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The Fugitive from Chicago

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betraying her. So he went on holiday in a secluded lodge, and after his return, he is somehow changed. Steffie is worried he might have met another woman and at the presentation of a new car model, she demands an explanation from him, but Michael is not able to give her one. Now Werner arrives and begins to court Steffie, who does not recognize him. Still unhappy about Michaels behaviour, she follows Werner into his villa, but when he tries to approach her, she turns him back. Deeply offended, he tells her about his real name, and now Steffie understands why Michael has moved back from her.
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cousin Steffie, who is his co-heiress, is still too young to run the firm. In this situation, Werner convinces his friend Michael, who is an engineer by profession, to take over the firm as long as he is arrested and to pose as him. Michael agrees and is able to bring the firm up again. He even arranges a reliability test for motorcycles via Konstantinopel, Rome and Barcelona, which creates a big Turkish order for the company. Therefore, Steffie is looking up to him (whom she considers to be Werner) respectful.
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The film, which was rated as "not suitable for adolescents" by filmcheckers of the propaganda ministry, did nevertheless receive the attribute "artistically" by the same institution. The attribute meant that the distributors and cinemas had to pay less entertainment tax when showing this film. It was
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Werner Dux, heir of the big car company "Dux-Werke", is a gambler who has just been arrested in Chicago for shooting a cardsharper. While in jail, he learns from his friend Michael Nissen that his father has died recently. That means that the Dux-Werke are without a leader at the moment, for Werner's
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One day, Werner is shot dead, and Michael is suspected to be his murderer. The only one who believes in his innocence is Steffie. Shortly before his condemnation, the real murderer can be arrested. After his release, Michael disappears without a trace. Steffie, who has looked for him in vain, now
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When the real Werner escapes from jail and arrives in Germany, it looks as if the whole story is up to bust. But Werner needs money, so he convinces Michael to go on like before and hand over all profits of the firm to him. But meanwhile, Michael has become interested in Steffie and feels bad by
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Klaus, Ulrich J. : German sound films. Encyclopedia of the full-length German speaking feature films (1929 - 1945), sorted chronologically after their debut dates in Germany. - Ulrich J. Klaus. - Berlin  : 1934.
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hopes to meet him at the reliability test race, where their motorcycles have good prospects. Driven by ambition, Michael really appears there, and Steffie can finally embrace him.
53: 57: 413: 403: 432: 803: 383: 833: 808: 783: 793: 519: 273:. It passed censorship on 23 January 1934 and was presented to the public on 31 January 1934 in Munich and on 22 February 1934 in 788: 773: 798: 753: 669: 717: 565: 758: 813: 763: 768: 512: 104: 828: 778: 661: 818: 645: 243: 823: 597: 529: 231: 39: 693: 629: 549: 505: 653: 637: 613: 573: 589: 258:) and Atalanta (situated in Berlin). Some scenes were shot at the German motorcycle company, 323: 247: 86: 8: 748: 581: 557: 448:
