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The Living Corpse

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The central character of the play, Fedor Protasov, is tormented by the belief that his wife Liza has never really chosen between him and the more conventional Victor Karenin, a rival for her hand. He wants to kill himself, but doesn't have the nerve. Running away from his life, he first falls in with
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at that time, the article never explicitly mentions Adler's impending production, despite being written by one of their few Jewish correspondents at that time. The production, which ran for four months, has been credited with reviving the fortunes of serious Yiddish-language theater in New York,
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Meanwhile, his wife, presuming him dead, has married the other man. When Protasov is discovered, she is charged with bigamy, accused of arranging her husband's disappearance. He shows up in court to testify that she had no way of knowing that he was alive; when the judge rules that his wife must
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Gypsies, and into a sexual relationship with a Gypsy singer, Masha. However, facing Masha's parents' disapproval, he runs away from this life as well. Again he wants to kill himself, but lacks the nerve; again, his descent continues.
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Bernstein, Herman. 1911. "Tolstoy's Play, "The Living Corpse," Stirs Russia; Strong Melodrama Produced in Russia Will Soon be Seen in Berlin and Elsewhere--;The Story of a Worthless Husband's Failure and Final Sacrifice."
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acting as a co-director. A production in Saint Petersburg followed shortly after. Soon translated into many languages, it played in Berlin, Vienna, Paris, and London.
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either give up her new husband or be exiled to Siberia, Protasov shoots himself. Hysterically, his wife declares that it is Protasov whom she always loved.
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ran an extensive piece on the play by Herman Bernstein, with a synopsis so thorough as almost to amount to an English translation. Typical of the
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played Fedor, Violet Lewis played Lisa, Laurence Anderson played Victor, Lydia Yavorska played Masha, and Anthony Ward played Prince Abreskov.
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Its first performance in the United States was a Yiddish-language production in New York, produced by and starring
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Jones, W. Gareth. 2002. "Tolstoy Staged in Paris, Berlin, and London." In Orwin (2002, 142-161).
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The play received its English-language premiere in London on 6 December 1912, under the title
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Gilien, Leo. 1916. "Irving Place Production of Tolstoy Play Not Its First in America."
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Title page of Arthur Hopkins' English-language version of the play, published in 1919
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after a period of about six years in which lighter fare had dominated.
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Cambridge Companions to Literature ser. Cambridge: Cambridge UP.
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Rosenfeld, Lulla. 1999. Commentary. In Adler (1999, 367-370).
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A German-language production was staged in New York in 1916.
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23 September] 1911. It was principally directed by
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This article is about Tolstoy's play. For other uses, see
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produced its Broadway premiere in 1918 under the title
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The Triumph of the Farmer or Industry and Parasitism
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London: The Stage. 514:Carson, L, ed. 1913. 143: 135: 1602:Plays by Leo Tolstoy 1233:A Calendar of Wisdom 476:Adler, Jacob. 1999. 396:The Man Who Was Dead 185:The Man Who Was Dead 69:5 October [ 1529:The Weakness of Man 1328:Christian anarchism 1218:A Letter to a Hindu 1194:What Is to Be Done? 1178:The Gospel in Brief 1143:The Cause of It All 1111:The First Distiller 938:An Old Acquaintance 847:Sevastopol Sketches 782:The Kreutzer Sonata 451:Carson (1913, 165). 275:The Weakness of Man 16:Play by Leo Tolstoy 1402:Tolstoj quadrangle 1345:(1928 documentary) 1323:Tolstoyan movement 1029:A Lost Opportunity 966:Wisdom of Children 924:Diary of a Lunatic 889:The Porcelain Doll 596:, Oct 19, 1916, 7. 442:Jones (2002, 150). 166:Moscow Art Theatre 160:Production history 149: 138: 82:Moscow Art Theatre 47:Moscow Art Theatre 43:as Prince Abrezkov 1579: 1578: 1569:The Living Corpse 1545:The Living Corpse 1513:The Living Corpse 1474: 1473: 1433:Vladimir Chertkov 1135:The Living Corpse 980:Promoting a 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Index

The Living Corpse (disambiguation)

Konstantin Stanislavski
Moscow Art Theatre
Leo Tolstoy
O.S.
Moscow Art Theatre
Leo Tolstoy
Arthur Hopkins
John Barrymore


Maribor Slovene National Theatre
Moscow Art Theatre
O.S.
Vladimir Nemirovich-Danchenko
Konstantin Stanislavski
Theatre Royal
Edmond Breon
Jacob Adler
Leon Kobrin
New York Times
Yiddish theater
Broadway
Arthur Hopkins
John Barrymore
Живой труп
IMDb
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The Weakness of Man

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