408:. Freudstein is a living corpse with rotting flesh. The 150-year-old Freudstein lives by using his victims' parts to regenerate blood cells. Norman attacks the ghoul, who twists the hatchet away. Grabbing a knife from the slab, Norman stabs Freudstein, causing flesh and maggots to ooze out of the latter's old lab coat. Freudstein grabs Norman and rips open his throat. Lucy and Bob climb a ladder leading to the underside of the cracked tombstone. Lucy strains to shift the stone. Freudstein grabs Lucy and drags her down the stairs. Her head bangs on each step on the way down, killing her. As Freudstein advances up the ladder, Bob strains to escape. As Freudstein grabs Bob's leg, he is pulled upwards by Mae. With Mae is her mother, Mary Freudstein. She leads Mae and Bob down the grove into an apparent ghost world.
380:
stairs, only to be attacked by a bat, which will not let go until he stabs it repeatedly. Spooked, the family drives down to the real estate office and demands to be re-housed but are told it will be days before they can move. While the Boyles are at the hospital to treat Norman's injuries from the bat, Mrs. Gittleson arrives at the house to tell them of a new property. Letting herself in, she stands over the
Freudstein tombstone, which cracks apart, pinning her ankle. The killer then stabs Gittleson to death with a
368:, Bob waits in his parents' car while they collect the house keys. The girl from the photograph, Mae Freudstein, appears across the street and warns him to stay away. Only Bob can see her. In the real estate office, Mrs. Laura Gittleson is annoyed when her colleague hands the couple "the Freudstein keys." She insists it is called "Oak Mansion" and promises to find the Boyles a babysitter.
38:
524:. Sacchetti also stated the film was based on his own personal experiences as a child, being born in a large country house with a large dark basement and that age 9 he had to cross a cemetery at night. In his biography, Fulci spoke negatively about Sacchetti's contributions as a screenwriter saying that
371:
Oak
Mansion is in a poor state of repair. The cellar door is locked and nailed shut. Someone arrives and introduces herself as Ann, the babysitter. That night, Norman hears noises and finds Ann unblocking the cellar door. The next day, Norman goes to the library to peruse Peterson's materials. The
668:
commented that the film had a "Frankenstein theme" but that "the film adds little to the well-worked legend" and that "this would matter less were the film visually richer, but for the most part it is comparatively sober and restrained, at least by Fulci standards" Petley continued that "the film
395:
Ann goes to the cellar looking for Bob and hears childlike sobbing. Freudstein then decapitates her. Bob sees Ann's head and exits screaming. Lucy returns to find Bob crying in his room but refuses to believe his account about Ann. That evening, Bob returns to the cellar looking for Ann but gets
379:
on the grounds marked "Mary
Freudstein" and says she is not buried there. Indoors, Lucy finds the tombstone of "Jacob Tess Freudstein" while sweeping the hallway. Norman later reassures her that it is normal for some older houses to have indoor tombs. He opens the cellar door and walks down the
565:
slightly changing work stating that
Sacchetti's scripts were often too short. Sacchetti commented on this stating that "Mariuzzo always intervened afterwards, either because I had to leave to work on another film or refused to make those changes that Lucio demanded. That was the reason for our
702:
stated that "Except for two or three welcome details the suspense "for laughter", so appreciated by
American filmmakers, here becomes particularly tedious" Gans praised the films visuals, noting "melancholic, wintery photography" while still concluding that the film's "repertoire of gimmicks
391:
surgeon who conducted illegal experiments. Norman must travel to New York to research
Freudstein. On the way, he visits the library and finds an audio cassette of Peterson's. It documents Peterson's madness. Norman destroys the cassette by dropping it into a furnace pipe.
612:
on 14 August 1981, and was distributed in Italy by Medusa
Distribuzione. The film grossed a total of 1,407,981,297 lire in Italy, making it Fulci's most financially successful horror film of the 1980s. Prior to the film's theatrical release in France, it was shown at the
364:. Norman's ex-colleague, Dr. Peterson, who murdered his mistress before committing suicide, was the previous owner. The Boyles are to stay there while Norman researches old houses. As his mother packs, Bob notices a girl in a house's photograph. In New Whitby,
372:
chief librarian, Mr. Wheatley, appears to recognize him, but Norman claims he is mistaken. The assistant librarian then informs Norman that
Peterson conducted private research at the house. He studied records of area disappearances and other demographic data.
