1049:, wrote: "Anyone who cares about the rather uncertain future of this truly American genre should – must – see the show, think and worry about it, and reach his or her own conclusions ... Craig Lucas's book seems perfectly adequate to me, but the emphasis must be on Adam Guettel's music and lyrics ... the music, though fluctuating between the Sondheimesque and offbeat but still Broadwayish and the art-songlike and even operatic, is steadily absorbing, even if only intermittently melodious. One duet, "Let's Walk", is an unqualified hit, but the rest, without fully cohering, is also arresting. Ted Sperling and Guettel's jaunty orchestrations add to the slightly disorienting but wholly fascinating harmonies and instrumentation."
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bride for his son who is only 20. Relieved that he has not discovered their secret, Margaret begs him to change his mind, but he will not. She invites him to take a walk with her, and the two wander from one end of
Florence to the other as the sun slowly sets and the night comes on ("Let's Walk"). By giving him time to mull things over and by not pressuring him, Margaret succeeds in putting the wedding back on track. They share a kiss and Signor Naccarelli promises his family will meet the Johnsons at the church the following morning, as originally planned.
564:, and the accident has caused her mental and emotional abilities to develop abnormally. Margaret feels that she must take Clara away from Florence at once, and she steps down into the lobby to have a drink. While she is away, Fabrizio comes to the room, distraught; he cannot find the right words to express his feelings, and Clara urges him to use any other means; Clara accepts Fabrizio's proposal of marriage, and the two are embracing, half undressed, as Margaret walks in on them ("Say It Somehow").
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isn't normal, Roy, doesn't mean she's consigned to a life of loneliness. She mustn't be made to accept less from life just because she isn't like you or me." Shattered, Clara slips out of the hotel room and runs once more through
Florence ("Clara's Interlude"), meeting Fabrizio at the church in order to tell him that she cannot marry him; she won't allow herself to cause him any pain. However, Fabrizio assuages all of her fears ("Love to Me").
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kisses
Fabrizio right on the mouth, and Clara witnesses it, breaking into a furious rant that ends with her throwing a drink on Franca ("Clara's Tirade"). As Clara breaks down, Franca commends her for her bravery and declares her own desire to fight for Giuseppe. She toasts the upcoming union and is joined by the rest of the family ("Octet Part 2").
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Clara, Margaret tries without success to share her deep reservations. When she looks in
Fabrizio's eyes and sees the love there, she cannot bring herself to disappoint him, as much as she feels she must; for there is something about Clara that none of these people know. Clara secretly makes plans to meet Fabrizio at midnight near the hotel.
1061:, deemed the show "encouragingly ambitious and discouragingly unfulfilled... the production comes into its own only in the sweetly bitter maternal regrets and dreams of Margaret Johnson." He further made special mention of the "gorgeous autumn-leaf-strewn set", the "lush golden lighting" and "the delectable period costumes".
