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488:"Antonio" is popular in Bermuda at the Van Dares' estate, but the boy reminds sulky Geraldine of the street singer. Meanwhile, Nina has now really fallen in love with Jack, who has offered her a job as a valet. John Thurston, Jack's uncle, comforts Geraldine. The police are seeking a thief, Antonio Columbo, regarding a robbery on the island, and so Nina reveals her true identity. Franz adopts Nina, and the two leave together.
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480:, she begs Suzette to take her along, but in vain. Nina runs home and puts on her brother's clothes. Back at the ship, she tells Suzette her new identity: Antonio Columbo, a known pickpocket ("Giannina Mia"). Musician Franz, boarding the yacht, decides that he needs this voice for his choir. He asks that this "boy" be allowed to accompany them. As the gangplank is raised, Nina runs aboard.
384:, the operetta's sponsor, frantically began to search for another composer. Not finding anyone who could compose as well as Herbert, Hammerstein settled on the almost unknown Friml because of his classical training. After a month of work, Friml produced the score for what would be his first theatrical success.
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around 1909, snobby
Geraldine Van Dare appears, quarreling with her fiancΓ©, Jack Travers. Her uncle's yacht is preparing to sail for Bermuda. Geraldine accuses Jack of flirting with a little Italian street singer. They board, and the young woman in question, Nina Corelli, arrives and recognizes her
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Three years later, Jack's romance with
Geraldine has subsided. Just as Franz arrives at the Van Dare's home in New York, with Nina, Jack visits on a courtesy call. Under Franz's skillful teaching, Nina has now become the great prima donna "Giannina". Jack realises that he loves her, and Nina
121:. The story concerns a young Italian girl, who is a street singer in New York. She disguises herself and serves as a cabin boy on a ship to Bermuda, where she falls in love. Complications arise, and eventually, she becomes a grand opera diva.
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old friend
Suzette, Geraldine's maid. Nina did wink at Jack, but it wasn't serious ("Love Is Like a Firefly"). She wants to escape from her drunken guardian, and learning that Bermuda is farther away than
140:. It was warmly received and ran for an encouraging 120 performances. The piece became one of the more frequently revived Friml works but was not given a complete recording until 2006. A
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as Pietro, Audrey Maple as
Geraldine Vandare, Ruby Norton as Suzette, Katherine Stewart as Mrs. Oglesby Vandare, Melville Stewart as John Thurston,
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opened at the Lyric
Theatre on December 2, 1912 to a warm reception by both the audience and the critics. The production moved to the
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starred as Nina. One of the more frequently revived Friml works, the first complete recording of the operetta was made by the
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on
December 30, where it ran until March 15, 1913. All told the production ran for 120 performances. Directed by
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One of the most popular theatrical forms in the early decades of the 20th century in
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Tommy Atkins (On a Dress-Parade) (I Want to be a Jolly
Soldier) β Nina and Ensemble
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as Jack
Travers, Irene Cassini as Antonio Columbo, Vera De Rosa as Sybil Vandare,
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was followed by 32 more Friml operettas, but it remained one of his most popular.
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We're Going to Make a Man of You β Nina, Herr Franz, Jack, John and
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used most of the songs but had a new plot set in Spain during the time of
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He Says Yes, She Says No! β Geraldine Van Dare, Jack Travers and Chorus
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would be starring on Broadway in a new operetta by Herbert with
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When a Maid Comes Knocking at Your Heart β Nina, Jack and Franz
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A Trip to Bermuda β Sybil Van Dare, Suzette, Pietro and Chorus
351:. It was announced in 1912 that Italian-born operetta diva
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Broadway: its history, people, and places: an encyclopedia
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The Beautiful Ship from Toyland β Franz and Male Chorus
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beginning in October 1912, the operetta premiered on
343:was the operetta, and its most famous composer was
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570:The Latest Thing from Paris β Pietro and Suzette
423:as Herr Franz, and George Williams as Correlli.
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622:. (1991; Taylor & Francis, 2004), p. 174
517:Call Me Uncle β John Thurston, Sybil and Chorus
654:See IBDB listing and cover page of vocal score
573:Kiss Me and 'Tis Day (The Dawn of Love) β Nina
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548:De Trop β Jenkins, Pietro, Suzette and Chorus
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664:History of the Los Angeles Civic Light Opera
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673:. broadwayla.org, accessed 11 July 2010
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687:. Albany Records, accessed 11 July 2010
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536:(In) Sapphire Seas β Sybil and Ensemble
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