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965:"Absolution". In earlier drafts, Daisy was originally named Ada and Nick was Dud, and the two characters had shared a previous romance prior to their reunion on Long Island. These earlier drafts were written from the viewpoint of an omniscient narrator as opposed to Nick's perspective. A key difference in earlier drafts is a less complete failure of Gatsby's dream. Another difference is that the argument between Tom Buchanan and Gatsby is more balanced, although Daisy still returns to Tom.
1245:. Discarding this gloomy concept, Cugat next drew a divergent study which became the prefiguration to the final cover: A pencil and crayon drawing of a flapper's half-hidden visage over Long Island Sound with scarlet lips, one celestial eye, and a single diagonal tear. Expanding upon this study, his subsequent drawing featured two bright eyes looming over a shadowy New York cityscape. In later iterations, Cugat replaced the shadowy cityscape with dazzling carnival lights evoking a
1303:
2093:
1447:
365:
5089:, p. 176: "Scott brought his book over. It had a garish dust jacket and I remember being embarrassed by the violence, bad taste, and slippery look of it. It looked like the book jacket for a book of bad science fiction. Scot told me not to be put off by it, that it had to do with a billboard along a highway in Long Island that was important in the story. He said he had liked the jacket and now he didn't like it. I took it off to read the book".
1996:
McKee and—following suggestive ellipses—Nick next finds himself standing beside a bed while McKee sits between the sheets clad only in his underwear. Such scenes have led scholars to describe Nick as possessing an overt queerness and prompted analyses about his emotional attachment to Jay Gatsby. For these reasons, the novel has been described as an exploration of sexual identity during a historical era typified by the societal transition towards
499:. After learning that Ginevra had married wealthy Chicago businessman William "Bill" Mitchell, Fitzgerald asked Zelda to marry him. Zelda agreed but postponed their marriage until he became financially successful. Fitzgerald is thus similar to Jay Gatsby in that he became engaged while a military officer stationed far from home and then sought immense wealth in order to provide for the lifestyle to which his fiancée had become accustomed.
1394:, Fitzgerald further resented the fact that critics failed to perceive the many parallels between the author's life and the character of Jay Gatsby; in particular, that both created a mythical version of themselves and attempted to live up to this legend. Dispirited by critics failing to understand the novel, Fitzgerald remained hopeful that the novel would at least be a commercial success, perhaps selling as many as 75,000 copies.
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11991:
1000:, on October 27. Perkins informed him in a November letter that Gatsby was too vague as a character and that his wealth and business, respectively, needed a convincing explanation. Fitzgerald thanked Perkins for his detailed criticisms and claimed that such feedback would enable him to perfect the manuscript. Having relocated with his wife to Rome, Fitzgerald made revisions to the manuscript throughout the winter.
941:. Purportedly born in America to a German immigrant family, Gerlach had been a major in the American Expeditionary Forces during World War I, and he later became a gentleman bootlegger who lived like a millionaire in New York. Flaunting his new wealth, Gerlach threw lavish parties, never wore the same shirt twice, used the phrase "old sport", and fostered myths about himself including that he was a relation of the
2191:, stated that while he believed the book was a superb literary achievement, Wolfsheim was its most abrasive character, and the work contains an antisemitic undertone. However, Hindus argued the Jewish stereotypes displayed by Wolfsheim were typical of the time when the novel was written and set and that its antisemitism was of the "habitual, customary, 'harmless,' unpolitical variety". A 2015 article by essayist
1935:, or successful minorities. Since Americans living in the 1920s to the present are largely defined by their fluctuating socio-economic circumstances and must navigate a society with entrenched racial and ethnic prejudices, Fitzgerald's depiction of resultant status anxieties and social conflict has been highlighted by scholars as still enduringly relevant nearly a hundred years after the novel's publication.
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791: – an amateur golfer with a sarcastic streak and an aloof attitude, and Daisy's long-time friend. She is Nick Carraway's girlfriend for most of the novel, though they grow apart towards the end. She has a shady reputation because of rumors that she had cheated in a tournament, which harmed her reputation both socially and as a golfer. Fitzgerald based Jordan on Ginevra's friend
1813:. Many of Daisy's choices—ultimately culminating in the fatal car crash and misery for all those involved—can be partly attributed to her prescribed role as a "beautiful little fool" who is reliant on her husband for financial and societal security. Her decision to remain with her husband, despite her feelings for Gatsby, is because of the security that her marriage to Tom Buchanan provides.
6694:, p. 329: Commenting upon Nick's sexual confusion, A. B. Paulson remarked in 1978 that "the novel is about identity, about leaving home and venturing into a world of adults, about choosing a profession, about choosing a sexual role to play as well as a partner to love, it is a novel that surely appeals on several deep levels to the problems of adolescent readers".
3160:, p. 15, "Echoes of the Jazz Age": "Scarcely had the staider citizens of the republic caught their breaths when the wildest of all generations, the generation which had been adolescent during the confusion of the War, brusquely shouldered my contemporaries out of the way and danced into the limelight. This was the generation whose girls dramatized themselves as
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2034:. Specifically, the valley of the ashes, in between East and West Egg, represents a man-made wasteland which is a byproduct of the industrialization that has made Gatsby's booming lifestyle, including his automobile, possible. Marx argues that Fitzgerald, via Nick, expresses a pastoral longing typical of other 1920s American writers like
4124:, pp. 13–14: Biographer Arthur Mizener wrote in a January 1951 letter to Max Gerlach that "Edmund Wilson, the literary critic, told me that Fitzgerald came to his house, apparently from yours , and told him with great fascination about the life you were leading. Naturally, it fascinated him as all splendor did".
813: – a mechanic and owner of a garage. He is disliked by both his wife, Myrtle Wilson, and Tom Buchanan, who describes him as "so dumb he doesn't know he's alive". At the end of the novel, George shoots Gatsby dead, wrongly believing he had been driving the car that killed Myrtle, and then kills himself.
464:, a 16-year-old socialite with whom he fell deeply in love. Although Ginevra was madly in love with him, her upper-class family openly discouraged his courtship of their daughter because of his lower-class status, and her father purportedly told him that "poor boys shouldn't think of marrying rich girls".
652:. Nick encounters Tom and initially refuses to shake his hand. Tom admits he was the one who told George that Gatsby owned the vehicle that killed Myrtle. Before returning to the Midwest, Nick returns to Gatsby's mansion and stares across the bay at the green light emanating from the end of Daisy's dock.
4519:, pp. 145–146: "Since there were at most a couple of weeks between the commission and Fitzgerald's departure for France, it is likely that what he had seen—and "written into the book"—was one or more of Cugat's preparatory sketches which were probably shown to him at Scribners before he set sail".
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However, Pearson noted that
Fitzgerald's particular treatment of this theme is devoid of the discernible optimism in the writings of earlier American authors. He suggests Gatsby serves as a false prophet of the American dream, and pursuing the dream only results in dissatisfaction for those who chase
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which features a wealthy married socialite pursued by a variety of romantic suitors and who symbolically embodies the
American dream. He later wrote a letter to Cather apologizing for any unintentional plagiarism. During this period of revisions, Scott saw and was influenced by early sketches for the
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Days later, Nick reluctantly accompanies a drunken and agitated Tom to New York City by train. En route, they stop at a garage inhabited by mechanic George Wilson and his wife Myrtle. Myrtle joins them, and the trio proceed to a small New York apartment that Tom has rented for trysts with her. Guests
1995:
commented upon the ease of examining the thwarted relations depicted in
Fitzgerald's fiction through a queer lens. In recent decades, scholarship has focused sharply on the sexuality of Nick Carraway. In one instance in the novel, Carraway departs a drunken orgy with a "pale, feminine" man named Mr.
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supported this latter interpretation and claimed that
Fitzgerald had told him the cover referred to a billboard in the valley of the ashes. Although this passage has some resemblance to the imagery, a closer explanation can be found in Fitzgerald's explicit description of Daisy Buchanan as the "girl
956:
over many months, and the highly publicized case likely influenced the plot of
Fitzgerald's novel. The case involved the double-murder of a man and his lover on September 14, 1922, mere weeks before Fitzgerald arrived in Great Neck. Scholars have speculated that Fitzgerald based certain aspects
2962:
Primary sources such as Zelda
Fitzgerald and F. Scott Fitzgerald's friend Edmund Wilson both stated that Max Gerlach was a neighbor. Scholars have yet to find surviving property records for a Long Island residence with Gerlach's name. However, there are likely "gaps in the record of his addresses",
972:
resumed in earnest in April 1924. Fitzgerald decided to depart from the writing process of his previous novels and told
Perkins that he was intent on creating an artistic achievement. He wished to eschew the realism of his previous two novels and to compose a creative work of sustained imagination.
283:
distributed free copies to
American soldiers serving overseas. This new-found popularity launched a critical and scholarly re-examination, and the work soon became a core part of most American high school curricula and a part of American popular culture. Numerous stage and film adaptations followed
1911:
of the time involving anti-immigrant sentiment. Gatsby—whom Tom belittles as "Mr. Nobody from
Nowhere"—functions as a cipher because of his obscure origins, his unclear ethno-religious identity and his indeterminate class status. Although his ethnicity is vague, his last name Gatz and his father's
639:
In
September, Tom discovers the affair when Daisy carelessly addresses Gatsby with unabashed intimacy in front of him. Later, at a Plaza Hotel suite, Gatsby and Tom argue about the affair. Gatsby insists Daisy declare that she never loved Tom. Daisy claims she loves Tom and Gatsby, upsetting both.
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to a mansion directly across the bay from Gatsby's estate. There, Nick encounters Jordan Baker, an insolent flapper and golf champion who is a childhood friend of Daisy's. Jordan confides to Nick that Tom keeps a mistress, Myrtle Wilson, who brazenly telephones him at his home and who lives in the
2038:
and Ernest Hemingway. Although such writers cherish the pastoral ideal, they accept that technological progress has deprived this ideal of nearly all meaning. In this context, Nick's repudiation of the eastern United States represents a futile attempt to withdraw into nature. Yet, as Fitzgerald's
1720:
s fundamental conflict occurs between entrenched sources of socio-economic power and upstarts like Gatsby who threaten their interests, Fitzgerald's novel shows that a class permanence persists despite the country's capitalist economy that prizes innovation and adaptability. Dianne Bechtel argues
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on April 10, 1925. Fitzgerald cabled Perkins the day after publication to monitor reviews: "Any news?" "Sales situation doubtful excellent reviews", read a telegram from Perkins on April 20. Fitzgerald responded on April 24, saying the cable dispirited him, closing the letter with "Yours in
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One morning, Nick receives a formal invitation to a party at Gatsby's mansion. Once there, Nick is embarrassed that he recognizes no one and begins drinking heavily until he encounters Jordan. While chatting with her, he is approached by a man who introduces himself as Jay Gatsby and insists that
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After reading these reviews, Fitzgerald believed that many critics misunderstood the novel. He despaired that "of all the reviews, even the most enthusiastic, not one had the slightest idea what the book was about". In particular, Fitzgerald resented criticisms of the novel's plot as implausible
502:
After his success as a short-story writer and as a novelist, Fitzgerald married Zelda in New York City, and the newly-wed couple soon relocated to Long Island. Despite enjoying the exclusive Long Island milieu, Fitzgerald quietly disapproved of the extravagant parties, and the wealthy persons he
5811:... Thus the American dream, whose superstitious valuation of the future began in the past, gives the green light through which alone the American returns to his traditional roots, paradoxically retreating into the pattern of history while endeavoring to exploit the possibilities of the future".
964:
Inspired by the Halls–Mills case, the mysterious persona of Gerlach and the riotous parties he attended on Long Island, Fitzgerald had written 18,000 words for his novel by mid-1923 but discarded most of his new story as a false start. Some of this early draft resurfaced in the 1924 short story
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painting prior to the novel's publication, Cugat's preparatory drafts influenced his writing. Upon viewing Cugat's drafts before sailing for France in April–May 1924, Fitzgerald was so enamored that he later told editor Max Perkins that he had incorporated Cugat's imagery into the novel. This
763:, identified as a flapper. She is Nick's second cousin, once removed, and the wife of Tom Buchanan. Before marrying Tom, Daisy had a romantic relationship with Gatsby. Her choice between Gatsby and Tom is one of the novel's central conflicts. Fitzgerald's romance and life-long obsession with
643:
While returning to East Egg, Gatsby and Daisy drive by Wilson's garage and their car strikes Myrtle, killing her instantly. Later Gatsby reveals to Nick that Daisy was driving the car, but that he intends to take the blame for the accident to protect her. Nick urges Gatsby to flee to avoid
2439:
1261:
statement has led many to analyze interrelations between Cugat's art and Fitzgerald's text. One popular interpretation is that the celestial eyes are reminiscent of those of optometrist T. J. Eckleburg depicted on a faded commercial billboard near George Wilson's auto repair shop. Author
1413:(1922). By October, the book had sold fewer than 20,000 copies. Although the novel went through two initial printings, many copies remained unsold years later. Fitzgerald attributed the poor sales to the fact that women tended to be the primary audience for novels during this time, and
1721:
Fitzgerald plotted the novel to illustrate that class transcends wealth in America. Even if the poorer Americans become rich, they remain inferior to those Americans with "old money". Consequently, Gatsby and other characters in the novel are trapped in a rigid American class system.
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had sold almost 30 million copies worldwide and continues to sell an additional 500,000 copies annually. Numerous foreign editions of the novel have been published, and the text has been translated into 42 different languages. The work is Scribner's most popular title; in 2013, the
11994:
433:
of Jazz Age society by placing a relatable plotline within the historical context of the most raucous and flashiest era in American history. In Fitzgerald's eyes, the era represented a morally permissive time when Americans of all ages became disillusioned with prevailing
819: – George's wife and Tom Buchanan's mistress. Myrtle, who possesses a fierce vitality, is desperate to find refuge from her disappointing marriage. She is accidentally killed by Gatsby's car, as she mistakenly thinks Tom is still driving it and runs after it.
881:", which Fitzgerald described as his first attempt at the Gatsby idea. "The whole idea of Gatsby", he later explained to a friend, "is the unfairness of a poor young man not being able to marry a girl with money. This theme comes up again and again because I lived it".
2436:
272:(1922), the novel was a commercial disappointment. It sold fewer than 20,000 copies by October, and Fitzgerald's hopes of a monetary windfall from the novel were unrealized. When the author died in 1940, he believed himself to be a failure and his work forgotten.
636:. They fell in love, but when Gatsby was deployed overseas, Daisy reluctantly married Tom. Gatsby hopes that his newfound wealth and dazzling parties will make Daisy reconsider. Gatsby uses Nick to stage a reunion with Daisy, and the two embark upon an affair.
707:. He is Gatsby's neighbor and a bond salesman. Nick is easy-going and optimistic, although this latter quality fades as the novel progresses. He ultimately returns to the Midwest after despairing of the decadence and indifference of the eastern United States.
503:
encountered often disappointed him. While striving to emulate the rich, he found their privileged lifestyle to be morally disquieting. Although Fitzgerald—like Gatsby—had always admired the rich, he nonetheless possessed a smoldering resentment towards them.
2142:, he appears only twice in the novel, the second time refusing to attend Gatsby's funeral. Fitzgerald describes Wolfsheim as "a small, flat-nosed Jew", with "tiny eyes" and "two fine growths of hair" in his nostrils. Evoking ethnic stereotypes regarding the
1253:. Cugat affixed reclining nudes within the flapper's irizes and added a green tint to the streaming tear. Cugat's final cover, which Max Perkins hailed as a masterpiece, was the only work he completed for Scribner's and the only book cover he ever designed.
2199:, a Jewish woman and secretary to Fitzgerald, who claimed that Fitzgerald was hurt by accusations of antisemitism and responded to critiques of Wolfsheim by claiming he merely "fulfilled a function in the story and had nothing to do with race or religion".
644:
prosecution, but he refuses. After Tom tells George that Gatsby owns the car that struck Myrtle, a distraught George assumes the owner of the vehicle must be Myrtle's lover. George fatally shoots Gatsby in his mansion's swimming pool, then kills himself.
3077:
Scholars have focused on Fitzgerald's statement in a letter that his mind was "half feminine". In 1935, Fitzgerald wrote to Laura Guthrie: "I don't know what it is in me or that comes to me when I start to write. I am half feminine—at least my mind
3492:, p. 87: "Fame and fortune did not seem to be materializing on schedule for Fitzgerald, and Zelda was fretting her time away in Montgomery wondering if she ought not to marry one of her more eligible and financially better equipped admirers".
1677:. The dream is the belief that every individual, regardless of their origins, may seek and achieve their desired goals, "be they political, monetary, or social. It is the literary expression of the concept of America: The land of opportunity".
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resonates more in the present than it ever did in the Jazz Age", and "the work speaks in strikingly familiar terms to the issues of our time", especially since its "themes are inextricably woven into questions of race, ethnicity, gender, and
2074:
that became increasingly salient in 1920s America. For these reasons, Keeler argues that—while Gatsby's socioeconomic ascent and self-transformation depend upon these very factors—each one is nonetheless partially responsible for the ongoing
5930:, p. 209: "More than any other type of the Modern Woman, it was the Flapper who embodied the scandal which attached to women's new public visibility, from their increasing street presence to their mechanical reproduction as spectacles".
3067:
Fessenden (2005) argues that Fitzgerald struggled with his sexual orientation. In contrast, Bruccoli (2002) insists that "anyone can be called a latent homosexual, but there is no evidence that Fitzgerald was ever involved in a homosexual
1982:
Although Fitzgerald's sexuality is a subject of scholarly debate, such biographical details lent credence to critical interpretations that his fictional characters are either gay or bisexual surrogates. As early as 1945, critics such as
4754:, p. 88, Chapter 7, opening sentence: "It was when curiosity about Gatsby was at its highest that the lights in his house failed to go on one Saturday night—and, as obscurely as it had begun, his career as Trimalchio was over".
914:, which sat across the bay from Great Neck—places that were home to many of New York's wealthiest established families. This real-life juxtaposition gave Fitzgerald his idea for "West Egg" and "East Egg". In the novel, Great Neck (
647:
Several days after Gatsby's murder, his father Henry Gatz arrives for the sparsely attended funeral. After Gatsby's death, Nick comes to hate New York and decides that Gatsby, Daisy, Tom, and he were all Midwesterners unsuited to
239:, who persuaded Fitzgerald to revise the work over the following winter. After making revisions, Fitzgerald was satisfied with the text, but remained ambivalent about the book's title and considered several alternatives. Painter
3540:, p. 140: Although Fitzgerald strove "to become member of the community of the rich, to live from day to day as they did, to share their interests and tastes", he found such a privileged lifestyle to be morally disquieting.
2739:. This was the first graphic novel adaptation of the original novel to be published after it entered the public domain in 2021. In June 2021, Clover Press debuted the first of seven periodical comic books, faithfully adapting
1003:
Content after a few rounds of revision, Fitzgerald submitted the final version in February 1925. Fitzgerald's alterations included extensive revisions of the sixth and eighth chapters. He declined an offer of $ 10,000 for the
1789:
Writing in 1978, Person noted Daisy is more of a hapless victim than a manipulative victimizer. She is the target first of Tom's callous domination and next of Gatsby's dehumanizing adoration. She involuntarily becomes the
6562:, p. 31: The novel "includes some queer energies, to be sure—we needn't revisit the more gossipy strains of Fitzgerald biography to note that it's Nick who delivers the sensuous goods on Gatsby from beginning to end".
876:
repeatedly interrupted his progress. The play flopped, and Fitzgerald wrote magazine stories that winter to pay debts incurred by its production. He viewed these stories as all worthless, although included among them was
1697:
Scholars and writers commonly ascribe Gatsby's inability to achieve the American Dream to entrenched class disparities in American society. The novel underscores the limits of the American lower class to transcend their
3555:, p. 141: Fitzgerald "admired deeply the rich" and yet his wealthy friends often disappointed or repulsed him. Consequently, he harbored "the smouldering hatred of a peasant" towards the wealthy and their milieu.
640:
Tom reveals Gatsby is a swindler whose money comes from bootlegging alcohol. Upon hearing this, Daisy chooses to stay with Tom. Tom scornfully tells Gatsby to drive her home, knowing that Daisy will never leave him.
11092:
6197:, p. 53: "An obsessive concern with ethnic differences has always been a part of American culture, but in some periods this concern has been more intense and explicit than in others. The 1920s, the time of the
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is all that is known to exist. Reportedly, Fitzgerald and his wife Zelda loathed the silent version. Zelda wrote to an acquaintance that the film was "rotten". She and Scott left the cinema midway through the film.
35:
3191:, pp. 14–15, "Echoes of the Jazz Age": "Unchaperoned young people of the smaller cities had discovered the mobile privacy of that automobile given to young Bill at sixteen to make him 'self-reliant'. At first
1429:
brought in money for the author, Fitzgerald lamented that the novel fell far short of the success he had hoped for and would not bring him recognition as a serious novelist in the public eye. With the onset of the
3044:
s publication, Francis Cugat's original painting for the book cover was presumed forever lost until it was found in a trash can at Scribner's and donated to the Princeton University Libraries for its Graphic Arts
1541:
had effectively vanished. The tireless promotional efforts of literary critic Edmund Wilson, who was Fitzgerald's Princeton classmate and his close friend, led this Fitzgerald revival. In 1951, three years after
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As a Southern belle, Zelda Sayre's wealthy family employed half-a-dozen domestic servants, many of whom were African-American. She was unaccustomed to domestic labor of any kind and delegated all tasks to her
1225:
is among the most celebrated in American literature and represents a unique instance in literary history in which a novel's commissioned artwork directly influenced the composition of the text. Rendered in an
5077:; in other words, that the author derived his inventive metamorphosis from a recurrent theme of Cugat's trial jackets, one which the artist himself was to reinterpret and transform through subsequent drafts".
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795:, a premier amateur golfer known in the press as "The Fairway Flapper". Unlike Jordan Baker, Cummings was never suspected of cheating. The character's name is a play on two popular automobile brands, the
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with his old friend Gus Schurmeier as escort. He spent the evening casually asking for cigarettes in the middle of the dance floor and absent-mindedly drawing a small vanity case from the top of a blue
3693:, p. 58: "Because she's the one who got away, Ginevra—even more than Zelda—is the love who lodged like an irritant in Fitzgerald's imagination, producing the literary pearl that is Daisy Buchanan".
11063:
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asserted that Fitzgerald's work—more so than other twentieth century novels—is especially linked with this conceptualization of the American dream. Pearson traced the literary origins of this dream to
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1967:, rumors dogged Fitzgerald among the American expat community in Paris that he was gay. Soon after, Fitzgerald's wife Zelda Fitzgerald likewise doubted his heterosexuality and asserted that he was a
773: – Daisy's husband, a millionaire who lives in East Egg. Tom is an imposing man of muscular build with a gruff voice and contemptuous demeanor. He was a football star at Yale and is a
5485:: "Troops showed interest in books about the human mind and books with sexual situations were grabbed up eagerly. One soldier said that books with 'racy' passages were as popular as 'pin-up girls'".
4486:, p. 76: "Marian Forrester, then, represents the American Dream boldly focused on self, almost fully disengaged from the morals and ethics to which it had been tied in the nineteenth century".
1955:. During his lifetime, Fitzgerald's sexuality became a subject of debate among his friends and acquaintances. As a youth, Fitzgerald had a close relationship with Father Sigourney Fay, a possibly
777:. Among other literary models, Tom has certain parallels with William "Bill" Mitchell, the Chicago businessman who married Ginevra King. Tom and Mitchell were both Chicagoans with an interest in
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Many scholars have analyzed the novel's treatment of race and displacement; in particular, a perceived threat posed by newer immigrants to older Americans, triggering concerns over a loss of
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2349:. The Broadway tryout began its previews on October 12, 2023, followed by an official opening night scheduled for ten days later. The production concluded on November 12 of the same year.
1904:. Such anxieties were more salient in national discourse than the societal consequences of World War I, and the defining question of the period was who constituted "a real American".
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and obsessed with pleasure-seeking. Fitzgerald himself had a certain ambivalence towards the Jazz Age, an era whose themes he would later regard as reflective of events in his own life.
11036:
3717:, p. 9: "His speaking voice, a gruff husky tenor, added to the impression of fractiousness he conveyed. There was a touch of paternal contempt in it, even toward people he liked".
3428:, pp. 85, 89, 90: "Zelda would question whether he was ever going to make enough money for them to marry", and Fitzgerald was compelled to prove that "he was rich enough for her".
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agreed with Hindus' assessment that Fitzgerald's use of Jewish caricatures was not driven by malice and merely reflected commonly held beliefs of his time. He notes the accounts of
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since he had never intended for the story to be realistic. Instead, he crafted the work to be a romanticized depiction that was largely scenic and symbolic. According to his friend
5762:, p. 638: " was the self-appointed spokesman for the 'Jazz Age,' a term he takes credit for coining, and he gave it its arch-high priest and prophet, Jay Gatsby, in his novel
5722:
1111:, and even refers to Gatsby as Trimalchio once in the novel. Unlike Gatsby's spectacular parties, Trimalchio participated in the orgies he hosted but, according to literary critic
576:, in the old money town of East Egg. Daisy is married to Tom Buchanan, formerly a Yale football star whom Nick knew during his college days. The couple has recently relocated from
5441:: "Writers like John O'Hara were showing its influence and younger men like Edward Newhouse and Budd Schulberg, who would presently be deeply affected by it, were discovering it".
