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The inclination of
Verharen's back is dynamic, his hand is expressive and plastic; it reaches to the center of the painting, and as a matter of fact it brings Verharen back to the center of the oil and of our attention. Verharen mouth is not visible, and it is as if his hand were talking for him. The
174:
Verhaeren is depicted on the far left, with his back turned to the viewer, and at first glance he may not seem to be the central object in the painting, nor its most important element. However, he is dressed in bright red (a color wherein he habitually dressed), which contrasts with the dull blue of
158:
The relatively modest furniture of the room emphasizes the intellectual and artistic character of the group, but without boasting their prominence. There is a completely filled bookcase on the bottom left (where the action starts); on the wall there hangs a painting by
179:
whole dynamism of the painting stems for
Verharen, with his peculiar position and hypotenusal, projecting raised hand. The energetic redness of his jacket further increases the dynamic role and position of the poet within the painting.
171:, sitting behind Fénéon, the only artist standing upright among the depicted group. Another filled bookcase appears at the other end of the painting, which is closed off by a curtain that partially covers its bookshelves.
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the other group members' clothes. While all other artists, with similar looks on their faces, listen passively to
Verhaeren, the latter is active, reading his poem out loud in his red clothes.
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Van
Rysselberghe, therefore, expressed his admiration for Verhaeren in many ways in
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181 cm Ă— 241 cm (71.2 in Ă— 94.9 in)
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The
Passion of George Sarton A Modern Marriage and Its Discipline
124:, wherein the poet is reading a passage from his own oeuvre.
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79:
353:"Théo Van Rysselberghe The Lecture by Emile Verhaeren, 1903"
240:"Théo Van Rysselberghe The Lecture by Emile Verhaeren, 1903"
331:From Realism to Symbolism: Whistler and His World
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651:Lady in White, Portrait of Mrs Van Rysselberghe
370:
328:
280:
407:
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190:, with its fingers grouped in groups of two.
100:. Painted 1903, it is currently house at the
116:The scene is set in an imaginary meeting in
716:Madame van de Velde and Her Three Daughters
127:The audience, from left to right, includes
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287:. FÉditions de l'amateur. pp. 91–95.
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467:The Children of François van Rysselberghe
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377:. Éditions de l'amateur. pp. 91–95.
374:Théo van Rysselberghe, catalogue raisonné
284:Théo van Rysselberghe, catalogue raisonné
163:, close friend of fellow Belgian painter
663:Madame Van Rysselberghe and Her Daughter
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636:Le canal en Flandre par temps triste
455:The Sisters of the Painter Schlobach
616:L'Escaut en amont d'Anvers, le soir
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792:Paintings by Théo van Rysselberghe
692:Champ de course Ă Boulogne-sur-Mer
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722:Fountain in the Park of Sanssouci
186:. The poet's hand, moreover, has
16:Painting by Théo van Rysselberghe
736:The Mediterranean at Le Lavandou
575:A Family Gathering in an Orchard
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92:is an oil on canvas painting by
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581:Portrait of Madame Charles Maus
492:Portrait of Marguerite van Mons
729:The Lecture of Emile Verhaeren
680:Portrait of Constantin Meunier
316:American Philosophical Society
184:The Lecture of Emile Verhaeren
89:The Lecture of Emile Verhaeren
22:The Lecture of Emile Verhaeren
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742:Reclining Woman with Red Hair
602:Barques de pêche–Méditerranée
537:Rock at Perkiridy in Brittany
437:Armand Heins Painting Outside
213:. Mercatorfonds. p. 257.
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161:James Abbott McNeill Whistler
802:Post-impressionist paintings
588:Maria Sèthe at the Harmonium
485:Portrait of Camille van Mons
357:Museum of Fine Arts of Ghent
244:Museum of Fine Arts of Ghent
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686:Portrait of Emile Mayrisch
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207:Bertrand, Olivier (2006).
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513:The Mansur Gate in Meknes
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371:Ronald Feltkamp (2003).
329:Richard Dorment (1971).
281:Ronald Feltkamp (2003).
531:Portrait of Alice Sethe
473:Portrait of Octave Maus
167:, and even a statue by
644:Portrait of Irma Sèthe
308:Lewis Pyenson (2003).
188:aristocratic character
543:Portrait of Anna Boch
506:Sailboats and Estuary
423:Théo van Rysselberghe
210:Théo van Rysselberghe
133:Francis Vielé-Griffin
98:Théo van Rysselberghe
40:Théo van Rysselberghe
698:Sailboats on the Sea
710:Girl in a Straw Hat
499:Eglise Sainte Croix
335:Columbia University
149:Maurice Maeterlinck
102:Museum of Fine Arts
76:Museum of Fine Arts
759:Plage de Cavalaire
609:L'homme Ă la barre
525:Campement au Maroc
449:Pool in the Kempen
153:Henri-Edmond Cross
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569:The Sambre Valley
384:978-2-85917-389-0
294:978-2-85917-389-0
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362:12 September
360:. Retrieved
333:. New York:
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249:12 September
247:. Retrieved
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137:Félix Fénéon
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797:Pointillism
623:The Rainbow
141:Henri Ghéon
122:Saint-Cloud
781:Categories
629:Big Clouds
194:References
145:André Gide
64:Dimensions
479:Tänzerin
112:Painting
96:painter
72:Location
346:Sources
94:Belgian
767:(1916)
761:(1910)
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151:, and
54:Medium
36:Artist
752:1910s
673:1900s
562:1890s
430:1880s
106:Ghent
80:Ghent
379:ISBN
364:2020
289:ISBN
251:2020
49:1892
46:Year
104:in
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