687:
commented on the use of children in the film, stating that "to see children involved in such a gruesome and oppressive horror story will perhaps cause disconcert and discomfort, rather than pity in many spectators." In France, Philippe Ross of
400:
when she cannot open it. A rotting hand of Dr. Freudstein appears and restrains Bob against the door as the hatchet chops through it. The axe eventually breaks through the door and severs the ghoul's hand. He staggers back down the stairs.
669:
undeniably has its moments–Bob's escape from the cellar; the human debris of
Freudstein's laboratory; an attack by a particularly ferocious and tenacious bat; the climactic appearance of the horribly mutated Freudstein" Giovanna Grassi of
634:
involving scenes being trimmed involving Ann and Laura's murders which gave the film a 84-minute and 49 second running time. This version of the film was released on home video in the UK and was later placed on the
335:. Its plot revolves around a series of murders committed by a ghoulish and demonic serial killer taking place in a New England home that happens to be hiding a gruesome secret within its basement walls.
580:. The film was also shot in studios at De Paolis In.Co.R. Studios in Rome. Shooting the film took eight weeks between 16 March and May 1981. The film was made on a budget of approximately 600 million
834:
643:. It was re-released on home video in 1988 with four minutes and eleven seconds of the film cut. The film was re-released on 29 May 2001 with only 33 seconds cut and again in 2009 uncut.
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Lucy finds Ann cleaning a bloodstain on the kitchen floor the next morning. Ann eludes Lucy's questions about the stain. Meanwhile, Norman discovers that
Freudstein was a
404:
Norman and Lucy get into the cellar, which contains several mutilated bodies (including Ann, Mrs. Gittleson, and the couple who died earlier), surgical equipment, and a
1009:
703:
repeated or borrowed from Argento, our greatest regrets is the absence of madness in the explanation of the monster, yelled amid the din of a stretched suspense."
608:'s character Laura Gittleson is murdered; ironically, Fulci obliged only because of his dissatisfaction with the effects in certain shots. The film opened in
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proclaimed that Fulci had to show "us something other than these endless scenes of butchery who truly become more and more painful and soporific"
623:. It was released in France on 24 March 1982 and in the United States on 1 March 1984. The American trailer was narrated by the noted monologuist
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The film was released in the United Kingdom on 15 October 1982 where it was distributed by Eagle Films. The film was passed with cuts by the
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A woman looks for her boyfriend in an abandoned house. After discovering his body stabbed with scissors, she is killed with a
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without the film being based on one of his stories, but written as if it existed within the universe. Screenwriter
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835:"'The House by the Cemetery' – Watch Trailer for Arrow Video's Gorgeous 4K Restoration of Lucio Fulci Classic"
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locked in. Lucy hears Bob's cries and tries to open the cellar door. Norman returns and hacks the door with a
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reported an approval rating of 45%, based on 11 reviews, with an average rating of 4.50/10.
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1126:"The House By The Cemetery (Quella villa accanto al cimitero) (1981) - Rotten Tomatoes"
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Petley, Julian (1983). "Quella villa accanto al cimitero (The House by the Cemetery)".
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980:"DVD NEWS BRIEFS: Anchor Bay in May; Aguilera on DVD; Koch's VaultKoch's Vault"
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Meanwhile, Bob Boyle and his parents, Norman and Lucy, move into a house in
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Vigano, Aldo (18 August 1981). "Nella horror story anche i bambini".
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534:. The film went through several changes from the original story by
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Festival International du film fantastique et de science-fiction
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and the script by Sacchetti. The script was originally titled
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The Italian ratings board asked for a brief six-second cut in
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Ross, Philippe (January 1982). "La maison pres du cimitere".
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called the film "a hack-work of almost awesome incoherence".
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Grassi, Giovanna (18 September 1981). "Shinin' italiano".
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and dragged through a cellar door by a monstrous figure.
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1010:"'The House by the Cemetery' Announced for Blu-ray"
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706:From retrospective reviews, film review aggregator
654:and DVD on 25 October 2011 with a new 2K transfer.
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Kenneth A. Olsen as Harold (credited as John Olson)
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1957:
720:praised the film, complimenting its atmosphere.
16:1981 Italian horror film directed by Lucio Fulci
1110:(January 1982). "La maison pres du cimetiere".
