Knowledge

The Horror at Red Hook

Source đź“ť

58: 40: 179: 156:. Although the story depicts a sinister cult, this cult offers a conventionally occult devil-worshipping threat, rather than the cosmic threat depicted in his later work. Living in poverty in the slum of Red Hook at the time of writing, Lovecraft was at this time urgently attempting to widen his markets in the pulp magazines. By having an unusually proactive Irish New York police detective as his protagonist, he hoped for a swift sale to a detective pulp, which would have opened up a new market other than his usual 1876: 226:'s far vision of weird and hidden things, but the logician's quick eye for the outwardly unconvincing... In youth he had felt the hidden beauty and ecstasy of things, and had been a poet; but poverty and sorrow and exile had turned his gaze in darker directions, and he had thrilled at the imputations of evil in the world around." This morbid streak is offset by a "keen logic and a deep sense of humour". He is 42 at the time of "The Horror at Red Hook". 248: 233:
clothes, and gold-headed cane earned him an amused glance", Malone knew of him as "a really profound authority on mediaeval superstition". On account of "certain odd changes in his speech and habits; wild references to impending wonders, and unaccountable hauntings of disreputable Brooklyn neighbourhoods", his relatives tried unsuccessfully to have him declared insane. He is about 60 in the time frame of the story.
348:, lacking many of the elements that characterize it, such as totally alien cults with cosmic purposes, forbidden tomes, unknown gods and a sense of true "outsideness", as the cult and occult magic in the story have decidedly real world origins and purposes. However, one of the gods worshipped by the cult is the 424:
In his story Lovecraft very nearly accurately describes the mix of demographics of Red Hook circa 1925, but - since his protagonist is Irish - he changed a reference to the then-Irish population of Red Hook to "Spanish". At that time there was no Spanish population in Red Hook, although there was one
468:
Lovecraft himself, always modest about his work and at that time rather depressed, said of "The Horror at Red Hook" that the tale was "rather long and rambling, and I don't think it is very good". Nevertheless, it was one of the few stories that saw book publication during his lifetime, chosen for
408:
The idea that black magic exists in secret today, or that hellish antique rites still exist in obscurity, is one that I have used and shall use again. When you see my new tale "The Horror at Red Hook", you will see what use I make of the idea in connexion with the gangs of young loafers & herds
201:
Malone enters Suydam's flat to see what he can find. In the basement, he comes across a door that breaks open and sucks him inside, revealing a hellish landscape. He witnesses human sacrifices and a ritual that reanimates Suydam's corpse. Malone is found in the basement of Suydam's flat, which has
193:
The "case of Robert Suydam" is then told to be the driving force behind Malone's federally ordered involvement at Red Hook. Known as a shabby recluse, Suydam has been seen around town looking younger and more radiant. News arrives of his engagement to a well-to-do woman, while, at the same time,
232:
A "lettered recluse of ancient Dutch family, possessed originally of barely independent means, and inhabiting the spacious but ill-preserved mansion which his grandfather had built in Flatbush". Seen by most as "a queer, corpulent old fellow whose unkempt white hair, stubbly beard, shiny black
383:
was the inspiration for H.P. Lovecraft's The Horror at Red Hook. The building was constructed by Ryneer Suydam, a man with a name very similar to that of the story's Robert Suydam. Beherec argues that the building's conversion from Suydam's Federalist tenement to a Gothic church by a sect he
197:
After Suydam's wedding, he and his bride leave on a ship. Aboard, a scream is heard and, when the crew enter Suydam's stateroom, they find him and his wife dead, with claw-marks on his wife's body. Later, some strange men from another ship come on board and lay claim to Suydam's body.
388:, which began while he was in New York, inspired Lovecraft. Beherec argues the demographic changes in the neighborhood and the physical changes in the building parallel the metamorphoses in Suydam's character and physical appearance, and both in turn also mirror 202:
caved in inexplicably above him, killing everyone else inside. The tunnels and chambers uncovered in the raids are filled in and cemented, though, as Malone recounts, the threat in Red Hook subtly re-emerges.