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called the musical a "gorgeously staged and musically sophisticated adaptation... the
Guettel sound is nevertheless plush and enjoyable with a genuine musical theater sensibility.... Lucas has made room for the young lovers' voices and retained enough of the psychological complexities to prevent this
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Moments before the wedding, Clara tells
Margaret she can't leave her; Margaret assures her she can. Left alone, Margaret breaks open all the repressed doubts and yearnings that she has carried for years on end about love, realizing at last that the chance of love somehow outweighs the terrible risks,
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Margaret takes Clara to Rome to distract her and put an end to the affair. Back in
Florence, the Naccarelli household is in complete chaos. As the family despairs, Signora Naccarelli translates in an aside; Fabrizio believes he has ruined everything with Clara, his father attempts to comfort him, and
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Margaret calls her husband Roy, who is back in the states. She tries to tell him what is happening with Clara and
Fabrizio, but he is brusque and not very understanding, cutting short the conversation. Margaret, alone in her hotel room, reflects on the loneliness in her marriage ("Dividing Day"). She
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Clara is instructed in the Latin catechism in preparation for converting to
Catholicism while around her everyone in the extended family sings of their feelings, stirred up by the immediate presence of such intense, young love ("Octet Part 1"). Franca, in an attempt to arouse her husband's jealousy,
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Fabrizio, alone, declares his love for Clara, along with a heartfelt cry of fear that she could never love anyone as lost and without position as he ("Il Mondo Era Vuoto"). Fabrizio begs his father, Signor
Naccarelli, and his brother, Giuseppe, to help him appear more presentably for Clara. Giuseppe
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From the hotel room, Margaret calls Roy to tell him about the wedding. As might be predicted, he insists that Clara cannot handle the responsibilities of marriage. Clara, in her wedding dress, stands in the shadows, overhearing her mother's side of the conversation. Margaret says, "Just because she
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Margaret tries to reason with Signor Naccarelli, who saw Clara's childlike handwriting as she completed her marriage form. Seemingly unconcerned with her immaturity or her handwriting, Signor Naccarelli admits that he saw Clara write her age on the forms – 26 – and that this makes her an unsuitable
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Margaret and Clara are invited to have tea at the Naccarelli home. Giuseppe's wife, Franca, takes Clara on a tour of the apartment, and alone in a separate room, she warns Clara about how quickly love can stale in marriage ("The Joy You Feel"). Though the Naccarellis are universally impressed with
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On her way to meet Fabrizio, Clara becomes lost in the maze-like streets of Florence. She loses all poise and control, becoming hysterical and screaming like a child ("Hysteria"). Her mother takes her back to the hotel and, as Clara sleeps, reveals the source of her disquiet to the audience. When
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At the wedding rehearsal, Clara and Fabrizio are filling out the necessary forms when Signor Naccarelli sees something on Clara's form that causes him to call off the wedding and take his family away at once. Clara wants to know what is wrong with her, but her mother says there is nothing at all
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In the early morning of their first day in Florence, Margaret reads to Clara from her guide book as the piazza around them wakes up and comes to life ("Statues and Stories"). A breeze carries Clara's hat off her head and across the square. A young Italian man, Fabrizio, catches it, mid-air, and
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No matter what Margaret tries, her daughter refuses to give her an inch, culminating in a painful confrontation wherein Margaret slaps Clara across the face. Clara erupts with a torrent of feeling, centered on Fabrizio and the nature of love ("The Light in the Piazza"). This causes Margaret to
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wrong. With Clara sobbing and broken, alone in one of the pews of the church, Margaret reveals her worst fears and her shame at having been the source of her daughter's lifelong suffering. She resolves to do whatever it takes to give Clara a chance for happiness ("The Beauty Is (Reprise)").
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at the Court House Theatre in Niagara on the Lake, Ontario, Canada. Previews began July 4, 2013 with the official opening July 26, 2013; the show closed on October 13. The musical was directed by Jay Turvey and starred Patty Jamieson as Margaret Johnson.
185:, with unexpected harmonic shifts and extended melodic structures, and is more heavily orchestrated than most Broadway scores. Many of the lyrics are in Italian or broken English, as many of the characters are fluent only in Italian.
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October 19–21, 2009, which was the Canadian première. Directed by Fran Rude and musical direction by Ken Rogers this production starred Diane Llewelyn-Jones as Margaret, Nicole Higginson as Clara and Steven Morton as Fabrizio.
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where the marble statues and reaching figures in the paintings speak to Clara of her own yearnings ("The Beauty Is"). Fabrizio appears, hoping to arrange a time to meet with Clara, but Margaret intervenes again.
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A highly acclaimed production at Theo Ubique Cabaret Theater in Chicago opened on March 11, 2012, starring Kelli Harrington as Margaret and Rachel Klippel as Clara. Harrington's performance won the
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from October 28, 2016 to November 6, 2016, directed by Theresa Borg and starring Chelsea Plumley (Margaret Johnson), Genevieve Kingsford (Clara Johnson) and Jonathan Hickey (Fabrizio Naccarelli).
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said the show employed, "the most soul-satisfying score written for Broadway so far this century." He concluded, "'Piazza' is still very much alive and, in this staging, as vital as ever."
