery)
723:"No. 450. Sarah B. in a New Piece. A big spooney scene"
559:"Detail from JW Waterhouse Sketch for the Magic Circle"
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Inside the mystery of JW Waterhouse's The Magic Circle
816:"Chilling Adventures of Sabrina, Season 1, Episode 3"
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I Am Half-Sick of Shadows, Said the Lady of Shalott
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I Am Half-Sick of Shadows, Said the Lady of Shalott
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1002:The Unwelcome Companion: A Street Scene in Cairo
384:tending a cauldron and another in an exhibition
935:John William Waterhouse in the "History of Art"
468:"John William Waterhouse The Magic Circle 1886"
252:' portrayals of sorceresses, such as his 1864
150:on the Earth to create a ritual space for her
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439:List of paintings by John William Waterhouse
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920:John William Waterhouse Style and Technique
673:Williams, Mark and Jennifer (Summer 2023).
507:. johnwilliamwaterhouse.com. Archived from
491:"John William Waterhouse, R.A. (1848-1917)"
416:exhibition at the British Library in 2017.
1446:Louisa Beresford, Marchioness of Waterford
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698:"The inspiration behind the magic circle"
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869:Dorment, Richard (29 June 2009),
279:Circe Offering the Cup to Ulysses
2078:Collection of the Tate galleries
1235:Commons: John William Waterhouse
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856:Simpson, Eileen (17 June 2009),
414:Harry Potter: A History of Magic
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1170:Gather Ye Rosebuds While Ye May
1162:Gather Ye Rosebuds While Ye May
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282:(1891, Oldham Art Gallery) and
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211:National Gallery of Australia
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372:created several parodies of
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925:Waterhouse at Tate Britain
628:"'Review' Summer 2018 PDF"
353:, more commonly known as “
314:wrote, "Mr Waterhouse, in
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105:by J. W. Waterhouse (1916)
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1843:The Roses of Heliogabalus
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898:(John William Waterhouse)
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276:recurs in images such as
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1828:The Legend of Briar Rose
1657:The Awakening Conscience
1314:Frederic George Stephens
1309:William Michael Rossetti
940:27 November 2020 at the
419:Another reproduction of
2013:Rossetti and His Circle
1954:Marie Spartali Stillman
1541:John William Waterhouse
1526:John Melhuish Strudwick
1521:Marie Spartali Stillman
1391:Charles Allston Collins
978:John William Waterhouse
365:In contemporary culture
323:quoted in Hobson, p. 37
132:John William Waterhouse
42:John William Waterhouse
1615:The Light of the World
1551:William Lindsay Windus
1299:Dante Gabriel Rossetti
1066:Ulysses and the Sirens
702:Waterhouserevealed.com
632:Pre-Raphaelite Society
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209:was on display at the
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1760:A Vision of Fiammetta
1664:The Hireling Shepherd
1376:Georgiana Burne-Jones
1026:Consulting the Oracle
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242:Miranda - The Tempest
176:Consulting the Oracle
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103:Miranda - The Tempest
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1878:Hylas and the Nymphs
1431:Edward Robert Hughes
1396:Frank Cadogan Cowper
1341:Lawrence Alma-Tadema
1294:John Everett Millais
1114:Mariana in the South
1098:Hylas and the Nymphs
930:Ten Dreams Galleries
900:at Wikimedia Commons
380:showing the actress
294:Lawrence Alma-Tadema
285:Hylas and the Nymphs
2037:Desperate Romantics
1899:The Lady of Shalott
1835:The Lady of Shalott
1779:Cymon and Iphigenia
1746:The Shadow of Death
1698:Oxford Union murals
1643:The Last of England
1601:Ecce Ancilla Domini
1546:William James Webbe
1289:William Holman Hunt
1050:The Lady of Shalott
875:The Daily Telegraph
862:The Daily Telegraph
846:The Daily Telegraph
751:on 18 November 2016
590:on 6 December 2018.
511:on 9 November 2009.