399:
Lovecraft referred to the area's immigrant population by referring to Red Hook as "a maze of hybrid squalor". He spelled out his inspiration for "The Horror at Red Hook" in a letter written to fellow writer
190:, that gave him a phobia of large buildings. Back-tracking to where it all began, the Brooklyn waterfront slum Red Hook is described in detail, with its gangs and crime, and hinting at an occult underbelly. 421:
attitudes. "Whenever we found ourselves in the racially mixed crowds which characterize New York, Howard would become livid with rage," Greene later wrote. "He seemed almost to lose his mind."
520:
takes place in Red Hook in the modern era. The blatant racism of the protagonist mimics the inherent racism of Lovecraft's original "Red Hook" tale. The second issue of Moore's comic
413:
Lovecraft had moved to New York to marry Sonia Greene a year earlier, in 1924; his initial infatuation with New York soon soured (an experience fictionalized in his short story "
438:. Daniel Harms and John Wisdom Gonce note the spell Lovecraft quotes and describes as a "demon evocation", was actually an incantation allegedly used for treasure hunting. 194:
there is an increase in local kidnappings. A police raid, involving Malone, uncovers nothing useful from Suydam's Red Hook flat save a few strange inscriptions.
1040: 541: 367:
Robert Suydam lives in a "lonely house, set back from Martense Street". The Martense Family were the subterranean cannibals in Lovecraft's earlier story "
1930: 1935: 1810: 1683: 1795: 214:
An Irish-born New York police detective, "detailed to the Butler Street station in Brooklyn" before going on indefinite medical leave. A "
1704: 1925: 877: 312: 449:'s "The Stranger from Kurdistan". At that time Lovecraft was not aware of their similar use in an occult adventure novel of 1920 by 1560: 284: 265: 457: 380: 797: 291: 845: 428:
Much of the occult chanting in the story was lifted from the articles on "Magic" and "Demonology" in the 9th edition of the
942: 152:, written on August 1–2, 1925. "Red Hook" is a transitional tale, situated between the author's earlier work and the later 1475: 788:
H. P. Lovecraft, Selected Letters vol. 2, p. 27; quoted in Peter Cannon, "Introduction", More Annotated Lovecraft, p. 5.
298: 1805: 1250: 1033: 732: 627:
Beherec, Marc (August 2021). "The Church That Inspired "The Horror at Red Hook" and the Fall of the House of Suydam".
508:
is a retelling of "The Horror at Red Hook" from the perspective of a black man in the service of Suydam. The book, by
1546: 1348: 331: 1005: 280: 1690: 1433: 1394: 818: 445:
as a devil-worshipping cult, twice implied to be behind the events of the story, seems to have been inspired by
1915: 1846: 710: 393: 345: 269: 61: 1910: 1302: 998: 977: 870: 516: 1905: 1264: 897: 1920: 1900: 1608: 1362: 1271: 1180: 1131: 921: 1860: 1539: 1187: 1110: 1061: 430: 1369: 1355: 1309: 1054: 522: 305: 1879: 1468: 1068: 991: 963: 956: 863: 1676: 1553: 1330: 1257: 1124: 504: 490: 258: 1800: 1697: 1376: 1323: 1152: 1019: 984: 928: 850: 1173: 949: 914: 371:", who live in a location from which the river flows south to eventually emerge at Red Hook. 353: 1503: 1489: 1145: 1138: 1012: 352:, which was also worshipped by the cannibalistic cult within Exham Priory in Lovecraft's " 8: 1731: 1496: 1454: 1419: 1229: 1096: 935: 39: 1815: 1774: 1759: 1521: 1440: 1426: 1316: 1295: 1288: 1236: 1026: 632: 456:
Martense Street is not a fictional locale; it is one block North of Church Avenue. The
450: 401: 187: 602: 1790: 1582: 1281: 1194: 1089: 833: 728: 706: 446: 215: 1769: 1482: 1461: 1447: 1412: 1208: 1166: 1082: 414: 368: 178: 812: 1613: 886: 549: 389: 357: 149: 31: 839: 1754: 1726: 1649: 1243: 1117: 591: 509: 361: 153: 93: 1894: 1618: 655: 650: 476:
Critics have tended to disparage the story, largely due to its overt racism.