also shown to many other European countries; the following year, it made his debut in
313: 238:, Hermann Oberländer and Hans Martin Cremer after the 1932 novel of the same title by 82: 605: 492: 373: 72: 701: 685: 497: 709: 255: 223: 725: 363: 235: 49: 742: 423: 353: 333: 266: 239: 114: 90: 61: 28: 393: 270: 263: 148: 343: 124: 94: 486: 677: 456:
on 25 August. Foreign-language versions were also produced for Italy (
259: 230:) is a German crime and adventure movie produced in 1933 by director 468:). To US cinema-goers, the film was first shown on 15 March 1936. 541: 453: 449: 274: 251: 527: 740: 513: 520: 506: 27: 262:. The film's sets were designed by the 741: 501: 254:, where most scenes were shot at the 804:German adventure comedy-drama films 13: 834:German-language comedy-drama films 809:1930s adventure comedy-drama films 14: 845: 480: 784:Films directed by Johannes Meyer 418:Smith, detective superintendent 250:(situated in Geiselgasteig near 234:. The screenplay was written by 794:German crime comedy-drama films 789:1930s crime comedy-drama films 246:between the film companies of 1: 774:Films shot at Bavaria Studios 471: 338:Steffie Dux, Werner's cousin 799:German black-and-white films 718:I'll Never Forget That Night 442: 378:August P. Lemke, bookkeeper 7: 754:1930s German-language films 662:Hangmen, Women and Soldiers 398:general manager von Oetten 301: 10: 850: 228:Der FlĂĽchtling aus Chicago 176:22 February 1934 622:The Fugitive from Chicago 536: 488:The Fugitive from Chicago 318:Michael Nissen, engineer 220:The Fugitive from Chicago 209: 201: 191: 165:31 January 1934 156: 152:Hugo Engel Film (Austria) 144: 130: 120: 110: 100: 78: 68: 45: 35: 26: 22:The Fugitive from Chicago 21: 297: 280: 694:Marriage in Small Doses 646:Mary's Start in die Ehe 630:Goodbye, Beautiful Days 328:Werner Dux, his friend 654:The Legacy of Pretoria 638:Happy Days in Aranjuez 614:Two Heavenly Blue Eyes 574:The Blonde Nightingale 464:) and Czechoslovakia ( 227: 759:Films of Nazi Germany 590:The Tiger Murder Case 814:1934 adventure films 764:Films set in Chicago 670:The Impossible Woman 368:Miss von Zackenthin 324:Hubert von Meyerinck 87:Hubert von Meyerinck 769:Films set in Munich 452:on 5 August and in 829:1930s German films 779:Bavaria Film films 582:The Rhineland Girl 528:Films directed by 466:Uprchlik z Chicaga 458:L´evaso di Chicago 58:Hans Martin Cremer 54:Hermann Oberländer 819:1934 comedy films 736: 735: 606:Alarm at Midnight 440: 439: 242:. The film was a 217: 216: 73:Otto Ernst Lubitz 841: 824:1934 drama films 686:Der singende Tor 522: 515: 508: 499: 498: 302: 183: 181: 172: 170: 31: 19: 18: 16:1934 German film 849: 848: 844: 843: 842: 840: 839: 838: 739: 738: 737: 732: 710:Blocked Signals 532: 526: 483: 474: 445: 358:Wolke, foreman 314:Gustav Fröhlich 300: 283: 256:Bavaria Studios 194: 187: 179: 177: 168: 166: 159: 151: 140: 135: 133: 93: 89: 85: 83:Gustav Fröhlich 60: 56: 52: 17: 12: 11: 5: 847: 837: 836: 831: 826: 821: 816: 811: 806: 801: 796: 791: 786: 781: 776: 771: 766: 761: 756: 751: 734: 733: 731: 730: 722: 714: 706: 698: 690: 682: 674: 666: 658: 650: 642: 634: 626: 618: 610: 602: 594: 586: 578: 570: 562: 554: 546: 537: 534: 533: 530:Johannes Meyer 525: 524: 517: 510: 502: 496: 495: 482: 481:External links 479: 473: 470: 444: 441: 438: 437: 435: 429: 428: 426: 420: 419: 416: 414:Armand Zaepfel 410: 409: 406: 400: 399: 396: 390: 389: 386: 380: 379: 376: 370: 369: 366: 364:Adele Sandrock 360: 359: 356: 350: 349: 346: 340: 339: 336: 330: 329: 326: 320: 319: 316: 310: 309: 306: 299: 296: 282: 279: 236:Max