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hailing the overall production and Josh Grosso in the role of Fabrizio. The cast included Becki Toth as Margaret and Lindsay Bayer as Clara. It was directed by Stephen Santa.
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in 2009. It starred Christopher Callen as Margaret, Brooke Tansley as Clara, and Craig D' Amico as Fabrizio (all Broadway veterans) under the direction of Brady Schwind.
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On April 4, 2016, the entire original Broadway cast reunited for a benefit concert version of the musical at the Vivian Beaumont Theater, where it originally played.
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A Japanese production of the musical was produced in December 2007, having a limited engagement of about a month. It starred Kaho Shimada as Margaret Johnson.
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as Signora Naccarelli, Rodd Cyrus as Giuseppe, James D. Gish as Fabrizio, Ivan Hernandez as Signor Naccarelli and Anna Zavelson as Clara. Directed by
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as Clara, with design by George Souglides, musical direction by Julian Kelly, lighting design by Giuseppe di Iorio, sound design by Paul Groothuis.
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Front Porch Theatricals (Pittsburgh) staged a performance in August 2015. It received rave reviews from both local and national critics with
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relent, to set aside her doubts and considerations, and to no longer stand in the way of the wedding. The two return to Florence.
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returns it to her. The two are instantly smitten, but Margaret steers her daughter away from the encounter, bringing her to the
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as Margaret and Sarah Jane McMahon as Clara, directed by Dorothy Danner and conducted by James Allbritten.
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The score breaks from the 21st century tradition of pop music on Broadway by moving into the territory of
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In the summer of 2008, Guettel reconfigured the musical as a smaller chamber piece for the
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in Sydney on August 17, 2008. The cast consisted of members of the Australian company of
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1935:"Review: 'The Light in the Piazza' at Lyric Opera is exquisite, starring Renée Fleming"
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in San Francisco, California, in August 2006 and ended in Chicago on July 22, 2007.
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in Toronto saw the Canadian première by Acting Up Stage running in February 2010.
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On June 15, 2006, shortly before its closing night, the show was broadcast on the
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403:(Washington, DC) production ran from March 5, 2010 through April 11, 2010, with
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1482:" 'The Light in the Piazza' "Live From Lincoln Center" Attracts Big Audience"
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theatre, Leicester, UK, in May 2009, starring Lucy Schaufer as Margaret and
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After 36 previews, the Broadway production opened on April 18, 2005, at the
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The show had its opera house premiere in October 2008 at Piedmont Opera in
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attempts to teach Fabrizio some dance steps as well ("American Dancing").
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for best orchestration, which was performed by a 15 piece pit orchestra:
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514:, it "reexamined the musical ... from an Asian American perspective.
229:, Pasquale stepped away due to a conflict with the television series
619:"Statues and Stories" – Margaret Johnson, Clara Johnson and Ensemble
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in Vermont, where Sarah Uriarte Berry reprised her role as Franca.
312:(Giuseppe), Sarah Uriarte Berry (Franca), and Beau Gravitte (Roy).
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An Australian concert version had a one-night presentation at the
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Tour, with Christine Andreas, Begins in San Francisco Aug. 1"
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from being the dated soap opera it could easily have been."
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also played Franca Naccarelli. When the show transferred to
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The European premiere was directed by Paul Kerryson at the
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Symphony Orchestra in Alberta presented the musical at the
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The first Los Angeles area local premiere was seen at the
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Clara was a young girl, she was kicked in the head by a
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as Clara, and David Burnham as Fabrizio started at the
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joined the cast as Signor Naccarelli later in the run,
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Giuseppe and Franca desire finer details ("Aiutami").
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checks in Clara's room and finds that she is missing.
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for Best Actress. The run was extended through June.
1516:, australianstage.com.au, retrieved January 28, 2010
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Best Performance by a Featured Actress in a Musical
1154:Best Performance by a Leading Actress in a Musical
1169:Best Performance by a Featured Actor in a Musical
235:. In addition, O'Hara assumed the role of Clara.