460:
in which Suydam was married is on the corner of Church and Flatbush Avenues.
570: 1854: 1820: 1764: 1737: 1644: 1603: 1215: 1103: 1075: 481: 219: 1047: 1841: 435: 349: 186:
The story begins with Detective Malone describing an on-duty incident in
158: 109: 46: 27: 636: 477: 418: 344:"The Horror at Red Hook" is not generally considered to be part of the 272: in this section. Unsourced material may be challenged and removed. 120: 67: 1721: 1587: 1159: 828: 385: 247: 1634: 1222: 970: 485: 166:. "Red Hook" was thus first published in the January 1927 issue of 855: 1639: 409:
of evil-looking foreigners that one sees everywhere in New York.
1654: 1577: 494:, called the story "horrendously bad" for its racist language. 442: 162:
magazine. He did not get such a sale, and had to fall back on
1659: 484:
noted that "racism makes a poor premise for a horror story."
237: 1836: 223: 798:
Facts in the Case of Alan Moore's Providence: Providence 2
44:
Title page of "The Horror at Red Hook" as it appeared in
512:, attempts to upend the xenophobic themes of "Red Hook". 703:
Necronomicon Files: The Truth Behind Lovecraft's Legend
672:
vol. 2, p. 27; quoted in Peter Cannon, "Introduction",
1041:
Facts Concerning the Late Arthur Jermyn and His Family
851:"The Horror at Red Hook" at The H.P. Lovecraft Archive 751:Vol. 2, p. 20; cited in Joshi and Schultz, p. 114. 1892: 1684:H. P. Lovecraft: Against the World, Against Life 480:called the story "a piece of literary vitriol". 50:, January 1927. Illustration by G. O. Olinick. 871: 722: 1705:Lovecraft: A Look Behind the Cthulhu Mythos 784:Lovecraft: A Look Behind the Cthulhu Mythos 762:Lovecraft: A Look Behind the Cthulhu Mythos 687:Lovecraft: A Look Behind the Cthulhu Mythos 603:"The Horror at Red Hook" at hplovecraft.com 878: 864: 643: 526:is also based on "The Horror at Red Hook". 38: 1931:Works originally published in Weird Tales 332:Learn how and when to remove this message 238:Connections to other Cthulhu Mythos tales 1936:Race-related controversies in literature 1561:Autobiography: Some Notes on a Nonentity 571:"Publication: Weird Tales, January 1927" 356:" and has been argued by Mythos scholar 177: 723:Joshi, S.T.; Schultz, David E. (2004). 626: 1893: 1796:Works influenced by the Cthulhu Mythos 592:Lovecraft’s Fiction at hplovecraft.com 552:into one single universal modern epic. 536:Robert Suydam features prominently in 148:" is a short story by American writer 859: 846:Internet Speculative Fiction Database 716: 548:series reimagines the weird tales of 417:"), in large part due to Lovecraft's 943:A Reminiscence of Dr. Samuel Johnson 697: 695: 270:adding citations to reliable sources 241: 1476:Through the Gates of the Silver Key 885: 538:Lovecraftian: The Shipwright Circle 381:St. George's Syrian Catholic Church 13: 1806:H. P. Lovecraft Historical Society 1251:The Strange High House in the Mist 727:. Hippocampus Press. p. 115. 