W. Kimmich 232:Johannes Meyer 215: 214: 211: 207: 206: 203: 199: 198: 195: 192: 189: 188: 186: 185: 174: 162: 160: 157: 154: 153: 146: 145:Distributed by 142: 141: 138: 136: 131: 128: 127: 122: 118: 117: 112: 108: 107: 102: 101:Cinematography 98: 97: 80: 76: 75: 70: 66: 65: 50:Max W. Kimmich 47: 43: 42: 40:Johannes Meyer 37: 33: 32: 24: 23: 15: 9: 6: 4: 3: 2: 846: 835: 832: 830: 827: 825: 822: 820: 817: 815: 812: 810: 807: 805: 802: 800: 797: 795: 792: 790: 787: 785: 782: 780: 777: 775: 772: 770: 767: 765: 762: 760: 757: 755: 752: 750: 747: 746: 744: 728: 727: 723: 720: 719: 715: 712: 711: 707: 704: 703: 699: 696: 695: 691: 688: 687: 683: 680: 679: 675: 672: 671: 667: 664: 663: 659: 656: 655: 651: 648: 647: 643: 640: 639: 635: 632: 631: 627: 624: 623: 619: 616: 615: 611: 608: 607: 603: 600: 599: 598:Ash Wednesday 595: 592: 591: 587: 584: 583: 579: 576: 575: 571: 568: 567: 563: 560: 559: 555: 552: 551: 547: 544: 543: 539: 538: 535: 531: 523: 518: 516: 511: 509: 504: 503: 500: 494: 490: 489: 485: 484: 478: 469: 467: 463: 462:O asotos yios 459: 455: 451: 436: 434: 431: 430: 427: 425: 424:Fritz Greiner 422: 421: 417: 415: 412: 411: 407: 405: 402: 401: 397: 395: 392: 391: 387: 385: 382: 381: 377: 375: 372: 371: 367: 365: 362: 361: 357: 355: 354:Otto Wernicke 352: 351: 347: 345: 342: 341: 337: 335: 334:Luise Ullrich 332: 331: 327: 325: 322: 321: 317: 315: 312: 311: 307: 304: 303: 295: 291: 287: 278: 276: 272: 268: 267:Max Seefelder 265: 264:art directors 261: 257: 253: 249: 245: 244:co-production 241: 240:Curt J. Braun 237: 233: 229: 225: 221: 212: 208: 204: 200: 196: 190: 184: (Berlin) 175: 173: (Munich) 164: 163: 161: 158:Release dates 155: 150: 147: 143: 137: 129: 126: 123: 119: 116: 115:Gottlieb Madl 113: 109: 106: 103: 99: 96: 92: 91:Luise Ullrich 88: 84: 81: 77: 74: 71: 67: 63: 62:Curt J. Braun 59: 55: 51: 48: 44: 41: 38: 34: 30: 25: 20: 724: 716: 708: 700: 692: 684: 676: 668: 660: 652: 644: 636: 628: 621: 620: 612: 604: 596: 588: 580: 572: 566:High Treason 564: 556: 548: 540: 487: 475: 465: 461: 457: 446: 408:Ruth MĂĽller 394:Ernst Dumcke 292: 288: 284: 271:Erich Zander 219: 218: 193:Running time 149:Bavaria Film 139:Atlanta Film 550:The Poacher 460:), Greece ( 433:Max Weydner 404:Lilo MĂĽller 344:Lil Dagover 197:108 minutes 125:Hans Carste 95:Lil Dagover 69:Produced by 36:Directed by 749:1934 films 743:Categories 678:Fridericus 472:References 384:Willy Dohm 180:1934-02-22 169:1934-01-31 132:Production 105:Franz Koch 46:Written by 702:Wild Bird 443:Reception 374:Paul Kemp 111:Edited by 348:Eveline 210:Language 121:Music by 79:Starring 726:Furioso 542:Horrido 454:Finland 450:Denmark 260:ZĂĽndapp 248:Bavaria 205:Germany 202:Country 178: ( 167: ( 134:company 64:(novel) 729:(1950) 721:(1949) 713:(1948) 705:(1943) 697:(1939) 689:(1939) 681:(1937) 673:(1936) 665:(1935) 657:(1934) 649:(1933) 641:(1933) 633:(1933) 625:(1933) 617:(1932) 609:(1931) 601:(1931) 593:(1930) 585:(1930) 577:(1930) 569:(1929) 561:(1928) 558:Guilty 553:(1926) 545:(1924) 388:Billy 305:actor 275:Berlin 252:Munich 224:German 213:German 308:role 298:Staff 281:Story 493:IMDb 269:and 491:at 745:: 277:. 226:: 521:e 514:t 507:v 222:( 182:) 171:)

Index


Johannes Meyer
Max W. Kimmich
Hermann Oberländer
Hans Martin Cremer
Curt J. Braun
Otto Ernst Lubitz
Gustav Fröhlich
Hubert von Meyerinck
Luise Ullrich
Lil Dagover
Franz Koch
Gottlieb Madl
Hans Carste
Bavaria Film
German
Johannes Meyer
Max W. Kimmich
Curt J. Braun
co-production
Bavaria
Munich
Bavaria Studios
ZĂĽndapp
art directors
Max Seefelder
Erich Zander
Berlin
Gustav Fröhlich
Hubert von Meyerinck

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