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1528:, westonplayhouse.org, retrieved March 11, 2009
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287:was a replacement in the role of Fabrizio and
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2010:
1825:"She’s Starring in the Role of a Lifetime in
1540:, piedmontopera.org, retrieved March 11, 2009
670:"Let's Walk" – Signor Naccarelli and Margaret
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1006:as Signor Naccarelli from September 13, 2005
477:directed. This production then moved to the
16:2005 musical by Adam Guettel and Craig Lucas
1792:"Renée Fleming and Dove Cameron to Star in
37:Poster for the original Broadway production
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2017:
2003:
1780:lifelikecompany.com, accessed July 8, 2021
625:"Il Mondo Era Vuoto" – Fabrizio Naccarelli
597:and joins the wedding ceremony ("Fable").
31:
1327:Outstanding Featured Actress in a Musical
1104:
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640:"Hysteria / Lullaby" – Clara and Margaret
263:, set by Michael Yeargan and costumes by
1870:"A CurtainUp Review Light In the Piazza"
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291:was a replacement in the role of Clara.
205:in Seattle in June 2003 and then at the
1762:Returns to Broadway for One Night Only"
1625:"Peter Marks reviews the Arena Stage's
465:from June 14, 2019 to July 6, starring
315:A United States national tour starring
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1917:"A Wise Autumnal American in Florence"
634:"The Joy You Feel" – Franca Naccarelli
506:as Margaret, Shereen Ahmed as Franca,
461:The musical was produced in London at
193:
127:Drama Desk Award for Outstanding Music
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1998:
1963:The Light in the Piazza
1932:
1468:, rnh.com, retrieved January 28, 2010
643:"Say It Somehow" – Clara and Fabrizio
375:Covina Center for the Performing Arts
239:Broadway production and national tour
3132:by Christopher Nightingale (2020/21)
1747:broadwayworld.com, September 2, 2015
1016:
667:"The Beauty Is (Reprise)" – Margaret
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267:. The cast featured Clark, O'Hara,
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2110:Tony Award for Best Original Score
1933:Jones, Chris (December 21, 2019).
1614:, arenastage.org, January 23, 2010
1484:, playbill.com, September 15, 2006
1064:In reviewing the revival starring
1000:as Fabrizio from September 2, 2005
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664:"Octet / Clara's Tirade" – Company
631:"Passeggiata" – Fabrizio and Clara
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502:from June 21–25, 2023. It starred
386:Genevieve E. Yates Memorial Centre
201:was developed as a musical at the
122:Tony Award for Best Original Score
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1955:
1812:"2019 production touring details"
1776:The Light In The Piazza' Listing"
1342:Outstanding Director of a Musical
691:†=Not on the Broadway Cast Album
661:"The Light in the Piazza" – Clara
658:"Aiutami" – The Naccarelli Family
1599:nowtoronto.com, February 8, 2010
1581:stage-door.com, February 5, 2010
1312:Outstanding Actress in a Musical
357:Weston Playhouse Theatre Company
3213:Musicals based on short fiction
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1609:Arena Stage 2009-2010 Season -
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481:in Los Angeles in October, the
1814:lightinthepiazzathemusical.com
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1297:Outstanding Actor in a Musical
628:"American Dancing" – Orchestra
188:
1:
3037:The Bridges of Madison County
1501:, playbill.com, July 31, 2006
1449:
756:, oboe; and Reed 2: bassoon,
366:, North Carolina. It starred
213:starred as Margaret Johnson,
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1081:Original Broadway production
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221:played Fabrizio Naccarelli.
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3218:Tony Award-winning musicals
1900:"Everything is Illuminated"
1713:: Two radiant performances"
1421:Outstanding Lighting Design
1199:Best Direction of a Musical
673:"Clara's Interlude" – Clara
517:
179:Neoromantic classical music
10:
3254:
2553:The Mystery of Edwin Drood
1990:– Guide to Musical Theatre
1968:Internet Broadway Database
1730:shawfest.com, July 4, 2013
1406:Outstanding Costume Design
1357:Outstanding Orchestrations
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450:The work was presented by
217:played Clara Johnson, and
209:in Chicago in early 2004.