218:man born in a Georgian villa near 14: 1947: 1547:Supernatural Horror in Literature 1349:The Dream-Quest of Unknown Kadath 806: 692: 649:Getlen, Larry (August 14, 2008). 1926:Short stories by H. P. Lovecraft 1875: 1874: 1006:The Statement of Randolph Carter 701:Daniel Harms, John Wisdom Gonce 246: 56: 1691:An H. P. Lovecraft Encyclopedia 1395:The Case of Charles Dexter Ward 791: 776: 767: 754: 741: 360:to represent Lovecraft's deity 257:needs additional citations for 173: 1848:Lovecraft: Fear of the Unknown 725:An H.P. Lovecraft Encyclopedia 679: 662: 620: 607: 596: 585: 563: 458:Flatbush Dutch Reformed Church 394:The Fall of the House of Usher 374: 16:Short story by H. P. Lovecraft 1: 1303:The Dreams in the Witch House 999:The Doom That Came to Sarnath 978:The Transition of Juan Romero 556: 469:the British anthology series 384:(erroneously) believed to be 205: 1434:The Horror at Martin's Beach 463: 434:, written by anthropologist 7: 1363:At the Mountains of Madness 222:", he is said to have "the 10: 1952: 1861:The Thing in the Moonlight 1540:The Cancer of Superstition 517:Alan Moore's The Courtyard 1870: 1829: 1783: 1747: 1714: 1668: 1627: 1596: 1570: 1531: 1513: 1404: 1386: 1370:The Shadow over Innsmouth 1356:The Whisperer in Darkness 1340: 1310:The Thing on the Doorstep 906: 893: 530: 497: 379:Marc Beherec argues that 134: 126: 116: 104: 99: 89: 81: 73: 55: 37: 26: 21: 1469:The Horror in the Museum 1069:The Picture in the House 957:Beyond the Wall of Sleep 674:More Annotated Lovecraft 281:"The Horror at Red Hook" 22:"The Horror at Red Hook" 1677:H. P. Lovecraft: A Life 1554:To Quebec and the Stars 1331:The Haunter of the Dark 1258:The Colour Out of Space 1132:Herbert West–Reanimator 1125:The Music of Erich Zann 505:The Ballad of Black Tom 491:H. P. Lovecraft: A Life 431:Encyclopædia Britannica 182:View of Red Hook, 1921. 1801:H. P. Lovecraft (band) 1698:Lovecraft: A Biography 1377:The Shadow Out of Time 1202:The Horror at Red Hook 841:The Horror at Red Hook 829:The Horror at Red Hook 814:The Horror at Red Hook 411: 183: 146:The Horror at Red Hook 1916:Fantasy short stories 1174:The Rats in the Walls 915:The Beast in the Cave 844:title listing at the 705:. Weiser Books, 2003 406: 354:The Rats in the Walls 181: 1911:Horror short stories 1504:In the Walls of Eryx 1490:The Tree on the Hill 1146:What the Moon Brings 1013:The Terrible Old Man 615:Shub-Niggurath Cycle 266:improve this article 1906:Brooklyn in fiction 1855:Sonia Greene (wife) 1732:Lovecraftian horror 1420:Poetry and the Gods 1230:The Call of Cthulhu 1097:The Quest of Iranon 542:Steven Philip Jones 1921:Red Hook, Brooklyn 