487:, where he affirmed that the plot, the adaptation and the script were beyond his control and that of all those involved. Revueltas affirmed: " there were many of us collaborators and we all put a little here and a little there. After we had finished the script, Tito Davison put his hand on it again and things changed again. These kinds of disasters happen in cinema; some correct others and in the end no one remembers what they wrote. On the other hand, directors have their own ideas and ask that these appear in the script. Edmundo Báez said that some scriptwriters were like tailors, that we made the suit tailored to this star or the other. I thought we were not so much tailors as cobblers ".
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The explicit nature (for the time) of certain love scenes generated controversy. Revueltas said that apart from the problems with the script, " there was the censorship: it was the stupidest thing in the world. A censorship of idiots, with which it could not be argued." Several civil organizations
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criticized the film, claiming that it violated morality. In response to the scandal, the film's producers placed the statue used in the film in the lobby of the
Chapultepec cinema, as an attraction factor for spectators. This caused one of the organizations protesting the film, the
527:, Paco Ignacio Taibo I, while referring to the film as a "very curious screwball", claimed that it "got lost in a convoluted plot", highlighting the fact that De Córdova's and Félix's character are lovers, only for his character to try to kill her at a certain point.
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However, what
Revueltas said in his letter, regarding the fact that he and other filmmakers had received "the trust" of the film's producers to fulfill their vision, was contested by Revueltas himself in an interview 30 years later with
479:, "Revueltas defended his integrity in the letter with good reason, but the film is by itself evidence in his favor: Granados has a role that is in effect secondary, that allows to show off much less than that of María Félix."
534:, Julia Tuñon wrote: "It is a consistent proposal that contributes with a corpus that is inscribed within a social system of ideas and mentalities that follow a rhythm within the story with its characters."
290:, and buys it. He seeks to rekindle their relationship but she rebuffs him. With the statue as a constant reminder, he becomes obsessed with Raquel and Elena, despite being seriously ill with a
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as the centerpiece of their new garden fountain. At the sculptor's, he encounters Raquel, who has modelled for the titular marble nude
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called it a "masterpiece of melodrama in which the heroine displays an eroticism out of the ordinary." However, in his book
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The explicit nature of the film's romantic scenes also affected Félix's relationship with his then-husband, composer
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572:(in Spanish). UNAM, Dirección General de Publicaciones y Fomento Editorial. pp. 69–76.
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When Elena dies suddenly and
Antonio later marries Raquel, not everything is what it seems.
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Mujeres de luz y sombra en el cine mexicano: la construcción de una imagen (1939–1952)
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Arnaud, Charlotte; Courtemanche, Philippe; Fernandes, Carla; Morsch Kihn, Eva (1999).
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Mujeres de luz y sombra en el cine mexicano: la construcción de una imagen (1939–1952)
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512:) and cartoons mocked Felix and Lara's crumbling relationship referring to the film.
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This article related to a
Mexican film of the 1940s is a
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629:(in Spanish). Presses Univ. du Mirail. p. 65.
508:("skull literature", mocking short poems made in
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569:José Revueltas. Obra cinematográfica (1943-1976)
282:His wife asks him to purchase a statue like the
493:Comité Pro Dignificación del Vestuario Femenino
659:(in Spanish). J. Mortiz/Planeta. p. 108.
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815:The Private Life of Mark Antony and Cleopatra
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684:(in Spanish). El Colegio de México.
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471:to make it as important as that of
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1122:Films directed by Roberto Gavaldón
599:Agustin Lara: A Cultural Biography
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656:María Félix: 47 pasos por el cine
525:María Félix: 47 pasos por el cine
459:One of the film's screenwriters,
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626:Cinémas d'Amérique latine: 1999
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1142:Mexican black-and-white films
602:. OUP USA. pp. 146–147.
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16:1947 film by Roberto Gavaldón
1152:Spanish-language drama films
1117:1940s Spanish-language films
1055:. You can help Knowledge by
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252:, with sets designed by the
7:
596:Wood, Andrew Grant (2014).
433:as Asociado en mesa redonda
10:
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566:Peredo, Francisco (2019).
33:Theatrical release poster.
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521:Cinémas d'Amérique Latine
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1132:Films set in Guadalajara
1127:Films set in Mexico City
865:In the Palm of Your Hand
835:The Shadow of the Bridge
171:13 August 1947
1025:El hombre de los hongos
915:The Three Perfect Wives
467:to enlarge the role of
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262:
825:Adventures of Casanova
439:as Empleado de Antonio
381:as Juez registro civil
680:Tuñon, Julia (1998).
345:as Licenciado Jiménez
331:Carlos Martínez Baena
244:. It was shot at the
805:The Kneeling Goddess
710:The Kneeling Goddess
505:calaveras literarias
502:, to the point that
485:Paco Ignacio Taibo I
415:as Detective policía
403:as Invitada a fiesta
390:Adolfo Ballano Bueno
379:Alfredo Varela padre
361:Natalia Gentil Arcos
224:) is a 1947 Mexican
221:La diosa arrodillada
215:The Kneeling Goddess
22:The Kneeling Goddess
1147:1940s Mexican films
1137:Films set in Panama
1112:Mexican drama films
955:The Littlest Outlaw
895:The Boy and the Fog
651:Taibo, Paco Ignacio
477:Emilio García Riera
450:Estudios Churubusco
401:Ana María Hernández
397:as Empleado juzgado
246:Estudios Churubusco
57:Alfredo B. Crevenna
750:Films directed by
409:as Joven mensajero
407:Miguel Ángel López
327:as Nacho Gutiérrez
315:as Antonio Ituarte
123:Charles L. Kimball
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985:Beyond All Limits
609:978-0-19-989245-7
579:978-607-02-8245-4
395:Fernando Casanova
373:Rogelio Fernández
325:Fortunio Bonanova
313:Arturo de Córdova
309:as Raquel Serrano
292:chronic condition
269:Arturo de Córdova
238:Arturo de Córdova
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148:Panamerican Films
99:Arturo de Córdova
81:Rodolfo Lowenthal
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288:Kneeling Goddess
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242:Rosario Granados
230:Roberto Gavaldón
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421:as Detective
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254:art director
228:directed by
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187:Running time
164:Release date
61:Tito Davison
53:Edmundo Baez
1015:Autumn Days
1005:Rosa Blanca
473:María Félix
454:Mexico City
419:Juan Orraca
375:as Marinero
349:Luis Mussot
339:as Demetrio
307:María Félix
273:María Félix
250:Mexico City
234:María Félix
191:107 minutes
95:María Félix
85:Jack Wagner
77:Produced by
39:Directed by
1102:1947 films
1096:Categories
691:9681208439
538:References
444:Production
413:José Muñoz
333:as Esteban
218:(Spanish:
175:1947-08-13
140:Production
49:Written by
935:Untouched
785:The Shack
516:Reception
119:Edited by
653:(1985).
363:as María
321:as Elena
204:Language
129:Music by
91:Starring
995:Macario
925:Camelia
855:Desired
427:as José
357:as Juez
207:Spanish
196:Country
173: (
142:company
1028:(1976)
1018:(1963)
1008:(1961)
998:(1960)
988:(1959)
978:(1958)
968:(1956)
958:(1955)
948:(1955)
938:(1954)
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1053:stub
775:Nana
715:IMDb
686:ISBN
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574:ISBN
301:Cast
263:Plot
240:and
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530:In
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