403:The New Worst Witch
376:, including one in
2108:Paintings of women
1807:Dante and Beatrice
1471:Christina Rossetti
1411:Henry Treffry Dunn
1371:Edward Burne-Jones
1346:George Price Boyce
1146:Echo and Narcissus
522:2013 Sothebys sale
505:"J. W. Waterhouse"
396:A reproduction of
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1461:Joseph Noel Paton
1436:Frederic Leighton
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987:List of paintings
893:Media related to
796:on 15 August 2020
729:on 4 August 2016.
538:www.christies.com
170:was shown at the
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2007:Morris & Co.
1924:Elizabeth Siddal
1821:The Magic Circle
1814:Love's Messenger
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1486:Frederick Sandys
1401:Evelyn De Morgan
1366:Richard Burchett
1361:Lucy Madox Brown
1356:Ford Madox Brown
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374:The Magic Circle
339:The Magic Circle
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292:(1805–1876) and
250:Frederick Sandys
246:The Magic Circle
238:The Magic Circle
207:The Magic Circle
201:The Magic Circle
197:The Magic Circle
190:Chantrey Bequest
168:The Magic Circle
152:ceremonial magic
146:to draw a fiery
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2103:Frogs in art
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2002:Hogarth Club
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1979:Ruth Herbert
1969:Dorothy Dene
1944:Annie Miller
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1864:Flaming June
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1570:post-period)
1568:(period and
1536:Henry Wallis
1416:William Dyce
1386:John Collier
1331:artists and
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821:16 September
819:. Retrieved
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798:. Retrieved
794:the original
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749:the original
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608:. March 2019
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562:. Retrieved
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541:. Retrieved
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472:. Retrieved
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351:Second Idyll
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307:magic circle
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226:importance.
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186:Tate Gallery
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148:magic circle
124:oil painting
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78:Tate Britain
18:
2047:(2014 film)
2023:(1967 film)
2016:(1922 book)
1974:Fanny Eaton
1949:Jane Morris
1939:Sophie Gray
1885:Lady Godiva
1772:The Beloved
1711:Roman Widow
1704:Lady Lilith
1563:well-known
1481:Emma Sandys
1476:John Ruskin
1329:Associated
1278:(paintings)
290:J. F. Lewis
274:enchantress
221:Description
181:St. Eulalia
162:The larger
122:is an 1886
2062:Categories
2045:Effie Gray
1934:Effie Gray
1753:Proserpine
1671:April Love
1351:John Brett
755:12 January
679:PRS Review
584:nga.gov.au
450:References
335:The Review
66:Dimensions
1125:(c. 1900)
1122:The Siren
994:Paintings
790:SYFY WIRE
258:and 1868
232:ouroboros
140:sorceress
130:style by
1996:The Germ
938:Archived
848:(Review)
765:cite web
444:Pentacle
433:See also
329:Theories
321:—
142:using a
80:, London
74:Location
1988:Related
1608:Mariana
1580:Ophelia
1333:figures
1206:Related
1106:Pandora
1090:Ophelia
707:19 June
474:10 June
158:History
126:in the
1917:Models
1901:(Hunt)
1850:Lilith
1215:(wife)
1189:(1915)
1181:(1915)
1173:(1909)
1165:(1908)
1157:(1907)
1149:(1903)
1141:(1903)
1138:Boreas
1133:(1902)
1117:(1897)
1109:(1896)
1101:(1896)
1093:(1894)
1085:(1894)
1077:(1892)
1069:(1891)
1061:(1891)
1053:(1888)
1045:(1886)
1037:(1885)
1029:(1884)
1021:(1883)
1013:(1874)
1005:(1873)
359:Idylls
303:Hecate
268:Themes
56:Medium
38:Artist
1678:Found
1565:works
1561:Some
606:Issuu
378:Punch
261:Medea
136:witch
1871:Hope
1650:Work
823:2020
802:2020
771:link
757:2022
709:2023
685:(2).
683:XXXI
660:2020
639:2020
614:2020
566:2020
545:2020
476:2019
178:and
144:wand
51:1886
48:Year
1857:Eos
166:of
138:or
2064::
873:,
860:,
843:,
788:.
767:}}
763:{{
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478:.
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