1901:1927 short stories 1816:Lovecraft (crater) 1775:Frank Belknap Long 1760:Clark Ashton Smith 1522:Fungi from Yuggoth 1441:Under the Pyramids 1427:The Crawling Chaos 1317:The Evil Clergyman 1296:The Dunwich Horror 1027:The Cats of Ulthar 451:Robert W. Chambers 402:Clark Ashton Smith 188:Red Hook, Brooklyn 184: 1888: 1887: 1791:Lovecraft studies 1583:Lovecraft Country 1282:The Very Old Folk 1195:The Shunned House 1090:The Nameless City 834:Project Gutenberg 747:H. P. Lovecraft, 668:H. P. Lovecraft, 447:E. Hoffmann Price 342: 341: 334: 316: 216:Dublin University 142: 141: 1943: 1878: 1877: 1770:Robert E. Howard 1748:Lovecraft Circle 1497:Till A' the Seas 1483:Out of the Aeons 1448:The Curse of Yig 1413:The Green Meadow 1167:The Lurking Fear 1083:Sweet Ermengarde 880: 873: 866: 857: 856: 836: 800: 795: 789: 780: 774: 771: 765: 758: 752: 749:Selected Letters 745: 739: 738: 720: 714: 699: 690: 683: 677: 670:Selected Letters 666: 660: 647: 641: 640: 629:Lovecraft Annual 624: 618: 611: 605: 600: 594: 589: 583: 582: 580: 578: 567: 369:The Lurking Fear 337: 330: 326: 323: 317: 315: 274: 250: 242: 135:Publication date 130:Print (magazine) 117:Publication type 60: 59: 42: 19: 18: 1951: 1950: 1946: 1945: 1944: 1942: 1941: 1940: 1891: 1890: 1889: 1884: 1866: 1825: 1779: 1743: 1715:Themes/Concepts 1710: 1664: 1623: 1614:Randolph Carter 1592: 1566: 1527: 1509: 1400: 1382: 1336: 1272:History of the 1237:Pickman's Model 902: 889: 887:H. P. Lovecraft 884: 826: 809: 804: 803: 796: 792: 787: 781: 777: 772: 768: 759: 755: 746: 742: 735: 721: 717: 700: 693: 684: 680: 667: 663: 648: 644: 631:(15): 128–166. 625: 621: 612: 608: 601: 597: 590: 586: 576: 574: 569: 568: 564: 559: 550:H. P. Lovecraft 533: 500: 466: 441:The use of the 390:Edgar Allan Poe 377: 358:Robert M. Price 338: 327: 321: 318: 275: 273: 263: 251: 240: 208: 176: 150:H. P. Lovecraft 57: 51: 32:H. P. Lovecraft 17: 12: 11: 5: 1949: 1939: 1938: 1933: 1928: 1923: 1918: 1913: 1908: 1903: 1886: 1885: 1883: 1882: 1871: 1868: 1867: 1865: 1864: 1857: 1852: 1844: 1839: 1833: 1831: 1827: 1826: 1824: 1823: 1821:Cthulhu Macula 1818: 1813: 1808: 1803: 1798: 1793: 1787: 1785: 1781: 1780: 1778: 1777: 1772: 1767: 1762: 1757: 1755:August Derleth 1751: 1749: 1745: 1744: 1742: 1741: 1734: 1729: 1727:Cthulhu Mythos 1724: 1718: 1716: 1712: 1711: 1709: 1708: 1701: 1694: 1687: 1680: 1672: 1670: 1666: 1665: 1663: 1662: 1657: 1652: 1650:Shub-Niggurath 1647: 1642: 1637: 1631: 1629: 1625: 1624: 1622: 1621: 1616: 1611: 1606: 1604:Abdul Alhazred 1600: 1598: 1594: 1593: 1591: 1590: 1585: 1580: 1574: 1572: 1568: 1567: 1565: 1564: 1557: 1550: 1543: 1535: 1533: 1529: 1528: 1526: 1525: 1517: 1515: 1511: 1510: 1508: 1507: 1500: 1493: 1486: 1479: 1472: 1465: 1458: 1451: 1444: 1437: 1430: 1423: 1416: 1408: 1406: 