674:
5241:... What gives the story distinction is something quite different from the management of the action or the handling of the characters; it is the charm and beauty of the writing".
1786:", later scholars such as Leland S. Person Jr. asserted that Daisy's character exemplifies the marginalization of women in the elite social environment that Fitzgerald depicts.
867:
Fitzgerald began outlining his third novel in June 1922. He longed to produce an exquisite work that was beautiful and intricately patterned, but the troubled production of his
6803:, between city and country, between prep school and high school were more marked than they are now, and correspondingly the nuances of dress and manners were more noticeable".
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on February 2, 1926, and had 112 curtain calls. A successful tour later in the year included performances in Chicago, August 1 through October 2. In July 2006,
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as "a literary lemon meringue" that nonetheless "contains some of the nicest little touches of contemporary observation you could imagine—so light, so delicate, so sharp". In
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1126:, editor Max Perkins persuaded him that the reference was too obscure and that people would be unable to pronounce it. Zelda and Perkins both expressed their preference for
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3256:, pp. 13–22: Fitzgerald documented the Jazz Age and his life's relation to the era in his essay, "Echoes of the Jazz Age" which was published in the essay collection
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In the original 1925 edition, Fitzgerald wrote that Gatsby and Nick served in the First Division. Fitzgerald revised the text in later editions to be the Third Division.
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5073:, pp. 140–155: "We are left then with the enticing possibility that Fitzgerald's arresting image was originally prompted by Cugat's fantastic apparitions over the
3571:, Fitzgerald found his perfect image for the callous and brutal betrayal of the incurably innocent Gatsby". Flushing Meadows was drained and became the location of the
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In a 2009 book, scholar Horst Kruse asserts that Max Gerlach was born in or near Berlin, Germany, and, as a young boy, he immigrated with his German parents to America.
1931:
captures the perennial American experience as it is a story about change and those who resist it—whether such change comes in the form of a new wave of immigrants, the
1238:—born Francisco Coradal-Cougat—was commissioned by an unknown individual in Scribner's art department to illustrate the cover while Fitzgerald was composing the novel.
747:. A military veteran, Gerlach became a self-made millionaire due to his bootlegging endeavors and was fond of using the phrase "old sport" in his letters to Fitzgerald.
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from Gatsby's house) is frequently interpreted as a symbol of Gatsby's unrealizable goal to win Daisy and, consequently, to achieve the American Dream. Also, scholar
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is in form no more than a glorified anecdote, and not too probable at that. The story for all its basic triviality has a fine texture; a careful and brilliant finish
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1907:
In this context of immigration and displacement, Tom's hostility towards Gatsby, who is the embodiment of "latest America", has been interpreted as partly embodying
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at the center of Gatsby's unrealistic quest to be steadfast to a youthful concept of himself. The ensuing contest of wills between Tom and Gatsby reduces Daisy to a
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4057:. While reflecting upon the wild parties held during the Jazz Age on "that slender riotous island", Fitzgerald wrote the early story fragments which would become
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has been adapted for the stage. The first known stage adaptation was by American dramatist Owen Davis, which became the 1926 film version. The play, directed by
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to the present is its intersectional exploration of identity.... these themes are inextricably woven into questions of race, ethnicity, gender, and sexuality".
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in Australia. Because the original novel was still protected by United States copyright laws, this version was never published in the U.S. The second version,
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to be one of the greatest novels ever written, and the work was part of the assigned curricula in the near majority of U.S. high schools. As of early 2020,
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received generally favorable reviews, though some literary critics believed it did not equal Fitzgerald's previous efforts. Compared to his earlier novels,
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2398:. On May 25, 2024, the show began previews and opened officially on June 5 of the same year. It plans to run until closing night set for August 3rd, 2024.
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visual style, the artwork depicts the disembodied face of a Jazz Age flapper with celestial eyes and rouged mouth over a dark blue skyline. A little-known
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Questions regarding the sexuality of characters have been raised for decades and—augmented by biographical details about the author—have given rise to
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Despite the newfound societal freedoms attained by flappers in the 1920s, Fitzgerald's work critically examines the continued limitations upon women's
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as his greatest work. In the wake of Fitzgerald's death, a strong appreciation for the book gradually developed in writers' circles. Future authors
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By 1960—thirty-five years after the novel's original publication—the book was steadily selling 100,000 copies per year. Renewed interest in it led
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In 2018, scholar Kyle Keeler argued that the voracious pursuit of wealth as criticized in Fitzgerald's novel offers a warning about the perils of
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work shows, any technological demarcation between the eastern and western United States has vanished, and one cannot escape into a pastoral past.
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Several reviewers felt the novel left much to be desired following Fitzgerald's previous works and criticized him accordingly. Harvey Eagleton of
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and other contemporaries in Paris publicly asserted that Fitzgerald was a homosexual, and Hemingway later avoided Fitzgerald due to these rumors.
3345:. Afterward he wrote in his ledger foreboding words, spoken to him perhaps by Ginevra's father, 'Poor boys shouldn't think of marrying rich girls
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points out that adultery in the novel is linked to the loss of faith and broken promises, which symbolizes the corruption of the American Dream.
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McCullen, Bonnie Shannon (2007). "This Tremendous Detail: The Oxford Stone in the House of Gatsby". In Assadi, Jamal; Freedman, William (eds.).
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5807:, pp. 235, 238: "For Gatsby, Daisy does not exist in herself. She is the green light that signals him into the heart of his ultimate vision
1115:, there are subtle similarities between the two characters. By November 1924, Fitzgerald wrote to Perkins that he had settled upon the title of
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Despite his ongoing marital tension, Fitzgerald continued to write steadily and submitted a near-final version of the manuscript to his editor,
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6499:, p. 275: "Zelda extended her attack on Fitzgerald's masculinity by charging that he was involved in a homosexual liaison with Hemingway".
3376:, pp. 80, 82. Fitzgerald wished to be killed in battle, and he hoped that his novel would become a great success in the wake of his death.
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book's dust jacket art. Soon after this burst of effort, work slowed while the Fitzgeralds moved to the Villa Marie in Saint-Raphaël on the
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3567:: The valley of ashes was a landfill in Flushing Meadows, Queens. "In those empty spaces and graying heaps, part of which was known as the
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was regarded as little more than a nostalgic period piece. By the time Fitzgerald died in 1940, the novel had fallen into near obscurity.
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on April 10, 1925. Fitzgerald believed the book's final title to be merely acceptable and often expressed his ambivalence with the name.
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and an accurate reconstruction of Gerlach's life and whereabouts is greatly hindered "by the imperfect state of relevant documentation".
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3868:, p. 124: An index note refers to Laurence E. MacPhee's "The Great Gatsby's Romance of Motoring: Nick Carraway and Jordan Baker",
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to the book so that it could be published sooner. He received a $ 3,939 advance in 1923 and would receive $ 1,981.25 upon publication.
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Catholic priest, and Fitzgerald later used his last name for the idealized romantic character of Daisy Fay. After college, Fitzgerald
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By 1944, a full-scale Fitzgerald revival had occurred. Full-length scholarly articles on Fitzgerald's works were being published in
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judged the work's plot to be highly improbable, although he praised the writing as elegant and the "careful and brilliant finish".
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The novel has been adapted into a series of radio episodes. The first radio episode was a 1950 half-hour-long adaptation for CBS'
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While Fitzgerald worked on the novel, his wife Zelda was romanced by French naval aviator Edouard Jozan and asked for a divorce.
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dismissed the work as an inconsequential performance by a once-promising author who had grown bored and cynical. Ruth Snyder of
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In a preliminary sketch, Cugat drew a concept of a dismal gray landscape inspired by Fitzgerald's original title for the novel,
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during the war. Gatsby attempts to ingratiate himself with Nick and when Nick leaves the party, he notices Gatsby watching him.
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that Ginevra King "was the first girl I ever loved" and that he "faithfully avoided seeing her" to "keep the illusion perfect".
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contends that Fitzgerald's novel reflects a historical period in American literature characterized by fears over the influx of
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alone sold 185,000 copies. The novel's U.S. copyright expired on January 1, 2021, when all works published in 1925 entered the
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7789:(Spring 1978). "'An Instance of Apparent Plagiarism': F. Scott Fitzgerald, Willa Cather, and the First 'Gatsby' Manuscript".
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in December 1924, but in January and March 1925 he continued to express his concern to Perkins about the title, cabling from
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lambasted the book's style as painfully forced and declared the editors of her newspaper were "quite convinced after reading
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was the national drink and sex the national obsession, it received critical acclaim. In it, Mr. Fitzgerald was at his best".
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In 2002, over six decades after Fitzgerald's death, his earlier draft of the now-famous novel was published under the title
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engaged in homosexual relations. These incidents strained the Fitzgeralds' marriage at the time of the novel's publication.
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during the Jazz Age. The character of Daisy Buchanan has been identified specifically as personifying the emerging cultural
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praising the novel. Although gratified by such correspondence, Fitzgerald sought public acclaim from professional critics.
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Rejected by Ginevra's family as a suitor because of his lack of financial prospects, a suicidal Fitzgerald enlisted in the
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in the United States, there is a consensus regarding the novel's message in conveying its underlying permanence. Although
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The spelling "Wolfshiem" appears throughout Fitzgerald's original manuscript, while "Wolfsheim" was introduced by editor
2731:, was adapted by Fred Fordham and illustrated by Aya Morton in 2020. In 2021, K. Woodman-Maynard adapted and illustrated
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6610:, p. 406: "It was in the 1970s that readers first began to address seriously the themes of gender and sexuality in
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s positive reception by literary critics, which may have further influenced public opinion and renewed interest in it.
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did not contain an admirable female character. According to his ledger, he earned only $ 2,000 from the book. Although
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Bechtel, Dianne E. (2017). "Jay Gatsby, Failed Intellectual: F. Scott Fitzgerald's Trope for Social Stratification".
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were distributed-as against the twenty-five thousand copies of the novel printed by Scribners between 1925 and 1942".
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it, owing to its unattainability. In this analytical context, the green light on the Buchanans' dock (visible across
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Fitzgerald had difficulty choosing a title for his novel and entertained many choices before reluctantly deciding on
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9017:—— (2002). "The Real Jay Gatsby: Max von Gerlach, F. Scott Fitzgerald, and the Compositional History of
7120:"The Great Gatsby's Jeremy Jordan and Eva Noblezada Tease How the Page-to-Stage Musical Will Come Alive on Broadway"
6336:, p. 28: "Fitzgerald's career records the ambient, dogging pressure to repel charges of his own homosexuality".
743:, in England. According to Fitzgerald's wife Zelda, he partly based Gatsby on their enigmatic Long Island neighbor,
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wrote that "perhaps Fitzgerald's words 'compelled into an aesthetic contemplation he neither understood nor desired
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were distributed to U.S. soldiers overseas, and the book proved popular among beleaguered troops, according to the
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In 1940, Fitzgerald suffered a third and fatal heart attack and died believing his work forgotten. His obituary in
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was a desperate adventure even under such favorable conditions, but presently confidences were exchanged and the
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Pekarofski, Michael (2012). "The Passing of Jay Gatsby: Class and Anti-Semitism in Fitzgerald's 1920s America".
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aesthete' of considerable appeal; 'a dandy, always heavily perfumed,' who introduced the teenaged Fitzgerald to
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is the best possible description of Thompson's life's work." By the mid-2000s, many literary critics considered
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2475:. Reviews suggest it may have been the most faithful adaptation of the novel, but a trailer of the film at the
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religion indicate his family are recent German immigrants. This would preclude them from the coveted status of
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arrive and a party ensues, which ends with Tom slapping Myrtle and breaking her nose after she mentions Daisy.
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during this period. In this context, although early critics viewed the character of Daisy to be a "monster of
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The Sons of Maxwell Perkins: Letters of F. Scott Fitzgerald, Ernest Hemingway, Thomas Wolfe, and Their Editor
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3468:, p. 111: "Zelda was no housekeeper. Sketchy about ordering meals, she completely ignored the laundry".
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Snyder, Ruth (April 15, 1925). "A Minute or Two with Books – F. Scott Fitzgerald Ventures".
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5046:, p. 145: "It is entirely conceivable that Fitzgerald had never seen Cugat's final, finished artwork".
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532:(shown in the above photograph) historically located in New York City during the 1920s. Today, the area is
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in the hedonistic Jazz Age, a name for the era which Fitzgerald claimed to have coined. In 1970, scholar
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hailed the novel as a revelatory work of art that "leaves the reader in a mood of chastened wonder". The
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3675:, whose images of party-going flappers who petted in cars frequented the cover of the American magazine
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in 1941, the prevailing opinion in writers' circles deemed the novel to be an enduring work of fiction.
1138:, but Perkins advised against it. On March 19, 1925, Fitzgerald expressed enthusiasm for the title
418:. Fitzgerald uses many of these 1920s societal developments to tell his story, from simple details like
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Funda, Evelyn I. (Fall 1995). "Review of 'Redefining the American Dream: The Novels of Willa Cather'".
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white woman living in East Egg during this time period, Daisy must adhere to societal expectations and
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was one of the periods when concern about ethnicity was most evident on the surface of national life".
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whom Fitzgerald met once in undetermined circumstances. Rothstein was blamed for match fixing in the
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friend and mentor of Gatsby. A corrupt profiteer who assists Gatsby's bootlegging operations and who
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1878:. Stoddard warned that immigration would alter America's racial composition and destroy the country.
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The 1945 essays by Lionel Trilling and William Troy were collected in Alfred Kazin's 1951 anthology
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has been adapted into three graphic novels. The first was in 2007 by Nicki Greenberg, who published
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felt the novel was a mystical and glamorous tale of the Jazz Age. Similarly, Lillian C. Ford of the
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5954:, p. 16, "Echoes of the Jazz Age": The flappers, "if they get about at all, know the taste of
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and toiled for months to think of something else, wrote to Perkins that he had finally found one:
2150:... indignantly". The fictional character of Wolfsheim is an allusion to real-life Jewish gambler
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had attained its status as a literary masterwork and was deemed a contender for the title of the "
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continues to attract popular and scholarly attention. Scholars emphasize the novel's treatment of
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4410:, p. 190: Fitzgerald wrote in his private ledger: "Out of woods at last and starting novel".
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predicted that the novel signaled the end of Fitzgerald's artistic success. Ralph Coghlan of the
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892:, on Long Island. Their neighbors in Great Neck included such newly wealthy personages as writer
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7573:"Lots of false leads over the past 11 years, but we FINALLY tracked down an actual ROM dump for
1920:. Consequently, Gatsby's socio-economic ascent is deemed a threat not only due to his status as
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Understanding the Great Gatsby: A Student Casebook to Issues, Sources, and Historical Documents
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in a status-obsessed country that refuses to acknowledge publicly it even has a class system.
1598:"just to get a feeling of what it was like to write that way." According to Thompson's friend
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Keeler, Kyle (2018). "The Great Global Warmer: Jay Gatsby as a Microcosm of Climate Change".
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7365:"Readers and writers: Poet gives Jay Gatsby a new gay life with Nick Carraway in debut novel"
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4053:: From Fall 1922 to Spring 1924, Fitzgerald and his wife Zelda resided at 6 Gateway Drive in
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said that Gatsby was based on 'a neighbor named Von Guerlach or something who was said to be
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has been recast multiple times as a short-form television movie. The first was in 1955 as an
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Daisy's statement that she hopes her daughter will be a "beautiful little fool" was said by
1847:. In one instance, Tom Buchanan—the novel's antagonist—claims that he, Nick, and Jordan are
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Rosowski, Susan J. (Autumn 1977). "Willa Cather's 'A Lost Lady': The Paradoxes of Change".
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criticized the plot as highly improbable—a criticism that Fitzgerald particularly resented.
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10166:. The Works of F. Scott Fitzgerald. Cover Design by Dennis M. Arnold. Cambridge, England:
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Scribner, Charles III (Winter 1992). "Celestial Eyes: From Metamorphosis to Masterpiece".
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2066:. Gatsby conveniently ignores the wasteful devastation of the valley of ashes to pursue a
2050:. According to Kyle Keeler, Gatsby's quest for greater status manifests as self-centered,
569:, an enigmatic multi-millionaire who hosts dazzling soirées yet does not partake in them.
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Kerr, Frances (1996). "Feeling 'Half Feminine': Modernism and the Politics of Emotion in
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7436:"Godzilla Takes on the Great Gatsby and Sherlock Holmes in 'Monsterpiece Theatre' Comic."
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amid World War I and then undertakes bootlegging activities reliant upon exploiting
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5425:. When it was published in 1925 this ironic tale of life on Long Island, at a time when
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that Mr. Fitzgerald is not one of the great American writers of today". John McClure of
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7060:"Jeremy Jordan & Eva Noblezada to Star in Paper Mill Playhouse's World Premiere of
5409:: "When 'Gatsby' author F. Scott Fitzgerald died in 1940, he thought he was a failure".
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announced they would be producing an animated film adaptation of the novel directed by
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veteran, and a newly arrived resident of West Egg, age 29 (later 30) who serves as the
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Eagleton, Harvey (May 10, 1925). "Prophets of the New Age: III. F. Scott Fitzgerald".
2678:(2021) imagines the backstory of Nick Carraway. That same year saw the publication of
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and Noah J. Ricketts as Jordan Baker and Nick Carraway. The production transferred to
1991:, such as Jordan Baker, were implied to be "vaguely homosexual", and, in 1960, writer
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such as actively fulfilling the roles of dutiful wife, nurturing mother, and charming
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insisted the plot was implausible and the book itself seemed raw in its construction.
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received generally favorable reviews from literary critics of the day. Edwin Clark of
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The Perfect Hour: The Romance of F. Scott Fitzgerald and Ginevra King, His First Love
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seek to place the novel and its characters in a broader historical context. In 1964,
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235:, Fitzgerald completed a rough draft of the novel in 1924. He submitted it to editor
11082:"F. Scott Fitzgerald and Literary Anti-Semitism: A Footnote on the Mind of the 20's"
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Critical Companion to F. Scott Fitzgerald: A Literary Reference to His Life and Work
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debuted in 1926. Itself a version of Owen Davis's Broadway play, it was directed by
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11714:"Love Notes Drenched in Moonlight; Hints of Future Novels in Letters to Fitzgerald"
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Teaching F. Scott Fitzgerald's The Great Gatsby from Multiple Critical Perspectives
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7804:
7094:"Full cast announced for Great Gatsby musical with Jeremy Jordan and Eva Noblezada"
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1976:
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728:
684:, inspired the character of Jordan Baker. A friend of Ginevra King, she was one of
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Little, Matthew (December 2015). "'I Could Make Some Money': Cars and Currency in
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and, by the following year, the earlier consensus among professional critics that
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10339:"Mickey Mouse Will Be Public Domain Soon – Here's What That Means"
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8434:. The Cambridge Edition of the Works of F. Scott Fitzgerald. Cambridge, England:
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when their daughter Frances was born on October 26, 1921, in a St. Paul hospital.
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1984:
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described Fitzgerald's prose style as scintillating and genuinely brilliant. The
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449:
236:
11828:"Careless People of F. Scott Fitzgerald's Great Gatsby Have a Modern Equivalent"
8397:
2092:
1627:. Since then, numerous altered and incomplete reprints have flooded the market.
1560:, the first biography of Fitzgerald. Mizener's bestselling biography emphasized
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reflects various events in Fitzgerald's youth. He was a young Midwesterner from
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249:, greatly impressed Fitzgerald, and he incorporated its imagery into the novel.
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Another possible model for Tom Buchanan was Southern polo champion and aviator
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signifying new opportunities in life, is a central theme underlying the novel.
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2391:
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2146:, he describes Wolfsheim's nose as "expressive", "tragic", and able to "flash
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1960:
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1483:
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Dear Scott, Dearest Zelda: The Love Letters of F. Scott and Zelda Fitzgerald
1266:
whose disembodied face floated along the dark cornices and blinding signs".
926:
in the area served as inspiration for Gatsby's estate including Land's End,
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12842:
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12605:
12540:
12307:
12278:
11969:
11331:
11148:
10601:
10556:
10142:
8875:
8466:
7303:
6614:; a few critics have pointed out the novel's bizarre homoerotic leitmotif".
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2999:
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for previews on March 29, 2024, and opened officially on April 25th, 2024.
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whose sole existence is to augment her possessor's socio-economic success.
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9791:(Originally published as a brochure to celebrate the Cambridge Edition of
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In the spring of 1942, mere months after the United States' entrance into
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12273:
11534:
11026:"Children's Books: 'The Great Gatsby: A Graphic Novel Adaptation' Review"
10908:
10479:
9481:
8205:
7748:
Bewley, Marius (Spring 1954). "Scott Fitzgerald's Criticism of America".
6440:
6439:, p. 60: "In February he put on his Show Girl make-up and went to a
6388:
5959:
5426:
2799:
2619:
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2143:
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1702:. Scholar Sarah Churchwell contends that Fitzgerald's novel is a tale of
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8804:
American Literature on Stage and Screen: 525 Works and Their Adaptations
8664:
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8285:
7824:
7767:
7612:. Today we're launching it again... as an actual 8-bit game. Presenting
4458:
2776:, with Gatsby funding a version of the anti-kaiju defense team G-Force.
1287:
great depression". Fitzgerald soon received letters from contemporaries
12092:
9777:
9705:
9639:
9196:
The Machine in the Garden: Technology and the Pastoral Ideal in America
8972:
8248:
2929:
2763:
2664:
Since entering the public domain in 2021, retellings and expansions of
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Although scholars posit different explanations for the continuation of
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During this same time period, the daily newspapers sensationalized the
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897:
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711:
566:
453:
210:
172:
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10804:
10531:"Revisiting Ginevra King, The Lake Forest Woman Who Inspired 'Gatsby'"
9853:
9563:
9290:"Fitzgerald, The Stylist, Challenges Fitzgerald, The Social Historian"
9160:
7952:
Careless People: Murder, Mayhem, and the Invention of The Great Gatsby
5412:
5377:
4773:
4654:
735:
in Louisville, Kentucky, Gatsby encountered the love of his life, the
699: – a Yale University alumnus from the Midwest, a World
609:
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11657:
11408:
10784:
10753:
9808:
9420:
7808:
2924:
Throughout the novel, Fitzgerald identifies his native region of the
2700:, a queer partial retelling and sequel in which Jay Gatsby survives.
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1997:
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945:. These details about Gerlach inspired Fitzgerald in his creation of
937:
While living on Long Island, the Fitzgeralds' enigmatic neighbor was
804:
756:
736:
624:. Gatsby tries impressing Nick with tales of his war heroism and his
621:
445:
411:
380:
informed the plot of the novel. King was fĂŞted in the press as among
295:
221:
123:
119:
10998:"Literary Classic 'Great Gatsby' To Come To Life On Balletmet Stage"
9769:
9697:
9631:
8964:
8240:
4178:
2179:
Antisemitism: A Historical Encyclopedia of Prejudice and Persecution
1751:
Besides exploring the difficulties of achieving the American dream,
918:) became the "new money" peninsula of West Egg and Port Washington (
755: – a shallow, self-absorbed, and young debutante and
604:
The confrontation between Gatsby and Tom occurs in the twenty-story
12071:
12000:
11804:
9845:
9555:
9189:
9152:
7439:
6478:
6351:, p. 284: According to biographer Matthew J. Bruccoli, author
4828:
CRAZY ABOUT TITLE UNDER THE RED WHITE AND BLUE STOP WHART [
4489:
3903:
2890:
2856:
2836:. In 2011, developer Charlie Hoey and editor Pete Smith created an
2773:
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of his fictional mentor Dan Cody, Gatsby participates in extensive
2013:
1952:
1913:
1302:
1249:
and likely referencing the glittering amusement park at New York's
1227:
558:
529:
528:
George Wilson and his wife Myrtle live in the "valley of ashes", a
430:
339:
194:
12895:
9135:
Lisca, Peter (1967). "Nick Carraway and the Imagery of Disorder".
8764:
Hill, W. Speed; Burns, Edward M.; Shillingsburg, Peter L. (2002).
8293:
Fessenden, Tracy (2005). "F. Scott Fitzgerald's Catholic Closet".
6770:
6358:
2306:
The novel has also been adapted for ballet performances. In 2009,
1513:
was one of them. Within the next several years, 155,000 copies of
1401:
was a commercial failure in comparison with his previous efforts,
516:
8352:
8090:
So We Read On: How The Great Gatsby Came to Be and Why It Endures
7608:"11 years ago today, @flimshaw and I launched our hit Flash game
5713:"The Great Gapsby? How modern editions of classics lost the plot"
3671:. Her pictorial counterpart was drawn by the American cartoonist
3668:
3663:, p. 301: "Fitzgerald's literary creation Daisy Buchanan in
3192:
3161:
3091:
in the second edition. This appears in later Scribner's editions.
2759:
2689:
2685:
2387:
2134:. One of the novel's supporting characters is Meyer Wolfsheim, a
1768:
1734:
1257:
1204:), the shadowy cityscape was replaced by carnival lights evoking
901:
577:
419:
407:
220:
The novel was inspired by a youthful romance Fitzgerald had with
82:
11916:"The Finances of F. Scott Fitzgerald, Handwritten by Fitzgerald"
9375:
6678:, pp. 31, 51: "Among the most significant contributions of
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2896:
1446:
1090:
for the novel, one which he wrote himself under the pen name of
9956:
7537:
4943:
4941:
4757:
4527:
4525:
3265:
2953:, whom Fitzgerald met at Long Island parties while in New York.