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1846:"The Light in the Piazza"
1551:"The Light in the Piazza"
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718:: 6 violins, 2 cellos, 1
637:"Dividing Day" – Margaret
479:Dorothy Chandler Pavilion
143:with music and lyrics by
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72:
60:
52:
42:
30:
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3228:Musicals set in Florence
3223:Fiction about disability
2662:Kiss of the Spider Woman
2421:On the Twentieth Century
1883:"Passione All'Americana"
1692:glistens at Theo Ubique"
1436:Outstanding Sound Design
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1029:, in his review for the
833:
655:"Entr'acte" – Orchestra†
567:
522:
469:as Margaret Johnson and
345:The Phantom of the Opera
340:Lyric Theatre, Star City
301:Live from Lincoln Center
2883:The Light in the Piazza
2626:The Will Rogers Follies
2572:Claude-Michel Schönberg
2060:The Light in the Piazza
1988:The Light in the Piazza
1827:The Light in the Piazza
1794:The Light in the Piazza
1764:Playbill, April 4, 2016
1760:The Light in the Piazza
1745:Dazzles at Front Porch"
1743:The Light In The Piazza
1711:The Light in the Piazza
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1611:The Light in the Piazza
1596:The Light In The Piazza
1578:The Light in the Piazza
1512:The Light in the Piazza
1464:The Light in the Piazza
676:"Love to Me" – Fabrizio
622:"The Beauty Is" – Clara
394:Berkeley Street Theatre
245:Vivian Beaumont Theater
199:The Light in the Piazza
136:The Light in the Piazza
78:The Light in the Piazza
24:The Light in the Piazza
2067:Days of Wine and Roses
1671:shines in Rogers Park"
1391:Outstanding Set Design
1124:Best Book of a Musical
1076:Awards and nominations
829:, big gong, small gong
616:"Overture" – Orchestra
489:taking over as Clara.
483:Lyric Opera of Chicago
308:(Signora Naccarelli),
103:2006 US national tour
3238:Musicals set in Italy
992:Broadway replacements
731:nylon-string acoustic
727:steel-string acoustic
546:Piazzale Michelangelo
456:Arts Centre Melbourne
3233:Musicals set in Rome
3166:David Lindsay-Abaire
2897:The Drowsy Chaperone
2328:A Little Night Music
1574:Hoile, Christopher.
1440:Acme Sound Partners
1426:Christopher Akerlind
1272:Christopher Akerlind
1267:Best Lighting Design
914:Giuseppe Naccarelli
896:Fabrizio Naccarelli
801:, suspended cymbal,
777:(motor off always),
752:: Reed 1: clarinet,
725:Guitars (1 player):
500:New York City Center
261:Christopher Akerlind
2717:Christopher Hampton
2709:Andrew Lloyd Webber
2512:Andrew Lloyd Webber
2462:Andrew Lloyd Webber
2224:Fiddler on the Roof
1881:Feingold, Michael.
1850:Concord Theatricals
1690:Light in the Piazza
1633:The Washington Post
1627:Light in the Piazza
1497:Light in the Piazza
1332:Sarah Uriarte Berry
1287:Outstanding Musical
1252:Best Costume Design
1214:Best Orchestrations
1139:Best Original Score
950:Signora Naccarelli
941:Sarah Uriarte Berry
880:Celia Keenan-Bolger
463:Royal Festival Hall
277:Sarah Uriarte Berry
259:, with lighting by
255:, choreographed by
215:Celia Keenan-Bolger
194:Original production
111:Royal Festival Hall
3074:Lin-Manuel Miranda
3042:Jason Robert Brown
2983:The Book of Mormon
2938:Lin-Manuel Miranda
2777:Jason Robert Brown
2525:La Cage aux Folles
1921:The New York Times
1802:, November 9, 2018
1716:The Globe and Mail
1553:. 24 January 2009.