557:. Sacchetti's script was revised by Fulci and
1705:
1275:
421:as Lucy Boyle (credited as Katherine MacColl)
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662:From contemporary reviews, Julian Petley of
506:that he wanted to make a film in tribute to
1226:. Vol. 1. Jefferson, N.C.: McFarland.
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338:It is the third and final film in Fulci's
36:
1044:. Vol. 50, no. 588. p. 20.
754:(in Italian). Archvio del cinema italiano
752:"Quella villa accanto al cimitero (1981)"
735:
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617:in Paris alongside Fulci's earlier film
478:Teresa Rossi Passante as Mary Freudstein
472:Elmer Johnsson as the Cemetery Caretaker
457:Daniela Doria as the first female victim
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1205:Italian Gothic Horror Films, 1980-1989
1093:(in French). No. 368. p. 53.
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494:Fulci later claimed that after making
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460:Gianpaolo Saccarola as Daniel Douglas
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1114:(in French). No. 22. p. 8.
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1172:"The House by the Cemetery (1981)"
561:, Mariuzzo claimed he worked as a
454:Giovanni De Nava as Dr. Freudstein
14:
2117:
2086:Italian supernatural horror films
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592:, only Trani worked on the film.
484:as Professor Mueller (uncredited)
42:Italian theatrical release poster
833:Squires, John (5 October 2023).
301:Quella villa accanto al cimitero
58:Quella villa accanto al cimitero
2001:1980s supernatural horror films
1370:How We Robbed the Bank of Italy
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978:Tribbey, Ralph (5 April 2001).
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555:Quella casa accanto al cimitero
384:and drags her into the cellar.
2011:English-language Italian films
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528:was derivative of scenes from
1:
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2021:Films directed by Lucio Fulci
1812:Il ragazzo dal kimono d'oro 2
1342:Oh! Those Most Secret Agents!
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19:For the EP by Mortician, see
1991:1980s Italian-language films
1981:1980s English-language films
1391:The Long, the Short, the Cat
1384:How We Stole the Atomic Bomb
728:
675:dismissed it as an "Italian
7:
2091:Italian serial killer films
2056:Films shot in New York City
2051:Films shot in Massachusetts
2036:Films set in country houses
2006:Italian haunted house films
1222:Muir, John Kenneth (2012).
920:"The House by the Cemetery"
475:Ranieri Ferrara as a victim
10:
2122:
2071:Italian multilingual films
2041:Films set in New York City
1852:Emanuelle Around the World
1639:The Sweet House of Horrors
1419:A Lizard in a Woman's Skin
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922:. AllMovie. Archived from
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1426:Don't Torture a Duckling
1335:I due evasi di Sing Sing
1151:Milne, Tom, ed. (1991).
547: The Night of Hell
226:14 August 1981
2031:Films set in cemeteries
1976:1981 multilingual films
1596:City of the Living Dead
1447:Challenge to White Fang
1412:One on Top of the Other
1349:I due pericoli pubblici
1203:Curti, Roberto (2019).
1153:The Time Out Film Guide
531:The House That Screamed
411:
348:
2076:Italian splatter films
1461:Four of the Apocalypse
646:It was re-released by
578:Concord, Massachusetts
300:
188:Alessando Blonksteiner
2081:Italian slasher films
1649:Direct-to-video films
1398:Operation St. Peter's
1041:Monthly Film Bulletin
696:reviewed the film in
665:Monthly Film Bulletin
551:La casa di Freudstein
540:La notte dell'inferno
521:The Turn of the Screw
2096:Italian zombie films
2046:Films shot in Boston
2016:Films about surgeons
1765:Formula for a Murder
1363:The Two Parachutists
1307:Ragazzi del Juke-Box
303:) is a 1981 Italian
213:Medusa Distribuzione
105:Elisa Livia Briganti
2026:Films set in Boston
1996:1980s slasher films
1986:1980s Italian films
1892:The New York Ripper
1721:Fabrizio De Angelis
1632:The House of Clocks
1510:The New York Ripper
1356:002 Operazione Luna
1314:Howlers in the Dock
1155:(Second ed.).
1130:Rotten Tomatoes.com
1112:L'Ecran fantastique
1058:Corriere della Sera
699:L'Écran fantastique
672:Corriere della Sera
433:as Ann (babysitter)
427:as Dr. Norman Boyle
114:Fabrizio De Angelis
2061:Films shot in Rome
1942:Killer Crocodile 2
1922:The New Barbarians
1803:Thunder Warrior II
1573:Voices from Beyond
1566:A Cat in the Brain
1290:Films directed by
1091:La Revue du cinéma
918:Mannika, Eleanor.