2932:"—with the perceived virtuousness and rustic simplicity of the
2254:
to commemorate the opening of its new theater. In 2010, critic
2135:
2026:
of a bygone America and the societal transformations caused by
1620:
402:'s fictional narrative fully renders that period—known for its
364:
303:
279:, the novel experienced an abrupt surge in popularity when the
9612:
Person, Leland S. (May 1978). "Herstory' and Daisy Buchanan".
9251:
A Distant Drummer: Foreign Perspectives on F. Scott Fitzgerald
8050:
The Spectacular Modern Woman: Feminine Visibility in the 1920s
7638:
2293:
treatment of the novel to commemorate the 25th anniversary of
11253:
Kirk, Chris; Morgan, Andrew; Wickman, Forrest (May 6, 2013).
10474:
8983:
F. Scott Fitzgerald at Work: The Making of 'The Great Gatsby'
5982:
5980:
5025:
5013:
4334:
3656:
3654:
3578:
2290:
2187:, Milton Hindus, an assistant professor of humanities at the
565:
village of West Egg, next to a luxurious estate inhabited by
186:
9390:
The Far Side of Paradise: A Biography of F. Scott Fitzgerald
7835:
F. Scott Fitzgerald's The Great Gatsby: A Literary Reference
7264:
7262:
5897:
4989:
4977:
4965:
4938:
4899:
4887:
4797:
4711:
4709:
4707:
4705:
4574:
4572:
4522:
4069:
4067:
2885:
Historian Jeff Nilsson described F. Scott Fitzgerald as the
1771:
and wore short skirts. They also drank alcohol and had
973:
To this end, he consciously imitated the literary styles of
860:
was another North Shore inspiration for the novel's setting.
739:
Daisy Buchanan. Later, after the war, he studied briefly at
11171:"Everyone invited: 'Great Gatsby' copyright to end in 2021"
10016:, Identity, and Race, from the Jazz Age to the Obama Era".
9536:(May 1970). "Gatsby: False Prophet of the American Dream".
8620:(Summer 1960). "F. Scott Fitzgerald: Money, Money, Money".
7912:
The Novel 100: A Ranking of the Greatest Novels of All Time
7872:
Some Sort of Epic Grandeur: The Life of F. Scott Fitzgerald
7134:"The Great Gatsby Begins Performances on Broadway March 29"
6502:
6456:
6454:
6072:
5798:
5357:
5355:
5097:
5095:
5054:
5052:
4916:
4914:
4845:
4843:
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3431:
3209:
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3205:
3061:
2936:
and as culturally distinct from the decadent values of the
2266:
2022:
that Fitzgerald's work evinces a tension between a complex
778:
403:
10057:
Wagner-Martin, Linda (Summer 2004). "Zelda Sayre, Belle".
8329:
Dear Scott/Dear Max: The Fitzgerald–Perkins Correspondence
8262:
College Literature: A Journal of Critical Literary Studies
6854:
6842:
5977:
5933:
5909:
5776:
5774:
5772:
5340:
4103:
3651:
2322:. The show received an encore run the following year. The
1825:
Fitzgerald's novel references a fictional book, Goddard's
1661:
Following the novel's revival, later critical writings on
612:-like edifice with an architectural style inspired by the
11864:
11683:: The Guthrie's first production on its new thrust stage"
11617:
10012:
Vogel, Joseph (2015). "'Civilization's Going to Pieces':
8700:
Redefining the American Dream: The Novels of Willa Cather
7336:
7259:
6975:
6629:
6589:
6259:
6030:
6028:
6026:
5997:
5995:
5955:
5875:
5873:
5871:
5869:
5661:
5418:
5080:
4830:
4702:
4569:
4132:
4130:
4064:
4020:
3835:
3602:
3519:
2853:
2754:, a three-part miniseries where Gatsby will team up with
2598:
2576:
1963:
during outings in Minnesota. Years later, while drafting
1956:
1478:
acknowledged its influence on his work. By the time that
213:
and Gatsby's obsession to reunite with his former lover,
40:
The front dust jacket art of the first edition, known as
8841:
Emmy Award Winning Nighttime Television Shows, 1948–2004
7677:
Gatsby: The Cultural History of the Great American Novel
6717:
6541:
6514:
6451:
6418:
6276:
6274:
5678:
5676:
5352:
5126:
5092:
5049:
5001:
4953:
4926:
4911:
4838:
4721:
4636:
4624:
4557:
3891:
3811:
3775:
3471:
3379:
3277:
3202:
2966:
2597:. The episode was directed by Alvin Sapinsley. In 1958,
1024:, convinced the author to abandon his original title of
981:. He was particularly influenced by Cather's 1923 work,
961:
and various characterizations on this factual incident.
11110:"12 Novels Considered the 'Greatest Book Ever Written'"
9963:
8217:
Eble, Kenneth (November 1964). "The Craft of Revision:
7332:"This Retelling Of 'Gatsby' Has Demonic Flair To Spare"
7247:
6919:
6832:
6830:
6577:
6531:
6529:
6466:
6315:
6233:
6231:
6148:
5885:
5814:
5786:
5769:
5544:
5215:
5112:
5110:
4234:
4032:
3787:
3531:
2692:
genre while tackling issues of race and sexuality, and
227:, and the riotous parties he attended on Long Island's
10814:
Irvin Department of Rare Books and Special Collections
8763:
7482:
7023:
6873:
6871:
6869:
6040:
6023:
5992:
5866:
5556:
4779:
4512:
4510:
4508:
4420:
4418:
4416:
4290:
4166:
4127:
4091:
3994:
3992:
3990:
3988:
3986:
3984:
3982:
3967:
3859:
3740:
3639:
3590:
3495:
3407:
3048:
2859:, which can also be played on their website. In 2013,
2382:, a third musical adaptation with music and lyrics by
1497:, an association of publishing executives created the
884:
In October 1922, after the birth of their only child,
333:
12884:
10242:. Vol. 217, no. 52. Indianapolis, Indiana:
9298:(Saturday ed.). Baltimore, Maryland. p. 9.
7446:
7299:
prequel set for release days after copyright expires"
7235:
6999:
6959:
6565:
6271:
6176:
5965:
5673:
5617:
5390:
5388:
5386:
5244:
4446:
3919:
3848:
notes: "This name combines two automobile makes: The
3823:
3799:
3548:
3546:
3352:
3308:
2943:
2104:
Fitzgerald based the character of Meyer Wolfsheim on
1154:
This article is about the cover. For other uses, see
483:
where he hoped to die in combat, he was stationed at
19:
This article is about the novel. For other uses, see
11592:"Gatsby's Green Light Beckons a New Set of Strivers"
9674:
Quirk, Tom (December 1982). "Fitzgerald and Cather:
8767:
Text: An Interdisciplinary Annual of Textual Studies
8364:(2002) . Bryer, Jackson R.; Barks, Cathy W. (eds.).
8359:
7470:
7011:
6987:
6827:
6741:
6729:
6617:
6526:
6484:
6344:
6342:
6286:
6228:
6216:
5532:
5520:
5476:
5328:
5284:
5260:
5107:
4596:
4391:
4389:
3696:
1975:, and she alleged that Fitzgerald and fellow writer
11572:. Vol. 13. Bloomsbury, London. pp. 9–11.
7650:
7518:
7494:
7416:
7398:"Longlists Announced for 2022 National Book Awards"
7274:
6931:
6866:
6795:, p. 46: "In those days the contrasts between
5649:
5444:
5272:
5257:
which burned brightly at first but now flares out".
4875:
4855:
4809:
4584:
4505:
4413:
4358:
4246:
4222:
4210:
4142:
4079:
3979:
3110:
2998:survive. Fitzgerald enclosed them with a letter to
2956:
2169:Wolfsheim has been interpreted as representing the
1602:, Thompson once retyped the entirety of the novel.
11886:
11826:
11741:
11712:
11618:
11590:
11496:
11467:
11362:
11080:
11024:
10841:
10652:
10560:
10369:
10337:
10308:
10231:
10203:. Murrells Inlet, South Carolina: Covenant Books.
10163:Trimalchio: An Early Version of 'The Great Gatsby'
10134:
9940:
9910:
9824:Slater, Peter Gregg (January 1973). "Ethnicity in
9648:
9387:
9359:
9220:
9193:
9095:
8879:
8738:
8552:
8427:
8396:
8365:
8326:
8014:
7458:
7185:
5383:
5170:
4766:, pp. vii–viii: Tanner's introduction to the
4302:
4044:
3543:
3320:
3141:
3139:
3137:
3002:in 1925. They are now in the Fitzgerald Papers at
2920:
2918:
2708:, was released in 2022 and was longlisted for the
1859:. A fictional book alluded to by Tom is Goddard's
1501:with the stated purpose of distributing paperback
1097:Fitzgerald initially preferred titles referencing
843:partly served as an inspiration for Gatsby's home.
376:'s romance and life-long obsession with socialite
12242:"A Little Party Never Killed Nobody (All We Got)"
11648:"Row toward hope in this 'Great Gatsby' web game"
11252:
10726:(4). Salisbury, Maryland: 287–294. Archived from
9978:The Making of a Bestseller: From Author to Reader
8317:
7644:
7506:
6339:
5182:
4791:
4733:
4386:
4115:
3419:
2981:With the end of prohibition and the onset of the
2710:National Book Award for Young People's Literature
1947:Photo of Fitzgerald dressed as a woman circa 1915
1665:focused on Fitzgerald's disillusionment with the
1574:editorialist Mizener to proclaim the novel was a
1454:helped revive the author's posthumous reputation.
1188:juxtaposed with the final version. In one draft (
12920:
12751:F. Scott Fitzgerald and 'The Last of the Belles'
12231:The Great Gatsby: Music from Baz Luhrmann's Film
8678:. Literature in Context. Westport, Connecticut:
5421:: "The best of his books, the critics said, was
3757:
3755:
3636:'s nephew and was in trouble over bootlegging'".
3369:
3367:
3184:
3182:
3026:Trimalchio: An Early Version of The Great Gatsby
2893:, "the most raucous, gaudy era in U.S. history".
2345:announced a one-month limited engagement at the
2054:resource acquisition. Inspired by the predatory
628:days. Afterward, Nick meets Jordan again at the
9913:Fitzgerald's The Great Gatsby: A Reader's Guide
9321:Our America: Nativism, Modernism, and Pluralism
8572:—— (1997). Tredell, Nicolas (ed.).
8325:(1971). Kuehl, John; Bryer, Jackson R. (eds.).
7875:(2nd rev. ed.). Columbia, South Carolina:
7202:
7200:
6817:
6815:
6813:
6811:
6809:
5465:, p. 26: "One hundred fifty-five thousand
3558:
3294:
3292:
3134:
3009:
2988:
2915:
1763:of the flapper. Flappers were typically young,
1256:Although Fitzgerald likely never saw the final
572:One evening, Nick dines with a distant cousin,
13009:Trying to prevent adulthood in popular culture
11329:
10443:"Great Gatsby 'Nintendo' Game Released Online"
7221:
7219:
6383:, p. 28: "Biographers describe Fay as a '
5639:
4673:
4671:
4669:
4667:
3621:
3619:
3617:
3122:
3071:
2906:
2310:premiered a version at the Capitol Theatre in
2008:Technological and environmental criticisms of
1924:, but because he is perceived as an outsider.
1537:was merely a sensational story or a nostalgic
620:In late July, Nick and Gatsby have lunch at a
12989:American novels adapted into television shows
12337:
12057:
11768:
10470:"Does great literature make for great games?"
10056:
7774:
5200:
4693:
3752:
3449:
3437:
3364:
3341:: "That August Fitzgerald visited Ginevra in
3179:
2630:. Most recently, the novel was adapted as an
2445:The 1926 film trailer—the only extant footage
2003:
1462:hailed him as a brilliant novelist and cited
384:and inspired the character of Daisy Buchanan.
10562:"Hath Not a Year Highlights? Even This One?"
8017:Books in Action: The Armed Services Editions
7197:
6806:
6760:
6758:
6756:
4872:. Unfortunately, it was too late to change".
3301:: Fitzgerald later confided to his daughter
3289:
3031:
2865:released a short symbolic adaptation called
2733:The Great Gatsby: A Graphic Novel Adaptation
2511:appeared onscreen again. It was directed by
209:'s interactions with mysterious millionaire
11629:. New York. December 23, 1940. p. 23.
10621:
10114:University of New Brunswick Libraries - UNB
9412:
7945:
7216:
5860:
5832:
5346:
5116:
4849:
4664:
4284:
3614:
3018:
2975:
2812:dramatization. It was created by dramatist
2794:as Gatsby. The novel was read aloud by the
2601:filmed another adaptation as an episode of
1441:
922:) became the "old money" East Egg. Several
426:as the illicit source of Gatsby's fortune.
390:Set on the prosperous Long Island of 1922,
12344:
12330:
12064:
12050:
10587:
9974:
9570:
9057:F. Scott Fitzgerald: Voice of the Jazz Age
8571:
8546:
8505:
8464:
8421:
8390:
6968:: Reproduction of original program at the
6860:
6848:
6265:
6166:
6142:
6094:
5951:
5820:
5302:
4763:
4751:
4715:
4352:
4340:
4026:
3961:
3953:
3941:
3909:
3897:
3885:
3881:
3841:
3714:
3584:
3253:
3241:
3188:
3157:
3145:
3128:
3081:
904:. These figures were all considered to be
34:
11913:
10995:
10958:
10509:The Jewish Journal of Greater Los Angeles
10467:
9182:Southern Illinois University Edwardsville
8894:F. Scott Fitzgerald: The Man and His Work
8882:F. Scott Fitzgerald: The Man and His Work
8733:
8616:
8292:
8127:A Historical Guide to F. Scott Fitzgerald
7673:
7488:
7356:
7029:
6753:
6595:
6559:
6508:
6460:
6424:
6400:
6380:
6333:
5879:
5852:
5836:
5578:
5086:
4658:
1938:
993:, where a marital crisis soon developed.
823:
422:in automobiles to broader themes such as
12655:The Short Stories of F. Scott Fitzgerald
11884:
11794:
11498:"Eyeing the Unreal Estate of Gatsby Esq"
11201:"Washington Ballet's 'The Great Gatsby'"
11107:
10927:
10836:
10773:
10742:
10654:"Scott Fitzgerald Looks into Middle Age"
10555:
10528:
10099:
9935:
9784:
9749:
9716:The Mansions of Long Island's Gold Coast
9314:
9247:
8303:The Catholic University of America Press
8193:
8160:
8083:
7868:
7831:
7785:
7362:
7241:
7057:
7005:
6965:
6925:
6909:
6893:
6792:
6663:
6547:
6520:
6496:
6412:
6348:
6170:
6154:
6122:
6098:
6066:
6058:
6017:
5915:
5698:
5682:
5635:
5510:
5406:
5361:
5318:
5314:
5250:
5160:
5132:
5120:
5101:
5070:
5058:
5043:
5031:
5019:
5007:
4995:
4983:
4971:
4959:
4947:
4932:
4920:
4905:
4893:
4803:
4727:
4681:
4642:
4630:
4618:
4614:
4563:
4543:
4531:
4516:
4499:
4467:
4436:
4407:
4380:
4376:
4320:
4268:
4240:
4196:
4097:
4073:
4038:
4014:
3817:
3793:
3765:
3761:
3730:
3702:
3690:
3625:
3608:
3465:
3453:
3413:
3401:
3373:
3235:
3225:
3213:
3173:
3116:
2211:
1942:
1820:
1816:
1728:
1644:
1445:
1301:
1015:
599:
448:. Like the novel's narrator who went to
414:mores, rebellious youth, and ubiquitous
201:, near New York City, the novel depicts
12351:
11824:
11739:
11676:
11462:
11299:
11225:
11195:
11066:from the original on September 22, 2018
11054:"The Forgotten Childhood of Jay Gatsby"
11051:
11023:Gurdon, Meghan Cox (January 22, 2021).
10983:from the original on September 25, 2018
10928:Giardina, Carolyn (February 22, 2021).
10895:
10609:from the original on September 20, 2023
10396:
10279:
10229:
10196:
9908:
9803:(published October 24, 1991): 140–155.
9712:
9548:National Council of Teachers of English
9532:
9488:
9449:
9394:(2nd ed.). Boston, Massachusetts:
9382:
9354:
9284:
9218:
8800:
8123:
7985:
7476:
7363:Grossman, Mary Ann (October 30, 2021).
7268:
7229:
7210:
7045:
7041:
7017:
6993:
6981:
6913:
6897:
6889:
6836:
6776:
6691:
6659:
6583:
6472:
6436:
6364:
6062:
5903:
5891:
5856:
5840:
5792:
5780:
5759:
5710:
5667:
5562:
5550:
5538:
5526:
5514:
5498:
5494:
5482:
5438:
5305:, p. 270, Letter to Edmund Wilson.
5290:
5266:
5230:
5164:
5144:
4677:
4578:
4547:
4328:
4109:
4085:
4010:
3998:
3973:
3937:
3925:
3865:
3829:
3596:
3552:
3537:
3525:
3513:
3501:
3489:
3477:
3425:
3385:
3358:
3314:
3283:
3271:
3244:, p. 15, "Echoes of the Jazz Age".
3148:, p. 18, "Echoes of the Jazz Age".
3131:, p. 16, "Echoes of the Jazz Age".
2879:
1306:Although he praised the novel's style,
1122:Disliking Fitzgerald's chosen title of
460:. There the 18-year-old Fitzgerald met
314:, and its cynical attitude towards the
12921:
12858:Matthew J. Bruccoli (scholarly editor)
11727:from the original on November 16, 2019
11645:
11620:"Scott Fitzgerald, Author, Dies at 44"
11558:
11523:
11495:Murphy, Mary Jo (September 30, 2010).
11494:
11427:
11415:from the original on February 12, 2020
11395:"Murder, Mayhem, and the Invention of
11389:
11317:from the original on February 16, 2019
11168:
11134:
11122:from the original on November 22, 2020
11095:from the original on November 11, 2020
11078:
11039:from the original on December 13, 2021
11022:
10679:
10516:from the original on February 16, 2019
10494:
10384:from the original on December 18, 2019
10323:from the original on December 30, 2014
10184:from the original on November 22, 2021
9909:Tredell, Nicolas (February 28, 2007).
9860:
9823:
9788:Princeton University Library Chronicle
9655:(2nd ed.). Metuchen, New Jersey:
9611:
9520:from the original on November 22, 2021
9437:from the original on November 22, 2021
9342:from the original on November 22, 2021
9272:from the original on November 22, 2021
9222:"Literature – And Less"
9167:
9122:from the original on February 22, 2020
9090:
8899:
8721:from the original on November 22, 2021
8696:
8578:. Columbia Critical Guides. New York:
8534:from the original on November 22, 2021
8452:from the original on November 22, 2021
8167:. Clayton, Delaware: Prestwick House.
8148:from the original on November 22, 2021
7933:from the original on November 22, 2021
7792:Princeton University Library Chronicle
7747:
7735:from the original on November 22, 2021
7710:
7698:from the original on November 22, 2021
7656:
7524:
7500:
7422:
7395:
7286:
7280:
7206:
6953:
6949:
6937:
6877:
6821:
6711:
6703:
6280:
6253:
6205:, and the pseudo-scientific racism of
6194:
6182:
6134:
6118:
6106:
6090:
6078:
6046:
6034:
6013:
6001:
5986:
5804:
5747:
5655:
5590:
5378:F. Scott Fitzgerald's ledger 1919–1938
5373:
5322:
5278:
4864:: "Fitzgerald, who despised the title
4861:
4655:F. Scott Fitzgerald's ledger 1919–1938
4551:
4483:
4440:
4296:
4280:
4050:
3726:
2725:The Great Gatsby: A Graphic Adaptation
1397:To Fitzgerald's great disappointment,
731:stationed at the United States Army's
549:and a World War I veteran—journeys to
394:provides a critical social history of
322:is widely considered to be a literary
12325:
12045:
11901:from the original on January 19, 2021
11853:
11812:from the original on October 26, 2019
11808:. New York City: TotalTheater. 1926.
11707:
11695:from the original on January 11, 2021
11633:from the original on January 11, 2021
11588:
11450:from the original on January 11, 2021
11240:from the original on January 13, 2021
11213:from the original on January 11, 2021
11183:from the original on January 24, 2021
10996:Grossberg, Michael (April 20, 2009).
10883:from the original on October 27, 2013
10761:from the original on January 11, 2021
10706:
10682:"Nintendo Lit: Gatsby and Tom Sawyer"
10650:
10638:from the original on October 15, 2013
10575:from the original on January 13, 2014
10543:from the original on October 22, 2018
10529:Borrelli, Christopher (May 7, 2013).
10364:
10335:
10306:
10294:from the original on December 5, 2013
10102:"The Sexual Drama of Nick and Gatsby"
10011:
9999:from the original on January 18, 2017
9896:from the original on January 18, 2017
9673:
9646:
9134:
9016:
8979:
8874:
8837:
8788:from the original on January 18, 2017
8770:. Vol. 14. Ann Arbor, Michigan:
8671:
8646:
8575:F. Scott Fitzgerald: The Great Gatsby
8493:from the original on January 18, 2017
8204:
8181:from the original on January 18, 2017
8046:
7464:
7452:
7323:
7292:
7253:
7225:
7191:
7100:from the original on October 27, 2023
7058:Heckmann, Ann Marie (July 25, 2023).
6675:
6655:
6651:
6623:
6571:
6321:
6304:
6292:
6249:
6237:
6222:
6138:
6102:
5971:
5939:
5927:
5743:
5694:
5623:
5394:
5334:
5176:
5148:
4495:
4471:
4452:
4395:
4264:
4252:
4228:
4216:
4204:
4200:
4184:
4172:
4160:
4148:
4136:
4121:
3746:
3734:
3660:
3645:
3338:
3298:
3229:
2994:Only two pages of the first draft of
1863:, which is a parody by Fitzgerald of
1640:
1269:
1214:The artwork for the first edition of
1011:
326:and a contender for the title of the
12035:T: The New York Times Style Magazine
11914:Zuckerman, Esther (April 29, 2013).
11872:from the original on October 3, 2010
11743:"Harbison Mixes Up A Great 'Gatsby'"
11740:Stevens, David (December 29, 1999).
11482:from the original on August 10, 2013
11360:
11348:from the original on January 3, 2021
11010:from the original on August 31, 2016
10868:
10792:from the original on August 12, 2017
10437:
10405:(1). University Park, Pennsylvania:
10352:from the original on October 9, 2020
10336:—— (December 29, 2018).
10287:T: The New York Times Style Magazine
10159:
10132:
10024:(1). University Park, Pennsylvania:
9871:
9737:from the original on August 18, 2020
9651:Radio Soundtracks: A Reference Guide
9188:
9053:
9029:(1). University Park, Pennsylvania:
8940:
8908:(1). University Park, Pennsylvania:
8255:
8216:
8012:
7973:from the original on August 18, 2020
7905:
7856:from the original on August 20, 2020
7512:
7404:from the original on October 5, 2022
7396:Cerézo, Arvyn (September 16, 2022).
7329:
6780:
6764:
6747:
6735:
6723:
6707:
6647:
6635:
6607:
6535:
6368:
5711:Alberge, Dalya (February 12, 2022).
5643:
5574:
5462:
5450:
5188:
4881:
4815:
4780:Hill, Burns & Shillingsburg 2002
4739:
4602:
4590:
4424:
4364:
4324:
4308:
3957:
3913:
3805:
3781:
3769:
3667:was identified with the type of the
3564:
3397:
3326:
2852:they adapted this game to an actual
2834:Classic Adventures: The Great Gatsby
2706:Self-Made Boys: A Great Gatsby Remix
2483:Following the 1926 movie was 1949's
2453:The first movie version of the novel
2274:staging of the novel's full text by
1630:
1184:Drafts of the dust jacket by artist
1050:. Previously he had shifted between
12838:Frances Scott Fitzgerald (daughter)
12631:Babylon Revisited and Other Stories
12518:The Curious Case of Benjamin Button
11885:Williams, John (January 14, 2021).
11854:White, Trevor (December 10, 2007).
11841:from the original on March 25, 2017
11782:from the original on April 30, 2013
11377:from the original on April 25, 2019
11226:Kellogg, Carolyn (April 20, 2011).
11169:Italie, Hillel (January 22, 2020).
11140:"Five Things You Didn't Know About
10946:from the original on April 24, 2021
10915:from the original on April 14, 2015
10468:Benedetti, Winda (March 15, 2010).
10307:Alter, Alexandra (April 19, 2013).
10258:from the original on April 15, 2024
10230:Wittels, David G. (June 23, 1945).
10217:from the original on April 14, 2023
9235:from the original on April 15, 2024
9078:from the original on March 10, 2021
9054:Lazo, Caroline Evensen (May 2003).
8862:from the original on March 10, 2021
8825:from the original on March 10, 2021
8604:from the original on March 10, 2021
8071:from the original on March 10, 2021
7996:. St. Louis, Missouri. p. 11.