1405:Collaborations 1402: 1401: 1399: 1398: 1390: 1388: 1384: 1383: 1381: 1380: 1373: 1366: 1359: 1352: 1344: 1342: 1338: 1337: 1335: 1334: 1327: 1320: 1313: 1306: 1299: 1292: 1285: 1278: 1268: 1265:The Descendant 1261: 1254: 1247: 1244:The Silver Key 1240: 1233: 1226: 1219: 1212: 1205: 1198: 1191: 1184: 1177: 1170: 1163: 1156: 1149: 1142: 1135: 1128: 1121: 1118:The Other Gods 1114: 1107: 1100: 1093: 1086: 1079: 1072: 1065: 1058: 1051: 1044: 1037: 1030: 1023: 1016: 1009: 1002: 995: 988: 985:The White Ship 981: 974: 967: 960: 953: 946: 939: 932: 925: 918: 910: 908: 904: 903: 901: 900: 894: 891: 890: 883: 882: 875: 868: 860: 854: 853: 848: 837: 824: 822: 808: 807:External links 805: 802: 801: 790: 775: 766: 753: 740: 734:978-0974878911 733: 715: 691: 678: 661: 642: 619: 606: 595: 584: 561: 560: 558: 555: 554: 553: 532: 529: 528: 527: 513: 510:Victor LaValle 499: 496: 465: 462: 376: 373: 362:Shub-Niggurath 346:Cthulhu Mythos 340: 339: 322:September 2020 254: 252: 245: 239: 236: 235: 234: 230: 227: 212: 207: 204: 175: 172: 154:Cthulhu Mythos 140: 139: 136: 132: 131: 128: 124: 123: 118: 114: 113: 106: 102: 101: 97: 96: 91: 87: 86: 83: 79: 78: 75: 71: 70: 63:Text available 53: 52: 43: 35: 34: 24: 23: 15: 9: 6: 4: 3: 2: 1948: 1937: 1934: 1932: 1929: 1927: 1924: 1922: 1919: 1917: 1914: 1912: 1909: 1907: 1904: 1902: 1899: 1898: 1896: 1881: 1873: 1872: 1869: 1863: 1862: 1858: 1856: 1853: 1851: 1850:(documentary) 1849: 1845: 1843: 1840: 1838: 1835: 1834: 1832: 1828: 1822: 1819: 1817: 1814: 1812: 1809: 1807: 1804: 1802: 1799: 1797: 1794: 1792: 1789: 1788: 1786: 1782: 1776: 1773: 1771: 1768: 1766: 1763: 1761: 1758: 1756: 1753: 1752: 1750: 1746: 1740: 1739: 1735: 1733: 1730: 1728: 1725: 1723: 1720: 1719: 1717: 1713: 1707: 1706: 1702: 1700: 1699: 1695: 1693: 1692: 1688: 1686: 1685: 1681: 1679: 1678: 1674: 1673: 1671: 1667: 1661: 1658: 1656: 1653: 1651: 1648: 1646: 1643: 1641: 1638: 1636: 1633: 1632: 1630: 1626: 1620: 1619:Harley Warren 1617: 1615: 1612: 1610: 1607: 1605: 1602: 1601: 1599: 1595: 1589: 1586: 1584: 1581: 1579: 1576: 1575: 1573: 1569: 1563: 1562: 1558: 1556: 1555: 1551: 1548: 1544: 1542: 1541: 1537: 1536: 1534: 1530: 1524: 1523: 1519: 1518: 1516: 1512: 1505: 1501: 1498: 1494: 1491: 1487: 1484: 1480: 1477: 1473: 1470: 1466: 1463: 1462:Medusa's Coil 1459: 1457: 1456: 1452: 1449: 1445: 1442: 1438: 1435: 1431: 1428: 1424: 1421: 1417: 1414: 1410: 1409: 1407: 1403: 1397: 1396: 1392: 1391: 1389: 1385: 1379: 1378: 1374: 1372: 1371: 1367: 1365: 1364: 1360: 1358: 1357: 1353: 1351: 1350: 1346: 1345: 1343: 1339: 1332: 1328: 1325: 1321: 1318: 1314: 1311: 1307: 1304: 1300: 1297: 1293: 1290: 1286: 1283: 1279: 1276: 1275: 1269: 1266: 1262: 1259: 1255: 1252: 1248: 1245: 1241: 1238: 1234: 1231: 1227: 1224: 1220: 1217: 1213: 1210: 1206: 1203: 