1237:Best Scenic Design
1058:The New York Times
963:Signor Naccarelli
932:Franca Naccarelli
679:"Fable" – Margaret
498:production ran at
298:television series
257:Jonathan Butterell
3208:Broadway musicals
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2475:Woman of the Year
2278:Hallelujah, Baby!
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1973:Official homepage
1904:New York Magazine
1887:The Village Voice
1696:Chicago Sun-Times
1493:Simonson, Robert.
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1376:Outstanding Music
1017:Critical response
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918:Glenn Seven Allen
870:Christine Andreas
861:Margaret Johnson
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485:in December with
452:Life Like Company
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3028:Cyndi Lauper
3021:
3014:Jack Feldman
3003:
2992:Robert Lopez
2981:
2974:Joe DiPietro
2963:
2956:Brian Yorkey
2945:
2931:
2924:Steven Sater
2920:Duncan Sheik
2913:
2902:Lisa Lambert
2895:
2888:Adam Guettel
2882:
2881:
2870:Robert Lopez
2863:
2852:Marc Shaiman
2845:
2827:
2813:
2806:2001–present
2784:
2770:
2752:
2745:Maury Yeston
2738:
2724:
2702:
2688:
2674:
2660:
2653:William Finn
2646:
2639:Adolph Green
2635:Betty Comden
2624:
2617:David Zippel
2606:
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2551:
2544:Roger Miller
2537:
2530:Jerry Herman
2523:
2505:
2498:Maury Yeston
2491:
2473:
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2443:Sweeney Todd
2441:
2434:Adolph Green
2430:Betty Comden
2419:
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2291:Adolph Green
2287:Betty Comden
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2215:Jerry Herman
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2126:Street Scene
2124:
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2027:Adam Guettel
2025:Musicals by
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1381:Adam Guettel
1366:Adam Guettel
1362:Ted Sperling
1223:Ted Sperling
1219:Adam Guettel
1189:Kelli O'Hara
1144:Adam Guettel
1114:Best Musical
1063:
1056:
1053:Ben Brantley
1051:
1044:
1037:
1030:
1021:
1020:
976:Roy Johnson
967:Mark Harelik
936:Kelli O'Hara
885:Kelli O'Hara
807:choke cymbal
765:(1 player):
754:English horn
701:Ted Sperling
698:
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595:
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583:
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571:
558:
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493:
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471:Dove Cameron
460:
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391:
379:
372:
368:Jill Gardner
361:
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242:
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223:Kelli O'Hara
198:
197:
176:
153:
145:Adam Guettel
135:
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133:
76:
56:Adam Guettel
47:Adam Guettel
22:
3180:Shaina Taub
3144:Toby Marlow
3092:Justin Paul
3023:Kinky Boots
3010:Alan Menken
2988:Trey Parker
2970:David Bryan
2763:Lynn Ahrens
2667:John Kander
2516:T. S. Eliot
2480:John Kander
2265:John Kander
2247:Mitch Leigh
2201:Lionel Bart
2145:Cole Porter
2046:Love's Fire
1591:Kaplan, Jon
1129:Craig Lucas
1070:Chris Jones
998:Aaron Lazar
799:low tom tom
401:Arena Stage
285:Aaron Lazar
189:Productions
149:Craig Lucas
90:Productions
67:Craig Lucas
3197:Categories
3088:Benj Pasek
2996:Matt Stone
2838:Greg Kotis
2820:Mel Brooks
2791:Elton John
2631:Cy Coleman
2613:Cy Coleman
2426:Cy Coleman
2283:Jule Styne
2251:Joe Darion
2229:Jerry Bock
2182:No Strings
2131:Kurt Weill
1980:Studio 360
1944:2019-12-21
1855:2023-06-25
1796:in London"
1450:References
1443:Nominated
1415:Nominated
1351:Nominated
1336:Nominated
1306:Nominated
1291:Nominated
1208:Nominated
1193:Nominated
1178:Nominated
1133:Nominated
1118:Nominated
1109:Tony Award
1040:John Simon
841:Character
791:snare drum
763:Percussion
473:as Clara.