7893:from the original on March 10, 2021
7552:from the original on April 27, 2022
7144:from the original on April 18, 2024
6203:immigration restriction legislation
5591:Menand, Louis (February 27, 2005).
2729:The Great Gatsby: The Graphic Novel
2688:, a retelling with elements of the
2505:. Twenty-five years later in 1974,
1724:
1692:
655:
479:. While awaiting deployment to the
382:Chicago's most desirable debutantes
334:Historical and biographical context
13:
13019:Novels adapted into radio programs
12999:Novels set in the Roaring Twenties
12954:American novels adapted into plays
12949:American novels adapted into films
11677:Skinner, Quinton (July 26, 2006).
11664:from the original on July 14, 2021
11546:from the original on July 19, 2010
10818:University of South Carolina Press
10667:from the original on June 30, 2013
10622:Churchwell, Sarah (May 3, 2013b).
10280:Aguirre, Abby (November 4, 2011).
10120:from the original on July 21, 2021
10069:University of North Carolina Press
10067:(2). Chapel Hill, North Carolina:
9504:University of South Carolina Press
9454:: Oral Aggression and Splitting".
9039:10.1111/j.1755-6333.2002.tb00059.x
8555:The Letters of F. Scott Fitzgerald
8161:Drudzina, Douglas (January 2006).
7877:University of South Carolina Press
7626:from the original on April 1, 2022
7587:from the original on April 1, 2022
7377:from the original on July 26, 2022
7344:from the original on July 12, 2022
7311:from the original on July 12, 2022
7173:from the original on July 30, 2023
7074:from the original on July 30, 2023
6307:, pp. 29–30, 33, 38–40, 51: "
5725:from the original on June 12, 2023
2303:, premiered on December 20, 1999.
1971:. She publicly belittled him with
1274:
1149:
886:Frances Scott "Scottie" Fitzgerald
14:
13045:
12853:Maxwell Perkins (literary editor)
11946:
11756:from the original on June 5, 2012
11605:from the original on July 8, 2018
11589:Rimer, Sara (February 17, 2008).
11576:from the original on July 5, 2019
11428:Lipton, Gabrielle (May 6, 2013).
10869:Ford, Lillian C. (May 10, 1925).
10856:from the original on July 3, 2013
10824:from the original on June 4, 2016
10743:Donahue, Deirdre (May 7, 2013a).
10694:from the original on May 15, 2013
10680:Crouch, Ian (February 16, 2011).
10495:Berrin, Danielle (May 23, 2013).
10451:. Washington, D.C. Archived from
10272:
9579:. University Park, Pennsylvania:
9174:Papers on Language and Literature
9110:(18). Bloomsbury, London: 13–15.
9004:from the original on June 5, 2021
8111:from the original on June 5, 2021
7986:Coghlan, Ralph (April 25, 1925).
7714:The Great Gatsby and Modern Times
7605:
5605:from the original on July 1, 2014
2715:
2527:as Nick Carraway. Most recently,
2246:'s stage adaptation, directed by
2223:in the first stage adaptation of
1900:" challenged Americans' sense of
1341:was less impressed, referring to
231:in 1922. Following a move to the
21:The Great Gatsby (disambiguation)
16:1925 novel by F. Scott Fitzgerald
13034:Works about the Roaring Twenties
12906:
12894:
12759:F. Scott Fitzgerald in Hollywood
11989:
11856:"BBC World Service Programmes –
11837:. Surry Hills, New South Wales.
11511:from the original on May 7, 2019
11430:"Where Is Jay Gatsby's Mansion?"
11361:Lask, Thomas (October 3, 1971).
11156:from the original on May 7, 2013
10934:Animated Feature in Development"
10310:"A Darker, More Ruthless Gatsby"
9589:10.1111/j.1755-6333.2012.01077.x
9419:(1st ed.). United Kingdom:
9416:Lost City: Fitzgerald's New York
9302:from the original on May 9, 2023
8000:from the original on May 9, 2023
7674:Batchelor, Bob (November 2013).
7666:
7599:
7570:
7564:
7530:
7428:
7389:
7156:
7126:
7112:
7086:
7051:
7035:
6943:
6903:
6883:
6786:
6697:
6685:
6669:
6601:
6553:
6490:
6485:Fitzgerald & Fitzgerald 2002
6430:
6406:
6394:
6374:
6327:
6298:
6243:
6188:
6160:
6128:
6112:
6084:
6052:
6007:
5945:
5921:
5846:
5826:
5753:
5737:
5704:
5688:
5629:
5584:
5568:
5504:
5488:
5456:
5432:
5400:
5367:
5308:
5224:
5154:
5138:
5064:
5037:
4745:
4648:
4608:
4537:
4477:
4430:
3872:, 18 (Summer 1972), pp. 207–212.
2867:The Great Gatsby: The Video Game
2798:in ten parts in 2008. In a 2012
2552:In 2021, visual effects company
2431:
2410:
2357:starred as the leading roles of
2091:
1474:were deeply affected by it, and
1421:' 1926 stage adaptation and the
1243:Among Ash Heaps and Millionaires
1174:
1165:
1052:Among Ash Heaps and Millionaires
850:
832:
767:inspired the character of Daisy.
664:
515:
363:
354:
344:Prohibition in the United States
12639:The Basil and Josephine Stories
11825:Verghis, Sharon (May 3, 2013).
11524:Paskin, Willa (July 15, 2010).
11228:"Last Gasp of the Gatsby House"
10774:—— (May 7, 2013b).
10651:Clark, Edwin (April 19, 1925).
10478:. New York City. Archived from
10423:10.5325/fscotfitzrevi.15.1.0117
10415:10.5325/fscotfitzrevi.15.1.0117
10200:Cleveland's Colorful Characters
10042:10.5325/fscotfitzrevi.13.1.0029
10034:10.5325/fscotfitzrevi.13.1.0029
8926:10.5325/fscotfitzrevi.16.1.0174
8918:10.5325/fscotfitzrevi.16.1.0174
8886:(1st ed.). New York City:
8256:—— (Winter 1974). "
7645:Kirk, Morgan & Wickman 2013
7293:Flood, Alison (July 15, 2020).
4401:
4370:
4314:
4274:
4258:
4190:
4187:, pp. 53–54, 47–48, 63–64.
4154:
4004:
3875:
3720:
3708:
3684:
3483:
3459:
3391:
3332:
3247:
2752:Godzilla's Monsterpiece Theater
2082:
1861:The Rise of the Colored Empires
1827:The Rise of the Colored Empires
1635:
593:both he and Nick served in the
506:
12807:Z: The Beginning of Everything
12511:The Diamond as Big as the Ritz
12030: – "A Book by Its Covers"
11770:"The Girl at the Grand Palais"
11052:Haglund, David (May 7, 2013).
10843:"Fitzgerald's 'Radiant World'"
10810:"F. Scott Fitzgerald's Ledger"
10399:The F. Scott Fitzgerald Review
10133:West, James L. W. III (2005).
10018:The F. Scott Fitzgerald Review
9975:Vanderbilt, Arthur T. (1999).
9573:The F. Scott Fitzgerald Review
9496:; Baughman, Judith S. (eds.).
9466:Johns Hopkins University Press
9219:McClure, John (May 31, 1925).
9023:The F. Scott Fitzgerald Review
8902:The F. Scott Fitzgerald Review
8705:Fairleigh Dickinson University
8697:Harvey, Sally Peltier (1995).
8672:Gross, Dalton (October 1998).
8657:University of Nebraska–Lincoln
8270:Johns Hopkins University Press
8124:Curnutt, Kirk (October 2004).
7760:Johns Hopkins University Press
7711:Berman, Ronald (August 1996).
7330:Wick, Jessica (June 6, 2021).
4870:Under the Red, White, and Blue
3219:
3167:
3151:
2819:
2668:have become legal to publish.
2471:. It is a famous example of a
2202:
1546:in a hospital fire, Professor
1140:Under the Red, White, and Blue
1068:Under the Red, White, and Blue
1:
12994:Novels by F. Scott Fitzgerald
12959:Charles Scribner's Sons books
12843:Ginevra King (literary model)
11778:. London. December 22, 2012.
11646:Sarkar, Samit (May 6, 2013).
11364:"The Queens That Gatsby Knew"
10155:– via Internet Archive.
9981:. Jefferson, North Carolina:
9959:– via Internet Archive.
9931:– via Internet Archive.
9836:(1). Durham, North Carolina:
9760:(1). Durham, North Carolina:
9688:(4). Durham, North Carolina:
9669:– via Internet Archive.
9622:(2). Durham, North Carolina:
9450:Paulson, A. B. (Fall 1978). "
9408:– via Internet Archive.
9378:– via Internet Archive.
9214:– via Internet Archive.
9180:(1). Edwardsville, Illinois:
9143:(1). Durham, North Carolina:
8955:(2). Durham, North Carolina:
8890:– via Internet Archive.
8844:. Jefferson, North Carolina:
8807:. Jefferson, North Carolina:
8759:– via Internet Archive.
8567:– via Internet Archive.
8460:– via Internet Archive.
8417:– via Internet Archive.
8386:– via Internet Archive.
8355:– via Internet Archive.
8231:(3). Durham, North Carolina:
8042:– via Internet Archive.
7840:Carroll & Graf Publishers
7781:. New York City. May 5, 1925.
4818:, p. 87: "He settled on
4792:Fitzgerald & Perkins 1971
3098:
2659:
2567:
2331:the second musical adaptation
910:, unlike those who came from
634:American Expeditionary Forces
12848:Max Gerlach (literary model)
11079:Hindus, Milton (June 1947).
10849:The New York Review of Books
10816:. Columbia, South Carolina:
10749:Is The Great American Novel"
10712:"The Three Film Versions of
10160:—— (July 2002).
10106:International Fiction Review
9830:Twentieth Century Literature
9801:Princeton University Library
9799:(2). Princeton, New Jersey:
9502:. Columbia, South Carolina:
9413:O'Meara, Lauraleigh (2002).
9137:Twentieth Century Literature
8772:University of Michigan Press
8047:Conor, Liz (June 22, 2004).
7869:—— (July 2002).
7832:——, ed. (2000).
7801:Princeton University Library
7799:(3). Princeton, New Jersey:
7719:University of Illinois Press
7434:Roe, Mike. (July 19, 2024).
7167:americanrepertorytheater.org
3103:
2762:and the Time Traveller from
2694:The Pursued and the Pursuing
2681:The Chosen and the Beautiful
2264:highly praised the debut of
2118:) who was murdered in 1928.
1757:societal gender expectations
1733:An idealized depiction of a
1192:), a single eye loomed over
534:Flushing Meadows–Corona Park
406:music, economic prosperity,
7:
13024:Novels adapted into ballets
13004:Novels set in New York City
11999:public domain audiobook at
11691:. Los Angeles, California.
11444:The Washington Post Company
11273:The Washington Post Company
11108:Hogeback, Jonathan (2016).
10942:. Los Angeles, California.
10871:"The Seamy Side of Society"
10512:. Los Angeles, California.
10407:Penn State University Press
10026:Penn State University Press
9970:. New York. April 12, 1925.
9581:Penn State University Press
9310:– via Newspapers.com.
9031:Penn State University Press
8988:University of Alabama Press
8910:Penn State University Press
8801:Hischak, Thomas S. (2012).
8013:Cole, John Y., ed. (1984).
8008:– via Newspapers.com.
2333:, with music and lyrics by
2318:premiered a version at the
2297:'s debut. The work, called
2283:New York Metropolitan Opera
2140:fixed the 1919 World Series
1653:, often represented by the
1499:Council on Books in Wartime
930:, and the since-demolished
888:, the Fitzgeralds moved to
686:Chicago's famous debutantes
284:in the subsequent decades.
281:Council on Books in Wartime
10:
13050:
13029:Novels adapted into comics
12984:Novels adapted into operas
11926:The Atlantic Media Company
11236:. El Segundo, California.
10879:. El Segundo, California.
10168:Cambridge University Press
10112:(1). Fredericton, Canada:
9647:Pitts, Michael R. (1986).
9546:(5). Champaign, Illinois:
9464:(3). Baltimore, Maryland:
9324:. Durham, North Carolina:
9231:. New Orleans, Louisiana.
9062:Twenty-First Century Books
9060:. Minneapolis, Minnesota:
8436:Cambridge University Press
8268:(1). Baltimore, Maryland:
7758:(2). Baltimore, Maryland:
7443:. Retrieved July 20, 2024.
5640:Lacayo & Grossman 2010
5419:Fitzgerald's obituary 1940
3197:old commandment broke down
2582:Robert Montgomery Presents
2396:American Repertory Theater
2324:Comedy Theatre of Budapest
2064:South American agriculture
2004:Technology and environment
1881:Analyzing these elements,
1153:
595:3rd Infantry Division
553:to obtain employment as a
495:, a vivacious 17-year-old
475:and was commissioned as a
337:
243:'s dust jacket art, named
18:
12979:Murder–suicide in fiction
12964:Novels set in Long Island
12874:F. Scott Fitzgerald House
12866:
12825:
12783:The Pursuit of Persephone
12734:
12715:
12688:
12669:
12622:
12578:
12527:
12490:
12435:Flappers and Philosophers
12432:
12421:
12368:
12359:
12266:
12222:
12188:
12161:
12118:
12111:
12085:
11888:"The 'Great Gatsby' Glut"
11305:"Fitzgerald and the Jews"
10720:Literature-Film Quarterly
10239:The Saturday Evening Post
10225:– via Google Books.
10192:– via Google Books.
10100:Wasiolek, Edward (1992).
10007:– via Google Books.
9964:"Turns with a Bookworm".
9904:– via Google Books.
9753:Novel: A Forum on Fiction
9745:– via Google Books.
9528:– via Google Books.
9445:– via Google Books.
9350:– via Google Books.
9280:– via Google Books.
9086:– via Google Books.
9012:– via Google Books.
8870:– via Google Books.
8833:– via Google Books.
8796:– via Google Books.
8729:– via Google Books.
8692:– via Google Books.
8612:– via Google Books.
8580:Columbia University Press
8542:– via Google Books.
8501:– via Google Books.
8189:– via Google Books.
8156:– via Google Books.
8119:– via Google Books.
8095:Little, Brown and Company
8079:– via Google Books.
7981:– via Google Books.
7941:– via Google Books.
7901:– via Google Books.
7864:– via Google Books.
7743:– via Google Books.
7706:– via Google Books.
7370:Twin Cities Pioneer Press
6710:, pp. 358, 362–364;
2735:, which was published by
2044:environmental destruction
2019:The Machine in the Garden
1987:noted that characters in
1849:racially superior Nordics
1744:The Saturday Evening Post
1348:The Chicago Daily Tribune
1196:. In a subsequent draft (
1092:Thomas Parke D'Invilliers
545:—a Yale alumnus from the
252:After its publication by
162:
146:
130:
114:
106:
96:
88:
78:
70:
60:
50:
33:
12387:The Beautiful and Damned
12213:Gatsby: An American Myth
11469:"Gatsby, 35 Years Later"
10371:"White-Collar Supremacy"
9713:Randall, MĂłnica (2003).
9396:Houghton-Mifflin Company
8980:Kruse, Horst H. (2014).
8888:World Publishing Company
8655:(4). Lincoln, Nebraska:
8506:—— (2000) .
8477:Chelsea House Publishers
8465:—— (2006) .
8422:—— (1991) .
8055:Indiana University Press
8053:. Bloomington, Indiana:
7957:Little, Brown Book Group
7682:Rowman & Littlefield
7614:The Great Gatsby for NES
7610:The Great Gatsby for NES
7540:The Great Gatsby for NES
3303:Frances Scott Fitzgerald
3274:, pp. 11, 129, 140.
2872:
2846:The Great Gatsby for NES
2779:
2379:Gatsby: An American Myth
2207:
1927:Because of such themes,
1870:The Rising Tide of Color
1832:The Rising Tide of Color
1557:The Far Side of Paradise
1442:Revival and reassessment
1410:The Beautiful and Damned
797:Jordan Motor Car Company
452:, he was educated at an
269:The Beautiful and Damned
136:The Beautiful and Damned
13014:American romance novels
12833:Zelda Fitzgerald (wife)
11115:Encyclopædia Britannica
11032:The Wall Street Journal
10971:s Creative Destruction"
10597:and the American dream"
10316:The Wall Street Journal
9983:McFarland & Company
9967:New York Herald Tribune
9949:Charles Scribner's Sons
9490:Perkins, Maxwell Evarts
9202:Oxford University Press
8986:. Tuscaloosa, Alabama:
8846:McFarland & Company
8809:McFarland & Company
8703:. Teaneck, New Jersey:
8630:(3). Washington, D.C.:
8561:Charles Scribner's Sons
8547:—— (1963).
8391:—— (1945).
8335:Charles Scribner's Sons
8301:(3). Washington, D.C.:
8295:U.S. Catholic Historian
8197:The Dallas Morning News
8132:Oxford University Press
7993:St. Louis Post-Dispatch
7717:. Champaign, Illinois:
6445:University of Minnesota
5217:New York Herald Tribune
2850:Adobe Flash end of life
2401:
2276:Elevator Repair Service
2171:Jewish miser stereotype
2154:, a notorious New York
1829:, which is a parody of
1503:Armed Services Editions
1367:St. Louis Post-Dispatch
1361:The Dallas Morning News
1338:New York Herald Tribune
1280:Charles Scribner's Sons
1101:, the crude upstart in
1086:came from Fitzgerald's
1084:The High-Bouncing Lover
1076:The High-Bouncing Lover
1064:On the Road to West Egg
741:Trinity College, Oxford
429:Fitzgerald conveys the
396:Prohibition-era America
101:Charles Scribner's Sons
11569:London Review of Books
11564:"The Road to West Egg"
10939:The Hollywood Reporter
10708:Dixon, Wheeler Winston
10246:. pp. 11, 91–92.
9872:Tate, Mary Jo (2007).
9864:New York Evening World
9103:London Review of Books
9097:"Daisy Packs Her Bags"
9094:(September 21, 2000).
8838:Hyatt, Wesley (2006).
8649:Great Plains Quarterly
8632:Phi Beta Kappa Society
7775:"Books on Our Table".
3870:Modern Fiction Studies
3844:, p. 184. Editor
3764:, pp. 9–11, 246;
3733:, pp. 9–11, 246;
2614:which was directed by
2228:
2130:because of its use of
1948:
1939:Sexuality and identity
1840:
1748:
1658:
1455:
1373:New York Evening World
1311:
1124:Trimalchio in West Egg
1117:Trimalchio in West Egg
1080:The Gold-Hatted Gatsby
1072:The Gold-Hatted Gatsby
1060:Trimalchio in West Egg
1040:, a title inspired by
1033:
1026:Trimalchio in West Egg
954:Hall–Mills murder case
824:Writing and production
727:, when he was a young
617:
12944:Novels about adultery
12647:The Pat Hobby Stories
12530:All the Sad Young Men
12493:Tales of the Jazz Age
12474:Bernice Bobs Her Hair
12379:This Side of Paradise
12247:"Young and Beautiful"
11711:(September 8, 2003).
11336:"All-TIME 100 Novels"
11118:. Chicago, Illinois.
11003:The Columbus Dispatch
10840:(December 21, 2000).
10559:(December 16, 2010).
10539:. Chicago, Illinois.
10441:(February 25, 2011).
10368:(November 25, 2016).
10233:"What the G.I. Reads"
10197:Whipple, Kit (2019).
10077:10.1353/scu.2004.0029
9838:Duke University Press
9762:Duke University Press
9690:Duke University Press
9624:Duke University Press
9326:Duke University Press
9316:Michaels, Walter Benn
9145:Duke University Press
8957:Duke University Press
8520:. pp. vii–viii.
8233:Duke University Press
8210:Life Itself: A Memoir
8087:(September 9, 2014).
7988:"F. Scott Fitzgerald"
7096:. September 6, 2023.
4834:] WOULD DELAY BE"
3852:and the conservative
3343:Lake Forest, Illinois
2938:eastern United States
2928:—those "towns beyond
2848:; in 2022, after the
2704:own queer retelling,
2702:Anna-Marie McLemore's
2616:Franklin J. Schaffner
2316:The Washington Ballet
2215:
2189:University of Chicago
2068:consumerist lifestyle
1946:
1845:socio-economic status
1824:
1817:Race and displacement
1732:
1648:
1520:Saturday Evening Post
1449:
1404:This Side of Paradise
1305:
1020:Fitzgerald's editor,
1019:
783:Lake Forest, Illinois
771:Thomas "Tom" Buchanan
705:first-person narrator
603:
398:during the Jazz Age.
338:Further information:
263:This Side of Paradise
12969:Metafictional novels
12939:1925 American novels
12791:Waiting for the Moon
11924:. Washington, D.C.:
11800:– The Broadway Play"
11199:(November 4, 2011).
10806:Fitzgerald, F. Scott
10788:. McLean, Virginia.
10757:. McLean, Virginia.
10716:: A Vision Deferred"
10482:on February 22, 2011
9919:Continuum Publishing
9723:. pp. 275–277.
9494:Bruccoli, Matthew J.
8623:The American Scholar
8424:Bruccoli, Matthew J.
8319:Fitzgerald, F. Scott
8021:. Washington, D.C.:
7787:Bruccoli, Matthew J.
7680:. Lanham, Maryland:
7068:Paper Mill Playhouse
6706:, pp. 174–188;
6650:, pp. 409–411;
6638:, pp. 412, 414.
6081:, pp. 253, 256.
6016:, pp. 250–257;
5942:, pp. 210, 221.
5906:, pp. 117, 128.
5253:: " is considered a
5034:, pp. 143, 154.
5022:, pp. 145, 154.
4470:, pp. 171–172;
4055:Great Neck, New York
3784:, pp. 4, 57–59.
3516:, pp. 135, 140.
3456:, pp. 189, 437.
3004:Princeton University
2787:Family Hour of Stars
2774:King of the Monsters
2676:Michael Farris Smith
2537:in 2013 and starred
2423:1926 film adaptation
2347:Paper Mill Playhouse
2126:has been accused of
2070:and exacerbates the
1886:Walter Benn Michaels
1588:Great American Novel
1450:Fitzgerald's friend
890:Great Neck, New York
761:Louisville, Kentucky
328:Great American Novel
12934:Fiction set in 1922
12446:The Offshore Pirate
12403:Tender Is the Night
12353:F. Scott Fitzgerald
12073:F. Scott Fitzgerald
11932:on November 6, 2013
11530:, Now a Video Game"
11404:Leonard Lopate Show
11334:(January 6, 2010).
11209:. Washington, D.C.
11206:The Washington Post
11152:. Toronto, Canada.
10979:. Washington, D.C.
10730:on October 13, 2013
10448:The Washington Post
9880:Infobase Publishing
9681:American Literature
9615:American Literature
9200:. Oxford, England:
8948:American Literature
8224:American Literature
8130:. Oxford, England:
8023:Library of Congress
7546:greatgatsbygame.com
6726:, pp. 358–364.
6199:reborn Ku Klux Klan
6101:, pp. 18, 29;
5989:, pp. 250–257.
5750:, pp. 223–224.
5577:, pp. 34, 45;
4998:, pp. 149–153.
4986:, pp. 149–151.
4974:, pp. 148–149.
4950:, pp. 140–155.
4908:, pp. 141–155.
4896:, pp. 215–217.
4806:, pp. 206–207.
4684:, pp. 206–207.
4534:, pp. 143–144.
4343:, pp. xvi, xx.
4112:, pp. 275–277.
3846:Matthew J. Bruccoli
3587:, pp. 39, 188.
2951:Tommy Hitchcock Jr.
2808:took the form of a
2326:created a musical.
2250:, premiered at the
1969:closeted homosexual
1918:Old Stock Americans
1580:American literature
1482:was republished in
1427:silent film version
924:Gold Coast mansions
839:The now-demolished
801:Baker Motor Vehicle
489:Montgomery, Alabama
400:F. Scott Fitzgerald
374:F. Scott Fitzgerald
191:F. Scott Fitzgerald
189:by American writer
152:Tender Is the Night
55:F. Scott Fitzgerald
30:
12467:The Cut-Glass Bowl
12460:Head and Shoulders
12414:(1941, unfinished)
11894:The New York Times
11749:The New York Times
11720:The New York Times
11626:The New York Times
11598:The New York Times
11504:The New York Times
11475:The New York Times
11466:(April 24, 1960).
11370:The New York Times
11006:. Columbus, Ohio.
10660:The New York Times
10568:The New York Times
10377:The New York Times
10345:The New York Times
10282:"Gatsby En Pointe"
9506:. pp. 27–30.
9362:Zelda: A Biography
9258:. pp. 11–20.
9228:The Times-Picayune
8848:. pp. 49–50.
8811:. pp. 85–86.
8374:St. Martin's Press
7751:The Sewanee Review
7164:"Gatsby at A.R.T."
6970:Ambassador Theatre
6767:, pp. 363–364
6658:, pp. 20–21;
6173:, pp. 18, 29.
4617:, pp. 54–56;
4323:, pp. 53–54;
4267:, pp. 45–83;
4203:, pp. 47–48;
3940:, pp. 54–55;
3681:during the 1920s".
3528:, pp. 140–41.