690:La Revue du cinéma
658:Critical reception
586:Giannetto di Rossi
451:as Laura Gittleson
1971:1981 horror films
1953:
1952:
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1545:The Devil's Honey
1233:978-0-786-47298-7
1014:highdefdigest.com
926:on 30 August 2013
840:Bloody Disgusting
512:Dardano Sacchetti
445:as Mae Freudstein
311:. The film stars
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127:Katherine MacColl
85:Dardano Sacchetti
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443:Silvia Collatina
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375:Mae shows Bob a
333:Dagmar Lassander
329:Silvia Collatina
313:Catriona MacColl
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185:Walter Rizzati
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165:Sergio Salvati
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161:Cinematography
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1207:. McFarland.
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1157:Penguin Books
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1078:(in Italian).
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1016:. 2 June 2011
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637:video nasties
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620:The Black Cat
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78:Screenplay by
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1181:. Retrieved
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1134:. Retrieved
1129:
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1018:. Retrieved
1013:
1004:
992:. Retrieved
988:the original
983:
973:
928:. Retrieved
924:the original
913:
844:. Retrieved
838:
828:
799:
756:. Retrieved
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582:Italian lire
569:
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566:arguments."
554:
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508:HP Lovecraft
501:
495:
493:
439:as Bob Boyle
431:Ania Pieroni
403:
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374:
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359:
355:French knife
352:
340:
337:
321:Ania Pieroni
307:directed by
291:
290:
289:
243:Running time
234: (Italy)
219:Release date
137:Ania Pieroni
57:
25:
1538:Murder Rock
1475:The Psychic
1292:Lucio Fulci
994:6 September
516:Henry James
482:Lucio Fulci
425:Paolo Malco
317:Paolo Malco
309:Lucio Fulci
305:horror film
276:600 million
204:Fulvia Film
132:Paolo Malco
110:Produced by
94:Lucio Fulci
72:Lucio Fulci
68:Directed by
1966:1981 films
1960:Categories
1872:The Beyond
1603:The Beyond
1496:Contraband
1440:White Fang
1132:. Flixster
966:Curti 2019
906:Curti 2019
889:Curti 2019
868:Curti 2019
846:19 October
821:Curti 2019
792:Curti 2019
724:References
503:The Beyond
490:Production
281:Box office
247:86 minutes
230:1981-08-14
197:Production
1136:31 August
1075:La Stampa
930:14 August
804:Muir 2012
729:Footnotes
684:La Stampa
553:and then
389:Victorian
377:tombstone
260:Languages
171:Edited by
1755:Man Hunt
1524:Conquest
1177:Allmovie
718:AllMovie
713:Time Out
179:Music by
120:Starring
102:Story by
1862:Zombi 2
1671:Demonia
1587:trilogy
1559:Zombi 3
1489:Zombi 2
1196:Sources
1183:25 June
678:Shining
652:Blu-ray
596:Release
544:transl.
398:hatchet
343:trilogy
297:Italian
265:English
263:Italian
252:Country
228: (
199:company
53:Italian
1945:(1990)
1935:(1989)
1925:(1983)
1915:(1982)
1905:(1982)
1895:(1982)
1885:(1981)
1875:(1981)
1865:(1979)
1855:(1977)
1845:(1976)
1824:(1989)
1814:(1988)
1806:(1987)
1796:(1987)
1788:(1987)
1778:(1986)
1768:(1985)
1758:(1985)
1748:(1984)
1740:(1983)
1552:Ænigma
1230:
1211:
1020:3 July
758:1 June
604:where
576:, and
574:Boston
366:Boston
270:Budget
610:Turin
255:Italy
1255:IMDb
1228:ISBN
1209:ISBN
1185:2012
1138:2018
1022:2012
996:2019
932:2017
848:2023
760:2018
632:BBFC
588:and
500:and
412:Cast
406:slab
349:Plot
331:and
1253:at
650:on
1962::
1174:.
1128:.
1099:^
1030:^
1012:.
982:.
940:^
896:^
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1024:.
998:.
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850:.
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542:(
295:(
274:£
232:)
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