423:Jeff Award
382:Lethbridge
350:John O'May
3148:Lucy Moss
3115:Hadestown
3060:Lisa Kron
2874:Jeff Marx
2847:Hairspray
2829:Urinetown
2713:Don Black
2648:Falsettos
2539:Big River
2376:1976–2000
2117:1947–1975
1576:"Review.
1094:Category
1068:in 2019,
1022:CurtainUp
827:slapstick
819:mark tree
795:bass drum
750:Woodwinds
699:Guettel,
428:The 2013
232:Rescue Me
154:Based on
3069:Hamilton
3051:Fun Home
2952:Tom Kitt
2865:Avenue Q
2795:Tim Rice
2671:Fred Ebb
2484:Fred Ebb
2466:Tim Rice
2269:Fred Ebb
1800:Playbill
1097:Nominee
1047:magazine
1045:New York
849:Broadway
815:triangle
787:crotales
735:mandolin
722:, 1 harp
707:won the
518:Synopsis
512:Chay Yew
495:Encores!
227:Broadway
168:Florence
100:Broadway
3005:Newsies
2965:Memphis
2754:Ragtime
2740:Titanic
2690:Passion
2360:The Wiz
2314:Follies
2300:Company
2260:Cabaret
2196:Oliver!
1966:at the
1650:review"
1538:listing
1526:listing
1514:listing
1466:listing
1100:Result
1038:Critic
856:(2006)
851:(2005)
846:(2003)
844:Seattle
823:cowbell
771:marimba
767:timpani
745:celesta
716:Strings
540:At the
454:at the
141:musical
95:Seattle
3182:(2024)
3168:(2023)
3150:(2022)
3122:(2019)
3108:(2018)
3094:(2017)
3076:(2016)
3062:(2015)
3044:(2014)
3030:(2013)
3016:(2012)
2998:(2011)
2976:(2010)
2958:(2009)
2940:(2008)
2926:(2007)
2908:(2006)
2890:(2005)
2876:(2004)
2858:(2003)
2840:(2002)
2822:(2001)
2797:(2000)
2779:(1999)
2772:Parade
2765:(1998)
2747:(1997)
2733:(1996)
2719:(1995)
2715:, and
2697:(1994)
2683:(1993)
2655:(1992)
2641:(1991)
2637:, and
2619:(1990)
2596:(1988)
2582:(1987)
2578:, and
2560:(1986)
2546:(1985)
2532:(1984)
2518:(1983)
2500:(1982)
2486:(1981)
2468:(1980)
2450:(1979)
2436:(1978)
2432:, and
2414:(1977)
2396:(1976)
2367:(1975)
2353:(1974)
2335:(1973)
2321:(1972)
2307:(1971)
2293:(1968)
2289:, and
2271:(1967)
2253:(1966)
2235:(1965)
2217:(1964)
2203:(1963)
2189:(1962)
2175:(1951)
2161:(1950)
2147:(1949)
2133:(1947)
1833:Forbes
1728:"News"
1091:Award
779:chimes
743:Piano/
703:, and
683:
434:in rep
117:Awards
53:Lyrics
3175:Suffs
2457:Evita
2403:Annie
1669:Light
1105:2005
1088:Year
1055:, in
1042:, in
834:Casts
775:vibes
650:Act 2
611:Act 1
568:Act 2
542:Duomo
523:Act 1
412:Curve
183:opera
172:Italy
139:is a
125:2005
120:2005
109:2019
98:2005
93:2003
73:Basis
43:Music
3164:and
3146:and
3090:and
3058:and
3012:and
2994:and
2972:and
2954:and
2922:and
2904:and
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2786:Aida
2761:and
2726:Rent
2669:and
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2507:Cats
2493:Nine
2482:and
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2349:and
2342:Gigi
2267:and
2249:and
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1430:Won
1400:Won
1385:Won
1370:Won
1364:and
1321:Won
1276:Won
1261:Won
1246:Won
1231:Won
1225:and
1163:Won
1148:Won
720:bass
399:The
392:The
380:The
275:and
181:and
62:Book
3178:by
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