3450:Wagner-Martin 2004
3438:Wagner-Martin 2004
2830:hidden object game
2828:released a casual
2261:The New York Times
2229:
2132:Jewish stereotypes
2032:machine technology
1949:
1896:immigrants whose "
1841:
1749:
1737:as illustrated by
1659:
1641:The American Dream
1592:Hunter S. Thompson
1572:The New York Times
1552:Cornell University
1460:The New York Times
1456:
1383:The Times-Picayune
1320:The New York Times
1312:
1270:Critical reception
1136:Gold-Hatted Gatsby
1034:
1012:Alternative titles
717:James "Jimmy" Gatz
618:
614:French Renaissance
469:United States Army
28:
12882:
12881:
12799:Midnight in Paris
12716:Essay collections
12665:
12664:
12613:Babylon Revisited
12319:
12318:
12302:The Great Phatsby
12262:
12261:
11984:Project Gutenberg
11921:The Atlantic Wire
11656:. New York City:
11538:. New York City:
11438:. New York City:
11407:. New York City.
11393:(June 17, 2014).
11344:. New York City.
11330:Lacayo, Richard;
11313:. New York City.
11303:(July 20, 2015).
11267:. New York City:
11259:: The Video Game"
11233:Los Angeles Times
11179:. New York City.
11091:. New York City.
11062:. New York City.
11035:. New York City.
10901:"Classic Serial,
10876:Los Angeles Times
10852:. New York City.
10690:. New York City.
10589:Churchwell, Sarah
10319:. New York City.
10290:. New York City.
10244:Curtis Publishing
10210:978-1-64559-326-3
10177:978-0-521-89047-2
10152:978-1-4000-6308-6
10060:Southern Cultures
9992:978-0-7864-0663-0
9928:978-0-8264-9010-0
9889:978-1-4381-0845-2
9730:978-0-8478-2649-0
9534:Pearson, Roger L.
9513:978-1-57003-548-7
9430:978-0-415-86701-6
9405:978-1-199-45748-6
9335:978-0-8223-2064-7
9265:978-0-8204-8851-6
9243:– via NOLA.
9211:978-0-19-513351-6
9071:978-0-8225-0074-2
8997:978-0-8173-1839-0
8818:978-0-7864-6842-3
8781:978-0-472-11272-2
8756:978-0-684-82499-4
8735:Hemingway, Ernest
8714:978-0-8386-3557-5
8689:978-0-313-30097-4
8589:978-0-231-11535-3
8527:978-0-14-118263-6
8486:978-1-4381-1454-5
8383:978-1-9821-1713-9
8362:Fitzgerald, Zelda
8344:978-0-684-12373-8
8174:978-1-58049-174-7
8141:978-0-19-515303-3
8104:978-0-316-23008-7
8085:Corrigan, Maureen
8064:978-0-253-21670-0
8032:978-0-8444-0466-0
7966:978-1-84408-767-9
7947:Churchwell, Sarah
7926:978-0-8160-7860-8
7886:978-1-57003-455-8
7849:978-0-7867-0996-0
7838:. New York City:
7728:978-0-252-06589-7
7691:978-0-8108-9195-1
7271:, pp. 85–86.
7256:, pp. 49–50.
7232:, pp. 85–86.
7213:, pp. 85–86.
6984:, pp. 93–95.
6666:, pp. 20–21.
6511:, pp. 32–33.
6324:, pp. 38–40.
5918:, pp. 17–20.
5670:, pp. 89–90.
5325:, pp. 13–15.
4581:, pp. 27–30.
4443:, pp. 13–15.
4175:, pp. 6, 20.
4139:, pp. 23–24.
4076:, pp. 38–39.
3944:, pp. 28–29.
3808:, pp. 57–59.
3772:, pp. 66–70.
3749:, pp. 82–88.
3648:, pp. 45–46.
3611:, pp. 11–20.
3573:1939 World's Fair
3480:, pp. 79–82.
3404:, pp. 86, 91
3388:, pp. 79–80.
3286:, pp. 30–31.
3216:, pp. 53–54.
3037:Many years after
2796:BBC World Service
2587:Robert Montgomery
2539:Leonardo DiCaprio
2477:National Archives
2440:
2394:premiered at the
2217:Florence Eldridge
2164:1919 World Series
2162:that tainted the
2160:Black Sox Scandal
2077:ecological crisis
2028:industrialization
1912:adherence to the
1902:national identity
1883:literary theorist
1769:bobbed their hair
1741:for the cover of
1711:class differences
1683:Long Island Sound
1655:Statue of Liberty
1631:Critical analysis
1594:retyped pages of
1392:John Peale Bishop
1326:Los Angeles Times
1216:The Great Gatsby,
1194:Long Island Sound
1047:Le Grand Meaulnes
957:of the ending of
775:white supremacist
688:in the Jazz Age.
477:second lieutenant
178:
177:
107:Publication place
61:Cover artist
29:The Great Gatsby
13041:
12974:Modernist novels
12929:The Great Gatsby
12911:
12910:
12909:
12899:
12898:
12890:
12705:A Yank at Oxford
12623:Posthumous works
12592:The Freshest Boy
12581:Taps at Reveille
12430:
12429:
12395:The Great Gatsby
12346:
12339:
12332:
12323:
12322:
12205:The Great Gatsby
12197:The Great Gatsby
12178:The Great Gatsby
12170:The Great Gatsby
12151:The Great Gatsby
12143:The Great Gatsby
12135:The Great Gatsby
12127:The Great Gatsby
12116:
12115:
12078:The Great Gatsby
12066:
12059:
12052:
12043:
12042:
12028:The Great Gatsby
12020:The Great Gatsby
12007:The Great Gatsby
11996:The Great Gatsby
11993:
11992:
11986:
11979:The Great Gatsby
11965:The Great Gatsby
11954:The Great Gatsby
11941:
11939:
11937:
11928:. Archived from
11910:
11908:
11906:
11890:
11881:
11879:
11877:
11858:The Great Gatsby
11850:
11848:
11846:
11830:
11821:
11819:
11817:
11798:The Great Gatsby
11791:
11789:
11787:
11765:
11763:
11761:
11745:
11736:
11734:
11732:
11716:
11704:
11702:
11700:
11681:The Great Gatsby
11673:
11671:
11669:
11642:
11640:
11638:
11622:
11614:
11612:
11610:
11594:
11585:
11583:
11581:
11562:(July 4, 2013).
11555:
11553:
11551:
11528:The Great Gatsby
11520:
11518:
11516:
11500:
11491:
11489:
11487:
11471:
11459:
11457:
11455:
11442:, a division of
11424:
11422:
11420:
11397:The Great Gatsby
11386:
11384:
11382:
11366:
11357:
11355:
11353:
11326:
11324:
11322:
11296:
11294:
11292:
11287:on June 25, 2013
11283:. Archived from
11271:, a division of
11257:The Great Gatsby
11249:
11247:
11245:
11222:
11220:
11218:
11192:
11190:
11188:
11176:Associated Press
11165:
11163:
11161:
11142:The Great Gatsby
11131:
11129:
11127:
11104:
11102:
11100:
11084:
11075:
11073:
11071:
11048:
11046:
11044:
11028:
11019:
11017:
11015:
10992:
10990:
10988:
10970:
10966:The Great Gatsby
10955:
10953:
10951:
10932:The Great Gatsby
10924:
10922:
10920:
10903:The Great Gatsby
10899:(May 12, 2012).
10892:
10890:
10888:
10865:
10863:
10861:
10845:
10838:Flanagan, Thomas
10833:
10831:
10829:
10801:
10799:
10797:
10778:The Great Gatsby
10770:
10768:
10766:
10739:
10737:
10735:
10714:The Great Gatsby
10703:
10701:
10699:
10676:
10674:
10672:
10656:
10647:
10645:
10643:
10626:The Great Gatsby
10618:
10616:
10614:
10595:The Great Gatsby
10591:(May 25, 2012).
10584:
10582:
10580:
10564:
10552:
10550:
10548:
10525:
10523:
10521:
10503:
10499:The Great Gatsby
10491:
10489:
10487:
10464:
10462:
10460:
10434:
10393:
10391:
10389:
10373:
10361:
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10357:
10341:
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10299:
10267:
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10235:
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10224:
10222:
10193:
10191:
10189:
10156:
10140:
10129:
10127:
10125:
10096:
10053:
10014:The Great Gatsby
10008:
10006:
10004:
9971:
9960:
9946:
9943:Scott Fitzgerald
9937:Turnbull, Andrew
9932:
9916:
9905:
9903:
9901:
9868:
9857:
9826:The Great Gatsby
9820:
9809:10.2307/26410056
9793:The Great Gatsby
9781:
9746:
9744:
9742:
9719:. Milan, Italy:
9709:
9676:The Great Gatsby
9670:
9654:
9643:
9608:
9567:
9550:: 638–642, 645.
9529:
9527:
9525:
9485:
9452:The Great Gatsby
9446:
9444:
9442:
9409:
9393:
9379:
9368:Harper & Row
9365:
9351:
9349:
9347:
9311:
9309:
9307:
9281:
9279:
9277:
9244:
9242:
9240:
9224:
9215:
9199:
9185:
9170:The Great Gatsby
9164:
9131:
9129:
9127:
9099:
9087:
9085:
9083:
9050:
9019:The Great Gatsby
9013:
9011:
9009:
8976:
8943:The Great Gatsby
8937:
8891:
8885:
8871:
8869:
8867:
8834:
8832:
8830:
8797:
8795:
8793:
8760:
8744:
8741:A Moveable Feast
8730:
8728:
8726:
8693:
8668:
8643:
8613:
8611:
8609:
8568:
8558:
8549:Turnbull, Andrew
8543:
8541:
8539:
8513:The Great Gatsby
8502:
8500:
8498:
8472:The Great Gatsby
8461:
8459:
8457:
8433:
8430:The Great Gatsby
8418:
8402:
8387:
8371:
8360:——;
8356:
8332:
8323:Perkins, Maxwell
8314:
8289:
8258:The Great Gatsby
8252:
8219:The Great Gatsby
8213:
8201:
8200:. Dallas, Texas.
8190:
8188:
8186:
8157:
8155:
8153:
8120:
8118:
8116:
8080:
8078:
8076:
8043:
8041:
8039:
8020:
8009:
8007:
8005:
7982:
7980:
7978:
7942:
7940:
7938:
7902:
7900:
7898:
7865:
7863:
7861:
7828:
7809:10.2307/26402223
7782:
7771:
7744:
7742:
7740:
7707:
7705:
7703:
7660:
7654:
7648:
7642:
7636:
7635:
7633:
7631:
7603:
7597:
7596:
7594:
7592:
7575:The Great Gatsby
7568:
7562:
7561:
7559:
7557:
7534:
7528:
7522:
7516:
7510:
7504:
7498:
7492:
7486:
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7474:
7468:
7462:
7456:
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7444:
7432:
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7420:
7414:
7413:
7411:
7409:
7393:
7387:
7386:
7384:
7382:
7360:
7354:
7353:
7351:
7349:
7327:
7321:
7320:
7318:
7316:
7297:The Great Gatsby
7290:
7284:
7278:
7272:
7266:
7257:
7251:
7245:
7239:
7233:
7223:
7214:
7204:
7195:
7189:
7183:
7182:
7180:
7178:
7160:
7154:
7153:
7151:
7149:
7138:www.playbill.com
7130:
7124:
7123:
7116:
7110:
7109:
7107:
7105:
7090:
7084:
7083:
7081:
7079:
7064:, a New Musical"
7062:The Great Gatsby
7055:
7049:
7039:
7033:
7027:
7021:
7015:
7009:
7003:
6997:
6991:
6985:
6979:
6973:
6963:
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6947:
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6887:
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6834:
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6804:
6790:
6784:
6774:
6768:
6762:
6751:
6745:
6739:
6733:
6727:
6721:
6715:
6714:, pp. 3–26.
6701:
6695:
6689:
6683:
6680:The Great Gatsby
6673:
6667:
6645:
6639:
6633:
6627:
6621:
6615:
6612:The Great Gatsby
6605:
6599:
6593:
6587:
6581:
6575:
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6563:
6557:
6551:
6545:
6539:
6533:
6524:
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6512:
6506:
6500:
6494:
6488:
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6434:
6428:
6422:
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6410:
6404:
6398:
6392:
6378:
6372:
6362:
6356:
6346:
6337:
6331:
6325:
6319:
6313:
6309:The Great Gatsby
6302:
6296:
6290:
6284:
6278:
6269:
6263:
6257:
6247:
6241:
6235:
6226:
6220:
6214:
6211:Lothrop Stoddard
6192:
6186:
6180:
6174:
6164:
6158:
6152:
6146:
6132:
6126:
6116:
6110:
6088:
6082:
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6005:
5999:
5990:
5984:
5975:
5969:
5963:
5949:
5943:
5937:
5931:
5925:
5919:
5913:
5907:
5901:
5895:
5889:
5883:
5877:
5864:
5861:Churchwell 2013b
5850:
5844:
5833:Churchwell 2013b
5830:
5824:
5818:
5812:
5810:
5802:
5796:
5790:
5784:
5778:
5767:
5764:The Great Gatsby
5757:
5751:
5741:
5735:
5734:
5732:
5730:
5708:
5702:
5692:
5686:
5680:
5671:
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5610:
5588:
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5554:
5548:
5542:
5536:
5530:
5524:
5518:
5508:
5502:
5492:
5486:
5480:
5474:
5471:The Great Gatsby
5460:
5454:
5448:
5442:
5436:
5430:
5423:The Great Gatsby
5416:
5410:
5404:
5398:
5392:
5381:
5371:
5365:
5359:
5350:
5344:
5338:
5332:
5326:
5312:
5306:
5300:
5294:
5288:
5282:
5276:
5270:
5264:
5258:
5248:
5242:
5240:
5235:The Great Gatsby
5228:
5222:
5213:
5207:
5198:
5192:
5186:
5180:
5174:
5168:
5158:
5152:
5142:
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5124:
5114:
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5084:
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5062:
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5035:
5029:
5023:
5017:
5011:
5005:
4999:
4993:
4987:
4981:
4975:
4969:
4963:
4957:
4951:
4945:
4936:
4930:
4924:
4918:
4909:
4903:
4897:
4891:
4885:
4879:
4873:
4866:The Great Gatsby
4859:
4853:
4850:Churchwell 2013b
4847:
4836:
4835:
4825:
4820:The Great Gatsby
4813:
4807:
4801:
4795:
4789:
4783:
4777:
4771:
4761:
4755:
4749:
4743:
4737:
4731:
4725:
4719:
4713:
4700:
4691:
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4662:
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4622:
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4606:
4600:
4594:
4588:
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4567:
4561:
4555:
4541:
4535:
4529:
4520:
4514:
4503:
4493:
4487:
4481:
4475:
4465:
4456:
4450:
4444:
4434:
4428:
4422:
4411:
4405:
4399:
4393:
4384:
4374:
4368:
4362:
4356:
4355:, p. xxvii.
4350:
4344:
4338:
4332:
4318:
4312:
4306:
4300:
4299:, pp. 9–11.
4294:
4288:
4285:Churchwell 2013a
4278:
4272:
4262:
4256:
4250:
4244:
4238:
4232:
4226:
4220:
4214:
4208:
4194:
4188:
4182:
4176:
4170:
4164:
4158:
4152:
4146:
4140:
4134:
4125:
4119:
4113:
4107:
4101:
4095:
4089:
4083:
4077:
4071:
4062:
4059:The Great Gatsby
4048:
4042:
4036:
4030:
4024:
4018:
4008:
4002:
3996:
3977:
3971:
3965:
3951:
3945:
3935:
3929:
3923:
3917:
3907:
3901:
3895:
3889:
3879:
3873:
3863:
3857:
3839:
3833:
3827:
3821:
3820:, pp. 9–11.
3815:
3809:
3803:
3797:
3791:
3785:
3779:
3773:
3759:
3750:
3744:
3738:
3724:
3718:
3712:
3706:
3700:
3694:
3688:
3682:
3665:The Great Gatsby
3658:
3649:
3643:
3637:
3634:General Pershing
3630:Zelda Fitzgerald
3623:
3612:
3606:
3600:
3594:
3588:
3582:
3576:
3562:
3556:
3550:
3541:
3535:
3529:
3523:
3517:
3511:
3505:
3499:
3493:
3487:
3481:
3475:
3469:
3463:
3457:
3447:
3441:
3435:
3429:
3423:
3417:
3411:
3405:
3395:
3389:
3383:
3377:
3371:
3362:
3356:
3350:
3348:
3336:
3330:
3324:
3318:
3312:
3306:
3296:
3287:
3281:
3275:
3269:
3263:
3251:
3245:
3239:
3233:
3223:
3217:
3211:
3200:
3186:
3177:
3171:
3165:
3155:
3149:
3143:
3132:
3126:
3120:
3114:
3092:
3085:
3079:
3075:
3069:
3065:
3059:
3056:Zelda Fitzgerald
3052:
3046:
3043:
3039:The Great Gatsby
3035:
3029:
3022:
3016:
3013:
3007:
2996:The Great Gatsby
2992:
2986:
2983:Great Depression
2979:
2973:
2970:
2964:
2960:
2954:
2947:
2941:
2922:
2913:
2910:
2904:
2900:
2894:
2883:
2842:The Great Gatsby
2805:The Great Gatsby
2769:The Time Machine
2741:The Great Gatsby
2737:Candlewick Press
2721:The Great Gatsby
2666:The Great Gatsby
2642:Robert Markowitz
2640:was directed by
2637:The Great Gatsby
2610:The Great Gatsby
2533:was directed by
2530:The Great Gatsby
2508:The Great Gatsby
2486:The Great Gatsby
2442:
2441:
2414:
2376:In Spring 2024,
2300:The Great Gatsby
2248:David Esbjornson
2225:The Great Gatsby
2152:Arnold Rothstein
2149:
2124:The Great Gatsby
2112:Arnold Rothstein
2095:
2056:mining practices
2036:William Faulkner
1989:The Great Gatsby
1977:Ernest Hemingway
1973:homophobic slurs
1965:The Great Gatsby
1929:The Great Gatsby
1909:status anxieties
1894:Eastern European
1865:Lothrop Stoddard
1837:Lothrop Stoddard
1753:The Great Gatsby
1725:Gender relations
1719:
1700:station of birth
1693:Class permanence
1687:Sarah Churchwell
1675:Colonial America
1671:Roger L. Pearson
1663:The Great Gatsby
1616:The Great Gatsby
1612:The Great Gatsby
1596:The Great Gatsby
1584:The Great Gatsby
1578:of 20th-century
1566:
1562:The Great Gatsby
1535:The Great Gatsby
1525:
1511:The Great Gatsby
1436:The Great Gatsby
1432:Great Depression
1378:The Great Gatsby
1343:The Great Gatsby
1315:The Great Gatsby
1284:The Great Gatsby
1263:Ernest Hemingway
1178:
1169:
1144:The Great Gatsby
1128:The Great Gatsby
1038:The Great Gatsby
1030:The Great Gatsby
970:The Great Gatsby
959:The Great Gatsby
854:
836:
811:George B. Wilson
729:military officer
726:
702:
668:
656:Major characters
541:In spring 1922,
519:
473:World War I
442:The Great Gatsby
392:The Great Gatsby
367:
358:
320:The Great Gatsby
312:environmentalism
300:self-made wealth
258:The Great Gatsby
182:The Great Gatsby
168:The Great Gatsby
147:Followed by
131:Preceded by
38:
31:
27:
13049:
13048:
13044:
13043:
13042:
13040:
13039:
13038:
12919:
12918:
12917:
12907:
12905:
12893:
12885:
12883:
12878:
12862:
12821:
12743:Beloved Infidel
12730:
12711:
12684:
12661:
12618:
12574:
12523:
12486:
12424:
12417:
12411:The Last Tycoon
12364:
12355:
12350:
12320:
12315:
12258:
12252:"Over the Love"
12218:
12189:Theatre / stage
12184:
12157:
12107:
12081:
12070:
11990:
11976:
11959:Standard Ebooks
11949:
11944:
11935:
11933:
11904:
11902:
11875:
11873:
11844:
11842:
11815:
11813:
11785:
11783:
11759:
11757:
11730:
11728:
11698:
11696:
11667:
11665:
11636:
11634:
11608:
11606:
11579:
11577:
11549:
11547:
11514:
11512:
11485:
11483:
11464:Mizener, Arthur
11453:
11451:
11440:The Slate Group
11418:
11416:
11391:Lopate, Leonard
11380:
11378:
11351:
11349:
11320:
11318:
11301:Krystal, Arthur
11290:
11288:
11269:The Slate Group
11243:
11241:
11216:
11214:
11186:
11184:
11159:
11157:
11138:(May 5, 2013).
11125:
11123:
11098:
11096:
11069:
11067:
11042:
11040:
11013:
11011:
10986:
10984:
10968:
10962:(May 2, 2013).
10960:Gillespie, Nick
10949:
10947:
10918:
10916:
10897:Forrest, Robert
10886:
10884:
10859:
10857:
10827:
10825:
10795:
10793:
10780:by the Numbers"
10764:
10762:
10733:
10731:
10697:
10695:
10670:
10668:
10641:
10639:
10612:
10610:
10578:
10576:
10546:
10544:
10536:Chicago Tribune
10519:
10517:
10501:
10485:
10483:
10458:
10456:
10455:on May 27, 2012
10387:
10385:
10366:Baker, Kelly J.
10355:
10353:
10326:
10324:
10297:
10295:
10275:
10270:
10261:
10259:
10220:
10218:
10211:
10187:
10185:
10178:
10153:
10123:
10121:
10002:
10000:
9993:
9929:
9899:
9897:
9890:
9770:10.2307/1344886
9740:
9738:
9731:
9698:10.2307/2926007
9667:
9659:. p. 127.
9657:Scarecrow Press
9632:10.2307/2925105
9539:English Journal
9523:
9521:
9514:
9440:
9438:
9431:
9406:
9384:Mizener, Arthur
9345:
9343:
9336:
9305:
9303:
9295:The Evening Sun
9288:(May 2, 1925).
9275:
9273:
9266:
9238:
9236:
9212:
9125:
9123:
9092:Leader, Zachary
9081:
9079:
9072:
9007:
9005:
8998:
8965:10.2307/2928304
8865:
8863:
8856:
8828:
8826:
8819:
8791:
8789:
8782:
8757:
8724:
8722:
8715:
8690:
8680:Greenwood Press
8618:Friedrich, Otto
8607:
8605:
8590:
8537:
8535:
8528:
8496:
8494:
8487:
8455:
8453:
8446:
8415:
8384:
8345:
8241:10.2307/2923547
8184:
8182:
8175:
8151:
8149:
8142:
8114:
8112:
8105:
8074:
8072:
8065:
8037:
8035:
8033:
8003:
8001:
7976:
7974:
7967:
7936:
7934:
7927:
7917:Checkmark Books
7907:Burt, Daniel S.
7896:
7894:
7887:
7859:
7857:
7850:
7738:
7736:
7729:
7701:
7699:
7692:
7669:
7664:
7663:
7655:
7651:
7643:
7639:
7629:
7627:
7604:
7600:
7590:
7588:
7571:Hoey, Charlie.
7569:
7565:
7555:
7553:
7536:
7535:
7531:
7523:
7519:
7511:
7507:
7499:
7495:
7487:
7483:
7475:
7471:
7463:
7459:
7451:
7447:
7433:
7429:
7421:
7417:
7407:
7405:
7394:
7390:
7380:
7378:
7361:
7357:
7347:
7345:
7328:
7324:
7314:
7312:
7291:
7287:
7279:
7275:
7267:
7260:
7252:
7248:
7240:
7236:
7224:
7217:
7205:
7198:
7190:
7186:
7176:
7174:
7162:
7161:
7157:
7147:
7145:
7132:
7131:
7127:
7118:
7117:
7113:
7103:
7101:
7092:
7091:
7087:
7077:
7075:
7056:
7052:
7040:
7036:
7028:
7024:
7016:
7012:
7004:
7000:
6992:
6988:
6980:
6976:
6964:
6960:
6948:
6944:
6936:
6932:
6924:
6920:
6912:, p. 179;
6908:
6904:
6888:
6884:
6876:
6867:
6861:Fitzgerald 1991
6859:
6855:
6849:Fitzgerald 1991
6847:
6843:
6835:
6828:
6820:
6807:
6791:
6787:
6779:, p. 190;
6775:
6771:
6763:
6754:
6746:
6742:
6734:
6730:
6722:
6718:
6702:
6698:
6690:
6686:
6674:
6670:
6662:, p. 329;
6646:
6642:
6634:
6630:
6622:
6618:
6606:
6602:
6594:
6590:
6582:
6578:
6570:
6566:
6558:
6554:
6546:
6542:
6534:
6527:
6519:
6515:
6507:
6503:
6495:
6491:
6483:
6479:
6471:
6467:
6459:
6452:
6435:
6431:
6423:
6419:
6411:
6407:
6399:
6395:
6391:and good wine".