1199: 1196: 1192: 1189: 1185: 1182: 1181:The Unnamable 1178: 1175: 1171: 1168: 1164: 1161: 1157: 1154: 1150: 1147: 1143: 1140: 1136: 1133: 1129: 1126: 1122: 1119: 1115: 1112: 1108: 1105: 1101: 1098: 1094: 1091: 1087: 1084: 1080: 1077: 1073: 1070: 1066: 1063: 1059: 1056: 1052: 1049: 1045: 1042: 1038: 1035: 1031: 1028: 1024: 1021: 1017: 1014: 1010: 1007: 1003: 1000: 996: 993: 989: 986: 982: 979: 975: 972: 968: 965: 961: 958: 954: 951: 947: 944: 940: 937: 933: 930: 926: 923: 922:The Alchemist 919: 916: 912: 911: 909: 907:Short stories 905: 899: 896: 895: 892: 888: 881: 876: 874: 869: 867: 862: 861: 858: 852: 849: 847: 843: 842: 838: 835: 831: 830: 825: 823: 820: 816: 815: 811: 810: 799: 794: 785: 779: 773:Cannon, p. 5. 770: 763: 757: 750: 744: 736: 730: 726: 719: 712: 708: 704: 698: 696: 688: 682: 675: 671: 665: 658: 657: 656:New York Post 652: 651:"GHOST STORY" 646: 638: 634: 630: 623: 616: 610: 604: 599: 593: 588: 572: 566: 562: 551: 547: 543: 539: 535: 534: 525: 524: 519: 518: 514: 511: 507: 506: 502: 501: 495: 493: 492: 487: 483: 479: 474: 472: 461: 459: 454: 452: 448: 444: 439: 437: 433: 432: 426: 422: 420: 416: 410: 405: 403: 397: 395: 391: 387: 382: 372: 370: 365: 363: 359: 355: 351: 347: 336: 333: 325: 314: 311: 307: 304: 300: 297: 293: 290: 286: 283: â€“  282: 278: 277:Find sources: 271: 267: 261: 260: 255:This section 253: 249: 244: 243: 231: 229:Robert Suydam 228: 225: 221: 217: 213: 211:Thomas Malone 210: 209: 203: 199: 195: 191: 189: 180: 171: 169: 165: 161: 160: 155: 151: 147: 137: 133: 129: 125: 122: 119: 115: 112: 111: 107: 103: 98: 95: 92: 88: 84: 80: 77:United States 76: 72: 69: 65: 64: 54: 49: 48: 41: 36: 33: 29: 25: 20: 1859: 1847: 1765:Robert Bloch 1738:Necronomicon 1736: 1703: 1696: 1689: 1682: 1675: 1645:Nyarlathotep 1609:Herbert West 1559: 1552: 1538: 1520: 1453: 1393: 1375: 1368: 1361: 1354: 1347: 1274:Necronomicon 1273: 1216:In the Vault 1201: 1188:The Festival 1111:The Outsider 1104:The Moon-Bog 1076:Ex Oblivione 1062:Nyarlathotep 898:Bibliography 840: 827: 813: 793: 783: 782:Lin Carter, 778: 769: 761: 760:Lin Carter, 756: 748: 743: 724: 718: 702: 686: 685:Lin Carter, 681: 673: 669: 664: 654: 645: 628: 622: 614: 609: 598: 587: 575:. Retrieved 565: 546:Lovecraftian 545: 537: 521: 515: 503: 489: 482:Peter Cannon 475: 471:Not at Night 470: 467: 455: 440: 429: 427: 423: 412: 407: 398: 378: 366: 343: 328: 319: 309: 302: 295: 288: 276: 264:Please help 259:verification 256: 220:Phoenix Park 200: 196: 192: 185: 174:Plot summary 167: 163: 157: 145: 143: 138:January 1927 108: 105:Published in 62: 45: 1842:Dream Cycle 1811:Adaptations 1669:Books about 1055:From Beyond 436:E. B. Tylor 375:Inspiration 350:Magna Mater 168:Weird Tales 164:Weird Tales 159:Weird Tales 110:Weird Tales 100:Publication 47:Weird Tales 