6379:
6375:
6367:, p. 154;
6363:
6359:
6347:
6340:
6332:
6328:
6320:
6316:
6303:
6299:
6291:
6287:
6279:
6272:
6266:Pekarofski 2012
6264:
6260:
6248:
6244:
6236:
6229:
6221:
6217:
6193:
6189:
6181:
6177:
6167:Pekarofski 2012
6165:
6161:
6153:
6149:
6143:Pekarofski 2012
6133:
6129:
6117:
6113:
6095:Pekarofski 2012
6089:
6085:
6077:
6073:
6061:, p. 156;
6057:
6053:
6045:
6041:
6033:
6024:
6012:
6008:
6000:
5993:
5985:
5978:
5970:
5966:
5952:Fitzgerald 1945
5950:
5946:
5938:
5934:
5926:
5922:
5914:
5910:
5902:
5898:
5890:
5886:
5878:
5867:
5859:, p. 117;
5851:
5847:
5831:
5827:
5821:Churchwell 2012
5819:
5815:
5808:
5803:
5799:
5791:
5787:
5779:
5770:
5758:
5754:
5746:, p. 189;
5742:
5738:
5728:
5726:
5709:
5705:
5693:
5689:
5681:
5674:
5666:
5662:
5654:
5650:
5634:
5630:
5622:
5618:
5608:
5606:
5589:
5585:
5573:
5569:
5561:
5557:
5549:
5545:
5537:
5533:
5525:
5521:
5513:, p. 217;
5509:
5505:
5493:
5489:
5481:
5477:
5461:
5457:
5449:
5445:
5437:
5433:
5417:
5413:
5405:
5401:
5393:
5384:
5372:
5368:
5360:
5353:
5345:
5341:
5333:
5329:
5317:, p. 219;
5313:
5309:
5303:Fitzgerald 1945
5301:
5297:
5289:
5285:
5277:
5273:
5265:
5261:
5249:
5245:
5238:
5229:
5225:
5214:
5210:
5199:
5195:
5187:
5183:
5175:
5171:
5163:, p. 217;
5159:
5155:
5143:
5139:
5131:
5127:
5115:
5108:
5100:
5093:
5085:
5081:
5075:valley of ashes
5069:
5065:
5057:
5050:
5042:
5038:
5030:
5026:
5018:
5014:
5006:
5002:
4994:
4990:
4982:
4978:
4970:
4966:
4958:
4954:
4946:
4939:
4931:
4927:
4919:
4912:
4904:
4900:
4892:
4888:
4880:
4876:
4860:
4856:
4848:
4839:
4827:
4823:
4814:
4810:
4802:
4798:
4790:
4786:
4778:
4774:
4764:Fitzgerald 2000
4762:
4758:
4752:Fitzgerald 1991
4750:
4746:
4738:
4734:
4726:
4722:
4716:Vanderbilt 1999
4714:
4703:
4692:
4688:
4680:, p. 185;
4676:
4665:
4653:
4649:
4641:
4637:
4629:
4625:
4613:
4609:
4601:
4597:
4589:
4585:
4577:
4570:
4562:
4558:
4550:, p. 112;
4546:, p. 195;
4542:
4538:
4530:
4523:
4515:
4506:
4498:, p. 275;
4494:
4490:
4482:
4478:
4466:
4459:
4451:
4447:
4435:
4431:
4423:
4414:
4406:
4402:
4394:
4387:
4379:, p. 178;
4375:
4371:
4363:
4359:
4353:Fitzgerald 1991
4351:
4347:
4341:Fitzgerald 1991
4339:
4335:
4319:
4315:
4307:
4303:
4295:
4291:
4287:, pp. 1–9.
4279:
4275:
4263:
4259:
4251:
4247:
4239:
4235:
4227:
4223:
4215:
4211:
4199:, p. 178;
4195:
4191:
4183:
4179:
4171:
4167:
4159:
4155:
4147:
4143:
4135:
4128:
4120:
4116:
4108:
4104:
4096:
4092:
4084:
4080:
4072:
4065:
4049:
4045:
4037:
4033:
4027:Fitzgerald 1963
4025:
4021:
4009:
4005:
3997:
3980:
3972:
3968:
3962:Fitzgerald 1991
3960:, p. 101;
3954:Fitzgerald 2006
3952:
3948:
3942:Fitzgerald 1991
3936:
3932:
3924:
3920:
3910:Fitzgerald 2006
3908:
3904:
3898:Fitzgerald 1991
3896:
3892:
3886:Fitzgerald 1997
3882:Fitzgerald 2006
3880:
3876:
3864:
3860:
3842:Fitzgerald 1991
3840:
3836:
3828:
3824:
3816:
3812:
3804:
3800:
3792:
3788:
3780:
3776:
3760:
3753:
3745:
3741:
3725:
3721:
3715:Fitzgerald 1991
3713:
3709:
3701:
3697:
3689:
3685:
3659:
3652:
3644:
3640:
3624:
3615:
3607:
3603:
3595:
3591:
3585:Fitzgerald 1991
3583:
3579:
3563:
3559:
3551:
3544:
3536:
3532:
3524:
3520:
3512:
3508:
3500:
3496:
3488:
3484:
3476:
3472:
3464:
3460:
3448:
3444:
3436:
3432:
3424:
3420:
3412:
3408:
3396:
3392:
3384:
3380:
3372:
3365:
3357:
3353:
3346:
3337:
3333:
3325:
3321:
3313:
3309:
3297:
3290:
3282:
3278:
3270:
3266:
3254:Fitzgerald 1945
3252:
3248:
3242:Fitzgerald 1945
3240:
3236:
3224:
3220:
3212:
3203:
3189:Fitzgerald 1945
3187:
3180:
3172:
3168:
3158:Fitzgerald 1945
3156:
3152:
3146:Fitzgerald 1945
3144:
3135:
3129:Fitzgerald 1945
3127:
3123:
3115:
3111:
3106:
3101:
3096:
3095:
3086:
3082:
3076:
3072:
3066:
3062:
3053:
3049:
3041:
3036:
3032:
3023:
3019:
3014:
3010:
2993:
2989:
2980:
2976:
2971:
2967:
2961:
2957:
2948:
2944:
2923:
2916:
2911:
2907:
2901:
2897:
2884:
2880:
2875:
2840:online game of
2822:
2782:
2756:Sherlock Holmes
2718:
2662:
2570:
2560:and written by
2503:Macdonald Carey
2450:
2449:
2448:
2447:
2446:
2443:
2432:
2427:
2426:
2425:
2415:
2404:
2388:Thomas Bartlett
2329:Also, in 2023,
2252:Guthrie Theater
2210:
2205:
2147:
2121:
2120:
2119:
2103:
2098:
2097:
2096:
2085:
2052:anthropocentric
2006:
1985:Lionel Trilling
1941:
1857:white supremacy
1819:
1727:
1717:
1695:
1643:
1638:
1633:
1564:
1526:s 1945 report.
1523:
1488:The Last Tycoon
1472:Edward Newhouse
1444:
1277:
1275:Initial reviews
1272:
1212:
1211:
1210:
1209:
1181:
1180:
1179:
1171:
1170:
1159:
1152:
1150:Dust jacket art
1022:Maxwell Perkins
1014:
998:Maxwell Perkins
865:
864:
863:
862:
861:
855:
846:
845:
844:
837:
826:
724:
723:. During World
700:
691:
690:
689:
676:
671:
670:
669:
658:
583:valley of ashes
539:
538:
537:
527:
522:
521:
520:
509:
491:, where he met
388:
387:
386:
385:
370:
369:
368:
360:
359:
346:
336:
256:in April 1925,
237:Maxwell Perkins
115:Media type
46:
24:
17:
12:
11:
5:
13047:
13037:
13036:
13031:
13026:
13021:
13016:
13011:
13006:
13001:
12996:
12991:
12986:
12981:
12976:
12971:
12966:
12961:
12956:
12951:
12946:
12941:
12936:
12931:
12916:
12915:
12903:
12880:
12879:
12877:
12876:
12870:
12868:
12864:
12863:
12861:
12860:
12855:
12850:
12845:
12840:
12835:
12829:
12827:
12823:
12822:
12820:
12819:
12811:
12803:
12795:
12794:(2005 musical)
12787:
12786:(2005 musical)
12779:
12771:
12763:
12755:
12747:
12738:
12736:
12732:
12731:
12729:
12728:
12719:
12717:
12713:
12712:
12710:
12709:
12701:
12697:Three Comrades
12692:
12690:
12686:
12685:
12683:
12682:
12673:
12671:
12667:
12666:
12663:
12662:
12660:
12659:
12651:
12643:
12635:
12626:
12624:
12620:
12619:
12617:
12616:
12609:
12602:
12595:
12587:
12585:
12576:
12575:
12573:
12572:
12565:
12558:
12555:The Baby Party
12551:
12544:
12536:
12534:
12525:
12524:
12522:
12521:
12514:
12507:
12499:
12497:
12488:
12487:
12485:
12484:
12477:
12470:
12463:
12456:
12453:The Ice Palace
12449:
12441:
12439:
12427:
12419:
12418:
12416:
12415:
12407:
12399:
12391:
12383:
12374:
12372:
12366:
12365:
12360:
12357:
12356:
12349:
12348:
12341:
12334:
12326:
12317:
12316:
12314:
12313:
12305:
12298:
12291:
12286:
12284:Edith Cummings
12281:
12276:
12270:
12268:
12264:
12263:
12260:
12259:
12257:
12256:
12255:
12254:
12249:
12244:
12239:
12226:
12224:
12220:
12219:
12217:
12216:
12209:
12201:
12192:
12190:
12186:
12185:
12183:
12182:
12174:
12165:
12163:
12159:
12158:
12156:
12155:
12147:
12139:
12131:
12122:
12120:
12113:
12109:
12108:
12106:
12105:
12103:Daisy Buchanan
12100:
12095:
12089:
12087:
12083:
12082:
12069:
12068:
12061:
12054:
12046:
12040:
12039:
12024:
12015:
12003:
11987:
11974:
11972:
11961:
11948:
11947:External links
11945:
11943:
11942:
11911:
11882:
11851:
11834:The Australian
11822:
11792:
11766:
11737:
11709:Smith, Dinitia
11705:
11674:
11643:
11615:
11586:
11560:Powers, Thomas
11556:
11521:
11492:
11460:
11425:
11387:
11358:
11327:
11310:The New Yorker
11297:
11250:
11223:
11197:Kaufman, Sarah
11193:
11166:
11132:
11105:
11076:
11049:
11020:
10993:
10956:
10925:
10893:
10866:
10834:
10802:
10771:
10745:"Five Reasons
10740:
10704:
10687:The New Yorker
10677:
10648:
10619:
10585:
10553:
10526:
10492:
10465:
10435:
10394:
10362:
10333:
10304:
10276:
10274:
10273:Online sources
10271:
10269:
10268:
10227:
10209:
10194:
10176:
10157:
10151:
10130:
10097:
10054:
10009:
9991:
9972:
9961:
9933:
9927:
9906:
9888:
9869:
9858:
9846:10.2307/440797
9821:
9782:
9747:
9729:
9710:
9671:
9665:
9644:
9609:
9568:
9556:10.2307/813939
9530:
9512:
9486:
9457:American Imago
9447:
9429:
9410:
9404:
9380:
9356:Milford, Nancy
9352:
9334:
9312:
9286:Mencken, H. L.
9282:
9264:
9245:
9216:
9210:
9186:
9165:
9153:10.2307/440550
9132:
9088:
9070:
9051:
9014:
8996:
8977:
8938:
8897:
8878:, ed. (1951).
8872:
8854:
8835:
8817:
8798:
8780:
8761:
8755:
8731:
8713:
8694:
8688:
8669:
8644:
8614:
8588:
8569:
8544:
8526:
8503:
8485:
8462:
8444:
8419:
8413:
8405:New Directions
8393:Wilson, Edmund
8388:
8382:
8357:
8343:
8315:
8290:
8253:
8214:
8202:
8191:
8173:
8158:
8140:
8121:
8103:
8081:
8063:
8044:
8031:
8010:
7983:
7965:
7943:
7925:
7903:
7885:
7866:
7848:
7829:
7783:
7772:
7745:
7727:
7708:
7690:
7670:
7668:
7665:
7662:
7661:
7649:
7637:
7606:Smith, Peter.
7598:
7563:
7529:
7517:
7505:
7493:
7489:Benedetti 2010
7481:
7469:
7457:
7455:, p. 127.
7445:
7427:
7415:
7388:
7355:
7322:
7285:
7273:
7258:
7246:
7234:
7215:
7196:
7184:
7155:
7125:
7111:
7085:
7050:
7034:
7030:Grossberg 2009
7022:
7010:
6998:
6986:
6974:
6958:
6942:
6930:
6918:
6902:
6900:, p. 186.
6896:, p. 29;
6882:
6865:
6863:, p. 148.
6853:
6851:, p. liv.
6841:
6826:
6824:, p. 174.
6805:
6785:
6783:, p. 363.
6769:
6752:
6750:, p. 362.
6740:
6738:, p. 358.
6728:
6716:
6696:
6684:
6668:
6654:, p. 34;
6640:
6628:
6616:
6600:
6598:, p. 394.
6596:Friedrich 1960
6588:
6586:, p. 326.
6576:
6574:, p. 202.
6564:
6560:Fessenden 2005
6552:
6550:, p. 259.
6540:
6538:, p. 406.
6525:
6523:, p. 275.
6513:
6509:Fessenden 2005
6501:
6489:
6477:
6475:, p. 183.
6465:
6461:Fessenden 2005
6450:
6429:
6425:Fessenden 2005
6417:
6405:
6401:Fessenden 2005
6393:
6381:Fessenden 2005
6373:
6371:, p. 417.
6357:
6353:Robert McAlmon
6338:
6334:Fessenden 2005
6326:
6314:
6297:
6285:
6270:
6258:
6252:, p. 40;
6242:
6227:
6215:
6187:
6175:
6169:, p. 52;
6159:
6147:
6141:, p. 36;
6137:, p. 54;
6127:
6121:, p. 54;
6111:
6105:, p. 43;
6097:, p. 52;
6093:, p. 55;
6083:
6071:
6069:, p. 127.
6065:, p. 80;
6051:
6049:, p. 256.
6039:
6037:, p. 250.
6022:
6006:
6004:, p. 253.
5991:
5976:
5974:, p. 209.
5964:
5944:
5932:
5920:
5908:
5896:
5894:, p. 120.
5884:
5880:Gillespie 2013
5865:
5853:Gillespie 2013
5845:
5843:, p. 117.
5837:Gillespie 2013
5825:
5813:
5797:
5795:, p. 645.
5785:
5783:, p. 638.
5768:
5752:
5736:
5703:
5687:
5672:
5660:
5648:
5628:
5626:, p. 304.
5616:
5598:The New Yorker
5583:
5579:Batchelor 2013
5567:
5555:
5553:, p. 183.
5543:
5531:
5519:
5503:
5487:
5475:
5455:
5443:
5431:
5411:
5399:
5382:
5366:
5364:, p. 175.
5351:
5339:
5327:
5307:
5295:
5283:
5271:
5259:
5243:
5233:, p. 9: "
5223:
5208:
5193:
5181:
5169:
5167:, p. 193.
5153:
5151:, p. 576.
5137:
5135:, p. 218.
5125:
5123:, p. 217.
5119:, p. 49;
5106:
5104:, p. 217.
5091:
5087:Hemingway 1964
5079:
5063:
5061:, p. 142.
5048:
5036:
5024:
5012:
5010:, p. 154.
5000:
4988:
4976:
4964:
4962:, p. 146.
4952:
4937:
4935:, p. 202.
4925:
4923:, p. 141.
4910:
4898:
4886:
4874:
4854:
4837:
4808:
4796:
4784:
4782:, p. 331.
4772:
4756:
4744:
4732:
4730:, p. 207.
4720:
4701:
4686:
4663:
4659:Zuckerman 2013
4647:
4645:, p. 215.
4635:
4633:, p. 213.
4623:
4621:, p. 215.
4607:
4605:, p. 326.
4595:
4583:
4568:
4566:, p. 206.
4556:
4536:
4521:
4504:
4488:
4476:
4474:, p. 578.
4457:
4455:, p. 578.
4445:
4429:
4412:
4400:
4385:
4383:, p. 176.
4369:
4367:, p. 325.
4357:
4345:
4333:
4327:, p. 37;
4313:
4301:
4289:
4273:
4271:, p. 178.
4257:
4245:
4243:, p. 178.
4233:
4221:
4209:
4189:
4177:
4165:
4153:
4141:
4126:
4114:
4102:
4090:
4078:
4063:
4043:
4041:, p. 150.
4031:
4029:, p. 189.
4019:
4017:, p. 185.
4013:, p. 58;
4003:
3978:
3976:, p. 184.
3966:
3964:, p. 107.
3956:, p. 18;
3946:
3930:
3918:
3916:, p. 101.
3912:, p. 18;
3902:
3890:
3888:, p. 184.
3884:, p. 95;
3874:
3858:
3854:Baker electric
3834:
3822:
3810:
3798:
3796:, p. 211.
3786:
3774:
3768:, p. 86;
3751:
3739:
3729:, p. 54;
3719:
3707:
3695:
3683:
3650:
3638:
3613:
3601:
3599:, p. 190.
3589:
3577:
3557:
3542:
3530:
3518:
3506:
3504:, p. 164.
3494:
3482:
3470:
3458:
3452:, p. 24;
3442:
3430:
3418:
3406:
3400:, p. 73;
3390:
3378:
3363:
3351:
3331:
3319:
3307:
3288:
3276:
3264:
3246:
3234:
3232:, p. 167.
3218:
3201:
3178:
3166:
3150:
3133:
3121:
3108:
3107:
3105:
3102:
3100:
3097:
3094:
3093:
3080:
3070:
3060:
3047:
3030:
3017:
3008:
2987:
2974:
2965:
2955:
2942:
2914:
2905:
2895:
2877:
2876:
2874:
2871:
2821:
2818:
2814:Robert Forrest
2810:Classic Serial
2781:
2778:
2772:to battle the
2748:IDW Publishing
2717:
2716:Graphic novels
2714:
2661:
2658:
2652:as Daisy, and
2607:, also titled
2569:
2566:
2562:Brian Selznick
2554:DNEG Animation
2545:as Daisy, and
2543:Carey Mulligan
2523:as Daisy, and
2517:Robert Redford
2491:Elliott Nugent
2489:, directed by
2469:William Powell
2457:Herbert Brenon
2444:
2430:
2429:
2428:
2416:
2409:
2408:
2407:
2406:
2405:
2403:
2400:
2390:and a book by
2384:Florence Welch
2367:Samantha Pauly
2363:Daisy Buchanan
2341:and a book by
2320:Kennedy Center
2312:Columbus, Ohio
2289:to compose an
2209:
2206:
2204:
2201:
2193:Arthur Krystal
2116:pictured above
2100:
2099:
2090:
2089:
2088:
2087:
2086:
2084:
2081:
2046:in pursuit of
2024:pastoral ideal
2005:
2002:
1993:Otto Friedrich
1953:queer readings
1940:
1937:
1855:and advocates
1851:. Tom decries
1818:
1815:
1773:premarital sex
1726:
1723:
1694:
1691:
1667:American Dream
1651:American Dream
1642:
1639:
1637:
1634:
1632:
1629:
1548:Arthur Mizener
1486:'s edition of
1468:Budd Schulberg
1443:
1440:
1276:
1273:
1271:
1268:
1234:painter named
1221:Celestial Eyes
1183:
1182:
1173:
1172:
1164:
1163:
1162:
1161:
1160:
1156:Celestial Eyes
1151:
1148:
1042:Alain-Fournier
1013:
1010:
991:French Riviera
912:Manhasset Neck
856:
849:
848:
847:
838:
831:
830:
829:
828:
827:
825:
822:
821:
820:
814:
808:
793:Edith Cummings
786:
768:
752:Daisy Buchanan
748:
708:
682:amateur golfer
678:Edith Cummings
673:
672:
663:
662:
661:
660:
659:
657:
654:
574:Daisy Buchanan
524:
523:
514:
513:
512:
511:
510:
508:
505:
497:Southern belle
372:
371:
362:
361:
353:
352:
351:
350:
349:
335:
332:
316:American Dream
246:Celestial Eyes
233:French Riviera
215:Daisy Buchanan
176:
175:
164:
160:
159:
148:
144:
143:
132:
128:
127:
116:
112:
111:
108:
104:
103:
98:
94:
93:
92:April 10, 1925
90:
86:
85:
80:
76:
75:
72:
68:
67:
62:
58:
57:
52:
48:
47:
43:Celestial Eyes
39:
15:
9:
6:
4:
3:
2:
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12816:
12812:
12810:(2015 series)
12809:
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12707:
12706:
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12698:
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12693:
12691:
12687:
12680:
12679:
12678:The Vegetable
12675:
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12672:
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12586:
12583:
12582:
12577:
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12566:
12563:
12559:
12556:
12552:
12549:
12548:Winter Dreams
12545:
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12328:
12327:
12324:
12312:
12310:
12306:
12303:
12299:
12297:
12296:
12292:
12290:
12289:Francis Cugat
12287:
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12280:
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12117:
12114:
12110:
12104:
12101:
12099:
12098:Nick Carraway
12096:
12094:
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12090:
12088:
12084:
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12060:
12055:
12053:
12048:
12047:
12044:
12037:
12036:
12031:
12029:
12025:
12023:
12021:
12018:"An Index to
12016:
12013:
12009:
12008:
12004:
12002:
11998:
11997:
11988:
11985:
11981:
11980:
11975:
11973:
11971:
11967:
11966:
11962:
11960:
11956:
11955:
11951:
11950:
11931:
11927:
11923:
11922:
11917:
11912:
11900:
11896:
11895:
11889:
11883:
11871:
11867:
11866:
11861:
11859:
11852:
11840:
11836:
11835:
11829:
11823:
11811:
11807:
11806:
11801:
11799:
11793:
11781:
11777:
11776:
11775:The Economist
11771:
11767:
11755:
11751:
11750:
11744:
11738:
11726:
11722:
11721:
11715:
11710:
11706:
11694:
11690:
11689:
11684:
11682:
11675:
11663:
11659:
11655:
11654:
11649:
11644:
11632:
11628:
11627:
11621:
11616:
11604:
11600:
11599:
11593:
11587:
11575:
11571:
11570:
11565:
11561:
11557:
11545:
11541:
11537:
11536:
11531:
11529:
11522:
11510:
11506:
11505:
11499:
11493:
11481:
11477:
11476:
11470:
11465:
11461:
11449:
11445:
11441:
11437:
11436:
11431:
11426:
11414:
11410:
11406:
11405:
11400:
11398:
11392:
11388:
11376:
11372:
11371:
11365:
11359:
11347:
11343:
11342:
11337:
11333:
11332:Grossman, Lev
11328:
11316:
11312:
11311:
11306:
11302:
11298:
11286:
11282:
11278:
11274:
11270:
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11208:
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11202:
11198:
11194:
11182:
11178:
11177:
11172:
11167:
11155:
11151:
11150:
11145:
11143:
11137:
11136:Howell, Peter
11133:
11121:
11117:
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11106:
11094:
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10781:
10779:
10772:
10760:
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10755:
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10725:
10721:
10717:
10715:
10709:
10705:
10693:
10689:
10688:
10683:
10678:
10666:
10662:
10661:
10655:
10649:
10637:
10633:
10629:
10627:
10620:
10613:September 13,
10608:
10604:
10603:
10598:
10596:
10590:
10586:
10574:
10570:
10569:
10563:
10558:
10557:Brantley, Ben
10554:
10542:
10538:
10537:
10532:
10527:
10515:
10511:
10510:
10505:
10500:
10493:
10481:
10477:
10476:
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10454:
10450:
10449:
10444:
10440:
10439:Bell, Melissa
10436:
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9695:
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9668:
9666:0-8108-1875-2
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9098:
9093:
9089:
9082:September 26,
9077:
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8895:
8889:
8884:
8883:
8877:
8876:Kazin, Alfred
8873:
8861:
8857:
8855:0-7864-2329-3
8851:
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8523:
8519:
8518:Penguin Books
8515:
8514:
8509:
8504:
8492:
8488:
8482:
8478:
8474:
8473:
8468:
8467:Bloom, Harold
8463:
8451:
8447:
8445:0-521-40230-1
8441:
8437:
8432:
8431:
8425:
8420:
8416:
8414:0-8112-0051-5
8410:
8406:
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8011:
7999:
7995:
7994:
7989:
7984:
7972:
7968:
7962:
7958:
7954:
7953:
7948:
7944:
7932:
7928:
7922:
7918:
7914:
7913:
7908:
7904:
7892:
7888:
7882:
7878:
7874:
7873:
7867:
7855:
7851:
7845:
7841:
7837:
7836:
7830:
7826:
7822:
7818:
7814:
7810:
7806:
7802:
7798:
7794:
7793:
7788:
7784:
7780:
7779:
7778:New York Post
7773:
7769:
7765:
7761:
7757:
7753:
7752:
7746:
7734:
7730:
7724:
7720:
7716:
7715:
7709:
7697:
7693:
7687:
7683:
7679:
7678:
7672:
7671:
7667:Print sources
7658:
7653:
7646:
7641:
7625:
7621:
7617:
7615:
7611:
7602:
7586:
7582:
7578:
7576:
7567:
7551:
7547:
7543:
7541:
7533:
7526:
7521:
7514:
7509:
7502:
7497:
7490:
7485:
7478:
7473:
7466:
7461:
7454:
7449:
7442:
7441:
7437:
7431:
7424:
7419:
7403:
7399:
7392:
7376:
7372:
7371:
7366:
7359:
7343:
7339:
7338:
7333:
7326:
7310:
7306:
7305:
7300:
7298:
7289:
7282:
7277:
7270:
7265:
7263:
7255:
7250:
7243:
7242:Giardina 2021
7238:
7231:
7227:
7222:
7220:
7212:
7208:
7203:
7201:
7193:
7188:
7172:
7168:
7165:
7159:
7143:
7139:
7135:
7129:
7121:
7115:
7099:
7095:
7089:
7073:
7069:
7065:
7063:
7054:
7047:
7043:
7038:
7031:
7026:
7019:
7014:
7007:
7006:Brantley 2010
7002:
6995:
6990:
6983:
6978:
6971:
6967:
6966:Playbill 1926
6962:
6955:
6951:
6946:
6939:
6934:
6928:, p. 29.
6927:
6926:Bruccoli 2000
6922:
6916:, p. 186
6915:
6911:
6910:Bruccoli 2002
6906:
6899:
6895:
6894:Bruccoli 2000
6891:
6886:
6879:
6874:
6872:
6870:
6862:
6857:
6850:
6845:
6838:
6833:
6831:
6823:
6818:
6816:
6814:
6812:
6810:
6802:
6798:
6794:
6793:Turnbull 1962
6789:
6782:
6778:
6773:
6766:
6761:
6759:
6757:
6749:
6744:
6737:
6732:
6725:
6720:
6713:
6709:
6705:
6700:
6693:
6688:
6681:
6677:
6672:
6665:
6664:Wasiolek 1992
6661:
6657:
6653:
6649:
6644:
6637:
6632:
6626:, p. 34.
6625:
6620:
6613:
6609:
6604:
6597:
6592:
6585:
6580:
6573:
6568:
6561:
6556:
6549:
6548:Turnbull 1962
6544:
6537:
6532:
6530:
6522:
6521:Bruccoli 2002
6517:
6510:
6505:
6498:
6497:Bruccoli 2002
6493:
6487:, p. 65.
6486:
6481:
6474:
6469:
6463:, p. 33.
6462:
6457:
6455:
6446:
6443:dance at the
6442:
6438:
6433:
6427:, p. 30.
6426:
6421:
6414:
6413:Bruccoli 2002
6409:
6403:, p. 28.
6402:
6397:
6390:
6386:
6385:fin-de-siècle
6382:
6377:
6370:
6366:
6361:
6354:
6350:
6349:Bruccoli 2002
6345:
6343:
6335:
6330:
6323:
6318:
6310:
6306:
6301:
6295:, p. 41.
6294:
6289:
6283:, p. 56.
6282:
6277:
6275:
6268:, p. 52.
6267:
6262:
6256:, p. 54.
6255:
6251:
6246:
6240:, p. 45.
6239:
6234:
6232:
6225:, p. 38.
6224:
6219:
6212:
6208:
6207:Madison Grant
6204:
6200:
6196:
6191:
6185:, p. 33.
6184:
6179:
6172:
6171:Michaels 1995
6168:
6163:
6157:, p. 29.
6156:
6155:Michaels 1995
6151:
6145:, p. 52.
6144:
6140:
6136:
6131:
6125:, p. 29.
6124:
6123:Michaels 1995
6120:
6115:
6109:, p. 33.
6108:
6104:
6100:
6099:Michaels 1995
6096:
6092:
6087:
6080:
6075:
6068:
6067:Turnbull 1962
6064:
6060:
6059:Bruccoli 2002
6055:
6048:
6043:
6036:
6031:
6029:
6027:
6019:
6018:Donahue 2013a
6015:
6010:
6003:
5998:
5996:
5988:
5983:
5981:
5973:
5968:
5961:
5957:
5953:
5948:
5941:
5936:
5929:
5924:
5917:
5916:Drudzina 2006
5912:
5905:
5900:
5893:
5888:
5881:
5876:
5874:
5872:
5870:
5862:
5858:
5854:
5849:
5842:
5838:
5834:
5829:
5822:
5817:
5806:
5801:
5794:
5789:
5782:
5777:
5775:
5773:
5765:
5761:
5756:
5749:
5745:
5740:
5724:
5720:
5719:
5714:
5707:
5700:
5699:Williams 2021
5696:
5691:
5684:
5683:Donahue 2013b
5679:
5677:
5669:
5664:
5657:
5652:
5645:
5641:
5637:
5636:Hogeback 2016
5632:
5625:
5620:
5604:
5600:
5599:
5594:
5587:
5580:
5576:
5571:
5565:, p. 90.
5564:
5559:
5552:
5547:
5540:
5535:
5528:
5523:
5516:
5512:
5511:Bruccoli 2002
5507:
5500:
5496:
5491:
5484:
5479:
5472:
5468:
5464:
5459:
5453:, p. 25.
5452:
5447:
5440:
5435:
5428:
5424:
5420:
5415:
5408:
5407:Donahue 2013b
5403:
5396:
5391:
5389:
5387:
5379:
5375:
5370:
5363:
5362:Bruccoli 2000
5358:
5356:
5349:, p. 49.
5348:
5343:
5337:, p. 75.
5336:
5331:
5324:
5320:
5319:Flanagan 2000
5316:
5315:Bruccoli 2002
5311:
5304:
5299:
5292:
5287:
5280:
5275:
5268:
5263:
5256:
5252:
5251:Eagleton 1925
5247:
5236:
5232:
5227:
5220:
5218:
5212:
5205:
5203:
5202:New York Post
5197:
5190:
5185:
5178:
5173:
5166:
5162:
5161:Bruccoli 2002
5157:
5150:
5146:
5141:
5134:
5133:Bruccoli 2002
5129:
5122:
5121:Bruccoli 2002
5118:
5113:
5111:
5103:
5102:Bruccoli 2002
5098:
5096:
5088:
5083:
5076:
5072:
5071:Scribner 1992
5067:
5060:
5059:Scribner 1992
5055:
5053:
5045:
5044:Scribner 1992
5040:
5033:
5032:Scribner 1992
5028:
5021:
5020:Scribner 1992
5016:
5009:
5008:Scribner 1992
5004:
4997:
4996:Scribner 1992
4992:
4985:
4984:Scribner 1992
4980:
4973:
4972:Scribner 1992
4968:
4961:
4960:Scribner 1992
4956:
4949:
4948:Scribner 1992
4944:
4942:
4934:
4933:Bruccoli 2002
4929:
4922:
4921:Scribner 1992
4917:
4915:
4907:
4906:Scribner 1992
4902:
4895:
4894:Bruccoli 2002
4890:
4884:, p. 75.
4883:
4878:
4871:
4867:
4863:
4858:
4851:
4846:
4844:
4842:
4833:
4832:
4826:on March 19:
4821:
4817:
4812:
4805:
4804:Bruccoli 2002
4800:
4794:, p. 87.
4793:
4788:
4781:
4776:
4769:
4768:Penguin Books
4765:
4760:
4753:
4748:
4741:
4736:
4729:
4728:Bruccoli 2002
4724:
4718:, p. 96.
4717:
4712:
4710:
4708:
4706:
4698:
4696:
4695:The Economist
4690:
4683:
4682:Bruccoli 2002
4679:
4674:
4672:
4670:
4668:
4660:
4656:
4651:
4644:
4643:Bruccoli 2002
4639:
4632:
4631:Bruccoli 2002
4627:
4620:
4619:Bruccoli 2002
4616:
4615:Bruccoli 2000
4611:
4604:
4599:
4593:, p. 38.
4592:
4587:
4580:
4575:
4573:
4565:
4564:Bruccoli 2002
4560:
4553:
4549:
4545:
4544:Bruccoli 2002
4540:
4533:
4532:Scribner 1992
4528:
4526:
4518:
4517:Scribner 1992
4513:
4511:
4509:
4502:, p. 51.
4501:
4500:Rosowski 1977
4497:
4492:
4485:
4480:
4473:
4469:
4468:Bruccoli 1978
4464:
4462:
4454:
4449:
4442:
4438:
4437:Flanagan 2000
4433:
4427:, p. 37.
4426:
4421:
4419:
4417:
4409:
4408:Bruccoli 2002
4404:
4397:
4392:
4390:
4382:
4381:Bruccoli 1978
4378:
4377:Bruccoli 2002
4373:
4366:
4361:
4354:
4349:
4342:
4337:
4330:
4326:
4322:
4321:Bruccoli 2000
4317:
4311:, p. xi.
4310:
4305:
4298:
4293:
4286:
4282:
4277:
4270:
4269:Bruccoli 2002
4266:
4261:
4255:, p. 60.
4254:
4249:
4242:
4241:Bruccoli 2002
4237:
4231:, p. 47.
4230:
4225:
4219:, p. 15.
4218:
4213:
4207:, p. 15.
4206:
4202:
4198:
4197:Bruccoli 2002
4193:
4186:
4181:
4174:
4169:
4163:, p. 51.
4162:
4157:
4151:, p. 20.
4150:
4145:
4138:
4133:
4131:
4123:
4118:
4111:
4106:
4100:, p. 45.
4099:
4098:Bruccoli 2000
4094:
4087:
4082:
4075:
4074:Bruccoli 2000
4070:
4068:
4060:
4056:
4052:
4047:
4040:
4039:Turnbull 1962
4035:
4028:
4023:
4016:
4015:Bruccoli 2002
4012:
4007:
4000:
3995:
3993:
3991:
3989:
3987:
3985:
3983:
3975:
3970:
3963:
3959:
3955:
3950:
3943:
3939:
3934:
3928:, p. 64.
3927:
3922:
3915:
3911:
3906:
3900:, p. 23.
3899:
3894:
3887:
3883:
3878:
3871:
3867:
3862:
3855:
3851:
3850:sporty Jordan
3847:
3843:
3838:
3832:, p. 85.
3831:
3826:
3819:
3818:Bruccoli 2000
3814:
3807:
3802:
3795:
3794:Bruccoli 2002
3790:
3783:
3778:
3771:
3767:
3766:Bruccoli 2002
3763:
3762:Bruccoli 2000
3758:
3756:
3748:
3743:
3736:
3732:
3731:Bruccoli 2000
3728:
3723:
3716:
3711:
3704:
3703:Borrelli 2013
3699:
3692:
3691:Corrigan 2014
3687:
3680:
3679:
3674:
3673:John Held Jr.
3670:
3666:
3662:
3657:
3655:
3647:
3642:
3635:
3631:
3627:
3626:Bruccoli 2002
3622:
3620:
3618:
3610:
3609:McCullen 2007
3605:
3598:
3593:
3586:
3581:
3574:
3570:
3566:
3561:
3554:
3549:
3547:
3539:
3534:
3527:
3522:
3515:
3510:
3503:
3498:
3491:
3486:
3479:
3474:
3467:
3466:Turnbull 1962
3462:
3455:
3454:Bruccoli 2002
3451:
3446:
3440:, p. 24.
3439:
3434:
3427:
3422:
3416:, p. 91.
3415:
3414:Bruccoli 2002
3410:
3403:
3402:Bruccoli 2002
3399:
3394:
3387:
3382:
3375:
3374:Bruccoli 2002
3370:
3368:
3361:, p. 70.
3360:
3355:
3344:
3340:
3335:
3329:, p. 35.
3328:
3323:
3317:, p. 50.
3316:
3311:
3304:
3300:
3295:
3293:
3285:
3280:
3273:
3268:
3261:
3260:
3255:
3250:
3243:
3238:
3231:
3227:
3226:Donahue 2013a
3222:
3215:
3214:Bruccoli 2000
3210:
3208:
3206:
3198:
3194:
3190:
3185:
3183:
3175:
3174:Donahue 2013a
3170:
3163:
3159:
3154:
3147:
3142:
3140:
3138:
3130:
3125:
3118:
3117:Donahue 2013a
3113:
3109:
3090:
3089:Edmund Wilson
3084:
3074:
3064:
3057:
3051:
3040:
3034:
3027:
3021:
3012:
3005:
3001:
2997:
2991:
2984:
2978:
2969:
2959:
2952:
2946:
2939:
2935:
2934:American West
2931:
2927:
2921:
2919:
2909:
2899:
2892:
2888:
2887:poet laureate
2882:
2878:
2870:
2868:
2864:
2863:
2858:
2855:
2851:
2847:
2843:
2839:
2835:
2831:
2827:
2817:
2815:
2811:
2807:
2806:
2801:
2797:
2793:
2789:
2788:
2777:
2775:
2771:
2770:
2765:
2761:
2757:
2753:
2749:
2744:
2742:
2738:
2734:
2730:
2726:
2722:
2713:
2711:
2707:
2703:
2699:
2695:
2691:
2687:
2683:
2682:
2677:
2673:
2672:
2667:
2657:
2655:
2651:
2647:
2646:Toby Stephens
2643:
2639:
2638:
2633:
2632:A&E movie
2629:
2625:
2621:
2617:
2613:
2611:
2606:
2605:
2600:
2596:
2592:
2588:
2584:
2583:
2578:
2574:
2565:
2563:
2559:
2558:William Joyce
2555:
2550:
2548:
2547:Tobey Maguire
2544:
2540:
2536:
2532:
2531:
2526:
2525:Sam Waterston
2522:
2518:
2514:
2510:
2509:
2504:
2500:
2496:
2493:and starring
2492:
2488:
2487:
2481:
2478:
2474:
2470:
2466:
2462:
2461:Warner Baxter
2458:
2454:
2424:
2421:for the lost
2420:
2413:
2399:
2397:
2393:
2392:Martyna Majok
2389:
2385:
2381:
2380:
2374:
2372:
2368:
2364:
2360:
2356:
2355:Eva Noblezada
2352:
2351:Jeremy Jordan
2348:
2344:
2343:Kait Kerrigan
2340:
2336:
2335:Jason Howland
2332:
2327:
2325:
2321:
2317:
2313:
2309:
2304:
2302:
2301:
2296:
2292:
2288:
2287:John Harbison
2285:commissioned
2284:
2279:
2277:
2273:
2269:
2268:
2263:
2262:
2257:
2253:
2249:
2245:
2241:
2237:
2233:
2226:
2222:
2218:
2214:
2200:
2198:
2197:Frances Kroll
2194:
2190:
2186:
2185:
2180:
2176:
2172:
2167:
2165:
2161:
2157:
2156:crime kingpin
2153:
2145:
2141:
2137:
2133:
2129:
2125:
2117:
2113:
2110:
2107:
2102:
2094:
2080:
2078:
2073:
2069:
2065:
2061:
2060:deforestation
2057:
2053:
2049:
2048:self-interest
2045:
2040:
2037:
2033:
2029:
2025:
2021:
2020:
2015:
2011:
2001:
1999:
1994:
1990:
1986:
1980:
1978:
1974:
1970:
1966:
1962:
1961:cross-dressed
1958:
1954:
1945:
1936:
1934:
1933:nouveau riche
1930:
1925:
1923:
1922:nouveau riche
1919:
1915:
1910:
1905:
1903:
1899:
1895:
1891:
1887:
1884:
1879:
1877:
1873:
1871:
1866:
1862:
1858:
1854:
1850:
1846:
1838:
1834:
1833:
1828:
1823:
1814:
1812:
1808:
1804:
1799:
1797:
1793:
1787:
1785:
1781:
1776:
1774:
1770:
1766:
1762:
1758:
1754:
1746:
1745:
1740:
1736:
1731:
1722:
1716:
1712:
1707:
1705:
1704:class warfare
1701:
1690:
1688:
1684:
1678:
1676:
1672:
1668:
1664:
1656:
1652:
1647:
1628:
1626:
1625:public domain
1622:
1617:
1613:
1609:
1605:
1601:
1597:
1593:
1589:
1585:
1581:
1577:
1573:
1568:
1563:
1559:
1558:
1553:
1549:
1545:
1544:Zelda's death
1540:
1536:
1532:
1527:
1522:
1521:
1516:
1512:
1508:
1507:combat troops
1504:
1500:
1496:
1491:
1489:
1485:
1484:Edmund Wilson
1481:
1477:
1473:
1469:
1465:
1461:
1453:
1452:Edmund Wilson
1448:
1439:
1437:
1433:
1428:
1424:
1420:
1416:
1412:
1411:
1406:
1405:
1400:
1395:
1393:
1387:
1385:
1384:
1379:
1375:
1374:
1369:
1368:
1363:
1362:
1356:
1354:
1353:H. L. Mencken
1350:
1349:
1344:
1340:
1339:
1334:
1333:
1332:New York Post
1328:
1327:
1322:
1321:
1316:
1309:
1308:H. L. Mencken
1304:
1300:
1298:
1294:
1293:Edith Wharton
1290:
1285:
1281:
1267:
1264:
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1248:
1244:
1239:
1237:
1236:Francis Cugat
1233:
1229:
1224:
1222:
1217:
1207:
1203:
1199:
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1191:
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1186:Francis Cugat
1177:
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1120:
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1089:
1085:
1081:
1078:. The titles
1077:
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1057:
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1049:
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1043:
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1031:
1027:
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1018:
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1006:serial rights
1001:
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975:Joseph Conrad
971:
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943:German Kaiser
940:
935:
933:
932:Beacon Towers
929:
925:
921:
917:
913:
909:
908:
907:nouveau riche
903:
900:and comedian
899:
895:
891:
887:
882:
880:
879:Winter Dreams
875:
874:
873:The Vegetable
870:
859:
853:
842:
841:Beacon Towers
835:
818:
817:Myrtle Wilson
815:
812:
809:
806:
802:
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696:Nick Carraway
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557:. He rents a
556:
555:bond salesman
552:
551:New York City
548:
544:
543:Nick Carraway
535:
531:
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518:
504:
500:
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494:
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485:Camp Sheridan
482:
481:Western front
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204:
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193:. Set in the
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22:
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12749:
12741:
12724:The Crack-Up
12722:
12703:
12695:
12676:
12653:
12645:
12637:
12629:
12606:Crazy Sunday
12579:
12569:The Adjuster
12541:The Rich Boy
12528:
12509:
12491:
12433:
12423:Short story
12409:
12401:
12394:
12393:
12385:
12377:
12362:Bibliography
12308:
12294:
12279:Ginevra King
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12027:
12019:
12006:
11995:
11977:
11970:Google Books
11963:
11952:
11934:. Retrieved
11930:the original
11919:
11903:. Retrieved
11897:. New York.
11892:
11874:. Retrieved
11863:
11857:
11843:. Retrieved
11832:
11814:. Retrieved
11803:
11797:
11784:. Retrieved
11773:
11758:. Retrieved
11752:. New York.
11747:
11731:November 16,
11729:. Retrieved
11723:. New York.
11718:
11699:December 22,
11697:. Retrieved
11686:
11680:
11666:. Retrieved
11651:
11637:December 16,
11635:. Retrieved
11624:
11607:. Retrieved
11601:. New York.
11596:
11578:. Retrieved
11567:
11548:. Retrieved
11533:
11527:
11513:. Retrieved
11507:. New York.
11502:
11484:. Retrieved
11478:. New York.
11473:
11452:. Retrieved
11433:
11417:. Retrieved
11402:
11396:
11379:. Retrieved
11373:. New York.
11368:
11352:December 10,
11350:. Retrieved
11339:
11319:. Retrieved
11308:
11289:. Retrieved
11285:the original
11262:
11256:
11242:. Retrieved
11231:
11217:December 22,
11215:. Retrieved
11204:
11185:. Retrieved
11174:
11158:. Retrieved
11147:
11141:
11126:December 10,
11124:. Retrieved
11113:
11099:December 11,
11097:. Retrieved
11086:
11068:. Retrieved
11057:
11043:December 13,
11041:. Retrieved
11030:
11012:. Retrieved
11001:
10985:. Retrieved
10974:
10965:
10948:. Retrieved
10937:
10931:
10919:November 25,
10917:. Retrieved
10905:, Episode 1"
10902:
10885:. Retrieved
10874:
10858:. Retrieved
10847:
10826:. Retrieved
10813:
10794:. Retrieved
10783:
10777:
10763:. Retrieved
10752:
10746:
10732:. Retrieved
10728:the original
10723:
10719:
10713:
10698:February 24,
10696:. Retrieved
10685:
10669:. Retrieved
10663:. New York.
10658:
10640:. Retrieved
10632:The Guardian
10631:
10625:
10624:"What Makes
10611:. Retrieved
10602:The Guardian
10600:
10594:
10577:. Retrieved
10571:. New York.
10566:
10545:. Retrieved
10534:
10518:. Retrieved
10507:
10498:
10484:. Retrieved
10480:the original
10473:
10459:February 15,
10457:. Retrieved
10453:the original
10446:
10402:
10398:
10386:. Retrieved
10380:. New York.
10375:
10354:. Retrieved
10348:. New York.
10343:
10325:. Retrieved
10314:
10296:. Retrieved
10285:
10260:. Retrieved
10237:
10219:. Retrieved
10199:
10186:. Retrieved
10162:
10143:Random House
10141:. New York:
10136:
10122:. Retrieved
10109:
10105:
10064:
10058:
10021:
10017:
10013:
10001:. Retrieved
9977:
9965:
9947:. New York:
9942:
9912:
9898:. Retrieved
9878:. New York:
9874:
9862:
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9829:
9825:
9796:
9792:
9786:
9757:
9751:
9739:. Retrieved
9715:
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9619:
9613:
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9572:
9543:
9537:
9522:. Retrieved
9498:
9461:
9455:
9451:
9439:. Retrieved
9415:
9389:
9366:. New York:
9361:
9346:December 12,
9344:. Retrieved
9320:
9304:. Retrieved
9293:
9274:. Retrieved
9254:. New York:
9250:
9237:. Retrieved
9226:
9195:
9177:
9173:
9169:
9140:
9136:
9126:February 24,
9124:. Retrieved
9107:
9101:
9080:. Retrieved
9056:
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9018:
9006:. Retrieved
8982:
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8942:
8905:
8901:
8893:
8881:
8864:. Retrieved
8840:
8827:. Retrieved
8803:
8790:. Retrieved
8766:
8745:. New York:
8740:
8723:. Retrieved
8699:
8674:
8652:
8648:
8627:
8621:
8606:. Retrieved
8574:
8559:. New York:
8554:
8536:. Retrieved
8512:
8508:Tanner, Tony
8495:. Retrieved
8475:. New York:
8471:
8456:November 21,
8454:. Retrieved
8429:
8403:. New York:
8399:The Crack-Up
8398:
8372:. New York:
8367:
8333:. New York:
8328:
8298:
8294:
8265:
8261:
8257:
8228:
8222:
8218:
8209:
8206:Ebert, Roger
8195:
8183:. Retrieved
8163:
8150:. Retrieved
8126:
8113:. Retrieved
8093:. New York:
8089:
8073:. Retrieved
8049:
8036:. Retrieved
8016:
8002:. Retrieved
7991:
7975:. Retrieved
7951:
7937:December 11,
7935:. Retrieved
7915:. New York:
7911:
7897:February 25,
7895:. Retrieved
7871:
7858:. Retrieved
7834:
7796:
7790:
7776:
7755:
7749:
7739:December 12,
7737:. Retrieved
7713:
7700:. Retrieved
7676:
7652:
7640:
7628:. Retrieved
7619:
7616:... for NES"
7613:
7609:
7601:
7589:. Retrieved
7580:
7577:Game. Enjoy"
7574:
7566:
7554:. Retrieved
7545:
7539:
7532:
7520:
7508:
7496:
7484:
7477:Forrest 2012
7472:
7460:
7448:
7438:
7430:
7418:
7406:. Retrieved
7391:
7379:. Retrieved
7368:
7358:
7346:. Retrieved
7335:
7325:
7313:. Retrieved
7304:The Guardian
7302:
7296:
7288:
7276:
7269:Hischak 2012
7249:
7237:
7230:Hischak 2012
7211:Hischak 2012
7187:
7175:. Retrieved
7166:
7158:
7146:. Retrieved
7137:
7128:
7114:
7104:November 13,
7102:. Retrieved
7088:
7076:. Retrieved
7067:
7061:
7053:
7046:Aguirre 2011
7042:Kaufman 2011
7037:
7025:
7018:Stevens 1999
7013:
7001:
6994:Skinner 2006
6989:
6982:Tredell 2007
6977:
6961:
6945:
6933:
6921:
6914:Mizener 1965
6905:
6898:Mizener 1965
6890:Krystal 2015
6885:
6856:
6844:
6837:Krystal 2015
6788:
6777:Mizener 1965
6772:
6743:
6731:
6719:
6699:
6692:Paulson 1978
6687:
6679:
6671:
6660:Paulson 1978
6643:
6631:
6619:
6611:
6603:
6591:
6584:Paulson 1978
6579:
6567:
6555:
6543:
6516:
6504:
6492:
6480:
6473:Milford 1970
6468:
6437:Mizener 1965
6432:
6420:
6408:
6396:
6376:
6365:Milford 1970
6360:
6329:
6317:
6308:
6300:
6288:
6261:
6245:
6218:
6190:
6178:
6162:
6150:
6130:
6114:
6086:
6074:
6063:Milford 1970
6054:
6042:
6009:
5967:
5962:at sixteen".