28:Short story 1895:Categories 1597:Characters 1034:The Temple 992:The Street 819:Faded Page 711:1578632692 557:References 523:Providence 478:Lin Carter 419:xenophobic 292:newspapers 206:Characters 127:Media type 121:Periodical 68:Wikisource 1722:Cosmicism 1571:Locations 1455:The Mound 1160:The Hound 1048:CelephaĂŻs 617:, p. xiv. 577:March 18, 464:Reception 386:Nestorian 1880:Category 1635:Azathoth 1341:Novellas 1324:The Book 1223:Cool Air 1153:Azathoth 1020:The Tree 971:Old Bugs 929:The Tomb 821:(Canada) 786:, p. 46. 764:, p. 46. 689:, p. 45. 637:27118866 486:ST Joshi 90:Genre(s) 82:Language 1830:Related 1640:Cthulhu 1628:Deities 950:Polaris 713:(p.95). 676:, p. 5. 613:Price, 573:. ISFDB 425:later. 306:scholar 85:English 74:Country 1784:Legacy 1655:Hastur 1588:R'lyeh 1578:Arkham 1532:Essays 1514:Poetry 1387:Novels 1139:Hypnos 964:Memory 731:  709:  635:  544:. The 531:Novels 498:Legacy 443:Yezidi 308:  301:  294:  287:  279:  94:Horror 1660:Dagon 936:Dagon 633:JSTOR 488:, in 313:JSTOR 299:books 1837:Aklo 1289:Ibid 729:ISBN 707:ISBN 579:2021 392:'s " 285:news 224:Celt 832:at 817:at 540:by 396:". 268:by 66:at 30:by 1897:: 1209:He 694:^ 653:. 473:. 453:. 415:He 404:: 364:. 170:. 1549:" 1545:" 1506:" 1502:" 1499:" 1495:" 1492:" 1488:" 1485:" 1481:" 1478:" 1474:" 1471:" 1467:" 1464:" 1460:" 1450:" 1446:" 1443:" 1439:" 1436:" 1432:" 1429:" 1425:" 1422:" 1418:" 1415:" 1411:" 1333:" 1329:" 1326:" 1322:" 1319:" 1315:" 1312:" 1308:" 1305:" 1301:" 1298:" 1294:" 1291:" 1287:" 1284:" 1280:" 1277:" 1270:" 1267:" 1263:" 1260:" 1256:" 1253:" 1249:" 1246:" 1242:" 1239:" 1235:" 1232:" 1228:" 1225:" 1221:" 1218:" 1214:" 1211:" 1207:" 1204:" 1200:" 1197:" 1193:" 1190:" 1186:" 1183:" 1179:" 1176:" 1172:" 1169:" 1165:" 1162:" 1158:" 1155:" 1151:" 1148:" 1144:" 1141:" 1137:" 1134:" 1130:" 1127:" 1123:" 1120:" 1116:" 1113:" 1109:" 1106:" 1102:" 1099:" 1095:" 1092:" 1088:" 1085:" 1081:" 1078:" 1074:" 1071:" 1067:" 1064:" 1060:" 1057:" 1053:" 1050:" 1046:" 1043:" 1039:" 1036:" 1032:" 1029:" 1025:" 1022:" 1018:" 1015:" 1011:" 1008:" 1004:" 1001:" 997:" 994:" 990:" 987:" 983:" 980:" 976:" 973:" 969:" 966:" 962:" 959:" 955:" 952:" 948:" 945:" 941:" 938:" 934:" 931:" 927:" 924:" 920:" 917:" 913:" 879:e 872:t 865:v 737:. 659:. 639:. 581:. 335:) 329:( 324:) 320:( 310:· 303:· 296:· 289:· 262:. 144:"

Index

Short story
H. P. Lovecraft

Weird Tales
Text available
Wikisource
Horror
Weird Tales
Periodical
H. P. Lovecraft
Cthulhu Mythos
Weird Tales

Red Hook, Brooklyn
Dublin University
Phoenix Park
Celt

verification
improve this article
adding citations to reliable sources
"The Horror at Red Hook"
news
newspapers
books
scholar
JSTOR
Learn how and when to remove this message
Cthulhu Mythos
Magna Mater

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