5947:
5935:
5923:
5911:
5904:Bechtel 2017
5899:
5892:Bechtel 2017
5887:
5857:Bechtel 2017
5848:
5841:Bechtel 2017
5828:
5816:
5800:
5793:Pearson 1970
5788:
5781:Pearson 1970
5763:
5760:Pearson 1970
5755:
5739:
5727:. Retrieved
5718:The Guardian
5716:
5706:
5690:
5668:Tredell 2007
5663:
5651:
5631:
5619:
5607:. Retrieved
5596:
5586:
5570:
5563:Tredell 2007
5558:
5551:Mizener 1965
5546:
5539:Mizener 1965
5534:
5527:Verghis 2013
5522:
5515:Mizener 1960
5506:
5499:Verghis 2013
5495:Mizener 1960
5490:
5483:Wittels 1945
5478:
5470:
5458:
5446:
5439:Mizener 1960
5434:
5422:
5414:
5402:
5369:
5347:O'Meara 2002
5342:
5330:
5310:
5298:
5291:McClure 1925
5286:
5274:
5267:Coghlan 1925
5262:
5255:Roman candle
5246:
5234:
5231:Mencken 1925
5226:
5216:
5211:
5201:
5196:
5184:
5172:
5165:Mizener 1965
5156:
5145:Mizener 1960
5140:
5128:
5117:O'Meara 2002
5082:
5066:
5039:
5027:
5015:
5003:
4991:
4979:
4967:
4955:
4928:
4901:
4889:
4877:
4869:
4865:
4857:
4829:
4819:
4811:
4799:
4787:
4775:
4759:
4747:
4735:
4723:
4694:
4689:
4678:Mizener 1965
4650:
4638:
4626:
4610:
4598:
4586:
4579:Perkins 2004
4559:
4548:Milford 1970
4539:
4491:
4479:
4448:
4432:
4403:
4372:
4360:
4348:
4336:
4329:Haglund 2013
4316:
4304:
4292:
4276:
4260:
4248:
4236:
4224:
4212:
4192:
4180:
4168:
4156:
4144:
4117:
4110:Randall 2003
4105:
4093:
4086:Kellogg 2011
4081:
4058:
4046:
4034:
4022:
4011:Curnutt 2004
4006:
3999:Mizener 1960
3974:Mizener 1965
3969:
3949:
3938:Tredell 2007
3933:
3926:Tredell 2007
3921:
3905:
3893:
3877:
3869:
3866:Tredell 2007
3861:
3837:
3830:Whipple 2019
3825:
3813:
3801:
3789:
3777:
3742:
3722:
3710:
3698:
3686:
3676:
3664:
3641:
3604:
3597:Mizener 1965
3592:
3580:
3569:Corona Dumps
3560:
3553:Mizener 1965
3538:Mizener 1965
3533:
3526:Mizener 1965
3521:
3514:Mizener 1965
3509:
3502:Mizener 1965
3497:
3490:Mizener 1965
3485:
3478:Mizener 1965
3473:
3461:
3445:
3433:
3426:Mizener 1965
3421:
3409:
3393:
3386:Mizener 1965
3381:
3359:Mizener 1965
3354:
3334:
3322:
3315:Mizener 1965
3310:
3284:Mizener 1965
3279:
3272:Mizener 1965
3267:
3259:The Crack-Up
3257:
3249:
3237:
3221:
3169:
3153:
3124:
3112:
3083:
3073:
3068:attachment".
3063:
3050:
3038:
3033:
3025:
3020:
3011:
3000:Willa Cather
2995:
2990:
2977:
2968:
2958:
2945:
2908:
2898:
2881:
2866:
2860:
2845:
2841:
2833:
2826:Oberon Media
2823:
2803:
2792:Kirk Douglas
2785:
2783:
2767:
2751:
2745:
2740:
2732:
2728:
2724:
2720:
2719:
2705:
2693:
2679:
2669:
2665:
2663:
2650:Mira Sorvino
2644:and starred
2635:
2624:Jeanne Crain
2618:and starred
2608:
2604:Playhouse 90
2602:
2591:Phyllis Kirk
2580:
2579:episode for
2572:
2571:
2551:
2535:Baz Luhrmann
2528:
2515:and starred
2513:Jack Clayton
2506:
2484:
2482:
2459:and starred
2451:
2377:
2375:
2339:Nathan Tysen
2328:
2305:
2298:
2295:James Levine
2280:
2272:Off-Broadway
2265:
2259:
2256:Ben Brantley
2238:, opened on
2236:George Cukor
2231:
2230:
2224:
2221:James Rennie
2182:
2178:
2177:, author of
2175:Richard Levy
2168:
2128:antisemitism
2123:
2122:
2115:
2083:Antisemitism
2041:
2017:
2009:
2007:
1988:
1981:
1964:
1950:
1932:
1928:
1926:
1921:
1906:
1880:
1868:
1860:
1842:
1830:
1826:
1807:gender norms
1800:
1788:
1777:
1765:modern women
1752:
1750:
1742:
1714:
1708:
1696:
1679:
1662:
1660:
1636:Major themes
1615:
1611:
1607:
1600:William Nack
1595:
1583:
1571:
1569:
1561:
1555:
1539:period piece
1534:
1528:
1518:
1514:
1510:
1495:World War II
1492:
1487:
1479:
1463:
1459:
1457:
1435:
1414:
1408:
1402:
1398:
1396:
1388:
1381:
1377:
1371:
1365:
1359:
1357:
1346:
1342:
1336:
1330:
1324:
1318:
1314:
1313:
1289:Willa Cather
1283:
1278:
1255:
1251:Coney Island
1247:Ferris wheel
1242:
1240:
1219:
1215:
1213:
1206:Coney Island
1201:
1197:
1189:
1143:
1139:
1135:
1131:
1127:
1123:
1121:
1116:
1106:
1096:
1083:
1079:
1075:
1071:
1067:
1063:
1059:
1055:
1051:
1045:
1037:
1035:
1029:
1028:in favor of
1025:
1002:
995:
982:
979:Willa Cather
969:
967:
963:
958:
951:
936:
928:Oheka Castle
905:
894:Ring Lardner
883:
871:
866:
858:Oheka Castle
816:
810:
789:Jordan Baker
788:
770:
765:Ginevra King
750:
721:North Dakota
716:
715:(originally
710:
694:
680:, a premier
650:Eastern life
646:
642:
638:
619:
591:
587:
571:
540:
507:Plot summary
501:
466:
462:Ginevra King
441:
440:
436:social norms
428:
391:
389:
378:Ginevra King
347:
319:
292:social class
287:
286:
277:World War II
274:
267:
261:
257:
251:
244:
225:Ginevra King
219:
203:first-person
181:
180:
179:
166:
156:
150:
140:
134:
41:
25:
12818:(2016 film)
12802:(2011 film)
12778:(2002 film)
12770:(1993 film)
12762:(1975 film)
12754:(1974 film)
12746:(1959 film)
12689:Screenplays
12599:First Blood
12481:Benediction
12425:collections
12274:Max Gerlach
12237:"Bang Bang"
12112:Adaptations
11535:Vulture.com
10909:BBC Radio 4
10734:October 11,
10642:October 11,
10547:October 21,
10409:: 117–129.
10388:January 13,
10262:January 15,
9867:. New York.
9692:: 576–591.
9626:: 250–257.
9468:: 311–330.
9239:January 15,
8959:: 405–431.
8912:: 174–188.
8659:: 275–276.
8634:: 392–405.
8235:: 315–326.
8152:October 11,
7803:: 171–178.
7762:: 223–246.
7657:Sarkar 2013
7525:Crouch 2011
7501:Paskin 2010
7423:Gurdon 2021
7281:Howell 2013
7207:Howell 2013
6954:Berrin 2013
6950:Hindus 1947
6938:Hindus 1947
6878:Berrin 2013
6822:Keeler 2018
6712:Little 2015
6704:Keeler 2018
6389:Oscar Wilde
6312:sexuality".
6281:Slater 1973
6254:Slater 1973
6195:Slater 1973
6183:Berman 1996
6135:Slater 1973
6119:Slater 1973
6107:Berman 1996
6091:Slater 1973
6079:Person 1978
6047:Person 1978
6035:Person 1978
6014:Person 1978
6002:Person 1978
5987:Person 1978
5805:Bewley 1954
5748:Bewley 1954
5656:Italie 2020
5374:Howell 2013
5323:Leader 2000
5279:Snyder 1925
4862:Lipton 2013
4552:Howell 2013
4484:Harvey 1995
4441:Leader 2000
4297:Powers 2013
4281:Lopate 2014
4051:Murphy 2010
3727:Slater 1973
3045:Collection.
2838:8-bit-style
2820:Video games
2802:broadcast,
2800:BBC Radio 4
2648:as Gatsby,
2620:Robert Ryan
2541:as Gatsby,
2519:as Gatsby,
2499:Betty Field
2465:Lois Wilson
2314:. In 2010,
2203:Adaptations
2144:Jewish nose
1853:immigration
1803:upper-class
1796:trophy wife
1604:Roger Ebert
1582:. By 1974,
1531:periodicals
1476:John O'Hara
1407:(1920) and
1297:T. S. Eliot
1295:, and poet
1113:Tony Tanner
984:A Lost Lady
939:Max Gerlach
920:Sands Point
916:Kings Point
745:Max Gerlach
733:Camp Taylor
630:Plaza Hotel
606:Plaza Hotel
563:Long Island
530:refuse dump
493:Zelda Sayre
424:bootlegging
416:speakeasies
324:masterpiece
266:(1920) and
229:North Shore
199:Long Island
12923:Categories
12735:Portrayals
12562:Absolution
12162:Television
12093:Jay Gatsby
12086:Characters
12012:Faded Page
11876:August 30,
11868:. London.
11550:August 30,
11542:magazine.
11088:Commentary
11014:August 28,
10907:. London:
10634:. London.
10605:. London.
9917:. London:
9256:Peter Lang
8866:January 1,
8829:January 1,
8563:. p.
8516:. London:
7955:. London:
7465:White 2007
7453:Pitts 1986
7408:October 5,
7254:Hyatt 2006
7226:Dixon 2003
7192:Dixon 2003
6676:Vogel 2015
6656:Lisca 1967
6652:Vogel 2015
6624:Vogel 2015
6572:Kazin 1951
6448:stocking".
6322:Vogel 2015
6305:Vogel 2015
6293:Vogel 2015
6250:Vogel 2015
6238:Vogel 2015
6223:Vogel 2015
6139:Vogel 2015
6103:Vogel 2015
5972:Conor 2004
5940:Conor 2004
5928:Conor 2004
5744:Kazin 1951
5695:Alter 2018
5624:Ebert 2011
5593:"Believer"
5467:ASE copies
5395:Rimer 2008
5335:Kruse 2002
5177:Clark 1925
5149:Quirk 1982
4496:Funda 1995
4472:Quirk 1982
4453:Quirk 1982
4396:Alter 2013
4265:Kruse 2002
4253:Kruse 2002
4229:Kruse 2002
4217:Kruse 2014
4205:Kruse 2014
4201:Kruse 2002
4185:Kruse 2002
4173:Kruse 2014
4161:Kruse 2002
4149:Kruse 2014
4137:Kruse 2014
4122:Kruse 2014
3747:Kruse 2014
3735:Baker 2016
3661:Conor 2004
3646:Kruse 2002
3339:Smith 2003
3299:Smith 2003
3230:Gross 1998
3099:References
2764:H.G. Wells
2750:announced
2660:Literature
2628:Rod Taylor
2595:Lee Bowman
2568:Television
2521:Mia Farrow
2419:lobby card
2359:Jay Gatsby
2244:Simon Levy
2184:Commentary
2072:wealth gap
2016:argued in
1876:bestseller
1835:(1920) by
1792:holy grail
1739:Ellen Pyle
1576:masterwork
1554:published
1419:Owen Davis
1282:published
1232:Barcelonan
1132:Trimalchio
1099:Trimalchio
1056:Trimalchio
947:Jay Gatsby
898:Lew Fields
869:stage play
803:, both of
725:War I
712:Jay Gatsby
701:War I
567:Jay Gatsby
454:Ivy League
254:Scribner's
211:Jay Gatsby
185:is a 1925
173:Wikisource
12775:Last Call
12207:(musical)
11786:March 27,
11658:Vox Media
11291:March 18,
11281:1091-2339
11244:April 26,
11187:March 18,
10950:April 24,
10828:April 29,
10785:USA Today
10754:USA Today
10431:171679942
10221:March 22,
10116:: 14–22.
10093:143270051
10071:: 19–49.
10050:170386299
10028:: 29–54.
10003:March 31,
9900:March 31,
9840:: 53–62.
9764:: 51–62.
9605:170714417
9583:: 52–72.
9524:March 16,
9492:(2004) .
9421:Routledge
9386:(1965) .
9276:March 16,
9190:Marx, Leo
9147:: 18–28.
9116:0260-9592
9033:: 45–83.
8934:172075925
8792:March 31,
8608:March 31,
8598:1559-3002
8538:March 16,
8497:March 31,
8353:76-143940
8305:: 19–40.
8278:0093-3139
8272:: 34–47.
8185:March 31,
8075:March 31,
7949:(2013a).
7909:(2010) .
7817:0032-8456
7513:Bell 2011
7148:April 18,
6781:Marx 1964
6765:Marx 1964
6748:Marx 1964
6736:Marx 1964
6724:Marx 1964
6708:Marx 1964
6648:Kerr 1996
6636:Kerr 1996
6608:Kerr 1996
6536:Kerr 1996
6369:Kerr 1996
5644:Burt 2010
5609:March 26,
5575:Eble 1974
5463:Cole 1984
5451:Cole 1984
5189:Ford 1925
4882:Lazo 2003
4816:Tate 2007
4740:West 2002
4603:Tate 2007
4591:Eble 1974
4425:Eble 1974
4365:Eble 1964
4325:Eble 1974
4309:West 2002
3958:Tate 2007
3914:Tate 2007
3806:West 2005
3782:West 2005
3770:West 2005
3565:Lask 1971
3398:West 2005
3327:West 2005
3104:Citations
2903:servants.
2824:In 2010,
2790:starring
2746:In 2024,
2698:AJ Odasso
2656:as Nick.
2654:Paul Rudd
2634:in 2000.
2585:starring
2549:as Nick.
2495:Alan Ladd
2473:lost film
2308:BalletMet
2109:racketeer
1998:modernity
1898:otherness
1811:socialite
1761:archetype
1755:explores
1505:books to
1423:Paramount
1218:known as
1108:Satyricon
1103:Petronius
805:Cleveland
757:socialite
737:debutante
622:speakeasy
458:Princeton
446:Minnesota
412:libertine
410:culture,
296:inherited
222:socialite
205:narrator
124:paperback
120:hardcover
97:Publisher
89:Published
12014:(Canada)
12001:LibriVox
11905:July 28,
11899:Archived
11870:Archived
11839:Archived
11810:Archived
11805:Playbill
11780:Archived
11760:April 8,
11754:Archived
11725:Archived
11693:Archived
11668:July 13,
11662:Archived
11631:Archived
11603:Archived
11574:Archived
11544:Archived
11540:New York
11509:Archived
11486:July 29,
11480:Archived
11448:Archived
11413:Archived
11375:Archived
11346:Archived
11315:Archived
11238:Archived
11211:Archived
11181:Archived
11154:Archived
11149:The Star
11120:Archived
11093:Archived
11070:July 11,
11064:Archived
11037:Archived
11008:Archived
10987:July 15,
10981:Archived
10944:Archived
10913:Archived
10881:Archived
10854:Archived
10822:Archived
10790:Archived
10759:Archived
10710:(2003).
10692:Archived
10665:Archived
10636:Archived
10607:Archived
10573:Archived
10541:Archived
10514:Archived
10486:July 28,
10382:Archived
10356:July 10,
10350:Archived
10327:July 11,
10321:Archived
10298:April 1,
10292:Archived
10256:Archived
10252:26501505
10215:Archived
10182:Archived
10124:July 21,
10118:Archived
10085:26390953
9997:Archived
9939:(1962).
9894:Archived
9817:26410056
9735:Archived
9597:41693878
9518:Archived
9474:26303279
9435:Archived
9376:66-20742
9358:(1970).
9340:Archived
9318:(1995).
9300:Archived
9270:Archived
9233:Archived
9192:(1964).
9120:Archived
9076:Archived
9047:41583032
9002:Archived
8860:Archived
8823:Archived
8786:Archived
8747:Scribner
8737:(1964).
8725:July 16,
8719:Archived
8665:23531702
8640:41208658
8602:Archived
8532:Archived
8491:Archived
8450:Archived
8311:25154963
8286:25111007
8208:(2011).
8179:Archived
8146:Archived
8109:Archived
8069:Archived
7998:Archived
7971:Archived
7931:Archived
7891:Archived
7854:Archived
7825:26402223
7768:27538346
7733:Archived
7702:July 15,
7696:Archived
7630:April 1,
7624:Archived
7591:April 1,
7585:Archived
7556:April 1,
7550:Archived
7440:The Wrap
7402:Archived
7381:July 27,
7375:Archived
7348:July 12,
7342:Archived
7315:July 12,
7309:Archived
7177:July 30,
7171:Archived
7142:Archived
7098:Archived
7078:July 30,
7072:Archived
6972:in 1926.
5729:June 12,
5723:Archived
5603:Archived
4770:edition.
3162:flappers
2930:the Ohio
2891:Jazz Age
2857:ROM file
2371:Broadway
2291:operatic
2240:Broadway
2106:Jazz Age
2014:Leo Marx
1914:Lutheran
1890:Southern
1874:a 1920s
1784:bitchery
1425:-issued
1228:Art Deco
1088:epigraph
968:Work on
896:, actor
799:and the
559:bungalow
456:school,
431:hedonism
340:Jazz Age
195:Jazz Age
71:Language
12887:Portals
12867:Related
12504:May Day
12311:(novel)
12199:(opera)
11936:July 4,
11816:July 4,
11688:Variety
11653:Polygon
11609:July 8,
11580:July 4,
11515:July 4,
11419:July 4,
11321:July 4,
10887:May 11,
10860:May 24,
10796:May 12,
10765:July 5,
10671:May 11,
10628:Great?"
10520:July 4,
10188:July 4,
9957:62-9315
9778:1344886
9741:July 5,
9721:Rizzoli
9706:2926007
9640:2925105
9441:May 21,
9184:: 3–26.
9008:June 5,
8973:2928304
8551:(ed.).
8510:(ed.).
8469:(ed.).
8426:(ed.).
8395:(ed.).
8249:2923547
8115:June 4,
8038:May 22,
7977:July 5,
7860:July 5,
7620:Twitter
7581:Twitter
3669:flapper
3193:petting
2926:Midwest
2889:of the
2844:called
2832:called
2760:Dracula
2690:fantasy
2686:Nghi Vo
2365:, with
2227:, 1926.
1735:flapper
1258:gouache
902:Ed Wynn
610:château
578:Chicago
561:in the
547:Midwest
420:petting
408:flapper
298:versus
275:During
118:Print (
83:Tragedy
74:English
12901:Novels
12826:People
12815:Genius
12727:(1945)
12708:(1938)
12700:(1938)
12681:(1923)
12658:(1989)
12650:(1973)
12642:(1962)
12634:(1960)
12584:(1935)
12533:(1926)
12496:(1922)
12438:(1920)
12406:(1934)
12398:(1925)
12390:(1922)
12382:(1920)
12370:Novels
12181:(2000)
12173:(1958)
12154:(2013)
12146:(1974)
12138:(1949)
12130:(1926)
11845:May 5,
11454:May 6,
11381:May 1,
11279:
11160:May 5,
10976:Reason
10747:Gatsby
10579:May 1,
10504:s Jew"
10429:
10421:
10250:
10207:
10174:
10149:
10091:
10083:
10048:
10040:
9989:
9955:
9925:
9886:
9854:440797
9852:
9815:
9776:
9727:
9704:
9663:
9638:
9603:
9595:
9564:813939
9562:
9510:
9482:754550
9480:
9472:
9427:
9402:
9374:
9332:
9306:May 8,
9262:
9208:
9161:440550
9159:
9114:
9068:
9045:
8994:
8971:
8932:
8924:
8852:
8815:
8778:
8753:
8711:
8686:
8663:
8638:
8596:
8586:
8524:
8483:
8442:
8411:
8380:
8351:
8341:
8309:
8284:
8276:
8247:
8171:
8138:
8101:
8061:
8029:
8004:May 8,
7963:
7923:
7883:
7846:
7823:
7815:
7766:
7725:
7688:
5809:
5239:
2593:, and
2573:Gatsby
2232:Gatsby
2148:
2136:Jewish
2010:Gatsby
1801:As an
1780:agency
1747:(1922)
1715:Gatsby
1621:e-book
1515:Gatsby
1480:Gatsby
1464:Gatsby
1415:Gatsby
1399:Gatsby
1198:second
1074:, and
626:Oxford
310:, and
304:gender
288:Gatsby
157:
155:(1934)
141:
139:(1922)
122:&
51:Author
12913:1920s
12767:Zelda
12670:Plays
12267:Other
12223:Music
11435:Slate
11264:Slate
11059:Slate
10969:'
10502:'
10475:MSNBC
10427:S2CID
10419:JSTOR
10089:S2CID
10081:JSTOR
10046:S2CID
10038:JSTOR
9850:JSTOR
9813:JSTOR
9774:JSTOR
9702:JSTOR
9636:JSTOR
9601:S2CID
9593:JSTOR
9560:JSTOR
9470:JSTOR
9157:JSTOR
9043:JSTOR
8969:JSTOR
8930:S2CID
8922:JSTOR
8661:JSTOR
8636:JSTOR
8307:JSTOR
8282:JSTOR
8245:JSTOR
7821:JSTOR
7764:JSTOR
6441:Psi U
4824:CAPRI
3042:'
2873:Notes
2862:Slate
2780:Radio
2270:, an
2208:Stage
1718:'
1565:'
1524:'
1202:third
1190:first
759:from
471:amid
187:novel
79:Genre
12309:Nick
12119:Film
11938:2019
11907:2021
11878:2010
11847:2013
11818:2019
11788:2013
11762:2011
11733:2019
11701:2020
11670:2021
11639:2020
11611:2018
11582:2019
11552:2010
11517:2019
11488:2013
11456:2013
11421:2019
11409:WNYC
11383:2021
11354:2020
11341:Time
11323:2019
11293:2020
11277:ISSN
11246:2013
11219:2020
11189:2021
11162:2013
11128:2020
11101:2020
11072:2019
11045:2021
11016:2016
10989:2021
10952:2021
10921:2013
10889:2013
10862:2013
10830:2013
10798:2013
10767:2019
10736:2013
10700:2013
10673:2013
10644:2013
10615:2023
10581:2014
10549:2018
10522:2019
10488:2021
10461:2011
10390:2020
10358:2019
10329:2013
10300:2014
10264:2022
10248:OCLC
10223:2023
10205:ISBN
10190:2019
10172:ISBN
10147:ISBN
10126:2021
10005:2016
9987:ISBN
9953:LCCN
9923:ISBN
9902:2016
9884:ISBN
9743:2019
9725:ISBN
9661:ISBN
9526:2021
9508:ISBN
9478:PMID
9443:2013
9425:ISBN
9400:ISBN
9372:LCCN
9348:2020
9330:ISBN
9308:2023
9278:2021
9260:ISBN
9241:2022
9206:ISBN
9128:2013
9112:ISSN
9084:2020
9066:ISBN
9010:2021
8992:ISBN
8868:2020
8850:ISBN
8831:2020
8813:ISBN
8794:2016
8776:ISBN
8751:ISBN
8727:2021
8709:ISBN
8684:ISBN
8610:2016
8594:ISSN
8584:ISBN
8540:2021
8522:ISBN
8499:2016
8481:ISBN
8458:2021
8440:ISBN
8409:ISBN
8378:ISBN
8349:LCCN
8339:ISBN
8274:ISSN
8187:2016
8169:ISBN
8154:2013
8136:ISBN
8117:2021
8099:ISBN
8077:2016
8059:ISBN
8040:2013
8027:ISBN
8006:2023
7979:2019
7961:ISBN
7939:2020
7921:ISBN
7899:2013
7881:ISBN
7862:2019
7844:ISBN
7813:ISSN
7741:2020
7723:ISBN
7704:2014
7686:ISBN
7632:2022
7593:2022
7558:2022
7410:2022
7383:2022
7350:2022
7317:2022
7179:2023
7150:2024
7106:2023
7080:2023
6801:West
6799:and
6797:East
6209:and
5960:corn
5731:2023
5611:2023
5219:1925
5204:1925
4697:2012
3678:Life
3078:is".
2671:Nick
2626:and
2501:and
2467:and
2402:Film
2386:and
2361:and
2353:and
2337:and
2281:The
2267:Gatz
2219:and
2030:and
1892:and
1767:who
1649:The
1470:and
1082:and
977:and
779:polo
608:, a
450:Yale
404:jazz
342:and
308:race
163:Text
12075:'s
12032:at
12010:at
11982:at
11968:at
11957:at
11865:BBC
10411:doi
10073:doi
10030:doi
9842:doi
9828:".
9805:doi
9795:).
9766:doi
9694:doi
9678:".
9628:doi
9585:doi
9552:doi
9172:".
9149:doi
9035:doi
9021:".
8961:doi
8945:".
8914:doi
8565:189
8260:".
8237:doi
8221:".
7805:doi
7337:NPR
5958:or
5956:gin
5469:of
5427:gin
4831:sic
2854:NES
2696:by
2684:by
2674:by
2599:CBS
2577:NBC
2258:of
1957:gay
1867:'s
1590:".
1550:of
1134:or
1105:'s
1044:'s
487:in
197:on
171:at
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11566:.
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11275:.
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11112:.
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